Josie watched her, for there was no one else to see, how she shook it and played with it and presently began to brush it, over and over, out in public. But always through the hiding hair she would be looking out, steadily out, over the street. Josie, who followed her gaze, felt the emptiness of their street too, and could not understand why at such a moment no one could be as pitiful as only the old man driving slowly by in the cart, and no song could be as sad as his song,
"Milk, milk,
Buttermilk!
Sweet potatoes—Irish potatoes—green peas—
And buttermilk!"
But Cornelia, instead of being moved by this sad moment, in which Josie's love began to go toward her, stamped her foot. She was angry, angry. To see her then, oppression touched Josie and held her quite still. Called in to dinner before she could understand, she felt a conviction: I will never catch up with her. No matter how old I get, I will never catch up with Cornelia. She felt that daring and risking everything went for nothing; she would never take a poison wild strawberry into her mouth again in the hope of finding out the secret and the punishment of the world, for Cornelia, whom she might love, had stamped her foot, and had as good as told her, "You will never catch up." All that she ran after in the whole summer world came to life in departure before Josie's eyes and covered her vision with wings. It kept her from eating her dinner to think of all that she had caught or meant to catch before the time was gone—June-bugs in the banana plants to fly before breakfast on a thread, lightning-bugs that left a bitter odor in the palms of the hands, butterflies with their fierce and haughty faces, bees in a jar. A great tempest of droning and flying seemed to have surrounded her as she ran, and she seemed not to have moved without putting her hand out after something that flew ahead....
"There! I thought you were asleep," said her father.
She turned in her chair. The house had stirred.
"Show me their tracks," muttered Will. "Just show me their tracks."
***
As though the winds were changed back into songs, Josie seemed to hear "Beautiful Ohio" slowly picked out in the key of C down the hot afternoon. That was Cornelia. Through the tied-back curtains of parlors the other big girls, with rats in their hair and lace insertions in their white dresses, practiced forever on one worn little waltz, up and down the street, for they took lessons.
"Come spend the day with me." "See who can eat a banana down without coming up to breathe." That was Josie and her best friend, smirking at each other.
They wandered at a trot, under their own parasols. In the vacant field, in the center of summer, was a chinaberry tree, as dark as a cloud in the middle of the day. Its frail flowers or its bitter yellow balls lay trodden always over the whole of the ground. There was a little path that came through the hedge and went its way to this tree, and there was an old low seat built part-way around the trunk, on which was usually lying an abandoned toy of some kind. Here beside the nurses stood the little children, whose level eyes stared at the rosettes on their garters.
"How do you do?"
"How do you do?"
"I remembers you. Where you all think you goin'?"
"We don't have to answer."
They went to the drugstore and treated each other. It was behind the latticed partition. How well she knew its cut-out pasteboard grapes whose color was put on a little to one side. Her elbows slid smoothly out on the cold damp marble that smelled like hyacinths. "You say first." "No, you. First you love me last you hate me." When they were full of sweets it was never too late to take the long way home. They ran through the park and drank from the fountain. Moving slowly as sunlight over the grass were the broad and dusty backs of pigeons. They stopped and made a clover-chain and hung it on a statue. They groveled in the dirt under the bandstand hunting for lost money, but when they found a dead bird with its feathers cool as rain, they ran out in the sun. Old Biddy Felix came to make a speech, he stood up and shouted with no one to listen—"The time flies, the time flies!"—and his arm and hand flew like a bat in the ragged sleeve. Walking the seesaw she held her breath for him. They floated magnolia leaves in the horse trough, themselves taking the part of the wind and waves, and suddenly remembering who they were. They closed in upon the hot-tamale man, fixing their frightened eyes on his lantern and on his scars.
Josie never came and she never went without touching the dragon—the Chinese figure in the garden on the corner that in biting held rain water in the cavern of its mouth. And never did it seem so still, so utterly of stone, as when all the children said good-bye as they always did on that corner, and she was left alone with it. Stone dragons opened their mouths and begged to swallow the day, they loved to eat the summer. It was painful to think of even pony-rides gobbled, the way they all went, the children, every one (except from the double-house), crammed into the basket with their heads stuck up like candy-almonds in a treat. She backed all the way home from the dragon.
But she had only to face the double-house in her meditations, and then she could invoke Cornelia. Thy name is Corn, and thou art like the ripe corn, beautiful Cornelia. And before long the figure of Cornelia would be sure to appear. She would dart forth from one old screen door of the double-house, trailed out by the nagging odor of cabbage cooking. She would have just bathed and dressed, for it took her so long, and her bright hair would be done in puffs and curls with a bow behind.
Cornelia was not even a daughter in her side of the house, she was only a niece or cousin, there only by the frailest indulgence. She would come out with this frailty about her, come without a hat, without anything. Between the double-house and the next house was the strongest fence that could be built, and no ball had ever come back that went over it. It reached all the way out to the street. So Cornelia could never see if anyone might be coming, unless she came all the way out to the curb and leaned around the corner of the fence. Josie knew the way it would happen, and yet it was like new always. At the opening of the door, the little towheads would scatter, dash to the other side of the partition, disappear as if by consent. Then lightly down the steps, down the walk, Cornelia would come, in some kind of secrecy swaying from side to side, her skirts swinging round, and the sidewalk echoing smally to her pumps with the Baby Louis heels. Then, all alone, Cornelia would turn and gaze away down the street, as if she could see far, far away, in a little pantomime of hope and apprehension that would not permit Josie to stir.
But the moment came when without meaning to she lifted her hand softly, and made a sign to Cornelia. She almost said her name.
And Cornelia—what was it she had called back across the street, the flash of what word, so furious and yet so frail and thin? It was more furious than even the stamping of her foot, only a single word.
Josie took her hand down. In a seeking humility she stood there and bore her shame to attend Cornelia. Cornelia herself would stand still, haughtily still, waiting as if in pride, until a voice old and cracked would call her too, from the upper window, "Cornelia, Cornelia!" And she would have to turn around and go inside to the old woman, her hair ribbon and her sash in pale bows that sank down in the back.
Then for Josie the sun on her bangs stung, and the pity for ribbons drove her to a wild capering that would end in a tumble.
Will woke up with a yell like a wild Indian.
"Here, let me hold him," said his mother. Her voice had become soft; time had passed. She took Will on her lap.
Josie opened her eyes. The lightning was flowing like the sea, and the cries were like waves at the door. Her parents' faces were made up of hundreds of very still moments.
"Tomahawks!" screamed Will.
"Mother, don't let him—" Josie said uneasily.
"Never mind. You talk in your sleep too," said her mother
She experienced a kind of shock, a small shock of detachment, like the time in the picture-show when a little blurred moment of the summer's May Festival had been thrown on the screen and :here was herself, ribbon in hand, weaving on
ce in and once out, a burning and abandoned look in the flicker of her face as though no one in the world would ever see her.
Her mother's hand stretched to her, but Josie broke awaj. She lay with her face hidden in the pillow.... The summer day became vast and opalescent with twilight. The calming and languid smell of manure came slowly to meet her as she passed through the back gate and went out to the pasture among the mounds of wild roses. "Daisy," she had only to say once, in her quietest voice, for she felt very near to the cow. There she walked, not even eating—Daisy, the small tender Jersey with her soft violet nose, walking and presenting her warm side. Josie bent to lean her forehead against her. Here the tears from her eyes could go rolling down Daisy's shining coarse hairs, and Daisy did not move or speak but held patient, richly compassionate and still....
"You're not frightened any more, are you, Josie?" asked her father.
"No, sir," she said, with her face buried.... She thought of the evening, the sunset, the stately game played by the flowering hedge when the vacant field was theirs. "Here comes the duke a-riding, riding, riding ... What are you riding here for, here for?" while the hard iron sound of the Catholic Church bell tolled at twilight for unknown people. "The fairest one that I can see ... London Bridge is falling down ... Lady Moon, Lady Moon, show your shoe ... I measure my love to show you..." Under the fiery windows, how small the children were. "Fox in the morning!—Geese in the evening!—How many have you got?—More than you can ever catch!" The children were rose-colored too. Fading, rolling shouts cast long flying shadows behind them, and to watch them she stood still. Above everything in the misty blue dome of the sky was the full white moon. So it is, for a true thing, round, she thought, and where she waited a hand seemed to reach around and take her under the loose-hanging hair, and words in her thoughts came shaped like grapes in her throat. She felt lonely. She would stop a runner. "Did you know the moon was round?" "I did. Annie told me last summer." The game went on. But I must find out everything about the moon, Josie thought in the solemnity of evening. The moon and tides. 0 moon! O tides! I ask thee. I ask thee. Where dost thou rise and fall? As if it were this knowledge which she would allow to enter her heart, for which she had been keeping room, and as if it were the moon, known to be round, that would go floating through her dreams forever and never leave her, she looked steadily up at the moon. The moon looked down at her, full with all the lonely time to go.
When night was about to fall, the time came to bring out her most precious possession, the steamboat she had made from a shoe-box. In all boats the full-moon, half-moon, and new moon were cut out of each side for the windows, with tissue-paper through which shone the unsteady candle inside. She knew this journey ahead of time as if it were long ago, the hushing noise the boat made being dragged up the brick walk by the string, the leap it had to take across the three-cornered missing place over the big root, the spreading smell of warm wax in the evening, and the remembered color of the daylight turning. Coming to meet the boat was another boat, shining and gliding as if by itself.
Children greeted each other dreamily at twilight.
"Choo-choo!"
"Choo-choo!"
And something made her turn after that and see how Cornelia stood and looked across at them, all dressed in gauze, looking as if the street were a river flowing along between, and she did not speak at all. Josie understood: she could not. It seemed to her as she guided her warm boat under the brightening moon that Cornelia would have turned into a tree if she could, there in the front yard of the double-house, and that the center of the tree would have to be seen into before her heart was bared, so undaunted and so filled with hope....
"I'll shoot you dead!" screamed Will.
"Hush, hush," said their mother.
Her father held up his hand and said, "Listen."
Then their house was taken to the very breast of the storm.
Josie lay as still as an animal, and in panic thought of the future ... the sharp day when she would come running out of the held holding the ragged stems of the quick-picked goldenrod and the warm flowers thrust out for a present for somebody. The future was herself bringing presents, the season of gifts. When would the day come when the wind would fall and they would sit in silence on the fountain rim, their play done, and the boys would crack the nuts under their heels? If they would bring the time around once more, she would lose nothing that was given, she would hoard the nuts like a squirrel.
For the first time in her life she thought, might the same wonders never come again? Was each wonder original and alone like the falling star, and when it fell did it bury itself beyond where you hunted it? Should she hope to see it snow twice, and the teacher running again to open the window, to hold out her black cape to catch it as it came down, and then going up and down the room quickly, quickly, to show them the snow flakes?...
"Mama, where is my muff that came from Marshall Field's?"
"It's put away, it was your grandmother's present." (But it came from those far fields.) "Are you dreading?" Her mother felt of her forehead.
"I want my little muff to hold." She ached for it. "Mother, give it to me."
"Keep still," said her mother softly.
Her father came over and kissed her, and as if a new kiss could bring a memory, she remembered the night....It was that very night. How could she have forgotten and nearly let go what was closest of all?...
The whole way, as they walked slowly after supper past the houses, and the wet of sprinkled lawns was rising like a spirit over the streets, the locusts were filling the evening with their old delirium, the swell that would rise and die away.
In the Chautauqua when they got there, there was a familiar little cluster of stars beyond the hole in the top of the tent, but the canvas sides gave off sighs and stirred, and a knotted rope knocked outside. It was wartime where there were grown people, and the vases across the curtained stage held little bunches of flags on sticks which drooped and wilted like flowers before their eyes. Josie and Will sat waiting on the limber board in the front row, their feet hanging into the spice-clouds of sawdust. The curtains parted. Waiting with lifted hands was a company with a sign beside them saying "The Trio." All were ladies, one in red one in white, and one in blue, and after one smile which touched them all at the same instant, like a match struck in their faces, they began to play a piano, a cornet, and a violin.
At first, in the hushed disappointment which filled the Chautauqua tent in beginning moments, the music had been sparse and spare, like a worn hedge through which the hiders can be seen. But then, when hope had waned, there had come a little transition to another key, and the woman with the cornet had stepped forward, raising her instrument.
If morning-glories had come out of the horn instead of those sounds, Josie would not have felt a more astonished delight. She was pierced with pleasure. The sounds that so tremulously came from the striving of the lips were welcome and sweet to her. Between herself and the lifted cornet there was no barrier, there was only the stale, expectant air of the old shelter of the tent. The cornetist was beautiful. There in the flame-like glare that was somehow shadowy, she had come from far away, and the long times of the world seemed to be about her. She was draped heavily in white, shaded with blue, like a Queen, and she stood braced and looking upward like the figurehead on a Viking ship. As the song drew out, Josie could see the slow appearance of a little vein in her cheek. Her closed eyelids seemed almost to whir and yet to rest motionless, like the wings of a humming-bird, when she reached the high note. The breaths she took were fearful, and a little medallion of some kind lifted each time on her breast. Josie listened in mounting care and suspense, as if the performance led in some direction away—as if a destination were being shown her.
And there not far away, with her face all wild, was Cornelia, listening too, and still alone. In some alertness Josie turned and looked back for her parents, but they were far back in the crowd; they did not see her, they were not listening. She was let free
, and turning back to the cornetist, who was transfixed beneath her instrument, she bent gently forward and closed her hands together over her knees.
"Josie!" whispered Will, prodding her.
"That's my name." But she would not talk to him.
She had come home tired, in a dream. But after the light had been turned out on the sleeping porch, and the kisses of her family were put on her cheek, she had not fallen asleep. She could see out from the high porch that the town was dark, except where beyond the farthest rim of trees the old cotton-seed mill with its fiery smokestack and its lights forever seemed an inland boat that waited for the return of the sea. It came over her how the beauty of the world had come with its sign and stridden through their town that night; and it seemed to her that a proclamation had been made in the last high note of the lady trumpeteer when her face had become set in its passion, and that after that there would be no more waiting and no more time left for the one who did not take heed and follow....
***
There was a breaking sound, the first thunder.
"You see!" said her father. He struck his palms together, and it thundered again. "It's over."
"Back to bed, every last one of you," said her mother, as if it had all been something done to tease her, and now her defiance had won. She turned a light on and off.
"Pow!" cried Will, and then toppled into his father's arms, and was carried up the stairs.
From then on there was only the calm steady falling of rain.