On one of the days, while she sat there on a stile, Jenny looked across the ravine and there was Floyd, standing still in a sunny pasture. She could watch between the grapevines, which hung and held back like ropes on either side to clear her view. Floyd had a head of straight light-colored hair and it hung over his forehead, for he never was near a comb. He stood facing her in a tall squared posture of silence and rest, while a rusty-red horse that belonged to the Lockharts cropped loudly beside him in the wild-smelling pasture.
It was said by the old ladies that he slept all morning for he fished all night. Stiff and stern, Jenny sat there with her feet planted just so on the step below, in the posture of a child who is appalled at the stillness and unsurrender of the still and unsurrendering world.
At last she sighed, and when she took up her skirt to go, as if she were dreaming she saw Floyd coming across the pasture toward her. When he reached the ravine and leaped down into it with widespread arms as though he jumped into something dangerous, she stood still on the stile to watch. He moved up near to her now, his feet on the broken ferns at the spring. The wind whipped his hair, almost making a noise.
"Go back," she said. She wanted to watch him a while longer first, before he got to her.
He stopped and looked full at her, his strong neck bending to one side as if yielding in pleasure to the wind. His arms went down and his fists opened. But for her, his eyes were as bright and unconsumed as stars up in the sky. Then she wanted to catch him and see him close, but not to touch him. He stood watching her, though, as if to prevent it. They were as still and rigid as two mocking-birds that were about to strike their beaks and dance.
She waited, but he smiled, and then knelt and cupped both hands to his face in the spring water. He drank for a long time, while she stood there with her skirt whipping in the wind, and waited on him to see how long he could drink without lifting his face. When he had drunk that much, he went back to the field and threw himself yawning down into the grass. The grass was so deep there that she could see only the one arm flung out in the torn sleeve, straight, sun-blacked and motionless.
The day she watched him in the woods, she felt it come to her dimly that her innocence had left her, since she could watch his. She could only sink down onto the step of the stile, and lay her heavy forehead in her hand. But if innocence had left, she still did not know what was to come. She would wait and see him come awake.
But he slept and slept like the dead, and defeated her. She went to her grandfather and left Floyd sleeping.
Another day, they walked for a little near together, each picking some berry or leaf to hold in the mouth, on their opposite sides of the little spring. The pasture, the sun and the grazing horse were on his side, the graves on hers, and they each looked across at the other's. The whole world seemed filled with butterflies. At each step they took, two black butterflies over the flowers were whirring just alike, suspended in the air, one circling the other rhythmically, or both moving from side to side in a gentle wave-like way, one above the other. They were blue-black and moving their wings faster than Jenny's eye could follow, always together, like each other's shadows, beautiful each one with the other. Jenny could see to start with that no kiss had ever brought love tenderly enough from mouth to mouth.
Jenny and Floyd stopped and looked for a little while at all the butterflies and they never touched each other. When Jenny did touch Floyd, touch his sleeve, he started.
He went alert in the field like a listening animal. The horse came near and when he touched it, stood with lifted ears beside him, then broke away. But over all The Landing there was not a sound that she could hear. It could only be that Floyd missed nothing in the world, and could hear innumerable outward things. He suddenly flung up his head. She knew he was smiling. And a smile was always a barrier.
She said his name, for she was so close by. It was the first time.
He stayed motionless, and she knew that he lived apart in delight. That could make a strange glow fall over the field where he was, and the world go black for her, left behind. She felt terrified, as if at a pitiless thing.
Floyd lifted his foot and stamped on the ground, and held out his careless arms to catch the horse he had excited. Then he was jumping on its bare back and riding into a gallop, shouting to frighten and amaze whoever listened. She threw herself down into the grass Never had she known that the Lockhart horse could run like that. Floyd went at a racing speed and he seemed somehow in his tattered shirt—as she watched from beneath her arm—to stream with the wind, and he circled the steep field three times, and with flying yellow hair and a diminishing shout rode up into the woods.
If she could have followed and found him then, she would have started on foot. But she knew what she would find when she would come to him. She would find him equally real with herself—and could not touch him then. As she was living and inviolate, so of course was he, and when that gave him delight, how could she bring a question to him? She walked in the woods and around the graves in it, and knew about love, how it would have a different story in the world if it could lose the moral knowledge of a mystery that is in the other heart. Nothing in Floyd frightened her that drew her near, but at once she had the knowledge come to her that a fragile mystery was in everyone and in herself, since there it was in Floyd, and that whatever she did, she would be bound to ride over and hurt, and the secrecy of life was the terror of it. When Floyd rode the red horse, she lay in the grass. He might even have jumped across her. But the vaunting and prostration of love told her nothing—nothing at all.
The very next day Jenny waited on the stile and she saw Floyd come walking up the road in the morning, with drenched hair. He might have come and found her, but he came to the Lockhart house first.
The Lockhart house stood between two of the empty stretches along the road. It was wide, low, and twisted. Its roof, held up at the corners by the two chimneys, sagged like a hammock, and was mended with bark and small colored signs. The black high-water mark made a belt around the house and that alone seemed to tighten it and hold it together. Floyd stood gazing in at the doorway, as if what might not come out? And it was a beautiful doorway to see, with its fanlight and its sidelights, though they were blind with silt. The door was shut and the squirrels were asleep on the floor of the long cage across the front wall. Under the forward-tilting porch the clay-colored hens were sitting in twos in the old rowboat. And while Floyd looked, out came Mag.
And the next thing, he was playing with Mag Lockhart, that was an albino. Mag's short white hair would stream out from her head when she crouched nodding over her flowers in the yard, tending them with a jack-knife all day, and she would give a splitting laugh to see anyone come. Jenny from the stile watched them wrestle and play. The treadmill ran under the squirrels' quick feet.
Mag's voice came a long distance through the still day. "You are not!" "It is not!" "I am not!" she would scream, and she would jump away.
Floyd would turn on his heel and whirl old Mag off the ground. Mag ran and she snapped at him, she struggled and she crackled like a green wood fire, and he laughed and caught her. She pointed and sent him for the water, and he went and clattered and banged the buckets for her at the well until she begged him to stop. He went straight off and old Mag sat down on her front steps with the hens and rubbed at her flame-pink arms.
And then suddenly Mag was gone.
Jenny put her hands over her forehead, and then rubbed at her own arms. She believed Mag had been there, because she had felt whatever Mag had felt. If this was a vision, it was the first. And it did not frighten her; she knew it only came because she had felt what was in another heart besides her own. But it had been Mag's heart that grew clear to her, while Floyd ran away.
She lay down in the grass, which whispered in her ear. If desperation were only a country, it would be at the bottom of the well. She wanted to get there, to arrive graceful and airy in some strange other country and walk along its level land beneath its secret sky.
She thought she could see herself, fleet as a mirror-image, rising up in a breath of astonished farewell and walking to the well of old Mag. It was built so that it had steps like a stile. She saw herself walk up them, stand on top, look about, and then go into the dark passage.
But my grandfather, she thought, even while she sank so deeply, will call me back. I will have to go back. He will ask me if I have put flowers on my mother's grave. And she looked over at the stone on the grave of her mother, with her married name of Lockhart cut into it.
She clutched the thing in her hand, a blade of grass, and held on. There she was, sitting up in the sun, with the blade of grass stretched between her thumbs and held to her mouth, for the calling back that was in the world. She blew on the grass. It made a thoughtless reedy sound, and she blew again.
II
The morning after her grandfather's death, Jenny put on a starched white dress and went down the hill into The Landing. A little crocheted bag hung by a ribbon over her wrist, and she had taken a nickel to put in it. Her good black strapped slippers moved lightly in the dust. She was going to tell the news of her grandfather, whom the old ladies had said would die suddenly—like that. And looking about with every step she took, she saw what a lonesome place it was for all of this to happen in.
She passed a house that only the mice inhabited. She passed a black boarded-up store where an owl used to live and maintain its nocturnal habits. And there, a young calf belonging to the Lockharts used to nose through the grassy rooms, before the walls were carried away by the Negroes and burned in a winter for firewood. In front of the row of Negro cabins was one long fence, made of lumber from old boats, built there to delay the river for one more moment when it came, the same as they would have delayed a giant bent on destruction by some foolish pretext.
Across the end of the road, crumbling under her eyes, was a two-story building with a remnant of gallery, and that was Jenny's destination. The store and the post office were in the one used room. Across the tin awning hung the moss icicles with which the postmaster had decorated for Christmas. Over the door was the shriveled mistletoe, and the gun that had shot it down still standing in the corner. Tipped back against the front wall sat five old men in their chairs, with one holding the white cat. On the step, Son Alford was playing his mandolin that had been Jenny's mother's and given away. He was singing his fast song.
"Ain't she cute
Ain't she smart
Don't look twice
It'll break my heart
Everybody loves my gal."
All nodded to her, but they knew she was not supposed to speak to them.
She went inside, and the first thing she saw was Billy Floyd. He was standing in the back of the room with the postmaster saying to him, "Reckon we're going to have water this year?"
She had never seen the man between walls and under a roof and somehow it made him a different man after the one in the field. He stood in the dim and dingy store with a row of filmy glass lamps and a pair of boots behind his head, and there was something close, gathering-close, and used and worldly about him.
"That slime, that's just as slick! You know how a fish is, I expect," the postmaster was saying affably to them both, just as if they were in any way together. "That's the way a house is, been under water. It's a sight to see those niggers try to clean this place out, falling down to slide from here to the front door and back. You have to get the slime off right away too, or you never can. Sure would make the best paint in the world." He laughed.
There was something handled and used about Floyd, something strong as an odor, the odor of the old playing cards that the old men of The Landing shuffled every day over their table in the street.
"Reckon we're going to have water this year?" the postmaster asked again. He looked from one of them to the other.
Floyd said nothing, he only held a penny. For a moment Jenny thought he was going to drop his high head at being trapped in the confined place, with her between him and the door, which would be the same as telling it out, before a third person, that he could be known in time if he were caught and cornered in a little store.
"What would you like today, Miss Jenny?" asked the postmaster. "Posy seeds?"
But she could not think what she would like. She held her little bag quite still, the strings drawn tight.
All the time, Floyd was giving her a glaring look.
"Well, it makes you think sometimes, to see the water come over all the world," said the postmaster. "I took everything I could out of here last time. Then I come down from the hill and peeked in the door and what did I see? My showcases commencing to float loose. What a sight that did make! I wouldn't have thought I sold some of them things. Carried the showcases out on the hill, but nowhere much to take them. Could you believe I could carry everything out of my store in twenty minutes but my safe? Couldn't lift that. Left the door to it open and went off and left it. So as it wouldn't rust shut, Floyd, Miss Jenny. Took me a long time to scrape the river out of that thing."
All three waited a moment, and then the postmaster spoke again in a softer, intimate voice, smilingly. "Some stranger lost through here says, 'Why don't you all move away?' Move away?" He laughed, and pointed a finger at Jenny. "Did you hear that, Miss Jenny—why don't we move away? Because we live here, don't we, Miss Jenny?"
Then she knew it was a challenge Floyd made with his hard look, and she lost to him. She walked out and left him where he held his solid stand. And when the postmaster had pointed his finger at her, she remembered that she was never to speak to Billy Floyd, by the order of her grandfather.
Outside the door, she stopped still. The weight of the nickel swung in her little bag, and she felt as if she had forgotten Doomsday. She took a step back toward the challenging Floyd. Then in a kind of haste she whispered to the five old men, separately, and even to Son Alford, and each time nearer to tears for her grandfather that died in the night. Then they gathered round her, and hurried her to the old women, and so back home.
But Floyd's face glared before her eyes all the way, it was like something in her vision that kept her from seeing. It was brighter than the glare of death. He might have been buying a box of matches with his penny, which was what his going cost. He would go. The danger of flood was her grandfather's dream, and the postmaster's storekeeper wit. These were bright days and clear nights; and so Floyd would not wait long in The Landing. That was what the old ladies said, and asked that their words be marked.
But on a later day, Jenny took a walk and met Floyd by the little river that came out of the spring and went to the Mississippi beyond. She sat down and made a clover chain that would never get long because the cloverheads slipped out, and while she made it she kept looking with assuring looks into his illuminated eyes that went over the landscape and searched the sky for clouds. She could hold his look for a moment and then it would get away. She did not say a thing to him, for nobody can say, "It is a heavy heart that makes me clumsy." Nobody can say anything so true and apologetic. Nobody can say, "Forgive the heavy heart that loves more than the tongue can say or the hands can do. Look back at me every time I look at you and never feel pity, for what my heart holds this minute is better than what you offer the least bit less." Her eyes were telling him this but if he knew it or felt a threat in it, he never gave a sign. "My heart loves more than I can say or do, but feel no pity, only have a little vision too, of all clumsiness fallen away." She guessed that all grace belongs to the future. But he never had anything to say to her thought or her guess. He stood above her with his feet planted down and looked out over the landscape from within that moment. Level with him now, all The Landing spread under his eyes. Not knowing the world around, she could not know how The Landing looked set down in it. All she knew was that he would leave it when his patience gave out, and that this little staving moment by the river would reach its limit and go first.
Her eyes descended slowly, as if adorned with flowers, from his light blowing hair and his gathering
brows down, down him, past his clever hands that caught and trapped so delicately away from her side, softly down to the ground that was a sandy shore. A hidden mussel was blowing bubbles like a spring through the sand where his boot was teasing the water. It was the little pulse of bubbles and not himself or herself that was the moment for her then; and he could have already departed and she could have already wept, and it would have been the same, as she stared at the little fountain rising so gently out of the shimmering sand. A clear love is in the world—this came to her as insistently as the mussel's bubbles through the water. There it was, existing there where they came and were beside it now. It is in the bubble in the water in the river, and it has its own changing and its mysteries of days and nights, and it does not care how we come and go.
But when the moment ended, he went. And as soon as he left The Landing, the rain began to fall.
Each day the storm clouds were opening like great purple flowers and pouring out their dark thunder. Each nightfall, the storm was laid down on their houses like a burden the day had carried. The noise of rain, of the gullies filling, of the little river leaping up and running in waves filled all The Landing.
And when at last the river came, it did come like a hand and arm, and pushed black trees before it, but it was at dawn. Jenny went with the others, behind Mag Lockhart, onto the hill and the water followed, whirling and bobbing the young dead animals around on its roaring breast. The clouds lowered and broke again and the rain put out the lanterns. Boat whistles began crying as faint as baby cries in that rainy dark.