Mattie Will ran the June bug up and down her arm and remembered once when she was little and her mother and father had both been taken with the prevalent sickness, and it was Mrs. MacLain from Morgana—who before that was known only by sight to her—who had come out to the farm and nursed and cooked for them, since there was nobody. She served them light-bread toast, and not biscuit, and didn't believe in molasses. She was not afraid of all the mud. She was in the congregation, always, a sweet-looking Presbyterian albino lady. Nothing was her fault. Mrs. MacLain came by herself to church, without boy or man, her lace collar fastened down by a cluster-pearl pin just like a little ice cream spoon, loaded. Going down the aisle she held up her head for the benefit of them all, while they considered Mr. MacLain a thousand miles away. And when they sang in church with her, they might as well have sung,

  "A thousand miles away.

  A thousand miles away!"

  It made church holier.

  "I'll just start up that little bank till I see what he's after, Junior," Mattie Will said, rising.

  Junior just looked at her stubbornly.

  She pinched him. "Didn't you hear him ask me a question? Don't be so country: I'm going to answer it. And who's trespassing, if it's not us all three and a nigger? These whole woods belongs to you know who, Old Lady Stark. She'd like to see us all in Coventry this minute." She pointed overhead, without looking, where the signs said,

  Posted.

  No Pigs With or Without Rings.

  No Hunting.

  This Means You.

  STARK

  While he looked at those, and even Mr. MacLain looked at them, Mattie Will made her way up the bank.

  "You see?" Junior cried again. "Yonder comes Mattie Will. It's just a good thing I got my gun too, Mr. MacLain. You're so smart. I didn't even know you was near enough to flush out, Mr. MacLain. You back to stay? Come on, Blackstone, let's me and you shoot him right now if he budges to catch a holt of Mattie Will, don't care what happens to us or who we hit, whether we both go to the 'lectric chair or not."

  Mr. MacLain then looked out from a pin oak and fired a load of buckshot down, the way he'd throw a bone. Mattie Will's tongue ran out too, to show Junior how he'd acted in public.

  Blackstone was howling out from his plum thicket, "Now it be's our turn and I found my old gun and we done used up every bit of ammunition we had on turtles an' trash! You see, you see."

  Mattie Will looked up at Mr. MacLain and he beamed at her. He sent another load out, this one down over her where she held to some roots on the bank, and right over Junior's head.

  It peppered his hat. Baby holes shamed it all over, blush-like. Junior threw away his gun.

  Big red hand spread out on his shirt (he would always think he was shot through the heart if anybody's gun but his went off), Junior rose in the air and got a holler out. And then—he seemed determined about the way to come down, like Mister Holifield down from a ladder; no man more set in his ways than he, even Mister Holifield—he kicked and came down backwards. There was a fallen tree, a big fresh-cut magnolia some good-for-nothing had amused himself chopping down. Across that Junior decided to light, instead of on green moss—head and body on one side of the tree, feet and legs on the other. Then he went limp from the middle out, before their eyes. He was dead to the world; as immune as if asleep in his pew, but bent the opposite way.

  Mr. MacLain appeared on top of the gully, wearing a yellowy Panama hat and a white linen suit with the sleeves as ridgy as two washboards. He looked like the preternatural month of June. He came light of foot and let his gunstock trail carefree through the periwinkle, which would bind it a little and then let go.

  He went to Junior first, taking the bank in three or four knee-deep steps down.

  He bent over and laid his ear to Junior. He thumped him, like a melon he tested, and let him lie—too green. As if lighting a match from his side, he drew a finger down Junior's brown pants leg, and stepped away. Mr. MacLain's linen shoulders, white as a goose's back in the sun, shrugged and twinkled in the glade.

  To his back, he was not so very big, not so flashy and splendid as, for example, some brand-new evangelist come into the midst. He turned around and threw off his hat, and showed a thatch of straight, biscuit-colored hair. He smiled. His puckered face was like a little boy's, with square brown teeth.

  Mattie Will slid down the bank. Mr. MacLain stood with head cocked while the wind swelled and blew across the top of the ridge, turning over the green and gold leaves high up around them all, stirring along suspicions of burning leaves and gunpowder smoke and the juice of the magnolia, and then he dropped his gun flat in the vines. Mattie Will saw he was coming now.

  "Turn your self around and start picking plums!" she called, joining her hands, and Blackstone turned around, just in time.

  When she laid eyes on Mr. MacLain close, she staggered, he had such grandeur, and then she was caught by the hair and brought down as suddenly to earth as if whacked by an unseen shillelagh. Presently she lifted her eyes in a lazy dread and saw those eyes above hers, as keenly bright and unwavering and apart from her life as the flowers on a tree.

  But he put on her, with the affront of his body, the affront of his sense too. No pleasure in that! She had to put on what he knew with what he did—maybe because he was so grand it was a thorn to him. Like submitting to another way to talk, she could answer to his burden now, his whole blithe, smiling, superior, frantic existence. And no matter what happened to her, she had to remember, disappointments are not to be borne by Mr. MacLain, or he'll go away again.

  Now he clasped her to his shoulder, and her tongue tasted sweet starch for the last time. Her arms dropped back to the mossiness, and she was Mr. MacLain's Doom, or Mr. MacLain's Weakness, like the rest, and neither Mrs. Junior Holifield nor Mattie Will Sojourner; now she was something she had always heard of. She did not stir.

  Then when he let her fall and walked off, when he was out of hearing in the woods, and the birds and woods-sounds and the woodchopping throbbed clearly, she lay there on one elbow, wide awake. A dove feather came turning down through the light that was like golden smoke. She caught it with a dart of the hand, and brushed her chin; she was never displeased to catch anything. Nothing more fell.

  But she moved. She was the mover in the family. She jumped up. Besides, she heard plums falling into the bucket—sounds of pure complaint by this time. She threw Blackstone a glance. He picked plums and had a lizard to play with, and his cap unretrieved from his first sailing delight still hung in a tree. The Holifield dog licked Blackstone on the seat patch and then trotted over and licked Junior on the stone-like hand, and looked back over his shoulder with the expression of a lady soloist to whose song nobody has really listened. For ages he might have been making a little path back and forth between Junior and Blackstone, but she could not think of his name, or would not, just as Junior would not wake up.

  She wasn't going to call a one of them, man or dog, to his senses. There was Junior suspended dead to the world over a tree that was big enough around for two of him half as willful. He was hooped in the middle like the bridge over Little Chunky. Fools could set foot on him, walk over him. Even a young mule could run across him, the one he wanted to buy. His old brown pants hung halfway up his legs, and there in his poky middle pitifully gleamed the belt buckle anybody would know him by, even in a hundred years. J for Junior. A pang reached her and she took a step. It could be he was scared more than half to death—but no, not with that sleeping face, still with its look of "How come?," or its speckled lashes, quiet as the tails of sitting birds, in the shade of his brow.

  "Let the church bells wake him!" said Mattie Will to Wilbur. "Ain't tomorrow Sunday? Blackstone, you have your cap to climb up after."

  In the woods she heard sounds, the dry creek beginning to run or a strange man calling, one or the other, she thought, but she walked right up on Mr. MacLain again, asleep—snoring. He slept sitting up with his back against a tree, his head pillowed
in the luminous Panama, his snorting mouth drawn round in a perfect heart open to the green turning world around him.

  She stamped her foot, nothing happened, then she approached softly, and down on hands and knees contemplated him. Her hair fell over her eyes and she steadily blew a part in it; her head went back and forth appearing to say "No." Of course she was not denying a thing in this world, but now had time to look at anything she pleased and study it.

  With her almost motherly sway of the head and arms to help her, she gazed at the sounding-off, sleeping head, and the neck like a little porch column in town, at the one hand, the other hand, the bent leg and the straight, all those parts looking no more driven than her man's now, or of any more use than a heap of cane thrown up by the mill and left in the pit to dry. But they were, and would be. He snored as if all the frogs of spring were inside him—but to him an old song. Or to him little balls, little bells for the light air, that rose up and sank between his two hands, never to be let fall.

  His coat hung loosely out from him, and a letter suddenly dropped a little way out from a pocket—whiter than white.

  Mattie Will subsided forward onto her arms. Her rear stayed up in the sky, which seemed to brush it with little feathers. She lay there and listened to the world go round.

  But presently Mr. MacLain leaped to his feet, bolt awake, with a flourish of legs. He looked horrified—that he had been seen asleep? and by Mattie Will? And he did not know that there was nothing she could or would take away from him—Mr. King MacLain?

  In the night time,

  At the right time,

  So I've understood,

  'Tis the habit of Sir Rabbit

  To dance in the wood—

  That was all that went through Mattie Will's head.

  "What you doing here, girl?" Mr. MacLain beat his snowy arms up and down. "Go on! Go on off! Go to Guinea!"

  She got up and skedaddled.

  She pressed through a haw thicket and through the cherry trees. With a tree-high seesawing of boughs a squirrel chase ran ahead of her through the woods—Morgan's Woods, as it used to be called. Fat birds were rocking on their perches. A little quail ran on the woods floor. Down an arch, some old cedar lane up here, Mattie Will could look away into the big West. She could see the drift of it all, the stretched land below the little hills, and the Big Black, clear to MacLain's Courthouse, almost, the Stark place plain and the fields, and their farm, everybody's house above trees, the MacLains'—the white floating peak—and even Blackstone's granny's cabin, where there had been a murder one time. And Morgana all in rays, like a giant sunflower in the dust of Saturday.

  But as she ran down through the woods and vines, this side and that, on the way to get Junior home, it stole back into her mind about those two gawky boys, the MacLain twins. They were soft and jumpy! That day, with their brown, bright eyes popping and blinking, and their little aching Adam's apples—they were like young deer, or even remoter creatures ... kangaroos.... For the first time Mattie Will thought they were mysterious and sweet—gamboling now she knew not where.

  MOON LAKE

  From the beginning his martyred presence seriously affected them. They had a disquieting familiarity with it, hearing the spit of his despising that went into his bugle. At times they could hardly recognize what he thought he was playing. Loch Morrison, Boy Scout and Life Saver, was under the ordeal of a week's camp on Moon Lake with girls.

  Half the girls were county orphans, wished on them by Mr. Nesbitt and the Men's Bible Class after Billy Sunday's visit to town; but all girls, orphans and Morgana girls alike, were the same thing to Loch; maybe he threw in the two councilors too. He was hating every day of the seven. He hardly spoke; he never spoke first. Sometimes he swung in the trees; Nina Carmichael in particular would hear him crashing in the foliage somewhere when she was lying rigid in siesta.

  While they were in the lake, for the dip or the five-o'clock swimming period in the afternoon, he stood against a tree with his arms folded, jacked up one-legged, sitting on his heel, as absolutely tolerant as an old fellow waiting for the store to open, being held up by the wall. Waiting for the girls to get out, he gazed upon some undisturbed part of the water. He despised their predicaments, most of all their not being able to swim. Sometimes he would take aim and from his right cheek shoot an imaginary gun at something far out, where they never were. Then he resumed his pose. He had been roped into this by his mother.

  At the hours too hot for girls he used Moon Lake. He dived high off the crosspiece nailed up in the big oak, where the American Legion dived. He went through the air rocking and jerking like an engine, splashed in, climbed out, spat, climbed up again, dived off. He wore a long bathing suit which stretched longer from Monday to Tuesday and from Tuesday to Wednesday and so on, yawning at the armholes toward infinity, and it looked black and formal as a minstrel suit as he stood skinny against the clouds as on a stage.

  He came and got his food and turned his back and ate it all alone like a dog and lived in a tent by himself, apart like the cook, and dived alone when the lake was clear of girls. That way, he seemed able to bear it; that would be his life. In early evening, in moonlight sings, the Boy Scout and Life Saver kept far away. They would sing "When all the little ships come sailing home," and he would be roaming off; they could tell about where he was. He played taps for them, invisibly then, and so beautifully they wept together, whole tentfuls some nights. Off with the whip-poor-wills and the coons and the owls and the little bobwhites—down where it all sloped away, he had pitched his tent, and slept there. Then at reveille, how he would spit into that cornet.

  Reveille was his. He harangued the woods when the little minnows were trembling and running wizardlike in the water's edge. And how lovely and altered the trees were then, weighted with dew, leaning on one another's shoulders and smelling like big wet flowers. He blew his horn into their presence—trees' and girls'—and then watched the Dip.

  "Good morning, Mr. Dip, Dip, Dip, with your water just as cold as ice!" sang Mrs. Gruenwald hoarsely. She took them for the dip, for Miss Moody said she couldn't, simply couldn't.

  The orphans usually hung to the rear, and every other moment stood swayback with knees locked, the shoulders of their wash dresses ironed flat and stuck in peaks, and stared. For swimming they owned no bathing suits and went in in their underbodies. Even in the water they would stand swayback, each with a fist in front of her over the rope, looking over the flat surface as over the top of a tall mountain none of them could ever get over. Even at this hour of the day, they seemed to be expecting little tasks, something more immediate—little tasks that were never given out.

  Mrs. Gruenwald was from the North and said "dup." "Good morning, Mr. Dup, Dup, Dup, with your water just as cold as ice!" sang Mrs. Gruenwald, fatly capering and leading them all in a singing, petering-out string down to the lake. She did a sort of little rocking dance in her exhortation, broad in her bathrobe. From the tail end of the line she looked like a Shredded Wheat Biscuit box rocking on its corners.

  Nina Carmichael thought, There is nobody and nothing named Mr. Dip, it is not a good morning until you have had coffee, and the water is the temperature of a just-cooling biscuit, thank Goodness. I hate this little parade of us girls, Nina thought, trotting fiercely in the center of it. It ruins the woods, all right. "Gee, we think you're mighty nice," they sang to Mr. Dip, while the Boy Scout, waiting at the lake, watched them go in.

  "Watch out for mosquitoes," they called to one another, lyrically because warning wasn't any use anyway, as they walked out of their kimonos and dropped them like the petals of one big scattered flower on the bank behind them, and exposing themselves felt in a hundred places at once the little pangs. The orphans ripped their dresses off over their heads and stood in their underbodies. Busily they hung and piled their dresses on a cedar branch, obeying one of their own number, like a whole flock of ferocious little birds with pale topknots building themselves a nest. The orphan named Easter appeared in ch
arge. She handed her dress wrong-side-out to a friend, who turned it and hung it up for her, and waited standing very still, her little fingers locked.

  "Let's let the orphans go in the water first and get the snakes stirred up, Mrs. Gruenwald," Jinny Love Stark suggested first off, in the cheerful voice she adopted toward grown people. "Then they'll be chased away by the time we go in."

  That made the orphans scatter in their pantie-waists, outwards from Easter; the little gauzes of gnats they ran through made them beat their hands at the air. They ran back together again, to Easter, and stood excitedly, almost hopping.

  "I think we'll all go in in one big bunch," Mrs. Gruenwald said. Jinny Love lamented and beat against Mrs. Gruenwald, Mrs. Gruenwald's solid, rope-draped stomach all but returning her blows. "All take hands—march! Into the water! Don't let the stobs and cypress roots break your legs! Do your best! Kick! Stay on top if you can and hold the rope if necessary!"

  Mrs. Gruenwald abruptly walked away from Jinny Love, out of the bathrobe, and entered the lake with a vast displacing. She left them on the bank with her Yankee advice.

  The Morgana girls might never have gone in if the orphans hadn't balked. Easter came to a dead stop at Moon Lake and looked at it squinting as though it floated really on the Moon. And mightn't it be on the Moon?—it was a strange place, Nina thought, unlikely—and three miles from Morgana, Mississippi, all the time. The Morgana girls pulled the orphans' hands and dragged them in, or pushed suddenly from behind, and finally the orphans took hold of one another and waded forward in a body, singing "Good Morning" with their stiff, chiplike lips. None of them could or would swim, ever, and they just stood waist-deep and waited for the dip to be over. A few of them reached out and caught the struggling Morgana girls by the legs as they splashed from one barky post to another, to see how hard it really was to stay up.