‘I’m not sure I could front a hardware

  and ask for ten litres of erect nipple.’

  Manx licks his lips and repeats,

  ‘They’re vacant … now.’

  Fish guts

  All of a sudden,

  Manx’s reel squeals

  and the floater ducks under the water.

  The rod bends wildly in his hands.

  Manx widens his stance,

  grits his teeth and says,

  ‘Fish fillets here we come.’

  ‘Biggest pile of seaweed you’ve ever caught, Manx.’

  ‘It’s a mullet,’ Manx yells

  as he reels slowly, the line tensing.

  ‘Seaweed’s fine, Manx. The Japanese eat it.’

  Manx is about to respond

  when the fish breaks the surface,

  twisting and squirming on the line.

  ‘Seaweed, my arse,’ yells Manx

  as he flicks the rod.

  The mullet sails overhead

  landing in the kidney weed on the bank.

  Manx grips the fish tightly in one big hand

  and carries it to a boulder.

  Then he smacks its head hard on the rock.

  ‘Here, mullet king,’ I say,

  tossing a knife

  onto the sand near the boulder.

  Manx scrapes the scales from head to tail,

  wipes the blade on his shorts

  then inserts it into the vent

  and cuts along the belly of the fish,

  all the way to the lower jaw

  before reaching in and removing the guts.

  He turns to me, holding them in his hand.

  ‘Don’t you dare!’ I yell,

  leaping to my feet.

  ‘Jonah, trust me,’ says Manx.

  He flings the guts into the lake.

  A flock of gulls descend,

  flapping and squawking,

  arguing over the feast.

  Manx washes the fish in the cool lake water.

  ‘We’ve got the mullet.’

  He looks across the lake to Tipping Point.

  ‘Now all we need is a barbecue.’

  Stepping into a catalogue

  Our kayak glides onto the sand

  at the far reach of Tipping Point.

  Manx bows elaborately.

  ‘You may step ashore, King Jonah.’

  The bottles of beer clink in the esky

  as we drag the kayak up onto the sand.

  I look across the lake to Manx’s house

  and I notice the surface of the water

  creasing in the wind.

  ‘If the southerly builds,

  we’ll be walking the long way home,’ I say.

  Manx pats me on the back.

  ‘After a feed of fish and a few beers,

  you’ll be able to paddle into a cyclone, Jonah.’

  He lugs the esky along the beach.

  I follow, watching for movement

  in any of the houses.

  The sand is blinding white

  all the way to the point

  where the cliff of sand-blasted rock

  shines rust red in the afternoon light.

  A sea eagle floats on the breeze.

  Twenty metres from the pink house,

  Manx stops to survey the scene.

  A grassy lawn leads up from the sand

  to palm trees lining the east fence.

  A newly built wooden pagoda

  with a hammock strung between two palms

  entices us forward.

  Hardwood stairs lead up to a deck covered by

  a shade cloth, like a gull’s wing

  shielding a shiny silver barbecue

  and a teak dining table with eight chairs.

  Leading from the deck

  are glass double doors, heavy pink curtains

  with blue seashell patterns

  and, when my shoe touches the bottom step,

  it’s like walking into a rich man’s catalogue.

  A meal, well earned

  Manx strolls across the deck

  and puts his arm around my shoulder.

  ‘Does the banker wanker

  ever sit here and enjoy the view?’ he asks.

  ‘Nah, he’s too busy making deals,’ I say.

  ‘Here’s a deal.

  This place for my crappy bedroom.’

  Manx slaps the mullet on the grill

  and opens a beer, offering it to me,

  before taking his bottle to a chair

  under the shade cloth.

  He flops down, puts his feet up on the table

  and snaps a selfie.

  ‘Maybe I’ll post it on Instagram.’

  ‘Exhibit one in a court case for trespassing,’ I reply.

  ‘We could invite Rachel around,’ suggests Manx.

  ‘Tell her not to knock at the front door,’ I say.

  ‘It’s a deck party, Jonah.

  All the rage among the rich.’

  I take a swig of beer

  and look out to the lake.

  ‘Shit, Manx! Patrick’s dad

  is on the beach,

  and he’s heading this way.’

  Manx quickly flips the fish onto a sheet of foil,

  and turns off the gas.

  I grab the esky

  and we clamber over the railing down to the garden

  and scamper into a vacant block next door.

  Manx stops near a fallen log.

  I keep looking behind for Mr Lloyd-Davis,

  but Manx sits down, carefully unwraps the fish

  and offers me a fillet.

  ‘What are you doing?’ I ask, breathing heavily.

  ‘Enjoying the fish before it gets cold, Jonah.’

  ‘What if he sees us?’ I ask.

  ‘We’re having a picnic.’

  ‘He’ll smell the fish,’ I say.

  Manx shrugs, takes another bite

  and wipes the juice from his lips.

  ‘So?’

  Mr Lloyd-Davis stands

  looking out across the lake,

  more interested in his mobile phone

  than a feast of mullet.

  The pink house blushes,

  the sea eagle tilts away from the lake

  and Patrick’s dad turns and walks back

  towards his mansion.

  Manx rolls his eyes

  before returning to the deck

  to enjoy the sunset of

  a meal, well earned.

  Sharks

  ‘My dad told me

  when he was my age

  he used to bring his girlfriend

  to a fishing cabin here on the sand

  that most of the kids in town

  thought was haunted.’

  Manx takes a swig of beer.

  ‘Dad said the girl

  was holding him so tight

  expecting a ghost at every turn.’

  Manx looks around the deck

  at the shiny barbecue,

  the teak furniture

  the plants in terracotta pots.

  ‘Dad spent most weekends

  dragging a net offshore

  catching mullet with every run.

  The old blokes who lived here

  shared their beer

  if he cooked them fish.’

  I realise Manx is talking to himself

  more than to me.

  ‘They’re all dead now,

  except old man Beattie.’

  I picture Beattie’s shack

  of rotting timber and corrugated iron

  wedged between these mansions.

  ‘Dad reckons Lloyd-Davis

  offered Beattie three hundred grand

  and a place in an old people’s home.

  Mr Beattie told him to come back

  with a serious offer,’ Manx says.

  ‘I wonder how long he’ll last,’ I say.

  Manx sculls his be
er

  and tosses the bottle off the deck.

  ‘Every day he hangs on

  is spitting in the face

  of these rich bastards,’ Manx says.

  ‘Just ’cause they’re rich doesn’t make—’ I start.

  Manx holds up his hand.

  ‘Imagine someone let loose a shark in the lake.’

  He sneers. ‘Make that two sharks

  and they start feeding off the mullet.’

  ‘Everyone’s got to eat,’ I say.

  ‘But these are ugly bull sharks

  who take more than their share

  and they have baby sharks

  and, pretty soon,

  there’s no food left for anyone.’

  Manx looks at his reflection in the window.

  ‘And no-one can swim in the lake anymore,’ he says.

  ‘Sharks are territorial,’ I add.

  Manx grins. ‘So am I.’

  Impossible to talk

  Manx picks up the paddle

  and tosses it to me.

  I catch it with one hand

  and look across the lake.

  A wedge of egrets

  battle into the breeze.

  ‘Your dad doesn’t visit

  our house much anymore,’ Manx says.

  Our families used to get together every Sunday,

  the adults with beer and stories,

  me and Manx promising to catch dinner,

  and Mr Gunn cooking sausages, just in case.

  When Manx’s mum left,

  just Dad and I would visit,

  as if my mum was a reminder

  of what Manx was missing.

  Our dads would get slowly drunk

  and play darts.

  ‘He’s taking longer hauls,’ I shrug,

  ‘to pay off the truck.’

  I dig the paddle into the sand,

  and remember Mum standing

  in the kitchen with her bags packed.

  ‘The Magna is cactus and Mum’s …’

  I can’t bring myself to say it.

  The wind is pushing white horses across the lake

  but neither of us makes a move.

  ‘You can stay at our place

  whenever you want,’ Manx says.

  He steps into the kayak

  and wedges the esky between the seats.

  I nod and attempt a smile

  before pushing off.

  We paddle across the lake

  and the wind is so loud

  it’s impossible to talk.

  I’m grateful.

  Left alone

  When I get home

  I find a note on the table.

  Mum has drawn a heart

  on a piece of paper

  with red nail polish.

  There are no words.

  I fall asleep on the lounge,

  just like Dad does,

  only without the encouragement of beer.

  The wind slams the screen door

  and wakes me in darkness.

  I shuffle to my bedroom

  and pull my blankets up high.

  Every teenager’s dream

  is to be left alone

  with the run of the house.

  I remember the day

  Mum and Dad paid off their mortgage.

  Dad brought home a bottle of champagne

  and they pretended to enjoy it

  before switching to beer.

  Dad helped me do the dishes,

  while Mum played country music

  and threatened to dance us

  around the lounge room.

  The next day Dad told us

  one of his regular customers

  had gone out of business,

  the truck needed an overhaul

  and the only way to pay for it

  was another loan.

  I wriggle further under my blankets.

  I haven’t seen my parents smile since.

  The fundamentals of grammar

  Monday in English,

  I arrive too early

  to find Ella reading a paperback

  in an empty classroom.

  I study Mrs Sutcliffe’s handwriting

  on the whiteboard:

  The differences between an adverb and verb.

  Even in year ten

  we’re still learning –

  or not learning –

  the fundamentals of grammar.

  ‘Ella reads quietly,’ I say.

  Ella looks up. ‘Pardon?’

  I feel the heat rush to my cheeks.

  ‘I was thinking of adverbs and verbs.’

  I point to the whiteboard.

  ‘Reads is the verb, quietly is the adverb.’

  I should have written nerd

  across my forehead in texta.

  ‘Now I’ll jump out the window,’ I mutter.

  Ella smiles imperceptibly.

  ‘Ella smiles imperceptibly,’ I say.

  Ella’s smile broadens.

  ‘Ella—’

  ‘Jonah!’ Manx thunders into the room.

  ‘Trust you to be early for English.’

  He tosses his bag on the desk

  and swings his leg over the chair.

  ‘Did Sutcliffe give us homework?’

  I glance back at Ella.

  She’s engrossed in her book.

  Or pretending to be.

  Tequila

  Mrs Sutcliffe starts the period

  by announcing we’re going to read,

  ‘The greatest book ever written’.

  Manx groans and says,

  ‘Anything but the Bible.’

  Rachel makes the sign of the cross.

  ‘Save me,’ she cries.

  Everyone laughs.

  ‘It’s called To Kill a Mockingbird,’ says Sutcliffe.

  ‘Tequila Mockingbird?’ asks Angelo,

  leaning across his desk

  to slap Patrick on the back.

  Patrick jumps up from his chair

  and threatens to punch Angelo.

  His face is red, fists raised

  and he’s shaking in rage.

  Angelo slinks down in his chair.

  ‘It’s a joke, Patrick,’ I say.

  His eyes cloud over

  as if he were somewhere else.

  ‘Sit down, Patrick,’ says Mrs Sutcliffe,

  ‘and we’ll forgive Angelo’s attempt at humour.’

  ‘Sorry, mate,’ says Angelo,

  who, like the rest of us,

  has absolutely no idea

  what’s got into Patrick.

  Follow

  At the end of English,

  Ella waits until everyone

  has left the classroom,

  before picking up her books.

  I untie my shoelaces

  to avoid looking at Manx

  who gives up waiting for me

  and charges towards the canteen.

  Ella walks slowly past my desk.

  ‘What’s the term for

  suffering Sutcliffe stoically?’ she asks.

  ‘Alliteration,’ I answer.

  She reaches into her backpack,

  pulls out a pear

  and places it on my desk.

  ‘Your reward,’ she says.

  I pick up the fruit

  and feel its soft warm skin.

  ‘I could learn more from you

  than Sutcliffe,’ Ella says.

  She smiles and walks to the door.

  ‘And without Patrick’s violence,’ I say.

  ‘Do you want to share the pear, Jonah?’

  I gather my books quickly,

  but, in my eagerness to get to the door,

  I trip over my untied shoelace.

  Ella reaches out a hand

  and stops me from falling.

  ‘One of us rhymes badly,

  the other can’t tie his shoelaces,’ she says.

  I follow her out of the build
ing.

  I’ll follow her anywhere.

  The list of embarrassing

  Ella leads me to a seat

  behind the library in the sunshine

  away from the traffic of year nine.

  She looks at the pear.

  ‘You first,’ she offers.

  I take a bite and the juice dribbles on my pants.

  ‘Lucky we’re in the sun,’ Ella says,

  ‘so it’ll dry before Science,

  or it could look awkward.’

  ‘Everything I do is embarrassing,’ I say.

  She takes a bite,

  cupping her hand under the pear to catch the juice

  and hands it back

  with a knowing look.

  ‘Tell me the most embarrassing moment

  ever in your life,’ she says.

  I think of the long list

  and slowly begin talking.

  Once I start I can’t stop.

  ‘In my first year of high school,

  before you came,

  a boy from year eight

  pushed me out of the canteen line.

  When I tried to get back in

  he punched me in the mouth.

  I fell over,

  with nowhere to go

  but to the end of the line.

  When I got home,

  Dad asked what’d happened.

  I didn’t want to tell him.’

  I shake my head

  as Ella offers me the pear.

  ‘When Dad found out

  he jumped in the car

  and was gone for hours.

  I spent all that time

  in my bedroom

  imagining the worst.

  He came home just before dark.

  I heard him talking to Mum

  in the kitchen

  and, when I crept out,

  I saw him passing her money

  to pay for a visit to the dentist.

  The knuckles of Dad’s hand

  were swollen

  and I wondered how

  I could possibly face the boy the next day.’

  A place in line

  Ella is quiet for a long time.

  She takes the last bite of the pear

  and hops up to toss the core in the bin.

  She sits back down,

  closer to me than before.

  I take a deep breath to finish my story.

  ‘The family left town

  owing six weeks rent.

  Ever since, I’ve tried to imagine what the boy

  who’d hit me

  was thinking

  barrelling down the highway

  in the back of an old car,

  all their belongings packed in the boot,

  his father cursing and wondering

  how a place in the canteen line

  was worth all that trouble.’

  The bell rings for the end of lunch.

  Ella stands