Greet our house, O stranger.

  Our coffee cups

  Are still as they were. Do you smell

  Our fingers over them? Do you tell your daughter with

  Her plait and thick eyebrows that they have

  An absent owner,

  Who wishes to visit them, for no reason…

  But to enter their looking glass and see his secret:

  How they were living his life after him

  In his place? Greet them if time permits… /

  *

  These are the words that we would have liked

  To say to him, he heard it very, very

  Well,

  And he hides it in a quick cough,

  And casts it aside, then the buttons on his tunic

  Shine as he goes away… Well,

  And he hides it in a quick cough,

  And casts it aside, then the buttons on his tunic

  Shine as he goes away…

  BIOGRAPHICAL NOTE

  Mahmoud Darwish was born in al-Birwa in Western Galilee in 1941, the second of eight children. In 1948, after the establishment of the state of Israel, Darwish’s family move to Lebanon for a year, but later settled in Deir al-Asad in the Acre area. Darwish attended secondary school in Galilee and, after graduating, moved to Haifa to work as a journalist. His first collection of poetry, Asafir Bila Ajniha (Wingless birds) was published in 1960, when he was nineteen. He would go on to write many more collections of poetry and be hailed as one of the greatest Arab poets of the modern day. Darwish also became editor of a number of periodicals.

  Politically involved throughout his life, in 1961, he joined Rakah, the Israeli Communist Party, and when living in Beirut in 1973, he joined the Palestinian Liberation Organisation, an action which resulted in his being refused entry to Israel. Despite criticism of both Israeli and Palestinian leadership, Darwish believed that peace was an attainable aim. Darwish’s life was marked by constant relocation, he lived in Cairo, Beirut, London, Paris and Tunis, and in the later part of the 1990s, he alternated between Amman and Ramallah. He was married and divorced twice but never had children. He died in August 2008, following complications from heart surgery.

  Mohammad Shaheen holds a PhD in English Literature from Cambridge University. He is professor of English at the University of Jordan and the author of many books, including E.M. Forster and The Politics of Imperialism.

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  SELECTED TITLES FROM HESPERUS PRESS

  Author Title Foreword writer

  * * *

  Pietro Aretino The School of Whoredom Paul Bailey

  Pietro Aretino The Secret Life of Nuns

  Jane Austen Lesley Castle Zoë Heller

  Jane Austen Love and Friendship Fay Weldon

  Honoré de Balzac Colonel Chabert A.N. Wilson

  Charles Baudelaire On Wine and Hashish Margaret Drabble

  Giovanni Boccaccio Life of Dante A.N. Wilson

  Charlotte Brontë The Spell

  Emily Brontë Poems of Solitude Helen Dunmore

  Mikhail Bulgakov Fatal Eggs Doris Lessing

  Mikhail Bulgakov The Heart of a Dog A.S. Byatt

  Giacomo Casanova The Duel Tim Parks

  Miguel de Cervantes The Dialogue of the Dogs Ben Okri

  Geoffrey Chaucer The Parliament of Birds

  Anton Chekhov The Story of a Nobody Louis de Bernières

  Anton Chekhov Three Years William Fiennes

  Wilkie Collins The Frozen Deep

  Joseph Conrad Heart of Darkness A.N. Wilson

  Joseph Conrad The Return Colm Tóibín

  Gabriele D’Annunzio The Book of the Virgins Tim Parks

  Dante Alighieri The Divine Comedy: Inferno

  Dante Alighieri New Life Louis de Bernières

  Daniel Defoe The King of Pirates Peter Ackroyd

  Marquis de Sade Incest Janet Street-Porter

  Charles Dickens The Haunted House Peter Ackroyd

  Charles Dickens A House to Let

  Fyodor Dostoevsky The Double Jeremy Dyson

  Fyodor Dostoevsky Poor People Charlotte Hobson

  Alexandre Dumas One Thousand and One Ghosts

  George Eliot Amos Barton Matthew Sweet

  Henry Fielding Jonathan Wild the Great Peter Ackroyd

  F. Scott Fitzgerald The Popular Girl Helen Dunmore

  Gustave Flaubert Memoirs of a Madman Germaine Greer

  Ugo Foscolo Last Letters of Jacopo Ortis Valerio Massimo

  Manfredi

  Elizabeth Gaskell Lois the Witch Jenny Uglow

  Théophile Gautier The Jinx Theseus Gilbert Adair

  André Gide

  Johann Wolfgang The Man of Fifty A.S. Byatt

  von Goethe

  Nikolai Gogol The Squabble Patrick McCabe

  E.T.A. Hoffmann Mademoiselle de Scudéri Gilbert Adair

  Victor Hugo The Last Day of a Condemned Man Libby Purves

  Joris-Karl Huysmans With the Flow Simon Callow

  Henry James In the Cage Libby Purves

  Franz Kafka Metamorphosis Martin Jarvis

  Franz Kafka The Trial Zadie Smith

  John Keats Fugitive Poems Andrew Motion

  Heinrich von Kleist The Marquise of O– Andrew Miller

  Mikhail Lermontov A Hero of Our Time Doris Lessing

  Nikolai Leskov Lady Macbeth of Mtsensk Gilbert Adair

  Carlo Levi Words are Stones Anita Desai

  Xavier de Maistre A Journey Around my Room Alain de Botton

  André Malraux The Way of the Kings Rachel Seiffert

  Katherine Mansfield Prelude William Boyd

  Edgar Lee Masters Spoon River Anthology Shena Mackay

  Guy de Maupassant Butterball Germaine Greer

  Prosper Mérimée Carmen Philip Pullman

  Sir Thomas More The History of King Richard III Sister Wendy Beckett

  Sándor Peto˝fi John the Valiant George Szirtes

  Francis Petrarch My Secret Book Germaine Greer

  Luigi Pirandello Loveless Love

  Edgar Allan Poe Eureka Sir Patrick Moore

  Alexander Pope The Rape of the Lock and Peter Ackroyd

  A Key to the Lock

  Antoine-François Prévost Manon Lescaut Germaine Greer

  Marcel Proust Pleasures and Days A.N. Wilson

  Alexander Pushkin Dubrovsky Patrick Neate

  Alexander Pushkin Ruslan and Lyudmila Colm Tóibín

  François Rabelais Pantagruel Paul Bailey

  François Rabelais Gargantua Paul Bailey

  Christina Rossetti Commonplace Andrew Motion

  George Sand The Devil’s Pool Victoria Glendinning

  Jean-Paul Sartre The Wall Justin Cartwright

  Friedrich von Schiller The Ghost-seer Martin Jarvis

  Mary Shelley Transformation

  Percy Bysshe Shelley Zastrozzi Germaine Greer

  Stendhal Memoirs of an Egotist Doris Lessing

  Robert Louis Stevenson Dr Jekyll and Mr Hyde Helen Dunmore

  Theodor Storm The Lake of the Bees Alan Sillitoe

  Leo Tolstoy The Death of Ivan Ilych

  Leo Tolstoy Hadji Murat Colm Tóibín

  Ivan Turgenev Faust Simon Callow

  Mark Twain The Diary of Adam and Eve John Updike

  Mark T
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  Oscar Wilde The Portrait of Mr W.H. Peter Ackroyd

  Virginia Woolf Carlyle’s House and Other Sketches Doris Lessing

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  Emile Zola For a Night of Love A.N. Wilson

  Copyright

  Published by Hesperus Press Limited

  28 Mortimer Street, London W1W 7RD

  www.hesperuspress.com

  Why did you leave the horse alone? first published in Arabic in 1995

  First published by Hesperus Press Limited, 2014

  This ebook edition first published in 2014

  Copyright © Estate of Mahmoud Darwish, 1995

  English language translation and introduction © Mohammad Shaheen, 2014.

  Designed and typeset by Roland Codd

  Cover design by Roland Codd

  All rights reserved. This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly

  ISBN 978–1–78094–341–1

 


 

  Mahmoud Darwish, Why Did You Leave the Horse Alone?

 


 

 
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