Breaking the Sound Barrier happened to be one of the most engrossing movies about flying ever made. It seemed superbly realistic, and people came away from it sure of two things: it was an Englishman who had broken the sound barrier, and he had done it by reversing the controls in the transonic zone.
Well, after the showing they bring out Yeager to meet the press, and he doesn’t know where in the hell to start. To him the whole goddamned picture is outrageous. He doesn’t want to get mad, because this thing has been set up by Air Force P.R. But he is not happy. In as calm a way as he can word it on the spur of the moment, he informs one and all that the picture is an utter shuck from start to finish. The promoters respond, a bit huffily, that this picture is not, after all, a documentary. Yeager figures, well, anyway, that settles that. But as the weeks go by, he discovers an incredible thing happening. He keeps running into people who think he’s the first American to break the sound barrier … and that he learned how to reverse the controls and zip through from the Englishman who did it first. The last straw comes when he gets a call from the Secretary of the Air Force.
“Chuck,” he says, “do you mind if I ask you something? Is it true that you broke the sound barrier by reversing the controls?”
Yeager is stunned by this. The Secretary—the Secretary!—of the U.S. Air Force!
“No, sir,” he says, “that is … not correct. Anyone who reversed the controls going transonic would be dead.”
Yeager and the rocket pilots who soon joined him at Muroc had a hard time dealing with publicity. On the one hand, they hated the process. It meant talking to reporters and other fruit flies who always hovered, eager for the juice … and invariably got the facts screwed up … But that wasn’t really the problem, was it! The real problem was that reporters violated the invisible walls of the fraternity. They blurted out questions and spoke boorish words about … all the unspoken things!—about fear and bravery (they would say the words!) and how you felt at such-and-such a moment! It was obscene! They presumed a knowledge and an intimacy they did not have and had no right to. Some aviation writer would sidle up and say, “I hear Jenkins augered in. That’s too bad.” Augered in!—a phrase that belonged exclusively to the fraternity!—coming from the lips of this ant who was left behind the moment Jenkins made his first step up the pyramid long, long ago. It was repulsive! But on the other hand … one’s healthy pilot ego loved the glory—wallowed in it!—tapped it up!—no doubt about it! The Pilot Ego—ego didn’t come any bigger! The boys wouldn’t have minded the following. They wouldn’t have minded appearing once a year on a balcony over a huge square in which half the world is assembled. They wave. The world roars its approval, its applause, and breaks into a sustained thirty-minute storm of cheers and tears (moved by my righteous stuff!). And then it’s over. All that remains is for the wife to paste the clippings in the scrapbook.
A little adulation on the order of the Pope’s; that’s all the True Brothers at the top of the pyramid really wanted.
Yeager received just about every major decoration and trophy that was available to test pilots, but the Yeager legend grew not in the press, not in public, but within the fraternity. As of 1948, after Yeager’s flight was made public, every hot pilot in the country knew that Muroc was what you aimed for if you wanted to reach the top. In 1947 the National Security Act, Title 10, turned the Army Air Force into the U.S. Air Force, and three years later Muroc Army Air Base became Edwards Air Force Base, named for a test pilot, Glenn Edwards, who had died testing a ship with no tail called the Flying Wing. So now the magic word became Edwards. You couldn’t keep a really hot, competitive pilot away from Edwards. Civilian pilots (almost all of whom had been trained in the military) could fly for the National Advisory Committee for Aeronautics (NACA) High Speed Center at Edwards, and some of the rocket pilots did that: Scott Crossfield, Joe Walker, Howard Lilly, Herb Hoover, and Bill Bridgeman, among them. Pete Everest, Kit Murray, Iven Kincheloe, and Mel Apt joined Yeager as Air Force rocket pilots. There was a constant rivalry between NACA and the Air Force to push the rocket planes to their outer limits. On November 20, 1953, Crossfield, in the D–558-2, raised the speed record to Mach 2. Three weeks later Yeager flew the X–IA to Mach 2.4. The rocket program was quickly running out of frontiers within the atmosphere; so NACA and the Air Force began planning a new project, with a new rocket plane, the X–15, to probe altitudes as high as fifty miles, which was well beyond anything that could still be called “air.”
My God!—to be a part of Edwards in the late forties and early fifties!—even to be on the ground and hear one of those incredible explosions from 35,000 feet somewhere up there in the blue over the desert and know that some True Brother had commenced his rocket launch … in the X–I, the X–IA, the X–2, the D–558-1, the horrible XF–92A, the beautiful D–558-2 … and to know that he would soon be at an altitude, in the thin air at the edge of space, where the stars and the moon came out at noon, in an atmosphere so thin that the ordinary laws of aerodynamics no longer applied and a plane could skid into a flat spin like a cereal bowl on a waxed Formica counter and then start tumbling, not spinning and not diving, but tumbling, end over end like a brick … In those planes, which were like chimneys with little razor-blade wings on them, you had to be “afraid to panic,” and that phrase was no joke. In the skids, the tumbles, the spins, there was, truly, as Saint-Exupéry had said, only one thing you could let yourself think about: What do I do next? Sometimes at Edwards they used to play the tapes of pilots going into the final dive, the one that killed them, and the man would be tumbling, going end over end in a fifteen-ton length of pipe, with all aerodynamics long gone, and not one prayer left, and he knew it, and he would be screaming into the microphone, but not for Mother or for God or the nameless spirit of Ahor, but for one last hopeless crumb of information about the loop: “I’ve tried A! I’ve tried B! I’ve tried C! I’ve tried D! Tell me what else I can try!” And then that truly spooky click on the machine. What do I do next? (In this moment when the Halusian Gulp is opening?) And everybody around the table would look at one another and nod ever so slightly, and the unspoken message was: Too bad! There was a man with the right stuff. There was no national mourning in such cases, of course. Nobody outside of Edwards knew the man’s name. If he were well liked, he might get one of those dusty stretches of road named for him on the base. He was probably a junior officer doing all this for four or five thousand a year. He owned perhaps two suits, only one of which he dared wear around people he didn’t know. But none of that mattered!—not at Edwards—not in the Brotherhood.
What made it truly beautiful (for a True Brother!) was that for a good five years Edwards remained primitive and Low Rent, with nothing out there but the bleached prehistoric shrimp terrain and the rat shacks and the blazing sun and the thin blue sky and the rockets sitting there moaning and squealing before dawn. Not even Pancho’s changed—except to become more gloriously Low Rent. By 1949 the girls had begun turning up at Pancho’s in amazing numbers. They were young, lovely, juicy, frisky—and there were so many of them, at all hours, every day of the week! And they were not prostitutes, despite the accusations made later. They were just … well, just young juicy girls in their twenties with terrific young conformations and sweet cupcakes and loamy loins. They were sometimes described with a broad sweep as “stewardesses,” but only a fraction of them really were. No, they were lovely young things who arrived as mysteriously as the sea gulls who sought the squirming shrimp. They were moist labial piping little birds who had somehow learned that at this strange place in the high Mojave lived the hottest young pilots in the world and that this was where things were happening. They came skipping and screaming in through the banging screen doors at Pancho’s—and it completed the picture of Pilot Heaven. There was no other way to say it. Flying & Drinking and Drinking & Driving and Driving & Balling. The pilots began calling the old Fly Inn dude ranch “Pancho’s Happy Bottom Riding Club,” and there you had it.
All
of this was fraternal bliss. No pilot was shut off from it because he was “in the public eye.” Not even the rocket aces were isolated like stars. Most of them also performed the routine flight-test chores. Some of Yeager’s legendary exploits came when he was merely a supporting player, flying “chase” in a fighter plane while another pilot flew the test aircraft. One day Yeager was flying chase for another test pilot at 20,000 feet when he noticed the man veering off in erratic maneuvers. As soon as he reached him on the radio, he realized the man was suffering from hypoxia, probably because an oxygen hose connection had come loose. Some pilots in that state became like belligerent drunks—prior to losing consciousness. Yeager would tell the man to check his oxygen system, he’d tell him to go to a lower altitude, and the man kept suggesting quaint anatomical impossibilities for Yeager to perform on himself. So Yeager hit upon a ruse that only he could have pulled off. “Hey,” he said, “I got me a problem here, boy. I caint keep this thing running even on the emergency system. She just flamed out. Follow me down.” He started descending, but his man stayed above him, still meandering. So Yeager did a very un-Yeager-like thing. He yelled into the microphone! He yelled: “Look, my dedicated young scientist—follow me down!” The change in tone—Yeager yelling!—penetrated the man’s impacted hypoxic skull. My God! The fabled Yeager! He’s yelling—Yeager’s yelling!—to me for help! Jesus H. Christ! And he started following him down. Yeager knew that if he could get the man down to 12,000 feet, the oxygen content of the air would bring him around, which it did. Hey! What happened? After he landed, he realized he had been no more than a minute or two from passing out and punching a hole in the desert. As he got out of the cockpit, an F–86 flew overhead and did a slow roll sixty feet off the deck and then disappeared across Rogers Lake. That was Yeager’s signature.
Yeager was flying chase one day for Bill Bridgeman, the prime pilot for one of the greatest rocket planes, the Douglas Skyrocket, when the ship went into a flat spin followed by a violent tumble. Bridgeman fought his way out of it and regained stability, only to have his windows ice up. This was another common danger in rocket flights. He was out of fuel, so that he was now faced with the task of landing the ship both deadstick and blind. At this point Yeager drew alongside in his F–86 and became his eyes. He told Bridgeman every move to make every foot of the way down … as if he knew that ol’ Skyrocket like the back of his hand … and this was jes a little ol’ fishin’ trip on the Mud River … and there was jes the two of ‘em havin’ a little poker-hollow fun in the sun … and that lazy lollygaggin’ chucklin’ driftin’ voice was still purrin’ away … the very moment Bridgeman touched down safely. You could almost hear Yeager saying to Bridgeman, as he liked to do:
“How d’ye hold with rockets now, son?”
That was what you thought of when you saw the F–86 do a slow roll sixty feet off the deck and disappear across Rogers Lake.
Yeager had just turned thirty. Bridgeman was thirty-seven. It didn’t dawn on him until later that Yeager always called him son. At the time it had seemed perfectly natural. Somehow Yeager was like the big daddy of the skies over the dome of the world. In keeping with the eternal code, of course, for anyone to have suggested any such thing would have been to invite hideous ridicule. There were even other pilots with enough Pilot Ego to believe that they were actually better than this drawlin’ hot dog. But no one would contest the fact that as of that time, the 1950’s, Chuck Yeager was at the top of the pyramid, number one among all the True Brothers.
And that voice … started drifting down from on high. At first the tower at Edwards began to notice that all of a sudden there were an awful lot of test pilots up there with West Virginia drawls. And pretty soon there were an awful lot of fighter pilots up there with West Virginia drawls. The air space over Edwards was getting so caint-hardly supercool day by day, it was terrible. And then that lollygaggin’ poker-hollow air space began to spread, because the test pilots and fighter pilots from Edwards were considered the pick of the litter and had a cachet all their own, wherever they went, and other towers and other controllers began to notice that it was getting awfully drawly and down-home up there, although they didn’t know exactly why. And then, because the military is the training ground for practically all airline pilots, it spread further, until airline passengers all over America began to hear that awshuckin’ driftin’ gone-fishin’ Mud River voice coming from the cockpit … “Now, folks, uh … this is the captain … ummmm … We’ve got a little ol’ red light up here on the control panel that’s tryin’ to tell us that the landin’ gears’re not … uh … lockin’ into position …”
But so what! What could possibly go wrong! We’ve obviously got a man up there in the cockpit who doesn’t have a nerve in his body! He’s a block of ice! He’s made of 100 percent righteous victory-rolling True Brotherly stuff.
Yeager quit testing rocket planes in 1954 and returned to strictly military flying. First he went to Okinawa to test a Soviet MiG–15 that a North Korean defector, a pilot named Kim Sok No, had arrived in, giving the Air Force its first opportunity to study this fabled craft. American pilots used to come back from the Yalu River saying that the MiG–15 was so hot you could put your F–86 in a power dive and the MiG would fly outside loops around you all the way down. Yeager took the MiG–15 up to 50,000 feet and then down to 12,000 feet in a power dive without even so much as an instruction manual to go by. He found that it would outclimb and outaccelerate the F–86, but that the F–86 had a higher top speed in both level flight and in dives. The MiG–15 was good but not exactly a superfighter that should strike terror in the heart of the West. Yeager had to chuckle. Some things never changed. You let any fighter jock talk about the enemy aircraft and he’ll tell you it’s the hottest thing that ever left the ground. After all, it made him look just that much better when he waxed the bandit’s tail. Then Yeager went to Germany to fly F–86s and to train the American combat squadrons there in a special air-alert system. By October 4, 1957, he was back in the United States, at George Air Force Base, about fifty miles southeast of Edwards, commanding a squadron of F–100s, when the Soviet Union launched the rocket that put a 184-pound artificial satellite called Sputnik I into orbit around the earth.
Yeager was not terribly impressed. The thing was so goddamned small. The idea of an artificial earth satellite was not novel to anyone who had been involved in the rocket program at Edwards. By now, ten years after Yeager had first flown a rocket faster than Mach 1, rocket development had reached the point where the idea of unmanned satellites such as Sputnik I was taken for granted. Two years ago, 1955, the government had published a detailed description of the rockets that would be used to launch a small satellite in late 1957 or early 1958 as part of the United States’ contribution to the International Geophysical Year. Engineers for NACA and the Air Force and several aircraft companies were already designing manned spacecraft as the logical extension of the X series. The preliminary design section of North American Aviation had working drawings and most of the specifications for a fifteen-ton ship called the X–15B, a winged craft that would be launched by three enormous rockets, each with 415,000 pounds of thrust, whereupon the ship’s two pilots would take over with the X–15B’s own 75,000-pound engine, make three or more orbits of the earth, reenter the atmosphere, and land on a dry lake bed at Edwards like any other pilots in the X series. This was no mere dream. North American was already manufacturing a ship almost as ambitious: namely the X–15. Scott Crossfield was in training to fly it. The X–15 was designed to achieve an altitude of 280,000 feet, just above fifty miles, which was generally regarded as the boundary where all trace of atmosphere ended and “space” began. Within a month after the launching of Sputnik I, North American’s chief engineer, Harrison Storms, was in Washington with a completely detailed proposal for the X–15B project. His turned out to be one among 421 proposals for manned spacecraft that had been submitted to NACA and the Defense Department. The Air Force was interested in a rocket-glider c
raft, similar to the X–15B, that would be called the X–20 or Dyna-Soar, for “dynamic soaring”; an Air Force rocket, the Titan, which was under development, would provide the 500,000 pounds of thrust that would be required. Naturally the pilots of the X–15B or the X–20 or whatever—the first Americans and possibly the first men in the world to go into space—would come from Edwards. At Edwards you had men like Crossfield, Iven Kincheloe, and Joe Walker, who had already flown rockets many times.
So what was the big deal about Sputnik I? The problem was already on the way to being solved.
That was the way it looked to Yeager and to everybody involved in the X series at Edwards. It was hard to realize how Sputnik I looked to the rest of the country and particularly to politicians and the press … and other technological illiterates with influence … It was hard to realize that Sputnik I, if not the MiG–15, would strike terror in the heart of the West.
After two weeks, however, the situation was obvious: a colossal panic was underway, with congressmen and newspapermen leading a huge pack that was baying at the sky where the hundred-pound Soviet satellite kept beeping around the world. In their eyes Sputnik I had become the second momentous event of the Cold War. The first had been the Soviet development of the atomic bomb in 1953. From a purely strategic standpoint, the fact that the Soviets had the rocket power to launch Sputnik I meant that they now also had the capacity to deliver the bomb on an intercontinental ballistic missile. The panic reached far beyond the relatively sane concern for tactical weaponry, however. Sputnik I took on a magical dimension—among highly placed persons especially, judging by opinion surveys. It seemed to dredge up primordial superstitions about the influence of heavenly bodies. It gave birth to a modern, i.e., technological, astrology. Nothing less than control of the heavens was at stake. It was Armageddon, the final and decisive battle of the forces of good and evil. Lyndon Johnson, who was the Senate majority leader, said that whoever controlled “the high ground” of space would control the world. This phrase, “the high ground,” somehow caught hold. “The Roman Empire,” said Johnson, “controlled the world because it could build roads. Later—when it moved to sea—the British Empire was dominant because it had ships. In the air age we were powerful because we had airplanes. Now the Communists have established a foothold in outer space.” The New York Times, in an editorial, said the United States was now in a “race for survival.” The panic became more and more apocalyptic. Nothing short of doom awaited the loser, now that the battle had begun. When the Soviets shot a Sputnik called Mechta into a heliocentric orbit, the House Select Committee on Astronautics, headed by House Speaker John McCormack, said that the United States faced the prospect of “national extinction” if it did not catch up with the Soviet space program. “It cannot be overemphasized that the survival of the free world—indeed, all the world—is caught up in the stakes.” The public, according to the Gallup poll, was not all that alarmed. But McCormack, like a great many powerful people, genuinely believed in the notion of “controlling the high ground.” He was genuinely convinced that the Soviets would send up space platforms from which they could drop nuclear bombs at will, like rocks from a highway overpass.