BY JOE R. LANSDALE
The Hap Collins and Leonard Pine Novels
SAVAGE SEASON
MUCHO MOJO
THE TWO-BEAR MAMBO
BAD CHILI
RUMBLE TUMBLE
CAPTAINS OUTRAGEOUS
Novels
ACT OF LOVE
THE MAGIC WAGON
DEAD IN THE WEST
THE NIGHTRUNNERS
THE DRIVE-IN: A B-Movie with Blood and Popcorn, Made in Texas
THE DRIVE-IN II: Not Just One of Them Sequels
COLD IN JULY
CAPTURED BY THE ENGINES
TARZAN’S LOST ADVENTURE
(with Edgar Rice Burroughs)
FREEZER BURN
THE BOAR
WALTZ OF SHADOWS
BLOOD DANCE
THE BOTTOMS
THE BIG BLOW
A FINE DARK LINE
Juvenile
TERROR ON THE HIGH SKIES
Short Story Collections
BY BIZARRE HANDS
STORIES BY MAMA LANSDALE’S YOUNGEST BOY
BESTSELLERS GUARANTEED
WRITER OF THE PURPLE RAGE
ELECTRIC GUMBO
A FISTFUL OF STORIES
ATOMIC CHILI: The Illustrated Joe R. Lansdale
THE GOOD, THE BAD, AND THE INDIFFERENT
VEIL’S VISIT (with Andrew Vachss)
PRIVATE EYE ACTION, AS YOU LIKE IT (with Lewis Shiner)
THE LONG ONES
HIGH COTTON
Anthologies (as Editor)
BEST OF THE WEST
NEW FRONTIER
RAZORED SADDLES (with Pat LoBrutto)
DARK AT HEART (with Karen Lansdale)
WEIRD BUSINESS (with Rick Klaw)
Nonfiction
THE WEST THAT WAS (with Thomas W. Knowles)
THE WILD WEST SHOW (with Thomas W. Knowles)
In memory of Cooter.
Brave, True, and Noble Protector.
Friend.
Family dog.
Although movies, music, and certain events listed here did take place in 1958, I have condensed the release dates of some of these to fit my story. Forgive me this transgression. The town of Dewmont and the Dew Drop Drive-in are my creations, and to the best of my knowledge do not exist, and if they do exist, they bear no relationship to my fictional creation. Some parts of this novel are inspired by autobiographical events, but they serve only as springboards and are not meant to represent true events or real persons.
—J.R.L.
PART ONE
The Dew Drop Drive-in and Concession, 1958
1
MY NAME is Stanley Mitchel, Jr., and I’ll write down what I recall.
This took place in a town named Dewmont, and it’s a true story. It all happened during a short period of time, and it happened to me.
Dewmont got its name from an early settler named Hamm Dewmont. Little else is known about him. He came, gave his name to the place, then disappeared from history.
Dewmont, during its early days, was a ratty collection of wooden huts perched on the edge of the Sabine River in the deep heart of East Texas, a place of red clay and white sand, huge pines and snake-infested wetlands.
There are faded photographs in the Dewmont library of a scattering of pioneer hovels on the river’s edge as viewed through the lens of a primitive camera. You wouldn’t think much would come of this beginning, besides maybe a hard rain and a slide into the river, but through the years, and into the twentieth century, these shacks gradually inflated into a town as the great trees went down and were turned to lumber.
Later the town swelled into a small city of about one hundred thousand, but these events happened earlier, when my family, the Mitchels, moved there at the tag end of the 1950s.
Before we moved to Dewmont my daddy had been a mechanic in a small town of three hundred, appropriately named No Enterprise. One day he came home sick of working beneath cars, lying on cold cement and creaking creepers. He made an announcement that surprised us all. Including Mom.
Daddy loved movies, and somehow he heard about the Dewmont drive-in being for sale. The original owner, not long after opening the theater, had died of a stroke. His family was anxious to move someplace west, as debt was clinging to their butts like feathers to tar.
So, Daddy collected our life savings, and using it as a down payment, hauled my mother, who he called Gal, me, my older sister, Caldonia, and my dog, Nub, on over to Dewmont.
Dewmont was mostly a long street with brick buildings on either side of Main Street, including our competition in the form of the Palace Theater, an indoor place.
I remember when we first arrived. It was a hot clear day and above was a blue sky dotted with clouds, and you could look down Main Street and see cars parked at the curb and people moving about, and way and beyond, tall trees.
Our drive-in, the Dew Drop, was set just inside of town across from a ritzy residential area.
I’m sure adults in the ritzy section frowned on the nearby drive-in and its catering to the town’s great unwashed, or for that matter, their own children who came to us at a dollar a carload.
The Dew Drop was one of those drive-ins where the screen was a residence. These were rare structures, the screens usually being nothing more than a sheet of wood or metal fastened between a large frame, but the builders of the Dew Drop had been progressive and had gone all out.
The Dew Drop’s screen was actually a thick building designed to look on the outside like a Western fort. Painted across it was a mural of well-feathered Indians on horseback being pursued by cavalry in sharp blue uniforms and crisp white hats. There were snowy puffs of smoke to show gunfire coming from the pistols and rifles of the soldiers, and one Indian was obviously hit and falling from his horse, to neither ride or scalp again.
Hanging inexplicably above all this on the roof, fastened to a metal frame, was a huge, ocean-blue dew drop, looking as if it were about to drip and explode against the roof, drenching the world.
On the other side, where the cars faced the screen, the wall was white and served as the screen. Above it, this side of the dew drop was painted green, and not a pretty green, but a color that made me think of a puss-filled blister. I wondered why it had been painted at all. At night, when the movie showed, it was lost in the darkness above the reflected light on the screen.
Inside the movie screen, our home, it was pretty normal. Downstairs was a kitchen, living room, bath, and Callie’s bedroom. Connected to our living quarters was a concession stand that served hot dogs, popcorn, candy, and soft drinks. Shortly after taking over, we added fried chicken and sausage on a stick to the menu.
On the second floor were two bedrooms, one for me, one for Mom and Dad. I was ecstatic about that. Our old house in No Enterprise had one legitimate bedroom, and me and Callie slept in the living room at night on pallets. Here at the Dew Drop we had our own beds, our own privacy, which was great since I had recently discovered the joys of masturbation. Though I hadn’t exactly figured out what it was all about, it beat playing checkers against myself.
Above all this was yet another floor, a kind of attic with stairs that led to the roof of the drive-in where the great dew drop resided.
Up there on the roof, you could see the cars coming in, and if you walked to the other side of the roof, you could see what made up our backyard: speakers on posts in tidy rows, and at night, cars and lots of people.
Next to the drive-in structure was a padlocked toolshed, and to the side of that was a playground with a teeter-totter, swings, and a slide for when the kids got bored with the movie. All of this was surrounded by a fence. Mostly tin, with some chain link near the swings and seesaws.
———
I WORKED at our
drive-in during that summer with Caldonia. A black man named Buster Abbot Lighthorse Smith, who had worked for the previous owner, ran the projector. He was old, sullen, strong-looking, said very little. Mostly did his job. He was so quiet you forgot he was around. He came walking in an hour before the show, did his work, put the film away when it was over, and left.
My mother and father opened the drive-in Monday through Saturday, except during rainstorms or the dead of winter. Even in East Texas, it sometimes got too cold for drive-in patrons.
For that reason we closed a week before Christmas, didn’t open again until the first of March. During that time Daddy did repairs on speakers, hauled in fresh gravel, painted and carpentered.
When he wasn’t doing that, if he needed the money, he did mechanic work on the lawn of the drive-in. He hated that, longed for the day when he would no longer turn wrenches and listen for air blowing through a leaky manifold.
Daddy loved the drive-in as much as he hated mechanic work. He liked to sit out front sometimes on Sundays, when it wasn’t open, in a metal lawn chair, and I’d sit on the ground beside him, usually tormenting ants with a blade of grass. He’d stare at those cowboys and Indians on the front side of the screen as if he were actually watching a movie.
I think in his mind’s eye they moved. And maybe it was just the idea of owning his own business that fascinated him. Daddy hadn’t come from much, had about a third-grade education. He’d scraped and scrapped for everything he had, and was proud of it. For him, owning that drive-in was as good as being a doctor or a lawyer. And, for the times, for his background, he felt he was making pretty good money.
At thirteen years old, I was the youngest of the Mitchel clan, and not a sophisticated thirteen at that. I was as unaware of the ways of the world as a pig is of cutlery and table manners. I thought sex came after the number five and before the number seven.
Sad to say, I had only recently gotten over believing in Santa Claus and was mad about it. I had been told the truth by kids at school six months before we moved to Dewmont, and had fought a hell of a fight with Ricky Vanderdeer over the matter. I came home with a battered cheek, a black eye, a limp, and a general ass whipping.
My mother, upset over the beating, and a little embarrassed that a child my age still believed in Santa Claus, sat me down and gave me a speech about how Santa may not be real but lived in the hearts of those who believed in him. I was stunned. You could have knocked me over with a wet dog hair. I didn’t want a Santa in my heart. I wanted a fat, bearded man in a red suit that brought presents at Christmas and could squeeze through a chimney or a keyhole, which was how Mother told me Santa came into our home, not some nothing living in my heart.
This realization led me to the immediate conclusion that if there was no fat, jolly old elf in a red suit that came by magical sleigh, then there was no Easter Bunny hopping about with colored eggs either, not to mention the Tooth Fairy, one of the few mythical creatures I had honest suspicions about, having found one of the teeth she was supposed to have claimed for a quarter lying under my bed, probably where my mother, the real Tooth Fairy, had dropped it.
I had been set wise and I didn’t like it. I felt like a big donkey’s ass.
My ignorance did not end with Santa and assorted mythological creatures. I was no whiz at school either. Though I was smarter and better read than most kids, I was so bad at mathematics, it was a firing squad offense.
Having come from No Enterprise, a three-street town with two stores, two alleyways, a filling station, a six-table cafe, and a town drunk we knew by name, and who in a strange way was respected for his dedication to his profession, Dewmont seemed like a metropolis.
Yet, in time Dewmont actually began to feel sleepy. At least on the surface. Especially during the long hot summers.
The turmoil of the 1960s was yet to come, and Dewmont was way behind anyway. People dressed and conducted themselves like it was the 1930s, or at the latest, the 1940s. On Sunday men wore thin black ties and heavy black suits and hot wool hats. They always removed their hats when they were inside and they still tipped them at ladies.
Because air-conditioning was rare, even in stores, it was sticky-hot then, indoors and out, as if you had been coated in a thin film of warm molasses. In the summer, those men’s suits rested heavy on their victims, like outfits designed for torture. The thin ties lay dead on sweat-stained shirts and the cotton in the shoulders of the suits shifted easily, making lumps; the material held sweat like a sponge holds water; the brims on the wool hats sagged.
In the late afternoons people stripped down to shirtsleeves or even undershirts and sat outside on porches or in metal lawn chairs and talked well after the fireflies came out. Inside, they sat in front of fans.
It didn’t get dark during the summer till way late, and the sun, not blocked by tall buildings or housing developments, dipped into the East Texas trees like a fireball. As it died, it looked as if it were setting the woods on fire.
Certain kinds of language now spoken as a matter of course were rarely heard then in polite company. Even the words damn and hell, if women were present, could stun a conversation as surely as a slaughterhouse hammer could stun a cow.
The Depression was long gone, if not forgotten by those who had gone through it. World War II was over and we had saved the world from the bad guys, but the boom times that had hit the rest of the country had not quite made it to East Texas. Or if they had, they hadn’t stayed long. Came in with the oil field wildcatter for a financial quickie, then played out so fast it was hard to remember there had ever been good times.
There was rockabilly, or rock and roll as it became known, on the radio, but there was no abundance of rock and roll feel in the air where we lived. Just a clutch of kids who hung out at the Dairy Queen afternoons and evenings, especially thick on Friday and Saturday nights.
A few of the guys, like Chester White, had ducktails and hotrods. Most guys had pretty short hair with a pompadour rise in front and plenty of hair oil on it. Wore sharp-creased slacks, starched white shirts, and polished brown shoes, drove their daddy’s car when they could get it.
The girls wore poodle skirts and ponytails, but the most radical thing they did was play the same tune over and over on the jukebox, mostly Elvis, and some of the Baptist kids danced in spite of the lurking threat of hell and damnation.
The colored knew their place. Women knew their place. Gay was still a word for “happy.” Children were still thought by many best seen and not heard. Stores closed on Sunday. Our bomb was bigger than their bomb and the United States Army couldn’t be beat by anyone. Including Martians. The President of the United States was a jolly, grandfatherly, fat, bald man who liked to play golf and was a war hero.
Being blissfully ignorant, I thought all was right with the world.
2
THERE WAS ONE KID I met after moving to Dewmont who I made friends with. His name was Richard Chapman. He was a little older than me, but in the same grade, because he had failed a year.
Like Huckleberry Finn, Richard wasn’t the sort that would make a great adult, but he was one hell of a kid. He could ride a bike faster than the wind, could toss a pocketknife between his toes and not stick himself, knew the woods, could climb a tree like a gibbon, and juggle four rubber balls at a time.
He had a shock of brown greasy hair, made greasier by generous doses of Vitalis, sweat, and body oil. Richard combed his mop straight back like Johnny Weissmuller, who he resembled.
Richard’s hair was constantly slipping out of place, and he spent a good portion of his time flipping it back into position with brutal jerks of his head, and knowing lice lived there, this activity made you nervous. Still, at the time, having a cowlick and a white spot at the front of my hair, I envied that greasy mop of his, along with his muscles.
My thought was, if Richard were in a plane that crashed in the jungle, he would survive and become someone like Tarzan. He would figure out how to hunt, build a hut, and fight natives.
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I, on the other hand, would be eaten by lions, or beaten to death by monkeys within moments.
One Saturday morning Richard came over to watch television, to see all the shows on Jungle Theater. While he watched, he held and mooned over my Roy Rogers cowboy boots. He had a thing for those boots; they were red leather and written on the pull-up straps in silver letters was “Roy Rogers.”
Richard’s family didn’t have a TV. They had owned one, but when a storm knocked down their antenna and twisted it up like a pretzel, his father decided it was a sign from God, and sold the set to a sinner.
Even before the jungle shows finished, Richard held one of my cowboy boots against his foot to see if it would fit, and informed me he had to go, had to get back home and do chores and take a beating because he was running late and had left home without asking.
“Why didn’t you ask?”
“Because Daddy would have said no.”
“Then why did you come?”
“I wanted to.”
“What about the beating?”
Richard shrugged.
Being accustomed to beatings, Richard wasn’t overly frightened by the notion. He told me if he thought of himself as Tarzan being tortured by natives, he could make out tough enough to take it.
Richard pretended he was Tarzan a lot.
When Richard talked about chores, he meant grown-man chores on Mr. Chapman’s worn-out farm. I picked up my clothes and a few odds and ends like that, but Richard had to feed the chickens, slop the hogs, put hay out for cows, plant and harvest crops. He fixed fence and cut fence posts, and once dug a six-foot-long, twelve-foot-deep trench for their outhouse before breakfast.
His daddy made him slave as hard as the people he hired to work the fields. Usually, this was an unending cycle of one or two colored people, sometimes Mexicans, who, whether native to Texas or from across the border, were referred to as wetbacks.
These workers, migrants and transients—anyone who lived in Dewmont knew better than to work for Chapman—didn’t last long on the farm, and were soon gone, fired either for laziness or religious infractions.