V
SAM FATHERS lit his pipe again. He did it deliberately, rising and lifting between thumb and forefinger from his forge a coal of fire. Then he came back and sat down. It was getting late. Caddy and Jason had come back from the creek, and I could see Grandfather and Mr. Stokes talking beside the carriage, and at that moment, as though he had felt my gaze, Grandfather turned and called my name.
“What did your pappy do then?” I said.
“He and Herman Basket built the fence,” Sam Fathers said. “Herman Basket told how Doom made them set two posts into the ground, with a sapling across the top of them. The nigger and pappy were there. Doom had not told them about the fence then. Herman Basket said it was just like when he and pappy and Doom were boys, sleeping on the same pallet, and Doom would wake them at night and make them get up and go hunting with him, or when he would make them stand up with him and fight with their fists, just for fun, until Herman Basket and pappy would hide from Doom.
“They fixed the sapling across the two posts and Doom said to the nigger: ‘This is a fence. Can you climb it?’
“Herman Basket said the nigger put his hand on the sapling and sailed over it like a bird.
“Then Doom said to pappy: ‘Climb this fence.’
“ ‘This fence is too high to climb,’ pappy said.
“ ‘Climb this fence, and I will give you the woman,’ Doom said.
“Herman Basket said pappy looked at the fence a while. ‘Let me go under this fence.’ he said.
“ ‘No,’ Doom said.
“Herman Basket told me how pappy began to sit down on the ground. ‘It’s not that I don’t trust you,’ pappy said.
“ ‘We will build the fence this high,’ Doom said.
“ ‘What fence?’ Herman Basket said.
“ ‘The fence around the cabin of this black man,’ Doom said.
“ ‘I can’t build a fence I couldn’t climb,’ pappy said.
“ ‘Herman will help you,’ Doom said.
“Herman Basket said it was just like when Doom used to wake them and make them go hunting. He said the dogs found him and pappy about noon the next day, and that they began the fence that afternoon. He told me how they had to cut the saplings in the creek bottom and drag them in by hand, because Doom would not let them use the wagon. So sometimes one post would take them three or four days. ‘Never mind,’ Doom said. ‘You have plenty of time. And the exercise will make Craw-ford sleep at night.’
“He told me how they worked on the fence all that winter and all the next summer, until after the whisky trader had come and gone. Then it was finished. He said that on the day they set the last post, the nigger came out of the cabin and put his hand on the top of a post (it was a palisade fence, the posts set upright in the ground) and flew out like a bird. ‘This is a good fence,’ the nigger said. ‘Wait,’ he said. ‘I have something to show you.’ Herman Basket said he flew back over the fence again and went into the cabin and came back. Herman Basket said that he was carrying a new man and that he held the new man up so they could see it above the fence. ‘What do you think about this for color?’ he said.”
Grandfather called me again. This time I got up. The sun was already down beyond the peach orchard. I was just twelve then, and to me the story did not seem to have got anywhere, to have had point or end. Yet I obeyed Grand-father’s voice, not that I was tired of Sam Fathers’ talking, but with that immediacy of children with which they flee temporarily something which they do not quite understand; that, and the instinctive promptness with which we all obeyed Grandfather, not from concern of impatience or reprimand, but because we all believed that he did fine things, that his waking life passed from one fine (if faintly grandiose) picture to another.
They were in the surrey, waiting for me. I got in; the horses moved at once, impatient too for the stable. Caddy had one fish, about the size of a chip, and she was wet to the waist. We drove on, the team already trotting. When we passed Mr. Stokes’ kitchen we could smell ham cooking. The smell followed us on to the gate. When we turned onto the road home it was almost sundown. Then we couldn’t smell the cooking ham any more. “What were you and Sam talking about?” Grandfather said.
We went on, in that strange, faintly sinister suspension of twilight in which I believed that I could still see Sam Fathers back there, sitting on his wooden block, definite, immobile, and complete, like something looked upon after a long time in a preservative bath in a museum. That was it. I was just twelve then, and I would have to wait until I had passed on and through and beyond the suspension of twilight. Then I knew that I would know. But then Sam Fathers would be dead.
“Nothing, sir,” I said. “We were just talking.”
A Courtship
THIS IS HOW it was in the old days, when old Issetibbeha was still the Man, and Ikkemotubbe, Issetibbeha’s nephew, and David Hogganbeck, the white man who told the steamboat where to walk, courted Herman Basket’s sister.
The People all lived in the Plantation now. Issetibbeha and General Jackson met and burned sticks and signed a paper, and now a line ran through the woods, although you could not see it. It ran straight as a bee’s flight among the woods, with the Plantation on one side of it, where Issetibbeha was the Man, and America on the other side, where General Jackson was the Man. So now when something happened on one side of the line, it was a bad fortune for some and a good fortune for others, depending on what the white man happened to possess, as it had always been. But merely by occurring on the other side of that line which you couldn’t even see, it became what the white men called a crime punishable by death if they could just have found who did it. Which seemed foolish to us. There was one uproar which lasted off and on for a week, not that the white man had disappeared, because he had been the sort of white man which even other white men did not regret, but because of a delusion that he had been eaten. As if any man, no matter how hungry, would risk eating the flesh of a coward or thief in this country where even in winter there is always something to be found to eat;—this land for which, as Issetibbeha used to say after he had become so old that nothing more was required of him except to sit in the sun and criticise the degeneration of the People and the folly and rapacity of politicians, the Great Spirit has done more and man less than for any land he ever heard of. But it was a free country, and if the white man wished to make a rule even that foolish in their half of it, it was all right with us.
Then Ikkemotubbe and David Hogganbeck saw Herman Basket’s sister. As who did not, sooner or later, young men and old men too, bachelors and widowers too, and some who were not even widowers yet, who for more than one reason within the hut had no business looking anywhere else, though who is to say what age a man must reach or just how unfortunate he must have been in his youthful compliance, when he shall no longer look at the Herman Basket’s sisters of this world and chew his bitter thumbs too, aihee. Because she walked in beauty. Or she sat in it, that is, because she did not walk at all unless she had to. One of the earliest sounds in the Plantation would be the voice of Herman Basket’s aunt crying to know why she had not risen and gone to the spring for water with the other girls, which she did not do sometimes until Herman Basket himself rose and made her, or in the afternoon crying to know why she did not go to the river with the other girls and women to wash, which she did not do very often either. But she did not need to. Anyone who looks as Herman Basket’s sister did at seventeen and eighteen and nineteen does not need to wash.
Then one day Ikkemotubbe saw her, who had known her all his life except during the first two years. He was Issetibbeha’s sister’s son. One night he got into the steamboat with David Hogganbeck and went away. And suns passed and then moons and then three high waters came and went and old Issetibbeha had entered the earth a year and his son Moketubbe was the Man when Ikkemotubbe returned, named Doom now, with the white friend called the Chevalier Sœur-Blonde de Vitry and the eight new slaves which we did not need either, and his gold-laced hat and cloak and the
little gold box of strong salt and the wicker wine hamper containing the four other puppies which were still alive, and within two days Moketubbe’s little son was dead and within three Ikkemotubbe whose name was Doom now was himself the Man. But he was not Doom yet. He was still just Ikkemotubbe, one of the young men, the best one, who rode the hardest and fastest and danced the longest and got the drunkest and was loved the best, by the young men and the girls and the older women too who should have had other things to think about. Then one day he saw Herman Basket’s sister, whom he had known all his life except for the first two years.
After Ikkemotubbe looked at her, my father and Owl-by-Night and Sylvester’s John and the other young men looked away. Because he was the best of them and they loved him then while he was still just Ikkemotubbe. They would hold the other horse for him as, stripped to the waist, his hair and body oiled with bear’s grease as when racing (though with honey mixed into the bear’s grease now) and with only a rope hackamore and no saddle as when racing, Ikkemotubbe would ride on his new racing pony past the gallery where Herman Basket’s sister sat shelling corn or peas into the silver wine pitcher which her aunt had inherited from her second cousin by marriage’s great-aunt who was old David Colbert’s wife, while Log-in-the-Creek (one of the young men too, though nobody paid any attention to him. He raced no horses and fought no cocks and cast no dice, and even when forced to, he would not even dance fast enough to keep out of the other dancers’ way, and disgraced both himself and the others each time by becoming sick after only five or six horns of what was never even his whisky) leaned against one of the gallery posts and blew into his harmonica. Then one of the young men held the racing pony, and on his gaited mare now and wearing his flower-painted weskit and pigeon-tailed coat and beaver hat in which he looked handsomer than a steamboat gambler and richer even than the whisky-trader, Ikkemotubbe would ride past the gallery where Herman Basket’s sister shelled another pod of peas into the pitcher and Log-in-the-Creek sat with his back against the post and blew into the harmonica. Then another of the young men would take the mare too and Ikkemotubbe would walk to Herman Basket’s and sit on the gallery too in his fine clothes while Herman Basket’s sister shelled another pod of peas perhaps into the silver pitcher and Log-in-the-Creek lay on his back on the floor, blowing into the harmonica. Then the whisky-trader came and Ikkemotubbe and the young men invited Log-in-the-Creek into the woods until they became tired of carrying him. And although a good deal wasted outside, as usual Log-in-the-Creek became sick and then asleep after seven or eight horns, and Ikkemotubbe returned to Herman Basket’s gallery, where for a day or two at least he didn’t have to not listen to the harmonica.
Finally Owl-at-Night made a suggestion. “Send Herman Basket’s aunt a gift.” But the only thing Ikkemotubbe owned which Herman Basket’s aunt didn’t, was the new racing pony. So after a while Ikkemotubbe said, “So it seems I want this girl even worse than I believed,” and sent Owl-at-Night to tie the racing pony’s hackamore to Herman Basket’s kitchen door handle. Then he thought how Herman Basket’s aunt could not even always make Herman Basket’s sister just get up and go to the spring for water. Besides, she was the second cousin by marriage to the grand-niece of the wife of old David Colbert, the chief Man of all the Chickasaws in our section, and she looked upon Issetibbeha’s whole family and line as mushrooms.
“But Herman Basket has been known to make her get up and go to the spring,” my father said. “And I never heard him claim that old Dave Colbert’s wife or his wife’s niece or anybody else’s wife or niece or aunt was any better than anybody else. Give Herman the horse.”
“I can beat that,” Ikkemotubbe said. Because there was no horse in the Plantation or America either between Natchez and Nashville whose tail Ikkemotubbe’s new pony ever looked at. “I will run Herman a horse-race for his influence,” he said. “Run,” he told my father. “Catch Owl-at-Night before he reaches the house.” So my father brought the pony back in time. But just in case Herman Basket’s aunt had been watching from the kitchen window or something, Ikkemotubbe sent Owl-at-Night and Sylvester’s John home for his crate of gamecocks, though he expected little from this since Herman Basket’s aunt already owned the best cocks in the Plantation and won all the money every Sunday morning anyway. And then Herman Basket declined to commit himself, so a horse-race would have been merely for pleasure and money. And Ikkemotubbe said how money could not help him, and with that damned girl on his mind day and night his tongue had forgotten the savor of pleasure. But the whisky-trader always came, and so for a day or two at least he wouldn’t have to not listen to the harmonica.
Then David Hogganbeck also looked at Herman Basket’s sister, whom he too had been seeing once each year since the steamboat first walked to the Plantation. After a while even winter would be over and we would begin to watch the mark which David Hogganbeck had put on the landing to show us when the water would be tall enough for the steamboat to walk in. Then the river would reach the mark, and sure enough within two suns the steamboat would cry in the Plantation. Then all the People—men and women and children and dogs, even Herman Basket’s sister because Ikkemotubbe would fetch a horse for her to ride and so only Log-in-the-Creek would remain, not inside the house even though it was still cold, because Herman Basket’s aunt wouldn’t let him stay inside the house where she would have to step over him each time she passed, but squatting in his blanket on the gallery with an old cooking-pot of fire inside the blanket with him—would stand on the landing, to watch the upstairs and the smokestack moving among the trees and hear the puffing of the smokestack and its feet walking fast in the water too when it was not crying. Then we would begin to hear David Hogganbeck’s fiddle, and then the steamboat would come walking up the last of the river like a race-horse, with the smoke rolling black and its feet flinging the water aside as a running horse flings dirt, and Captain Studenmare who owned the steamboat chewing tobacco in one window and David Hogganbeck playing his fiddle in the other, and between them the head of the boy slave who turned the wheel, who was not much more than half as big as Captain Studenmare and not even a third as big as David Hogganbeck. And all day long the trading would continue, though David Hogganbeck took little part in this. And all night long the dancing would continue, and David Hogganbeck took the biggest part in this. Because he was bigger than any two of the young men put together almost, and although you would not have called him a man built for dancing or running either, it was as if that very double size which could hold twice as much whisky as any other, could also dance twice as long, until one by one the young men fell away and only he was left. And there was horse-racing and eating, and although David Hogganbeck had no horses and did not ride one since no horse could have carried him and run fast too, he would eat a match each year for money against any two of the young men whom the People picked, and David Hogganbeck always won. Then the water would return toward the mark he had made on the landing, and it would be time for the steamboat to leave while there was still enough water in the river for it to walk in.
And then it did not go away. The river began to grow little, yet still David Hogganbeck played his fiddle on Herman Basket’s gallery while Herman Basket’s sister stirred something for cooking into the silver wine pitcher and Ikkemotubbe sat against a post in his fine clothes and his beaver hat and Log-in-the-Creek lay on his back on the floor with the harmonica cupped in both hands to his mouth, though you couldn’t hear now whether he was blowing into it or not. Then you could see the mark which David Hogganbeck had marked on the landing while he still played his fiddle on Herman Basket’s gallery where Ikkemotubbe had brought a rocking chair from his house to sit in until David Hogganbeck would have to leave in order to show the steamboat the way back to Natchez. And all that afternoon the People stood along the landing and watched the steamboat’s slaves hurling wood into its stomach for steam to make it walk; and during most of that night, while David Hogganbeck drank twice as much and danced twice as long as even David Hogganbe
ck, so that he drank four times as much and danced four times as long as even Ikkemotubbe, even an Ikkemotubbe who at last had looked at Herman Basket’s sister or at least had looked at someone else looking at her, the older ones among the People stood along the landing and watched the slaves hurling wood into the steamboat’s stomach, not to make it walk but to make its voice cry while Captain Studenmare leaned out of the upstairs with the end of the crying-rope tied to the door-handle. And the next day Captain Studenmare himself came onto the gallery and grasped the end of David Hogganbeck’s fiddle.
“You’re fired,” he said.
“All right,” David Hogganbeck said. Then Captain Studenmare grasped the end of David Hogganbeck’s fiddle.
“We will have to go back to Natchez where I can get money to pay you off,” he said.
“Leave the money at the saloon,” David Hogganbeck said. “I’ll bring the boat back out next spring.”
Then it was night. Then Herman Basket’s aunt came out and said that if they were going to stay there all night, at least David Hogganbeck would have to stop playing his fiddle so other people could sleep. Then she came out and said for Herman Basket’s sister to come in and go to bed. Then Herman Basket came out and said, “Come on now, fellows. Be reasonable.” Then Herman Basket’s aunt came out and said that the next time she was going to bring Herman Basket’s dead uncle’s shotgun. So Ikkemotubbe and David Hogganbeck left Log-in-the-Creek lying on the floor and stepped down from the gallery. “Goodnight,” David Hogganbeck said.