“Did he have a camera?”
The question took him aback. “No,” he said, almost surprised at his own answer. He’d seen only a face. Not even a full face, to be honest. Only the pale suggestion of eyes and a chin, and lips held in a comical O of surprise.
But now, the window was empty. The curtains weren’t even swaying. The room over the garage was pitch dark.
“Do you want me to go check?” Dylan asked with the accommodating condescension of a father offering to check for monsters under his teenage daughter’s bed.
“No.” Jason took a deep breath and squared his shoulders, feigning a bravado he didn’t feel. “You’re right. There’s nobody there. I must have been seeing things.”
Dylan grinned and moved closer, wrapping his arms around him. “You need to relax, JayWalk.”
It was the press’s nickname for Jason. He hated it, although it didn’t sound quite so ridiculous when Dylan said it. “I’m trying.”
“You want a drink?”
“That won’t help.”
“Some weed?” He kissed Jason’s neck, pushing his erection insistently against him. “Poppers? A Valium? I have some in my bag. Tell me what you need, baby, and I’ll get it. You know that. Anything for you.”
Anything.
As long as it was only for tonight.
Anything he needed, but only until morning.
“Let’s go inside,” Jason said. “I have a brand-new bed in there, you know.”
Dylan’s laugh was throaty and gratifying. “Then let’s go break it in.”
Jason followed him inside, glancing once toward the guesthouse over the garage.
Nobody there.
Jason woke to birds chirping happily outside the window. Sunlight was streaming through the thin white curtains, making the entire room feel like a midmorning dream. Dylan slept next to him, his bare back rising and falling with his soft snores. For a while, Jason simply watched him, remembering the night before. Reliving how good it felt to fall asleep next to the man he loved.
If only it could be like this every day.
But no. Dylan would go back to California, and Jason would be left alone in a house that was way too big for him.
He was looking forward to it. Not to Dylan leaving, of course. That’d break his heart, like it always did. But after that, there’d be only him, the house, and the bliss of seclusion. People often said privacy was the last luxury. Jason knew it was true. After a lifetime in the limelight—or chasing the limelight, at any rate—he’d learned that privacy was a commodity more precious than gold, as unattainable as stardom and fame, rarer than real breasts in porn. Privacy was the great white whale, and Jason was determined to harpoon that beast and make it his.
Buying the house had been the first step.
He climbed out of bed and considered what to wear. Of course, the closet and all the drawers were empty. They’d never gotten around to bringing his suitcases in from the car. Some of the boxes in the living room held clothes, but he didn’t relish the idea of digging through them naked. He put on the jeans he’d worn the day before and went barefoot down the stairs in search of coffee. He waited until it was brewing to check his cell phone. No messages from Natalie Reuben, his agent. That meant no pictures had surfaced of him and Dylan on the porch.
Not yet, at least.
He took his coffee out onto the veranda. Movement flashed in his peripheral vision, but when he turned, he caught only the unmistakable white tail of a deer bounding into the trees.
“Hey, you can stay,” he called after it. “As long as you don’t have a camera.”
The deer kept running, clearly unimpressed by Jason’s concession.
Jason rested his hip against the railing and searched in vain for more wildlife. Sydney had mentioned deer, caribou, bighorn sheep, and lemmings, although Jason wouldn’t know a lemming if it popped up and said hello. She’d also mentioned foxes, wolves, wolverines, and grizzlies, although she’d assured him those were more elusive. Jason had jokingly told her he’d rather face a grizzly than a photographer. Now, staring out into the woods that surrounded him, he wasn’t so sure.
His eyes fell at last on the garage. It’d been built in the style of an old barn, with a tall, rounded roof. The big doors meant for cars were on the far side of the building. On the near side, there was only a single, person-sized doorway, with a cobblestone path leading to the mudroom off the kitchen. Jason eyed the window on the second floor. Had he really seen somebody in it?
He left his coffee cup on the porch and descended the front steps, angling off the path toward the garage, the frosty grass crunching under his bare feet. It was colder than he expected, each step worse than the one before, and he ended up doing an ungraceful skip-hop-hop across the frozen ground, trying to walk without letting his feet touch the ground any longer than necessary. He imagined he looked like those idiots who walked across coals, so he stopped when he reached the cobblestones and glanced around, hoping no photographers had shown up to capture it on film. No matter how innocuous the activity, the tabloids always managed to put a tantalizing spin on things. He imagined the headlines.
Jadon Walker Buttermore on Drugs! Thinks the Ground Is Hot Lava!
JayWalk in the Throes of Drug-Induced Hallucination!
JayWalking His Way to the Loony Bin!
Not as sensational as a sex tape, but still enough to sell a few copies.
His paranoia proved unwarranted. He saw no sign of trespassers. Then again, he hadn’t seen the photographer who’d taken the pictures of him and Dylan eight months earlier, either. He hadn’t known until Natalie called him the next morning that he’d made StarWatch’s cover once again. In some ways, it had been a relief. He’d been debating the best way to come out for ages. But being outed in such a sensational way hadn’t been part of the plan.
He glanced toward his bedroom, and the second-floor porch, where he and Dylan had made out the night before. He shuddered, thinking how careless he’d been. Some people said there was no such thing as bad press, but those people had clearly never been caught in a tabloid’s crosshairs.
“Can’t let that happen again,” he mumbled as he turned toward the garage.
The door was nothing special. A four-paned window up top, solid wood below. He tried the knob, but found it locked. Nothing of interest when he peered inside, either. Empty spaces where cars belonged and empty shelves along the walls. He knew from viewing the floor plans that the staircase to the guesthouse lay directly to his right, along the same interior wall that held the door, but he couldn’t see it.
He tried the knob a second time, for no good reason whatsoever. Still locked. Not that he’d expected that to change.
If a photographer had found their way inside, would they have thought to lock the door behind them? Would they still be up there, or had they snuck out during the night?
Jason crouched and inspected the cobblestones at his feet, searching for footprints, or—
Well, to be honest, he didn’t know what exactly. Maybe a note written in chalk, “The paparazzi was here”?
He found nothing but dirt and damp cobblestones.
He crossed back over to the house, confident that he looked less ridiculous than he had the first time. He went quietly up the stairs, wondering if Dylan was still asleep. He imagined crawling under his new down comforter, snuggling into the familiar warmth of Dylan’s arms, maybe making love one more time before saying good-bye. It disappointed him to find Dylan already up and half-dressed.
“Hey, there you are,” Dylan said as he buttoned his shirt. His jeans were on too, although his feet were still bare.
Jason settled on the bed and crossed his legs. “Are you leaving already?”
“I have a flight to catch.”
“I see.” Jason had driven his car full of belongings to Idaho and checked into a motel in nearby Coeur d’Alene a few days before the closing. He’d been thrilled when Dylan had called at the last minute and told him he’d booked a fli
ght to Spokane and would be there in time to help Jason with the move. And now here they were: Jason’s bags still sitting in his car in the driveway, and Dylan already with one foot out the door.
Jason fiddled with the ragged hem of his jeans, debating. He wanted to ask what was so urgent that Dylan had to rush out before breakfast. He wanted to suggest that Dylan stay, if not another night, at least a few more hours. But he couldn’t figure out how to say any of it without sounding desperate.
“I have an appointment for new head shots at four,” Dylan went on. “And then later tonight . . .” He grinned mischievously. “I have a hot date.”
Jason’s heart sank. “Oh?”
“Remember Tryss?”
“Victim Number Five, from Summer Camp Nightmare 3?”
“That’s the one. Poor girl has daddy issues from here to the moon, a failed acting career, and a boob job she’s still paying off. It’s like the desperation trifecta.” He winked. “Even you couldn’t turn that down.”
“I have turned that down.”
Dylan laughed and perched on the edge of the love seat to pull on his shoes. When he glanced up again, Jason was surprised to find his expression somber. “It was good seeing you, Jase.”
Jason did his best to keep his tone casual when he answered. “You too."
“I had a great time last night.”
“So did I.” But those words didn't sound casual at all. Jason knew his heartache had crept into his voice, but Dylan showed no sign of having heard it as he crossed the room and put a hand on either side of Jason’s face, leaning close to peer into his eyes.
“You know I love you, right?”
Jason’s heart leapt. He swallowed hard. “You do?”
“Of course. You’re like a brother to me. You know that.”
Jason was pretty sure most brothers didn’t do what they’d done the night before, but he didn’t argue. He only hoped Dylan couldn’t see how much those words hurt him. “I love you too.” He was proud that he managed to keep his voice steady.
And casual.
“You’ll call me if you need anything, right?” Dylan asked.
Jason nodded. “Right,” he lied.
“Good.” Dylan kissed him—not like a brother, certainly, but not quite like a lover either.
Like a friend.
“Take care, JayWalk.”
“You too.”
And then Dylan walked down the stairs. Out the front door. Jason refused to watch. He only listened as Dylan’s car crunched over the gravel drive toward the main road.
And then there was only Jason, and the solitude he’d longed for so desperately.
Funny how solitude and loneliness felt so much alike.
It wasn’t an auspicious beginning to the day. For a while, he simply lay in bed, listening to the birds, imagining how it would feel to have Dylan with him all the time. But his melancholy didn’t linger. For better or worse, he was used to saying good-bye to the man he loved, not knowing when he’d see him again.
Besides, the sun was shining, and the mystery of his new home beckoned. Jason had looked forward to this day for months now, longing for the moment when the world would disappear and he could begin his new life. Not Jadon Walker Buttermore, child star of a long-defunct family sitcom. Not JayWalk, teenage heartthrob of yesteryear, now pushing thirty, all grown up with nowhere to go.
No. Now he was just Jason Walker, regular guy.
He finished unloading his car, showered, then made himself breakfast—a bagel with lox and cream cheese, which he took to the veranda to eat—before facing the task of unpacking. The stack of boxes in the living room seemed daunting at first, but he hadn’t actually brought much. What wasn’t clothing was electronics: television, stereo, Xbox, and the accoutrements that went with them. Everything else, including all the mementos of his years in Hollywood, he left in boxes that he stacked in the narrow attic with its creepy lone window. Finally, he pulled his car into the garage, glancing around as he did for any evidence of the man he’d seen the night before. He saw no signs of habitation, and the guesthouse door at the top of the stairs was still closed.
He was halfway across the lawn to his front porch, thinking what a gorgeous day it was for November, when his cell phone rang. He glanced at the screen: Natalie. He took a deep breath before answering, steeling himself for bad news. “Hello?”
“Jason! How’s my favorite client?”
Jason winced. He’d hired Natalie three years earlier, and she had potential, but she was still an up-and-coming agent in a town where agents of any variety were more common than rats and pigeons and granted approximately the same amount of respect. Most of the actors and actresses she represented were completely unknown, happy to land a toothpaste commercial. As dreadful as Jason’s career had been the last few years, she considered him one of her big-ticket stars. And now he was leaving it all behind to hide himself away in the mountains of Idaho.
It was pathetic, any way you sliced it.
Still, Natalie’s upbeat opener eased his mind. She wouldn’t be so chipper if she was calling to tell him StarWatch had published pictures of him having his cock sucked.
“I’m fine.” He plopped down on the steps of the shaded porch, glancing proudly around at his property. “The house is great. It’s exactly what I need.”
“I’m glad. You’re all settled in, then?”
“Getting there.”
“Good.” But she hadn’t called to chat. She was clearly anxious to get down to business. “Listen, Jason, I have some great news for you. I got you an offer. In fact, I got you two!”
Jason’s heart clenched. Those words no longer excited him as they once had. Now, they only caused anxiety. “What kind of offer?”
“Well, now, hear me out.”
“That good, huh?”
“They’re both horror movies.”
The coolness of the wooden steps seeped through his jeans, and he stretched his legs out, reaching for the line where the shadow of the porch ended, letting the sunlight play over the toes of his shoes. “Of course they are.”
“The first one . . . I have a feeling you’ll pass without even seeing the script.”
“Is it a ‘found footage’ film?”
“As a matter of fact, it is.”
He shook his head, even though she couldn’t see him. “No way.”
“Don’t you at least want to—”
“There’s no point. Everybody thinks they can make ‘found footage’ work, and almost nobody can. They don’t seem to understand that it may give you a pass on cinematography, but not on writing. And you can’t skimp on both. You get Peter Jackson’s budget and Industrial Light & Magic doing the visual effects, you can have the shittiest script in the world. But when you’re filming an entire movie on somebody’s iPhone, you better have some goddamn compelling shit happening on screen or it falls utterly flat.” He stopped, a bit embarrassed by his outburst, but knowing he was right. He scrubbed his hand through his hair. “Did you read it?”
“I glanced at it.” Her hesitant tone told him all he needed to know.
“It’s complete crap, isn’t it?”
She sighed. “It isn’t great, I admit. But maybe with your star power—”
“Ha!” His laugh was so sudden and loud, it startled two birds off the porch railing. He felt a bit guilty for having disturbed them. “Forget it.”
“Okay. I expected you to say no to that one, anyway. That’s why I pitched it first.”
“Fine.” He leaned back and stared up at the blue sky, hardly daring to hope. At least she’d saved the best for last. '”What’s the second offer?”
“It isn’t found footage!”
“Uh-huh. Is that its only redeeming quality?”
“It’s a sequel.”
“Oh God,” he groaned, covering his eyes as if it would save him from whatever was coming next.
“Summer Camp Nightmare 4. Subtitle: Blood Bath at Sea.”
Jason waited for the
punchline. Finally decided that was the punchline. “A summer camp at sea?”
“It’s set on a small cruise ship.”
“But my character died at the end of the third movie.”
“Apparently, it was all a dream.”
“Are you shitting me?”
“This one starts with you waking up. I’ve read the script—the whole script, this time—and I’m telling you, Jason, it’s not bad.”
Jason picked at a wedge of wood that was trying to peel away from the porch step. “It’s a slasher flick.”
“But it’s one of the stronger franchises, and they’ve given you some great scenes. I think it has potential. They have a new director, and he’s good. I’m not talking Syfy channel here. This guy has directed big-budget thrillers before.”
“Then what’s he doing making Summer Camp Nightmare 4?”
“Well, his last couple of movies flopped, but I don’t think it was because of his directing. There was a problem on the last film with the lead actor—”
“Stop.” He’d asked the question, but he found he wasn’t interested in the answer. He tossed the released sliver of wood toward the driveway and began worrying at another crack in the worn steps. “I wasn’t planning on acting again.”
“I know.” But he knew she’d never quite believed his resignation. When he was being completely honest with himself, neither had he. “For what it’s worth, Jason, they want you. This whole thing that happened last year—”
“You mean me being outed by StarWatch?”
“There are plenty of gay actors in Hollywood. There always have been. And right now, it’s more acceptable than ever. Neil Patrick Harris and Zachary Quinto are household names, and it doesn’t matter that they’re gay. So yeah, some rag of a magazine published a photo of you in a lip-lock with Dylan Frasier, but you could have denied it. You could have done a lot of things, but you didn’t. You stepped up and you owned it. You didn’t act ashamed or sorry—”
He slammed his hand against the porch railing. “Why would I be?”
“Exactly. And the Summer Camp Nightmare writers love it, Jason. They want to use it. They’ve seen a huge uptick in DVD sales and requests for television rights on the third movie since you came out. And for what it’s worth, this script has a spot for a love interest, and they’ve left it vague. They say it’s up to you if you want a woman or a man playing that role.”