He sounded like a character in a television serial; he sounded sloppy and stupid.
‘If you knew how I feel about you,’ he said, lowering his voice even more. ‘I love you like anything. It’s the real thing.’
‘I like you too, Clive. Only not in that way,’ she hastily added.
‘Wouldn’t you ever? Wouldn’t you even try?’
‘I’ve told you.’
‘Rick Hayes’s only after sex.’
‘I don’t like Rick Hayes.’
‘Any girl with legs on her is all he wants.’
‘Yes, I know.’
‘I can’t concentrate on things, Jenny. I think of you the entire time.’
‘I’m sorry.’
‘Oh God, Jenny.’
She turned into the Mace shop just to escape. She picked up a wire basket and pretended to be looking at tins of cat food. She heard the roar of the Yamaha as her admirer rode away, and it seemed all wrong that he should have gone like that, so noisily when he was so upset.
At home she thought about the incident. It didn’t in the least displease her that a boy had passionately proclaimed love for her. It even made her feel quite elated. She felt pleasantly warm when she thought about it, and the feeling bewildered her. That she, so much in love with someone else, should be moved in the very least by the immature protestations of a youth from 1B was a mystery. She even considered telling her mother about the incident, but in the end decided not to. ‘Quite sprightly, she seems,’ she heard her father murmuring.
‘In every line of that sonnet,’ Mr Tennyson said the following Monday afternoon, ‘there is evidence of the richness that makes Shakespeare not just our own greatest writer but the world’s as well.’
She listened, enthralled, physically pleasured by the utterance of each syllable. There was a tiredness about his boyish eyes, as if he hadn’t slept. His wife had probably been bothering him, wanting him to do jobs around the house when he should have been writing sonnets of his own. She imagined him unable to sleep, lying there worrying about things, about his life. She imagined his wife like a grampus beside him, her mouth open, her upper lip as coarse as a man’s.
‘When forty winters shall besiege thy brow,’ he said, ‘And dig deep trenches in thy beauty’s field.’
Dear Jenny, a note that morning from Chinny Martin had protested. I just want to be with you. I just want to talk to you. Please come out with me.
‘Jenny, stay a minute,’ Mr Tennyson said when the bell went. ‘Your essay.’
Immediately there was tension among the girls of 1A, as if the English master had caused threads all over the classroom to become taut. Unaware, the boys proceeded as they always did, throwing books into their briefcases and sauntering into the corridor. The girls lingered over anything they could think of. Jenny approached Mr Tennyson’s desk.
‘It’s very good,’ he said, opening her essay book. ‘But you’re getting too fond of using three little dots at the end of a sentence. The sentence should imply the dots. It’s like underlining to suggest emphasis, a bad habit also.’
One by one the girls dribbled from the classroom, leaving behind them the shreds of their reluctance. Out of all of them he had chosen her: was she to be another Sarah Spence, or just some kind of stop-gap, like other girls since Sarah Spence were rumoured to have been? But as he continued to talk about her essay – called ‘Belief in Ghosts’ – she wondered if she’d even be a stop-gap. His fingers didn’t once brush the back of her hand. His French boy’s eyes didn’t linger once on hers.
‘I’ve kept you late,’ he said in the end.
‘That’s all right, sir.’
‘You will try to keep your sentences short? Your descriptions have a way of becoming too complicated.’
‘I’ll try, sir.’
‘I really enjoyed that essay.’
He handed her the exercise book and then, without any doubt whatsoever, he smiled meaningfully into her eyes. She felt herself going hot. Her hands became clammy. She just stood there while his glance passed over her eye-shadow, over her nose and cheeks, over her mouth.
‘You’re very pretty,’ he said.
‘Thank you, sir.’
Her voice reminded her of the croak in Chinny Martin’s when he’d been telling her he loved her. She tried to smile, but could not. She wanted his hand to reach out and push her gently away from him so that he could see her properly. But it didn’t. He stared into her eyes again, as if endeavouring to ascertain their precise shade of blue.
‘You look like a girl we had here once,’ he said. ‘Called Sarah Spence.’
‘I remember Sarah Spence.’
‘She was good at English too.’
She wanted something to happen, thunder to begin, or a torrent of rain, anything that would keep them in the classroom. She couldn’t even bear the thought of walking to her desk and putting her essay book in her briefcase.
‘Sarah went to Warwick University,’ he said.
She nodded. She tried to smile again and this time the smile came. She said to herself that it was a brazen smile and she didn’t care. She hoped it made her seem more than ever like Sarah Spence, sophisticated and able for anything. She wondered if he said to all the girls who were stop-gaps that they looked like Sarah Spence. She didn’t care. His carry-on with Sarah Spence was over and done with, he didn’t even see her any more. By all accounts Sarah Spence had let him down, but never in a million years would she. She would wait for him for ever, or until the divorce came through. When he was old she would look after him.
‘You’d better be getting home, Jenny.’
‘I don’t want to, sir.’
She continued to stand there, the exercise book in her left hand. She watched while some kind of shadow passed over his face. For a moment his eyes closed.
‘Why don’t you want to go?’ he said.
‘Because I’m in love with you, sir.’
‘You mustn’t be, Jenny.’
‘Why not?’
‘You know why not.’
‘What about Sarah Spence?’
‘Sarah was different.’
‘I don’t care how many stop-gaps you’ve had. I don’t care. I don’t love you any less.’
‘Stop-gaps, Jenny?’
‘The ones you made do with.’
‘Made do?’ He was suddenly frowning at her, his face screwed up a little. ‘Made do?’ he said again.
‘The other girls. The ones who reminded you of her.’
‘There weren’t any other girls.’
‘You were seen, sir –’
‘Only Sarah and I were seen.’
‘Your car –’
‘Give a dog a bad name, Jenny. There weren’t any others.’
She felt iciness inside her, somewhere in her stomach. Other girls had formed an attachment for him, as she had. Other girls had probably stood on this very spot, telling him. It was that, and the reality of Sarah Spence, that had turned him into a schoolgirls’ legend. Only Sarah Spence had gone with him in his old Ford Escort to quiet lay-bys, only Sarah Spence had felt his arms around her. Why shouldn’t he be seen in the buffet car of a train, alone? The weekends he’d spent away from home were probably with a sick mother.
‘I’m no Casanova, Jenny.’
‘I had to tell you I’m in love with you, sir. I couldn’t not.’
‘It’s no good loving me, I’m afraid.’
‘You’re the nicest person I’ll ever know.’
‘No, I’m not, Jenny. I’m just an English teacher who took advantage of a young girl’s infatuation. Shabby, people would say.’
‘You’re not shabby. Oh God, you’re not shabby!’ She heard her own voice crying out shrilly, close to tears. It astonished her. It was unbelievable that she should be so violently protesting. It was unbelievable that he should have called himself shabby.
‘She had an abortion in Warwick,’ he said, ‘after a weekend we spent in an hotel. I let that happen, Jenny.’
‘You couldn’t help it.’
‘Of course I could have helped it.’
Without wanting to, she imagined them in the hotel he spoke of. She imagined them having a meal, sitting opposite each other at a table, and a waiter placing plates in front of them. She imagined them in their bedroom, a grimy room with a lace curtain drawn across the lower part of the single window and a wash-basin in a corner. The bedroom had featured in a film she’d seen, and Sarah Spence was even like the actress who had played the part of a shopgirl. She stood there in her underclothes just as the shopgirl had, awkwardly waiting while he smiled his love at her. ‘Then let not winter’s ragged hand deface,’ he whispered, ‘In thee thy summer, ere thou be distilled. Oh Sarah, love.’ He took the underclothes from her body, as the actor in the film had, all the time whispering sonnets.
‘It was messy and horrible,’ he said. ‘That’s how it ended, Jenny.’
‘I don’t care how it ended. I’d go with you anywhere. I’d go to a thousand hotels.’
‘No, no, Jenny.’
‘I love you terribly.’
She wept, still standing there. He got down from the stool in front of his desk and came and put his arms about her, telling her to cry. He said that tears were good, not bad. He made her sit down at a desk and then he sat down beside her. His love affair with Sarah Spence sounded romantic, he said, and because of its romantic sheen girls fell in love with him. They fell in love with the unhappiness they sensed in him. He found it hard to stop them.
‘I should move away from here,’ he said, ‘but I can’t bring myself to do it. Because she’ll always come back to see her family and whenever she does I can catch a glimpse of her.’
It was the same as she felt about him, like the glimpse that day in the International Stores. It was the same as Chinny Martin hanging about outside Harper’s. And yet of course it wasn’t the same as Chinny Martin. How could it possibly be? Chinny Martin was stupid and unprepossessing and ordinary.
‘I’d be better to you,’ she cried out in sudden desperation, unable to prevent herself. Clumsily she put a hand on his shoulder, and clumsily took it away again. ‘I would wait for ever,’ she said, sobbing, knowing she looked ugly.
He waited for her to calm down. He stood up and after a moment so did she. She walked with him from the classroom, down the corridor and out of the door that led to the. car park.
‘You can’t just leave,’ he said, ‘a wife and four children. It was hard to explain that to Sarah. She hates me now.’
He unlocked the driver’s door of the Ford Escort. He smiled at her. He said:
‘There’s no one else I can talk to about her. Except girls like you. You mustn’t feel embarrassed in class, Jenny.’
He drove away, not offering her a lift, which he might have done, for their direction was the same. She didn’t in the least look like Sarah Spence: he’d probably said the same thing to all the others, the infatuated girls he could talk to about the girl he loved. The little scenes in the classroom, the tears, the talk: all that brought him closer to Sarah Spence. The love of a girl he didn’t care about warmed him, as Chinny Martin’s love had warmed her too, even though Chinny Martin was ridiculous.
She walked across the car park, imagining him driving back to his gate-lodge with Sarah Spence alive again in his mind, loving her more than ever. ‘Jenny,’ the voice of Chinny Martin called out, coming from nowhere.
He was there, standing by his Yamaha, beside a car. She shook her head at him, and began to run. At home she would sit and eat in the kitchen with her parents, who wouldn’t be any different. She would escape and lie on her bed in her small neat bedroom, longing to be where she’d never be now, beside him in his car, or on a train, or anywhere. ‘Jenny,’ the voice of Chinny Martin called out again, silly with his silly love.
Autumn Sunshine
The rectory was in County Wexford, eight miles from Enniscorthy. It was a handsome eighteenth-century house, with Virginia creeper covering three sides and a tangled garden full of buddleia and struggling japonica which had always been too much for its incumbents. It stood alone, seeming lonely even, approximately at the centre of the country parish it served. Its church – St Michael’s Church of Ireland – was two miles away, in the village of Boharbawn.
For twenty-six years the Morans had lived there, not wishing to live anywhere else. Canon Moran had never been an ambitious man; his wife, Frances, had found contentment easy to attain in her lifetime. Their four girls had been born in the rectory, and had become a happy family there. They were grown up now, Frances’s death was still recent: like the rectory itself, its remaining occupant was alone in the countryside. The death had occurred in the spring of the year, and the summer had somehow been bearable. The clergyman’s eldest daughter had spent May and part of June at the rectory with her children. Another one had brought her family for most of August, and a third was to bring her newly married husband in the winter. At Christmas nearly all of them would gather at the rectory and some would come at Easter. But that September, as the days drew in, the season was melancholy.
Then, one Tuesday morning, Slattery brought a letter from Canon Moran’s youngest daughter. There were two other letters as well, in unsealed buff envelopes which meant that they were either bills or receipts. Frail and grey-haired in his elderliness, Canon Moran had been wondering if he should give the lawn in front of the house a last cut when he heard the approach of Slattery’s van. The lawn-mower was the kind that had to be pushed, and in the spring the job was always easier if the grass had been cropped close at the end of the previous summer.
‘Isn’t that a great bit of weather, Canon?’ Slattery remarked, winding down the window of the van and passing out the three envelopes. ‘We’re set for a while, would you say?’
‘I hope so, certainly.’
‘Ah, we surely are, sir.’
The conversation continued for a few moments longer, as it did whenever Slattery came to the rectory. The postman was young and easy-going, not long the successor to old Mr O’Brien, who’d been making the round on a bicycle when the Morans first came to the rectory in 1952. Mr O’Brien used to talk about his garden; Slattery talked about fishing, and often brought a share of his catch to the rectory.
‘It’s a great time of year for it,’ he said now, ‘except for the darkness coming in.’
Canon Moran smiled and nodded; the van turned round on the gravel, dust rising behind it as it moved swiftly down the avenue to the road. Everyone said Slattery drove too fast.
He carried the letters to a wooden seat on the edge of the lawn he’d been wondering about cutting. Deirdre’s handwriting hadn’t changed since she’d been a child; it was round and neat, not at all a reflection of the girl she was. The blue English stamp, the Queen in profile blotched a bit by the London postmark, wasn’t on its side or half upside down, as you might possibly expect with Deirdre. Of all the Moran children, she’d grown up to be the only difficult one. She hadn’t come to the funeral and hadn’t written about her mother’s death. She hadn’t been to the rectory for three years.
I’m sorry, she wrote now. I couldn’t stop crying actually. I’ve never known anyone as nice or as generous as she was. For ages I didn’t even want to believe she was dead. I went on imagining her in the rectory and doing the flowers in church and shopping in Enniscorthy.
Deirdre was twenty-one now. He and Frances had hoped she’d go to Trinity and settle down, but although at school she’d seemed to be the cleverest of their children she’d had no desire to become a student. She’d taken the Rosslare boat to Fishguard one night, having said she was going to spend a week with her friend Maeve Coles in Cork. They hadn’t known she’d gone to England until they received a picture postcard from London telling them not to worry, saying she’d found work in an egg-packing factory.
Well, I’m coming back for a little while now, she wrote, if you could put up with me and if you wouldn’t find it too much. I’ll cross over to Rosslare on the 29th, the mo
rning crossing, and then I’ll come on to Enniscorthy on the bus. I don’t know what time it will be but there’s a pub just by where the bus drops you so could we meet in the small bar there at six o’clock and then I won’t have to lug my cases too far? I hope you wont mind going into such a place. If you can’t make it, or don’t want to see me, it’s understandable, so if you don’t turn up by half six I’ll see if I can get a bus on up to Dublin. Only I need to get back to Ireland for a while.
It was, as he and Slattery had agreed, a lovely autumn. Gentle sunshine mellowed the old garden, casting an extra sheen of gold on leaves that were gold already. Roses that had been ebullient in June and July bloomed modestly now. Michaelmas daisies were just beginning to bud. Already the crab-apples were falling, hydrangeas had a forgotten look. Canon Moran carried the letter from his daughter into the walled vegetable garden and leaned against the side of the greenhouse, half sitting on a protruding ledge, reading the letter again. Panes of glass were broken in the greenhouse, white paint and putty needed to be renewed, but inside a vine still thrived, and was heavy now with black ripe fruit. Later that morning he would pick some and drive into Enniscorthy, to sell the grapes to Mrs Neary in Slaney Street.
Love, Deirdre: the letter was marvellous. Beyond the rectory the fields of wheat had been harvested, and the remaining stubble had the same tinge of gold in the autumn light; the beech trees and the chestnuts were triumphantly magnificent. But decay and rotting were only weeks away, and the letter from Deirdre was full of life. ‘Love, Deirdre’ were words more beautiful than all the season’s glories. He prayed as he leaned against the sunny greenhouse, thanking God for this salvation.
For all the years of their marriage Frances had been a help. As a younger man, Canon Moran hadn’t known quite what to do. He’d been at a loss among his parishioners, hesitating in the face of this weakness or that: the pregnancy of Alice Pratt in 1954, the argument about grazing rights between Mr Willoughby and Eugene Dunlevy in 1960, the theft of an altar cloth from St Michael’s and reports that Mrs Tobin had been seen wearing it as a skirt. Alice Pratt had been going out with a Catholic boy, one of Father Gowan’s flock, which made the matter more difficult than ever. Eugene Dunlevy was one of Father Gowan’s also, and so was Mrs Tobin.