‘Are they leaving the town?’ Mrs Tracy asked, confusion breaking in her face. ‘I thought Artie was fixed in Driscoll’s.’
‘It’s a manner of speaking, Mrs Tracy,’ Father Hogan explained. ‘It’s a way of putting the thing. When I was marrying them this morning I looked down at their two faces and I said to myself, “Isn’t it great God gave them life?’ ”
The three women looked across the lounge, at Teresa standing with her friends Philomena Morrissey and Kitty Roche, and then at Artie, with Screw Doyle, Eddie Boland and Chas Flynn.
‘He has a great career in front of him in Driscoll’s,’ Father Hogan pronounced. ‘Will Teresa remain on in the Medical Hall, Mrs Atty?’
Mrs Atty replied that her daughter would remain for a while in the Medical Hall. It was Father Hogan who had persuaded Artie of his duty when Artie had hesitated. Mrs Atty and Teresa had gone to him for advice, he’d spoken to Artie and to Mr and Mrs Cornish, and the matter had naturally not been mentioned on either side since.
‘Will I get you another glassful, Father?’ inquired Mrs Tracy, holding out her hand for the priest’s tumbler.
‘Well, it isn’t every day I’m honoured,’ said Father Hogan with his smile, putting the tumbler into Mrs Tracy’s hand.
At the bar Mr Atty and Mr Cornish drank steadily on. In their corner Teresa and her bridesmaids talked about weddings that had taken place in the Church of the Immaculate Conception in the past, how they had stood by the railings of the church when they were children, excited by the finery and the men in serge suits. Teresa’s sisters whispered, Agnes continuing about the inadequacy of the man Teresa had just married. Loretta whispered without actually forming words. She wished her sister wouldn’t go on so because she didn’t want to think about any of it, about what had happened to Teresa, and what would happen to her again tonight, in a hotel in Cork. She’d fainted when it had happened to herself, when he’d come at her like a farm animal. She’d fought like a mad thing.
It was noisier in the lounge-bar than it had been. The voices of the bridegroom’s friends were raised; behind the bar young Kevin had switched on the wireless. ‘Don’t get around much anymore,’ cooed a soft male voice.
‘Bedad, there’ll be no holding you tonight, Artie,’ Eddie Boland whispered thickly into the bridegroom’s ear. He nudged Artie in the stomach with his elbow, spilling some Guinness. He laughed uproariously.
‘We’re following you in two cars,’ Screw Doyle said. ‘We’ll be waiting in the double bed for you.’ Screw Doyle laughed also, striking the floor repeatedly with his left foot, which was a habit of his when excited. At a late hour the night before he’d told Artie that once, after a dance, he’d spent an hour in a field with the girl whom Artie had agreed to marry. ‘I had a great bloody ride of her,’ he’d confided.
‘I’ll have a word with Teresa,’ said Father Hogan, moving away from Teresa’s mother, her aunt and Mrs Cornish. He did not, however, cross the lounge immediately, but paused by the bar, where Mr Cornish and Mr Atty were. He put his empty tumbler on the bar itself, and Mr Atty pushed it towards young Kevin, who at once refilled it.
‘Well, it’s a great day for a father,’ said Father Hogan. ‘Aren’t they a tip-top credit to each other?’
‘Who’s that, Father?’ inquired Mr Cornish, his eyes a little bleary, sweat hanging from his cheeks.
Father Hogan laughed. He put his tumbler on the bar again, and Mr Cornish pushed it towards young Kevin for another refill.
In their corner Philomena confided to Teresa and Kitty Roche that she wouldn’t mind marrying Des Foley the vet. She’d had four glasses of Babycham. If he asked her this minute, she said, she’d probably say yes. ‘Is Chas Flynn nice?’ Kitty Roche asked, squinting across at him.
On the wireless Petula Clark was singing ‘Downtown’. Eddie Boland was whistling ‘Mother Macree’. ‘Listen, Screw,’ Artie said, keeping his voice low although it wasn’t necessary. ‘Is that true? Did you go into a field with Teresa?’
Loretta watched while George Tobin in his Ford Prefect turned a page of the comic he was reading to his children. Her sister’s voice continued in its abuse of the town and its people, in particular the shopman who had got Teresa pregnant. Agnes hated the town and always had. She’d met George Tobin at a dance in Cork and had said to Loretta that in six months’ time she’d be gone from the town for ever. Which was precisely what had happened, except that marriage had made her less nice than she’d been. She’d hated the town in a jolly way once, laughing over it. Now she hardly laughed at all.
‘Look at him,’ she was saying. ‘I doubt he knows how to hold a knife and fork.’
Loretta ceased her observation of her sister’s husband through the window and regarded Artie Cornish instead. She looked away from him immediately because his face, so quickly replacing the face of George Tobin, had caused in her mind a double image which now brutally persisted. She felt a sickness in her stomach, and closed her eyes and prayed. But the double image remained: George Tobin and Artie Cornish coming at her sisters like two farmyard animals and her sisters fighting to get away. ‘Dear Jesus,’ she whispered to herself. ‘Dear Jesus, help me.’
‘Sure it was only a bit of gas,’ Screw Doyle assured Artie. ‘Sure there was no harm done, Artie.’
In no way did Teresa love him. She had been aware of that when Father Hogan had arranged the marriage, and even before that, when she’d told her mother that she thought she was pregnant and had then mentioned Artie Cornish’s name. Artie Cornish was much the same as his friends: you could be walking along a road with Screw Doyle or Artie Cornish and you could hardly tell the difference. There was nothing special about Artie Cornish, except that he always added up the figures twice when he was serving you in Driscoll’s. There was nothing bad about him either, any more than there was anything bad about Eddie Boland or Chas Flynn or even Screw Doyle. She’d said privately to Father Hogan that she didn’t love him or feel anything for him one way or the other: Father Hogan had replied that in the circumstances all that line of talk was irrelevant.
When she was at the Presentation Convent Teresa had imagined her wedding, and even the celebration in this very lounge-bar. She had imagined everything that had happened that morning, and the things that were happening still. She had imagined herself standing with her bridesmaids as she was standing now, her mother and her aunt drinking sherry, Agnes and Loretta being there too, and other people, and music. Only the bridegroom had been mysterious, some faceless, bodiless presence, beyond imagination. From conversations she had had with Philomena and Kitty Roche, and with her sisters, she knew that they had imagined in a similar way. Yet Agnes had settled for George Tobin because George Tobin was employed in Cork and could take her away from the town. Loretta, who had been married for a matter of weeks, was going to become a nun.
Artie ordered more bottles of stout from young Kevin. He didn’t want to catch the half-one bus and have to sit beside her all the way to Cork. He didn’t want to go to the Lee Hotel when they could just as easily have remained in the town, when he could just as easily have gone in to Driscoll’s tomorrow and continued as before. It would have been different if Screw Doyle hadn’t said he’d been in a field with her: you could pretend a bit on the bus, and in the hotel, just to make the whole thing go. You could pretend like you’d been pretending ever since Father Hogan had laid down the law, you could make the best of it like Father Hogan had said.
He handed a bottle of stout to Chas Flynn and one to Screw Doyle and another to Eddie Boland. He’d ask her about it on the bus. He’d repeat what Screw Doyle had said and ask her if it was true. For all he knew the child she was carrying was Screw Doyle’s child and would be born with Screw Doyle’s thin nose, and everyone in the town would know when they looked at it. His mother had told him when he was sixteen never to trust a girl, never to get involved, because he’d be caught in the end. He’d get caught because he was easy-going, because he didn’t possess the smartness of Screw Doyle and som
e of the others. ‘Sure, you might as well marry Teresa as anyone else,’ his father had said after Father Hogan had called to see them about the matter. His mother had said things would never be the same between them again.
Eddie Boland sat down at the piano and played ‘Mother Macree’, causing Agnes and Loretta to move to the other side of the lounge-bar. In the motor-car outside the Tobin children asked their father what the music was for.
‘God go with you, girl,’ Father Hogan said to Teresa, motioning Kitty Roche and Philomena away. ‘Isn’t it a grand thing that’s happened, Teresa?’ His red-skinned face, with the shiny false teeth so evenly arrayed in it, was close to hers. For a moment she thought he might kiss her, which of course was ridiculous, Father Hogan kissing anyone, even at a wedding celebration.
‘It’s a great day for all of us, girl.’
When she’d told her mother, her mother said it made her feel sick in her stomach. Her father hit her on the side of the face. Agnes came down specially from Cork to try and sort the matter out. It was then that Loretta had first mentioned becoming a nun.
‘I want to say two words,’ said Father Hogan, still standing beside her, but now addressing everyone in the lounge-bar. ‘Come over here alongside us, Artie. Is there a drop in everyone’s glass?’
Artie moved across the lounge-bar, with his glass of stout. Mr Cornish told young Kevin to pour out a few more measures. Eddie Boland stopped playing the piano.
‘It’s only this,’ said Father Hogan. ‘I want us all to lift our glasses to Artie and Teresa. May God go with you, the pair of you,’ he said, lifting his own glass.
‘Health, wealth and happiness,’ proclaimed Mr Cornish from the bar.
‘And an early night,’ shouted Screw Doyle. ‘Don’t forget to draw the curtains, Artie.’
They stood awkwardly, not holding hands, not even touching. Teresa watched while her mother drank the remains of her sherry, and while her aunt drank and Mrs Cornish drank. Agnes’s face was disdainful, a calculated reply to the coarseness of Screw Doyle’s remarks. Loretta was staring ahead of her, concentrating her mind on her novitiate. A quick flush passed over the roughened countenance of Kitty Roche. Philomena laughed, and all the men in the lounge-bar, except Father Hogan, laughed.
‘That’s sufficient of that talk,’ Father Hogan said with contrived severity. ‘May you meet happiness halfway,’ he added, suitably altering his intonation. ‘The pair of you, Artie and Teresa.’
Noise broke out again after that. Father Hogan shook hands with Teresa and then with Artie. He had a funeral at half past two, he said: he’d better go and get his dinner inside him.
‘Goodbye, Father,’ Artie said. ‘Thanks for doing the job.’
‘God bless the pair of you,’ said Father Hogan, and went away.
‘We should be going for the bus,’ Artie said to her. ‘It wouldn’t do to miss the old bus.’
‘No, it wouldn’t.’
‘I’ll see you down there. You’ll have to change your clothes.’
‘Yes.’
‘I’ll come the way I am.’
‘You’re fine the way you are, Artie.’
He looked at the stout in his glass and didn’t raise his eyes from it when he spoke again. ‘Did Screw Doyle take you into a field, Teresa?’
He hadn’t meant to say it then. It was wrong to come out with it like that, in the lounge-bar, with the wedding-cake still there on the piano, and Teresa still in her wedding-dress, and confetti everywhere. He knew it was wrong even before the words came out; he knew that the stout had angered and befuddled him.
‘Sorry,’ he said. ‘Sorry, Teresa.’
She shook her head. It didn’t matter: it was only to be expected that a man you didn’t love and who didn’t love you would ask a question like that at your wedding celebration.
‘Yes,’ she said. ‘Yes, he did.’
‘He told me. I thought he was codding. I wanted to know.’
‘It’s your baby, Artie. The other thing was years ago.’
He looked at her. Her face was flushed, her eyes had tears in them.
‘I had too much stout,’ he said.
They stood where Father Hogan had left them, drawn away from their wedding guests. Not knowing where else to look, they looked together at Father Hogan’s black back as he left the lounge-bar, and then at the perspiring, naked heads of Mr Cornish and Mr Atty by the bar.
At least they had no illusions, she thought. Nothing worse could happen than what had happened already, after Father Hogan had laid down the law. She wasn’t going to get a shock like Loretta had got. She wasn’t going to go sour like Agnes had gone when she’d discovered that it wasn’t enough just to marry a man for a purpose, in order to escape from a town. Philomena was convincing herself that she’d fallen in love with an elderly vet, and if she got any encouragement Kitty Roche would convince herself that she was mad about anyone at all.
For a moment as Teresa stood there, the last moment before she left the lounge-bar, she felt that she and Artie might make some kind of marriage together because there was nothing that could be destroyed, no magic or anything else. He could ask her the question he had asked, while she stood there in her wedding-dress: he could ask her and she could truthfully reply, because there was nothing special about the occasion, or the lounge-bar all covered in confetti.
Office Romances
‘Oh no, I couldn’t,’ Angela said in the outer office. ‘Really, Mr Spelle. Thank you, though.’
‘Don’t you drink then, Miss Hosford? Nary a drop at all?’ He laughed at his own way of putting it. He thought of winking at her as he laughed, but decided against it: girls like this were sometimes scared out of their wits by a wink.
‘No, it’s not that, Mr Spelle –’
‘It’s just that it’s a way of getting to know people. Everyone else’ll be down in the Arms, you know.’
Hearing that, she changed her mind and quite eagerly put the grey plastic cover on her Remington International. She’d refused his invitation to have a drink because she’d been flustered when he’d come into the outer office with his right hand poked out for her to shake, introducing himself as Gordon Spelle. He hadn’t said anything about the other people from the office being there: in a matter of seconds he’d made the whole thing sound romantic, a tête-à-tête with a total stranger. Any girl’s reaction would be to say she couldn’t.
‘Won’t be a moment, Mr Spelle,’ she said. She picked up her handbag from the floor beside her chair and walked with it from the office. Behind her, she heard the office silence broken by a soft whistling: Gordon Spelle essaying ‘Smoke Gets in Your Eyes’.
Angela had started at C.S. & E. at half past nine that morning, having been interviewed a month ago by Miss Ivygale, her immediate employer. Miss Ivygale was a slender woman of fifty or thereabouts, her face meticulously made up. Her blue-grey hair was worked on daily by a hairdresser, a Mr Patric, whom twice that day she’d mentioned to Angela, deploring the fact that next March he was planning to leave the Elizabeth Salon. At C.S. & E. Miss Ivygale occupied an inner office that was more luxuriously appointed than the outer one where Angela sat with her filing cabinets and her Remington International. On the window-sill of the outer office Miss Ivygale’s last secretary, whom she referred to as Sue, had left a Busy Lizzie in a blue-glazed pot. There was a calendar that showed Saturdays and Sundays in red, presented by the Michelin Tyre Company.
In a small lavatory Angela examined her face in the mirror over the wash-basin. She sighed at her complexion. Her eyes had a bulgy look because of her contact lenses. The optician had said the bulgy look would go when the lids became used to the contact lenses, but as far as she was concerned it never had. ‘No, no, you’re imagining it, Miss Hosford,’ the optician had said when she’d gone back after a month to complain that the look was still there.
In the lavatory she touched one or two places on her cheeks with Pure Magic and powdered over it. She rubbed lipstick into her lips and then pre
ssed a tissue between them. She ran a comb through her hair, which was fluffed up because she’d washed it the night before: it was her best feature, she considered, a pretty shade, soft and naturally curly.
‘I like your dress, Miss Hosford,’ he said when she returned to the outer office. ‘Fresh as a flower it looks.’ He laughed at his own description of the blue-and-white dress she was wearing. The blue parts were flowers of a kind, he supposed, a type of blue geranium they appeared to be, with blue leaves sprouting out of blue stems. Extraordinary, the tasteless stuff a girl like this would sometimes wear.
‘Thank you,’ she said.
‘We don’t bother much with surnames at C.S. & E.,’ he told her as they walked along a green-carpeted corridor to a lift. ‘All right to call you Angela, Miss Hosford?’
‘Oh, yes, of course.’
He closed the lift doors. He smiled at her. He was a tall, sleek man who had something the matter with his left eye, a kind of droop in the upper lid and a glazed look in the eye itself, a suggestion of blindness. Another oddness about him, she thought in the lift, was his rather old-fashioned suit. It was a pepper-coloured suit with a waistcoat, cut in an Edwardian style. His manners were old-fashioned too, and the way he spoke had a pedantic air to it that recalled the past: Edwardian again perhaps, she didn’t know. It seemed right that he had whistled ‘Smoke Gets in Your Eyes’ rather than a current pop song.
‘I suppose it’s your first job, Angela?’
‘Oh, heavens, no!’
‘I’d say you were twenty.’
‘Twenty-six, actually.’
He laughed. ‘I’m thirty-eight myself.’
They left the lift and walked together through the elegant reception area of C.S. & E. When she’d walked through it for her interview Angela had been reminded of the lounge of a large, new hotel: there were sofas and armchairs covered in white ersatz leather, and steel-framed reproductions of paintings by Paul Klee on rust-coloured walls, and magazines on steel-topped tables. When Angela had come for her interview, and again when she’d arrived at C.S. & E. that morning, there’d been a beautiful black-haired girl sitting at the large reception desk, which was upholstered here and there in the same ersatz leather as the sofas and the armchairs. But at this time of the evening, five to six, the beautiful black-haired girl was not there.