The rush of relief she felt was soon overtaken by a feeling of self-blame. If this whole thing had been just her paranoia getting the better of her, then she should never have sent those letters. She’d made a fool of herself.
Suddenly she was hoping that the old woman hadn’t posted them after all.
The storm continued outside. Claudine knew she wouldn’t get any more sleep that night. She wandered into her little bedroom, flipped on the side light and picked up her violin. One of the upsides to sharing the top floor with a deaf old woman was that she could play whenever she liked. Madame Lefort wouldn’t even have heard the thunder.
Thankful that she had something to occupy her mind, Claudine cradled the instrument under her chin, touched the bow to the strings, and went into the opening bar of the Bach sonata she’d been trying to master for the last couple of months.
Another bright flash outside; and at that moment the lights went out. She cursed and went on playing by the red glow from the neon sign of the hotel across the street.
Then she paused, frowning. There’d been a noise. Before the roll of thunder. Like a thump. It seemed to have come from above. There was nothing above her apartment but the roof. Maybe the wind had knocked something down, she thought, or sent a piece of debris bouncing over the tiles. She went on playing.
But she hadn’t produced more than a few notes before her bow groaned to a dissonant halt on the strings. She’d heard the noise again.
There was someone inside the apartment. An intruder.
A cold sweat broke out over her brow. Her knees began to shake. She needed to arm herself with something. Thinking of the knife block on the kitchen worktop, she tossed her violin and bow down on the bed and hurried towards the doorway – then skidded to a halt on the bare boards as another violent lightning flash lit up the room and she saw the figure standing in the doorway, blocking her exit.
Too terrified to speak, Claudine retreated into the bedroom.
The intruder stepped into the room after her. She could see him outlined in the red neon glow from the hotel. He was tall and broad. Black boots, black trousers, black jacket and gloves. His hair was silver, cropped to stubble. A hard, angular face. Pale eyes narrowed to slits. Around his waist was some kind of utility belt, like builders and carpenters wore.
For one crazy, irrational moment, Claudine thought he was a workman come to carry out the much-needed repairs to the bathroom. But that idea vanished as he drew the claw hammer from his utility belt and came towards her.
She snatched the violin from the bed. Lashed wildly out with it and caught him across the brow with such force that the instrument broke apart. The splintering wood raked his flesh, drawing blood that looked as dark as treacle in the red light. He barely seemed to have felt the blow. He swung the hammer and knocked the shattered violin from her hand. She cowered away from him. ‘Please—’
He struck out again with the hammer. Claudine’s vision exploded, and white, blinding pain flashed through her head. She fell onto the bed, dazed.
The man stood over her, clutching the hammer in his fist. Strands of bloody hair dangled from the steel claw. Silently, calmly, he slipped the tool back into his utility belt. From another long pouch he drew out a cylindrical tube with some kind of plunger and transparent plastic nozzle attached.
He bent over her. Through the fog of pain, she saw him smile. His eyes and teeth were red in the hotel neon.
The man spoke in English. ‘Now it’s time for that pretty mouth of yours to be plugged up.’
A hoarse cry of terror burst from Claudine’s lips as she realised what the thing was he was holding. She tried desperately to wriggle away from him but he reached out with a quick and powerful hand, grabbed her hair and pinned her thrashing head to the bed, ignoring the wild blows she flailed out at his face and arms.
With his other hand he jammed the nozzle of the tube into her screaming mouth. She cried out and bit down on the hard plastic and tried to spit it out, gagging as it forced its way deep inside.
The man pressed the plunger. Instantly, something foul-tasting, warm and soft filled her mouth. It was coming out under pressure and there was nothing Claudine could do to stop it flowing down her throat. She tried to cough it out, but all of a sudden no air would come. There was an awful sensation of pressure building up inside her as the substance swelled and expanded, filling every cavity of her throat, her nasal passages.
She couldn’t breathe, couldn’t scream, couldn’t open or shut her jaws a millimetre. She stopped trying to lash out at him, and in a crazed panic she clamped her hands to her mouth and felt the hardening foam bulging out from between her lips like some grotesque tongue.
The man dropped the empty canister on the bed and used both hands to hold her bucking, convulsing body down. After a minute or so, as her brain was becoming starved of oxygen, her movements began to slacken. The man let her go and stood up.
The darkness was rising fast as Claudine’s vision faded. For a few seconds longer she could still dimly register the man’s shape standing over her in the red-lit room, watching her impassively with his head slightly cocked to one side.
Soon she could see nothing at all.
The man waited a few more moments before he checked her pulse. Once he was satisfied that she was dead, he left the bedroom. He unlocked the apartment door and left it ajar as he made his silent way toward the stairs.
About the Author
Scott Mariani grew up in Scotland and now lives in the wilds of Wales. The Armada Legacy is the eighth book in the Sunday Times and Kindle bestselling series featuring ex-SAS hero and former theology scholar Ben Hope, translated into over twenty languages worldwide. For further information please visit: www.scottmariani.com
By the same author
BEN HOPE SERIES
The Alchemist’s Secret
The Mozart Conspiracy
The Doomsday Prophecy
The Heretic’s Treasure
The Shadow Project
The Lost Relic
The Sacred Sword
Copyright
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it, while at times based on historical figures, are the work of the author’s imagination.
AVON
A division of HarperCollinsPublishers
77-85 Fulham Palace Road
Hammersmith
London W6 8JB
www.harpercollins.co.uk
Copyright © Scott Mariani 2013
Scott Mariani asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Source ISBN: 9780007398430
Ebook Edition © April 2013 ISBN: 9780007398447
Version 2
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
About the Publisher
Australia
HarperCollins Publishers (Australia) Pty. Ltd.
Level 13, 201 Elizabeth Street
Sydney, NSW 2000, Australia
http://www.harpercollins.com.au/ebooks
Canada
HarperCollins Canada
2 Bloor Street East - 20th Floor
Toronto, ON, M4W, 1A8, Canada
http://www.harpercollins.ca
New Zealand
HarperCollins Publishers (New Zealand) Limited
P.O. Box 1
Auckland, New Zealand
http://www.harpercollins.co.nz
United Kingdom
r /> HarperCollins Publishers Ltd.
77-85 Fulham Palace Road
London, W6 8JB, UK
http://www.harpercollins.co.uk
United States
HarperCollins Publishers Inc.
10 East 53rd Street
New York, NY 10022
http://www.harpercollins.com
Scott Mariani, The Armada Legacy
Thank you for reading books on BookFrom.Net Share this book with friends