The sun was high in the sky as Michael carried the pail of garbage around the corner of the barn. The pigs, milling around in their pen, immediately began grunting and snorting in anticipation of their midmorning snack. Michael climbed the sturdy metal bars of the small enclosure, using only one, hand to haul himself up, while he clutched the bucket with his free hand. The pigs clustered around, snuffling at the toes of his sneakers, shoving each other aside in their eagerness to be first at the trough. Finally, when he was perched on the top rail, Michael grinned down at the churning animals.
"Okay," he said. "Here it comes!" He upended the bucket, and the garbage cascaded into the feeding trough. A boar, the largest of the herd, immediately shouldered his way between two sows, one of which promptly nipped him on the ear. The boar squealed in surprise and quickly backed off. The sight of the immense hog giving way to the smaller female struck Michael as funny, and he began to laugh, shouting encouragement to the big pig. "Come on, don't let her get it all. Get in there and fight for it!"
The hog, as if sensing that he was being mocked, suddenly turned toward Michael, his small eyes gleaming. Then, with a speed Michael wouldn't have believed possible from such a clumsy-looking animal, he reared up, grabbed Michael's foot in his mouth, and gave a quick jerk.
Michael tumbled into the pigpen, and his laughter turned to a sudden scream of fright.
The boar backed off for a moment, his front hoof scraping at the ground as his beady eyes fixed upon Michael. Then, grunting angrily, he hurled himself forward.
Michael rolled aside at the last minute and tried to get to his feet, but stumbled over a second pig. Suddenly the whole herd seemed to be on the move, their sharp hooves digging into the ground as they jockeyed for position, half of them attempting to get to the trough, the other half more interested in Michael.
"Help!" Michael screamed. "Someone help me!"
Janet heard Michael's scream and raced out of the kitchen just as Amos emerged from the barn. "What's happened?" she yelled as she dashed across the yard.
"The pigs," Amos shouted back. "He must have fallen into the pigpen." Then he disappeared around the corner of the barn.
By the time Janet reached the hog enclosure, Amos was already using a long pole to poke at the furious animals. "Get up," he yelled to Michael. "Get on your feet boy, or they'll trample you. Get up!"
Suddenly, from around the far corner of the barn, a black dog the size of a large shepherd hurtled into sight, charging straight for the pigpen. With one leap, it was over the top rail, and then it was in the midst of the pigs, snarling and barking, snapping first at one of the sows, then turning its attention to the big boar. The boar, surprised at the sudden attack at its flank, backed off for a moment, giving Michael a chance to scramble to his feet. A moment later, Amos had lifted him up and over the top rail of the enclosure.
As soon as Michael was out of the pigpen, the dog abandoned the fight and leaped out of the pen. A moment later he was next to Michael, who was clinging to his mother, sobbing with fright.
"They were going to kill me," he cried. "They were going to trample me!" The dog, as if trying to comfort the terrified child, licked at his face, his tail wagging. Suddenly one of Michael's arms left his mother to curl around the dog's neck, hugging him close.
Janet stared down at the animal. "Where'd he come from?" she asked. "Whose is he?"
Amos frowned, sure he'd never seen the dog before. If he had, he'd have remembered it. It stood two and a half feet high at the shoulder, with a broad, deep chest and heavily muscled legs. Its coat, coal black without so much as a trace of white markings, was thick, and its eyes, alert and intelligent, seemed to fix on him with a mixture of equal parts of suspicion and hostility. "Don't know," he admitted.
Michael, who had been more frightened than hurt by the pigs, hugged the dog closer. "I bet he followed me home last night," he said. Then he gazed up at his mother. "He saved my life, Mom. Can I keep him? Please?"
Janet felt dazed by what had happened, but when she had assured herself that Michael was, indeed, unhurt, she turned her attention to the dog. The animal seemed to regard her with quizzical eyes, as if awaiting her decision. "I don't know," she said at last. "He must belong to someone," she went on, though she had already seen that the dog wore no collar.
"But what if he doesn't?" Michael asked. "What if he's only a stray? Then can I keep him?"
"We'll see," Janet temporized. "Right now, though, I want you to go in and get yourself cleaned up."
Michael was about to argue, but when he saw the look in his grandfather's eyes, he changed his mind. "All right," he agreed. He started toward the house, and the big dog followed close at his heels. When Michael disappeared into the kitchen, the dog sat by the back porch.
"What do you think?" Janet asked Amos.
Amos shrugged. "I don't know. Never seen him before. But if he's still around when we get back tonight, I don't suppose there's any harm in keeping him."
A moment later, Amos wasn't so sure. As he passed the dog on his way into the house, it lifted its big head and laid back its ears. A snarl rumbled up from the depths of its throat.
Janet and Michael stared in awe at the little farm, barely able to recognize it even though it was not yet noon and the work had been under way for only three hours. Already the weeds had been cleared from the front yard; people swarmed over the house with scrapers, removing the last traces of paint from the weathered siding, and in the backyard, yet another crew was busy piling brush and weeds onto a smoldering bonfire. Still more people were at work on the barn.
The driveway, barely passable yesterday, had been scraped, and now a backhoe was working, digging drainage trenches along the shoulders of the road. Buck Shields, manipulating its controls with expert ease, brought the machine to a halt and jumped to the ground. "Want to try it?" he asked Michael. Michael immediately climbed up the caterpillar tread of the hoe and perched on its steel seat.
"What do I do?"
"Hold on," his uncle replied, climbing up to stand behind Michael, his work-coarsened hands covering Michael's own softer ones. "It's real easy. This lever brings the hoe up and puts it down, and this one moves it back and forth. See?" He demonstrated the hoe's operation, and another foot was added to the drainage ditch. "We can do about three or four feet at a time, then we have to move the whole thing forward. Try it."
Michael moved one of the levers, and the hoe plunged deep into the earth. "Easy," Buck cautioned. "We want a trench, not a pit." He eased the lever back, and the hoe responded. "Now try moving the dirt to the side, and dumping it." Michael hesitated, chose a lever, and pulled. The claw of the hoe dropped downward and the earth was deposited back into the trench.
"I'm messing it up," Michael said by way of apologizing.
"Maybe we better start you out with the tractor and work up to this. Why don't you see if you can lend a hand out back?"
Michael scrambled down and disappeared around the corner of the house, while Janet walked slowly along next to Anna as she wheeled her chair up the drive. At the foot of the porch steps, the old woman came to a halt and stared silently up at the house.
"You must have a lot of memories of this place," Janet said at last. Anna's eyes flickered, then met Janet's.
"I do," she replied. "But that's all past now, isn't it? For you, maybe this house will be a good one."
Janet frowned thoughtfully. "I don't believe in good houses and bad houses. It seems to me a house is happy if the people who live in it are happy."
"I hope you're right." Sighing, Anna approached the porch steps, then came to another halt. This time, when she looked up it was to Janet, not to the house. "There's some people who can manage stairs in these things, but I'm not one of them."
"I put a ramp for you on the top of my list," Janet told her as she began working the wheelchair up the four steps to the porch, "but I don't know when we'll be able to get it built."
"I'll mention it to Amos," Anna replied. Then, as
Janet pushed her through the front door, she seemed to shrink into the chair. Her eyes scanned the foyer and the stairs, then shifted to stare almost fearfully at the closed door to the small room in which she'd delivered her last child.
"If you don't want to be here, I'll understand," Janet said, putting a reassuring hand on the old woman's shoulder.
"No. No, it'll be all right. It's just that it's been so many years." A wry smile twisted her mouth, a smile that Janet had a feeling was forced. "I'm afraid we may not have done you a favor with this place. I had no idea how bad it had gotten."
"But it's not bad," Janet protested. "It's going to be wonderful. Come on. Let's go on a tour, and I'll tell you everything I'm going to do."
They went from room to room, Anna falling silent as Janet explained her plans for each area. At last they came back to the foot of the stairs. Anna gazed thoughtfully up toward the second floor. "Which rooms are you going to use?" she asked at last.
"I'm taking the big one in front. Michael wants the little one."
"The little one?" Anna frowned. "Why the little one?"
"He likes the view. You can see Mr. Findley's place from there."
Anna's expression darkened. "That place," she said. "Ben Findley should be ashamed of himself, the way he's let it go. I swear, I don't know why that man stays around here. If it wasn't for Charles Potter, he wouldn't have a friend in Prairie Bend."
"But doesn't he have family?"
Anna's eyes clouded, and a sigh escaped her lips. "Ben? Not anymore. He had a wife once—Jenny Potter. For a while they had a good marriage, but then—" She fell silent for a moment, then smiled wanly. "Things happen, I guess. Anyway, Jenny left, and ever since, Ben's just gotten stranger and stranger."
"But surely he must have some friends."
Anna shook her head. "He doesn't seem to want friends anymore. In fact, I've often wondered why he stays here at all. His life must be so lonely…" Her eyes drifted toward the staircase. After a moment, she turned back to Janet. Suddenly, she nodded her head. "Of course Michael would want the little room." A look that might have been sadness, or something else, shadowed her face. Then she said, "It was his father's."
As his mother had asked his grandmother about Ben Findley, so too had Michael asked Ryan Shields again about the man next door. They were in the barn with a third boy—Damon Hollings—whom Michael had met only today.
"How come he's not here?"
"Are you kidding?" Damon replied, though Michael had directed his question to his cousin. "He never goes out of that weird house, and he never speaks to anyone. And he wouldn't help anyone, even if they were dying on the road in front of his driveway." Damon paused, enjoying the effect his words were having on Michael. "And his place is haunted," he added, his voice dropping to a loud whisper. "There's ghosts there."
"There's no such thing as ghosts," Michael protested, but nonetheless his gaze shifted away from Damon toward the loft door. Beyond, only a few hundred yards away, lay the ramshackle buildings of the Findley farm. And in the depths of his consciousness, a memory—or was it a dream? —stirred. "What kind of a ghost?" he asked, his voice noticeably less certain than it had been a moment earlier.
"It's someone who died a long time ago," Damon told him. "And sometimes you can see it, at night, out in Potter's Field. It looks like lights moving around out there."
"Lights?" Michael asked. "What kind of lights?"
"I—I never saw it myself," Damon admitted.
"You never saw it 'cause it doesn't exist. Right, Ryan?" Michael said, turning to his cousin, but Ryan didn't answer.
Damon shrugged with exaggerated indifference and ran a hand through the tangle of blond hair that capped his mischievous face. "Well, who cares what you think?" he said to Michael. "All I'm telling you is what I heard. And what I heard, and what everybody around here knows, is that old man Findley's place is haunted. So there!"
"Well, I don't believe it," Michael shot back. "I don't believe in ghosts, and I bet there's nothing wrong with Mr. Findley. I bet nobody around here likes him 'cause he's not related to anybody," he said with sudden certainty.
"Well, why don't you go find out?" Damon challenged.
"Maybe I will," Michael replied, taking up the challenge. He turned to Ryan again. "Will you go with me?"
Ryan stared at him, then emphatically shook his head. "And you better not go, either," he said.
Michael's expression set stubbornly as the beginnings of a headache shot through his temples. "I'll do what I want," he said in a tight voice. He turned away from the other two boys and concentrated his attention on the old barn in the distance. As he stared at it, the pain in his head began to ease. From somewhere inside his head, he could almost hear a voice whispering to him. The words were unclear, but the tone was somehow familiar…
By six-thirty the heavy work was done, and only the Halls remained at the little farm.
"Doesn't look much like it did this morning, does it?" Anna Hall commented.
Indeed, it did not. Gone was the tangle of weeds that had nearly hidden the house, and the lawn, mown and trimmed, needed only water and some fertilizer to restore it to the luxuriant green that was the norm in Prairie Bend. The driveway, scraped and graveled, formed a graceful curve to the highway, and the buildings, denuded of the last remnants of their faded and peeling paint, seemed almost to be anticipating the morrow, when a coat of fresh white would restore them to their former respectability. Behind the buildings, forty acres of newly plowed earth awaited whatever plantings Amos eventually decided on. Even Michael had to admit that the place had changed.
"Maybe we really can live here," he murmured. Then his eyes shifted westward toward the sagging buildings of the Findley farm, and he fell silent.
Misunderstanding Michael's silence, Amos reached out and drew him close, his arm around the boy's shoulders. "You don't like that place?" he asked, then interpreted Michael's continued silence as assent. "Well, that's just as well. If I'd had my way, I'd have bought Ben's place long ago, but he wouldn't hear of it. Said he'd found the place where he was going to die, and he was too old to change his mind. So there he is, and if I were you, I'd leave him alone."
With an effort, Michael tore his eyes away from the old barn and looked up at his grandfather. "Is there really a ghost there?" he asked.
Janet had not been paying much attention to the conversation. Now she turned to look at her son. "A ghost?" she asked, her voice incredulous. "What on earth are you talking about?"
Michael shifted uncomfortably. "Damon Hollings says Mr. Findley's farm is haunted."
"Oh, for heaven's sake. You didn't believe him, did you, honey?" When Michael hesitated, Janet's voice lost some of its lightness. "There's no such thing as ghosts, Michael, and there never have been." She turned to Amos and Anna, expecting them to support her, but Amos seemed lost in thought, while Anna had turned away and was slowly pushing her chair toward the car. "Amos, tell him there's no such thing as ghosts."
"I'm not going to tell him something I don't know about, Janet," he said at last.
Janet stared at him. "Something you don't know about?" she repeated. "Amos, you aren't going to tell me you believe in ghosts!"
"All I can tell you is that there've been stories," Amos said at last. "So I guess I'll just have to say I don't know."
"What kind of stories?" Michael demanded.
"Things," Amos told him after a long silence. Then he smiled grimly. "Maybe, if you're good, I'll tell you all about them, just before you go to bed tonight."
Michael tried to keep his excitement from showing, tried to keep his expression disinterested. He failed completely.
CHAPTER EIGHT
The prairie was different then; the grass was tall, and in the summer you couldn't even see where you were going. It would grow five, maybe six feet high, and it was like a great sea, green at first, during the spring, and then, in the summer, it would turn brown, and as far as you could see, there it was, waving in the wi
nd just like in the song. Then the cattle came, and the grass started getting more like it is now—still thick, and still tall in the spring, but cut down as the summer goes on. It never used to get cut at all. It would just stand, bloom, go to seed, and die.
And in the winter, the prairie would turn white, and the snow would be so thick no one could go out in it. No one except the Indians, with their travois. And even they didn't travel much in the winter. They'd pitch their tepees, and huddle together, and somehow they'd get through it.
That was what the white people didn't know. They didn't understand the prairie, didn't have any idea of what it could be like. The thing of the prairie is that it just seems to go on and on forever. And there's nothing to measure it by. So what used to happen is that people would lose track out on the prairie. Not of where they were—they always knew that. But they'd lose track of who they were, and what they were.
It would happen slowly, so slowly that most people ever knew it was happening to them. They'd come out here from the east, and they'd be looking for land. A lot of them were city people, and what they wanted was to be out of the city. So at first they didn't even have towns. Instead, they'd claim tracts of land—big tracts—and they'd build their houses right in the middle of it, and everything they could see was theirs. And they didn't have any neighbors, not to speak of. Oh, there were other people, but they lived miles away, and the only time you saw your neighbors was during a house-raising or a wedding, a birth or a death. For the rest of the time, you were by yourself, with no one but your family. And sometimes you'd be snowbound for months on end.