He reached the trellised gate in the back wall and opened it to enter the garden proper. He hesitated, taking his bearings. This was dangerous territory; he could explain his presence in the carriage court and the kitchen garden. Any servant except a gardener would be forbidden this area.
It seemed deserted. Rambling roses, quince trees, and willows obscured the walls that ran down to terminate in a slight dip and another high wall. Tangled greenery that would flower in the spring hung out of the beds and threatened the cobbled pathways and a fountain with a nymph trapped in winter-dry vines played near the center.
Nicholas trotted the length of the wall, over which he could see the carved balusters of the terrace enclosure. At the end of the garden the terrace formed a wide square platform. Overgrown brush screened him from the house now, and he was able to dig fingers and boot tips into the cracks in the rough stone wall. He hauled himself up and slung one leg over the balustrade, hoping the moss stains wouldn’t show too badly on his dark clothes.
The temple was in the center of the platform. It was a simple design, an open circle of columns supporting a carved entablature. The stones were artificially weathered, as the triumphal arch was, giving the little place a look of aged dignity. A fine wooden table had been placed in the center, surrounded by eight chairs.
The great spreading mass of several oak trees, each large as a small hillock and far older than the house itself, blocked the view on three sides of the platform, and the only clear line-of-sight was straight down the connecting stone bridge to the carriage court terrace and the back of the main house. Huge flower urns and classical statues of various faunal gods around the edges of the platform provided some cover, but the little temple would be clearly visible to anyone standing on the further terrace. No one seemed to be out and Nicholas left the sheltering statuary and approached the temple cautiously.
He crouched to examine the underside of the table for wires, or mechanical or magical devices. There seemed to be none, and no secret compartments either. The table was also heavy and sturdy, impossible for a clever spiritualist to rock with his boot tips, which was one of the more common tricks. He moved on to the chairs, checking underneath them and palpating the seat cushions. Next was the temple itself.
Finally he had searched as much of the place as he was able to without a ladder and he went to sit in the concealing shadow of an oversized urn. It was getting late and darkness was gathering in pools under the winter-stripped trees and in the thorny brush. No preparations had been made for the kind of show people such as Captain Everset and his lady would expect for their money.
Is that really a surprise?. Nicholas asked himself. You know Octave has real power, or at least access to real power. If he had found the table prepared with flashpowder and false bottomed drawers, it would only have obscured the issue further. He would simply have to wait and see what he could discover during the circle.
Nicholas made it safely back to the room to find Reynard already dressing for dinner.
"There you are," Reynard said. He was tying his cravat in front of the mirror. "I was beginning to wonder. Did you find anything?"
"No, as I expected. Is Octave here? Who are the other guests?"
"I didn’t see Octave. Madam Everset talked about him as if she expected him to descend on us out of the ether at any moment, though. Whether that means he’s in the house now or not, I couldn’t tell you." Reynard swore, tore the cravat off and discarded it over his shoulder, selecting a fresh one out of the open drawer. Nicholas caught the bit of cloth before it could flutter to the floor and put it away. Reynard continued, "As to the other guests, they’re what you’d expect. Amelind Danyell, the half-mad one who’s been dangling after what’s his name, the unpleasant poet who’s an opium addict—"
"Algretto?"
"That’s it. He’s here too, of course, and he’s brought his wife along to play off Danyell. There’s also Danyell’s escort, a pimply-faced bit who has propositioned me twice already and I’m old enough to be his father, for God’s sake. There’s Vearde and his current mistress, Ilian Isolde the opera singer, and of course Count Belennier, who couldn’t get invited to a salon party on a sinking ship since he was caught in that Naissance Court scandal."
Reynard was about to ruin another cravat. Nicholas impatiently stopped him, turned him around and finished tying it himself. The company was uniformly scandalous, but then no one would have invited Reynard to any other kind of occasion. He had gained a reputation for casual behavior before he had taken an officer’s commission in the Guard, but the worst scandal by far was the one that had lost him that commission and made him Count Montesq’s enemy.
Reynard had been conducting an affair with a younger officer, a member of a noble family, at the same time as the young man was also seeking an engagement with a young woman of an even nobler and far more wealthy family. Montesq’s solicitor Devril, who had a second career as a blackmailer, had managed to buy an incriminating letter written by the young man to Reynard, which had been stolen out of Reynard’s kit when their regiment was stationed on the Tethari peninsula. The young man had paid the blackmail at first, paid it until he had exhausted his personal funds, but Devril’s demands had continued until finally, on the day before the wedding, Devril had made the letter public through intermediaries. The scandal and the pressures of his position and, possibly, the belief that Reynard had given the letter to Devril himself, worked on an excitable temperament, and the young man had killed himself. Reynard had returned to Vienne shortly thereafter to find his friend dead and most of the beau monde of the belief that Reynard had driven him to suicide. The feeling against him was so high his commanding officer had trumped up some charges against him in order to cashier him out of the Guard.
The part of the story that no one else but Nicholas and Madeline knew entirely was that Reynard had tracked down the unscrupulous batman who had stolen the letter and killed him after extracting Devril’s identity. Montesq’s men had discovered that Reynard was on Devril’s trail and planned to eliminate him, but Nicholas had been following the situation as well and managed to contact Reynard and warn him. Together they had rid the world of the blackmailing solicitor Devril, and Reynard had worked with Nicholas ever since.
Nicholas finished tying the cravat and Reynard examined the result in the mirror carefully. "You did that well. Did they teach it at Lodun when you were there?"
"They teach everything at Lodun." The other guests were familiar names, except for one. "Vearde, do you know him by sight?"
"Yes, I’ve met him on several occasions. Just an acquaintance, though." Reynard turned to regard him quizzically, with a hint of a smile. "You think he’s really Ronsarde in disguise?"
"No, I do not think that." Damn Reynard for being so astute, anyway. Nicholas didn’t want to seem like a nervous fool, but Ronsarde was the one enemy he wasn’t completely confident that he could outwit. He put away Reynard’s old suit, knowing a real valet would never leave clothing on the floor. Well, maybe Reynard’s valet might, but it would excite comment among the other servants and he didn’t want to call attention to himself. "We did see Halle at the morgue, you know."
"When you went to look at that drowned boy? I thought Madeline said there was no connection to Octave?"
"Not yet." He hadn’t heard back from the practitioners he had given the samples to. He would probably have to go to Arisilde again himself and remind him. "There were only eight chairs around the table."
"Well, Everset said he wouldn’t be joining us for Octave’s little show. I assume some of the others have also made their excuses. Do you think that matters terribly?"
"No." Nicholas considered a moment. "Do you think Everset will be suspicious that you haven’t made an excuse?"
"I’ve mentioned that I haven’t seen one of the things yet and I’m curious. That should do it. No one in this group is going to suspect anyone of anything except sneaking off to debauch on the sly."
"You’re right, of cours
e." Nicholas had learned early that one of the chief problems in deception was the tendency to try to over explain one’s actions. The truth was that people did the oddest things for the most inconsequential reasons and elaborate justifications only made one look guilty.
Like most parvenu households, the Eversets had paid a great deal for an excellent Aderassi chef and since they had no real taste, had managed to hire only a mediocre one. Nicholas watched the chaos from the safety of the kitchen doorway, with one or two of the other upstairs servants who were malingering now that the guests were settled. Earlier, from the shelter of the stables, they had all watched Octave’s coach arrive. The spiritualist had brought no baggage and no one to accompany him except the coach driver.
The chef Listeri carried on dinner preparations as if the kitchen were a besieged citadel that would inevitably fall to superior force and this entailed a great deal of banging, breakage, and profanity toward the scullery maids. It made Nicholas all the more grateful for his own dignified Andrea, who had never thrown a tantrum in his life.
He shook his head over the choice of an inferior grade of wine for a sauce, then left his indolent pose in the doorway and made his way toward the dining room. Nicholas had made it a point to see all the servants brought in by the guests and to make sure that they were all, as far as he could tell, what they appeared to be. Crack had orders to do the same with the coachmen and outriders quartered in the stables and Nicholas knew if his henchman had discovered anything suspicious he would have found a way to send word by now. It was only the guests he was worried about.
It proved impossible to get close enough to the dining room to overhear the conversation. The only possibility was a small anteroom used by the butler to marshall the footmen who were serving the courses and it was always occupied. Nicholas grudgingly returned to his position in the kitchen, where Listeri seemed about to succumb to a seizure.
Not that casual conversation over the plates was likely to provide much illumination, though Nicholas knew that Algretto the poet was associated with Count Rive Montesq. Last month Nicholas had been at Contera’s with Reynard and Madeline, when the Count had come in with a large party that had included Algretto. There was nothing particularly damning in that. Algretto’s current popularity made him a much sought-after guest with all levels of society.
But after a time Nicholas had become aware of the particular attention being directed at them from the neighborhood of Montesq’s party. It might be due to Madeline’s presence; as a feted actress she often drew attention. Or it might be due to Reynard, who tended to draw his own share of notice.
"We’re being observed, my dears," Reynard had said. "Out of jealousy, it’s obvious." He had betrayed absolutely no discomfort; Reynard loved challenges.
Madeline had laughed and lifted her glass to him as if he had said something extremely witty and cutting about the people watching them. "God," she murmured, "I must have a guilty conscience. I’m afraid he knows."
She meant Montesq, who was straightening the black opal studs on his cuffs as he leaned over to speak to one of the women in his entourage. Just that day Nicholas had obtained the rest of the builder’s plans for Montesq’s Great House, which they would need to plant the Duchess of Mondollot’s incriminating Bisran gold. "Guilty?" he said, raising his own glass.
"Not guilty, precisely. An occupied conscience, perhaps." She touched her hair ornament in a gesture of flirtation and without moving her lips, said, "He’s coming over here."
Out of the corner of his eye Nicholas had seen Montesq excuse himself to his party and stand. "He knows nothing," he said.
"And that’s Enora Ragele with him," Madeline added, in a more audible voice. "The woman’s such a whore."
"Now Madeline, you sound like an actress," Reynard chided her gently.
The exchange had been for Montesq’s benefit. The Count reached their table on the tail end of Reynard’s comment and Nicholas stood to shake hands with him.
"It’s been a long time, Valiarde. I had thought you left the country," Montesq said, easily. He looked every inch the noble of Ile-Rien, from the sober cut of his tail coat to the impeccable grooming of his oiled hair and closely trimmed beard. His smile didn’t reach his flat black eyes.
"I’m not much in society, my lord." Nicholas turned to introduce Madeline and Reynard. The knife-edge of tension that went through him when Montesq formally kissed Madeline’s hand surprised him, but it was made up for as he watched the Count pretend he had never heard of Reynard Morane before. Though he probably loses track of the people he orders his men to kill; there are so many of them.
The introductions done, Montesq turned back to Nicholas. "Edouard Viller was a great loss to philosophy, Valiarde. I’m sure Lodun feels his absence."
"We all feel his absence," Nicholas said quietly. He was finding that being offered condolences, even long after the fact, by his foster-father’s murderer was an almost enjoyable experience. The fact that Montesq had not yet tired of his grotesque private jokes was a sign of weakness. He isn’t aware who the joke is on— yet.
Montesq’s face betrayed nothing. He said, "You are still an art importer?"
"Yes, I am." Nicholas made his expression one of polite interest. Montesq might be fishing, though he couldn’t think for what.
"Really, and I thought my company was considered scandalous by the beau monde." The speaker was the poet Algretto, who had come up behind Montesq. He looked as if he had just rolled out of bed, his clothes disordered and his cravat hanging loose around his neck, his blond curls in disarray. The poet had given this same impression every time Nicholas had seen him so he strongly suspected it was a deliberate affectation. "Take care, my lord, this is almost too much."
Nicholas barely managed to conceal his amusement. There was no mistaking what Algretto was referring to. As an attempt to please his patron it backfired badly; Montesq’s connection to his blackmailing solicitor had almost been exposed during the incident that had won Reynard the shame of the beau monde, and from the Count’s expression he obviously remembered it with no fondness either.
"True," Reynard said to the poet, his voice amused. "Your company should be scandalous enough. Any more would be a surfeit of riches."
Algretto started to speak but then glanced at Montesq. He must have read impatience in the set of his patron’s jaw, because he contented himself with an ironic bow, as if acknowledging the hit. Montesq smiled, too well-bred to acknowledge the coarseness of the demi monde he had found himself surrounded by, and said, "My agent will contact your men of business, Valiarde."
"Of course." Nicholas smiled, gently.
When Montesq had taken his leave and gone back to his table, Madeline said seriously, "Sometimes your self-control frightens me."
"Thank you," Nicholas said, lifting his glass to her, not that he thought she had meant it as a compliment.
"I thought you were as subtle as a ground adder myself," Reynard commented dryly. "What did I miss?"
"If I had been too obliging, he would have become suspicious." Nicholas swirled the contents of his wine glass. "He knows I hate him. He just doesn’t realize to what extent I’ve acted on it."
"So he was testing you," Reynard said thoughtfully.
Madeline idly shredded a flower petal from the table decoration. "I wonder why."
Nicholas had smiled, with a razor edge that was anything but gentle. "Perhaps he has an occupied conscience."
Algretto was a connection to Montesq, but not to Octave. And it was Octave’s appearance on the scene, in the middle of the plan to destroy Montesq, a culmination of years of effort, that worried Nicholas the most. The chef Listeri suddenly became aware of his audience and flung a pot at the wall near the doorway, causing Nicholas and the other servants to hastily scramble for cover, and brought Nicholas’s thoughts abruptly back to his current role.
After dinner had been served, the apparently chronic confusion in the servants’ hall allowed Nicholas to fortify himself with a b
owl of gamey stew before slipping out of the house to take up a position near the circle.
Colored lamps had been hung at strategic intervals throughout the formal garden, making the trip out to the platform somewhat more interesting, but he managed it without incident. Once there he scouted the area for any other watchers before climbing up to the balustrade again. A glass candlelamp had been placed in the center of the table and more lamps had been hung from some of the pillars. The shadows among the statuary at the edges of the platform were even darker for these yellow beacons, so he retired behind the large urn with some confidence.
It was cold, though Nicholas had taken the precaution of bringing dark gloves and a scarf to wrap around his throat. The wind had died down since earlier in the day and the quiet of the night was the heavy silence of the country. Nicholas was even able to hear a late carriage go down the road in front of the house, passing Gabrill’s triumphal arch and continuing on toward the even grander parks further away from the city.
Not long after, the doors to the terrace from the main house opened and he heard talk and laughter. Lamps had been lit along the bridge of the terrace and he was able to see the guests making their way toward the temple platform.
Amelind Danyell was in front, her shoulders bare in a gown better suited to a warm salon, escorted by a young man not quite her height with a waistcoat of such startling pattern Nicholas could make it out even in lamplight at this distance. At her other side was Count Belennier, who seemed to be paying Danyell more attention than was quite necessary for a woman who already had one male arm to steady her. Behind them he recognized Algretto, the flamboyant poet, who had come out in his shirtsleeves, possibly in an attempt to encourage an attack of tubercle that would make him even more attractive to women like Danyell. He had given his arm to Madame Everset, his hostess, who had bundled up in a paletot and wrapped a scarf around her head, showing far more sense than most of the others present. Possibly she was more interested in the circle itself than she was in being seen to have it by these people. Nicholas wondered if Octave had solicited some relic of a dead relative from her for tonight.