Portrait of a Lady in White, c. 1929
Portrait of Alicia Galant (detail), 1927
Portrait of Diego Rivera, 1937
Portrait of Doña Rosita Morillo, 194.
Portrait of Dr. Leo Eloesser, 1931.
Portrait of Engineer Eduardo Morillo
Portrait of Eva Frederick, 1931.
Portrait of Lucha Maria, a Girl from Tehuacán, (Sun and Moon)
Portrait of Luther Burbank, 1931
Portrait of Miguel N. Lira, 1927
Portrait of My Father, 1951
Portrait of My Sister Cristina, 1928
Portrait of Virginia, 1929
Roots or The Pedregal, 1943
Saint Nicholas, c. 1932
Self-Portrait, 1930
Self-Portrait, 1948
Self-Portrait as a Tehuana or Diego on My Mind, 1943
Self-Portrait dedicated to Dr. Eloesser, 1940
Self-Portrait dedicated to Leon Trotsky or Between the Curtains, 1937
Self-Portrait dedicated to Marte R. Gómez, 1946
Self-Portrait dedicated to Sigmund Firestone, 1940
Self-Portrait Sitting on the Bed or My Doll and I, 1937
Self-Portrait (standing) along the Border between Mexico and the United States, 1932
Self-Portrait “Time Flies”, 1929
Self-Portrait with “Bonito”, 1942
Self-Portrait with Braid, 1941
Self-Portrait with Cropped Hair, 1940
Self-Portrait with Hair Down, 1947
Self-Portrait with Itzcuintli Dog, c. 1939
Self-Portrait with Monkey, 1938
Self-Portrait with Monkey, 1940
Self-Portrait with Monkey, 1945 1, 2
Self-Portrait with Monkey and Parrot, 1942
Self-Portrait with Monkeys, 1943
Self-Portrait with Necklace, 1933
Self-Portrait with Red and Gold Dress, 1941
Self-Portrait with Stalin or Frida and Stalin, c. 1954
Self-Portrait with the Image of Diego on My Breast and Maria on My Brow, 1953-1954
Self-Portrait with the Portrait of Dr. Farill, 1951
Self-Portrait with Thorny Necklace, 1940
Self-Portrait with Velvet Dress (detail), 1926
Still Life, 1942
Still Life, 1951
Still Life dedicated to Samuel Fastlicht, “painted with all my love”, 1952
Still Life: Viva la Vida (Long Live Life), c. 1951-1954
Still Life with Parrot and Flag, 1951
Still Life with Pitahayas, 1938
Study for the Portrait of Luther Burbank, 1931
The Suicide of Dorothy Hale, 1938-1939
Sun and Life, 1947
Thinking about Death, 1943
Tree of Hope, Keep Strong, 1946
Tunas (Still Life with Prickly Pear Fruit), 1938
The Two Fridas, 1939
Two Nudes in the Wood or The Earth or My Nanny and I, 1939
Untitled (drawing with cataclysmic theme), 1946
Untitled (drawing with subject inspired by Eastern philosophy), 1946
What the Water Gave Me, 1938
Window Display in a Street in Detroit, 1931
Without Hope, 1945
The Wounded Deer (The Little Deer), 1946
DIEGO RIVERA
Artist’s Studio, 1954
Assets, 1931
Calla Lily Vendor, 1943
The Day of the Dead, 1944
Delfina and Dimas
The Dove, 1957
Indian Spinning.
Modesta, 1937
Night Landscape, 1947
Nude of Frida Kahlo, 1930 1, 2
Landscape with Cactus, 1931
Portrait of Señora Doña Evangelina Rivas de Lachica, 1949
Portrait of Mrs Natasha Gelman, 1943 1, 2
Self-Portrait, 1906
Self-Portrait, 1949
The Temptations of St Anthony, 1947
Notes
* * *
[1] Tibol, Raquel, Frida Kahlo An Open Life, Translated by Elinor Randall, University of New Mexico Press, 1993
[2] Tibol, Raquel, op. cit., p. 13
[3] Tibol, Raquel, op.cit., p. 43
[4] Ibid., p. 60
[5] Rummel, Jack, Frida Kahlo – A Spiritual Biography, The Crossroad Publishing Company, New York, 2000
[6] Herrera, Hayden, Frida – A Biography of Frida Kahlo, New York, 1983, pp. 73-74
[7] Ibid., p. 74
[8] Ibid., p. 77
[9] Alcantara and Egnolff, Frida Kahlo and Diego Rivera, Prestel Press, NY, 1999, p. 30
[10] Ibid., p. 35
[11] Weston, Edward, Daybooks, “California”, vol. 2. pp 198-199
[12] Rummel, op.cit., p. 84
[13] Tibol, Raquel, op.cit., pp. 62-63
[14] Alcantara et Egnolff, op.cit., p. 40
[15] Rummel, op.cit., pp. 91-92
[16] Kahlo, Frida, Letters of Frida Kahlo, compiled by Martha Zamora, San Francisco, Chronicle Books, 1995
[17] Alcantara et Egnolff, op.cit., p. 41
[18] Rummel, op.cit., p. 93
[19] Herrera, Hayden, op.cit., p. 232
[20] Ibid., p. 226
[21] Herrera, Hayden, op.cit., p. 167
[22] Ibid., p. 181
[23] Ibid., p. 186
[24] Rummel, op.cit., p. 112
[25] Fibromyalgia in Frida Kahlo’s life and art, Arthritis Rheum, 2000 Mar; 43(3): 708-9, Martínez-Lavin, Manuel MD; Amigo, Mary-Carmen MD; Coindreau, Javier MD; Canoso, Juan MD
[26] Rivera, Diego, “Frida Kahlo and Mexican Art”, Boletín del Seminario de Cultura Mexicana, Vol. 1, No. 2 October, 1943
[27] Herrera, Hayden, op.cit., p. 442
[28] Rummel, op.cit., p. 119
[29] Herrera, Hayden, op.cit., p. 306
[30] Ibid., p. 329
[31] Hardin, Terri, Frida Kahlo A Modern Master, Smithmark Publishers, New York, 1997, p. 66
[32] Herrera, Hayden, op.cit., p. 334
[33] Ibid., p. 339
[34] Rummel, op.cit., p. 133
[35] Ibid., p. 133
[36] Herrera, Hayden, op.cit., p. 436
[37] Zamora, Martha, The Letters of Frida Kahlo, Chronicle Books, San Francisco, 1995
[38] Zamora, Martha, The Brush of Anguish, Chronicle Books, San Francisco, 1990
[39] Ibid., p. 102
[40] Ibid., p. 102
[41] Kahlo, Frida, The Diary of Frida Kahlo, Harry N. Abrams, Inc., New York, 1995
[42] Zamora, op. cit., p. 122
[43] Diego Rivera / Gladys March, My Art, My Life: An Autobiography, Citadel, New York, 1960
[44] Zamora, op. cit., p. 157
Frida Kahlo, Gerry Souter
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