It was not long before they ceased even to be surprised, became convinced that it was all their right and due. They were very important people—quite unique.

  Only Emily stood apart, shy, answering questions uncomfortably. She did not seem to be able to throw herself into her importance with the same zest as the others.

  Even the passengers’ children joined in the fuss and admiration: perhaps realizing the opportunity which the excitement gave of avoiding their own bed-time. They began to bring (probably not without suggestion) their toys, as offerings to these new gods: and vied with each other in their generosity.

  A shy little boy of about her own age, with brown eyes and a nice smile, his long hair brushed smooth as silk, his clothes neat and sweet-smelling, sidled up to Rachel.

  “What’s your name?” she asked him.

  “Harold.”

  She told him hers.

  “How much do you weigh?” he asked her.

  “I don’t know.”

  “You look rather heavy. May I see if I can lift you?”

  “Yes.”

  He clasped his arms round her stomach from behind, leant back, and staggered a few paces with her. Then he set her down, the friendship cemented.

  Emily stood apart; and for some reason every one unconsciously respected her reserve. But suddenly something seemed to snap in her heart. She flung herself face-downwards on the deck—not crying, but kicking convulsively. It was a huge great stewardess who picked her up and carried her, still quivering from head to foot, down to a neat, clean cabin. There, soothing and talking to her without ceasing, she undressed her, and washed her with warm water, and put her to bed.

  Emily’s head felt different to any way it had ever felt before: hardly as if it were her own. It sang, and went round like a wheel, without so much as with your leave or by your leave. But her body, on the other hand, was more than usually sensitive, absorbing the tender, smooth coolness of the sheets, the softness of the mattress, as a thirsty horse sucks up water. Her limbs drank in comfort at every pore: it seemed as if she could never be sated with it. She felt physical peace soaking slowly through to her marrow: and when at last it got there, her head became more quiet and orderly too.

  All this while she had hardly heard what was said to her: only a refrain that ran through it all made any impression, “ Those wicked men...men...nothing but men...those cruel men... ”

  Men! It was perfectly true that for months and months she had seen nothing but men. To be at last back among other women was heavenly. When the kind stewardess bent over her to kiss her, she caught tight hold of her, and buried her face in the warm, soft, yielding flesh, as if to sink herself in it. Lord! How unlike the firm, muscular bodies of Jonsen and Otto!

  When the stewardess stood up again, Emily feasted her eyes on her, eyes grown large and warm and mysterious. The woman’s enormous, swelling bosom fascinated her. Forlornly, she began to pinch her own thin little chest. Was it conceivable she would herself ever grow breasts like that—beautiful, mountainous breasts, that had to be cased in a sort of cornucopia? Or even firm little apples, like Margaret’s?

  Thank God she had not been born a boy! She was overtaken with a sudden revulsion against the whole sex of them. From the tips of her fingers to the tips of her toes she felt female: one with that exasperating, idiotic secret communion: initiate of the γυγαικειογ.

  Suddenly Emily reached up and caught the stewardess by the head, pulling it down to her close: began whispering earnestly in her ear.

  On the woman’s face the first look of incredulity changed to utter stupefaction, from stupefaction to determination.

  “My eye!” she said at last. “The cheek of the rascals! The impudence!”

  Without another word she slipped out of the cabin. And you may imagine that the steamer captain, when he heard the trick that had been played upon him, was as astonished as she.

  For a few moments after she had gone Emily lay staring at nothing, a very curious expression on her face indeed. Then, all of a sudden, she dropped asleep, breathing sweetly and easily.

  But she only slept for about ten minutes: and when she woke the cabin door was open, and in it stood Rachel and her little boy friend.

  “What do you want?” said Emily forbiddingly.

  “Harold has brought his alligator,” said Rachel.

  Harold stepped forward, and laid the little creature on Emily’s coverlet. It was very small: only about six inches long: a yearling: but an exact miniature of its adult self, with the snub nose and round Socratic forehead that distinguish it from the crocodile. It moved jerkily, like a clockwork toy. Harold picked it up by the tail: it spread its paws in the air, and jerked from side to side, more like clockwork than ever. Then he set it down again, and it stood there, its tongueless mouth wide open and its harmless teeth looking like grains of sand-paper, alternately barking and hissing. Harold let it snap at his finger—it was plainly hungry in the warmth down there. It darted its head so fast you could hardly see it move: but its bite was still so weak as to be painless, even to a child.

  Emily drew a deep breath, fascinated.

  “May I have him for the night?” she asked.

  “All right,” said Harold: and he and Rachel were summoned away by some one without.

  Emily was translated into Heaven. So this was an alligator! She was actually going to sleep with an alligator! She had thought that to any one who had once been in an earthquake nothing really exciting could happen again: but then, she had not thought of this.

  There was once a girl called Emily, who slept with an alligator ...

  In search of greater warmth, the creature high-stepped warily up the bed towards her face. About six inches away it paused, and they looked each other in the eye, those two children.

  The eye of an alligator is large, protruding, and of a brilliant yellow, with a slit pupil like a cat’s. A cat’s eye, to the casual observer, is expressionless: though with attention one can distinguish in it many changes of emotion. But the eye of an alligator is infinitely more stony and brilliant—reptilian.

  What possible meaning could Emily find in such an eye? Yet she lay there, and stared, and stared: and the alligator stared too. If there had been an observer it might have given him a shiver to see them so—well, eye to eye like that.

  Presently the beast opened his mouth and hissed again gently. Emily lifted a finger and began to rub the corner of his jaw. The hiss changed to a sound almost like a purr. A thin, filmy lid first covered his eye from the front backwards, then the outer lid closed up from below.

  Suddenly he opened his eyes again, and snapped on her finger: then turned and wormed his way into the neck of her night-gown, and crawled down inside, cool and rough against her skin, till he found a place to rest. It is surprising that she could stand it as she did, without flinching.

  Alligators are utterly untamable.

  IV

  From the deck of the schooner, Jonsen and Otto watched the children climb onto the steamer: watched their boat return, and the steamer get under way.

  So: it had all gone without a hitch. No one had suspected his story—a story so simple as to be very nearly the truth.

  They were gone.

  Jonsen could feel the difference at once: and it seemed almost as if the schooner could. A schooner, after all, is a place for men . He stretched himself, and took a deep breath, feeling that a cloying, enervating influence was lifted. José was industriously sweeping up some of Rachel’s abandoned babies. He swept them into the leescuppers. He drew a bucket of water, and dashed it at them over the deck. The trap swung open—whew, it was gone, all that truck!

  “Batten down that fore-hatch!” ordere
d Jonsen.

  The men all seemed lighter of heart than they had been for many months: as if the weight they were relieved of had been enormous. They sang as they worked, and two friends playfully pummeled each other in passing—hard. The lean, masculine schooner shivered and plunged in the freshening evening breeze. A shower of spray for no particular reason suddenly burst over the bows, swept aft and dashed full in Jonsen’s face. He shook his head like a wet dog, and grinned.

  Rum appeared: and for the first time since the encounter with the Dutch steamer all the sailors got bestially drunk, and lay about the deck, and were sick in the scuppers. José was belching like a bassoon.

  It was dark by then. The breeze dropped away again. The gaffs clanked aimlessly in the calm, with the motion of the sea: the empty sails flapped with reports like cannon, a hearty applause. Jonsen and Otto themselves remained sober, but they had not the heart to discipline the crew.

  The steamer had long since disappeared into the dark. The foreboding which had oppressed Jonsen all the night before was gone. No intuition told him of Emily’s whispering to the stewardess: of the steamer, shortly after, meeting with a British gunboat: of the long series of lights flickering between them. The gunboat, even now, was fast overhauling him: but no premonition disturbed his peace.

  He was tired—as tired as a sailor ever lets himself be. The last twenty-four hours had been hard. He went below as soon as his watch was over, and climbed into his bunk.

  But he did not, at once, sleep. He lay for a while conning over the step he had taken. It was really very astute. He had returned the children, undoubtedly safe and sound: Marpole would be altogether discredited. Even to have landed them at Santa Lucia, his first intention, could never have closed the Clorinda episode so completely, since the world at large would not have heard of it: and it would have been difficult to produce them, should need arise.

  Indeed, it had seemed to be a choice of evils: either he must carry them about always, as a proof that they were alive, or he must land them and lose control of them. In the first case, their presence would certainly connect him with the Clorinda piracy of which he might otherwise go unsuspected: in the second, he might be convicted of their murder if he could not produce them.

  But this wonderful idea of his, now that he had carried it out successfully, solved both difficulties.

  It had been a near thing with that little bitch Margaret, though...lucky the second boat had picked her up....

  The light from the cabin lamp shone into the bunk, illuminating part of the wall defaced with Emily’s puerile drawings. As they caught his eye a frown gathered on his forehead: but as well a sudden twinge affected his heart. He remembered the way she had lain there, ill and helpless. He suddenly found himself remembering at least forty things about her—an overwhelming flood of memories.

  The pencil she had used was still among the bedding, and his fingers happened on it. There were still some white spaces not drawn on.

  Jonsen could only draw two things: ships, and naked women. He could draw any type of ship he liked, down to the least detail—any particular ship he had sailed in, even. In the same way he could draw voluptuous, buxom women, also down to the least detail: in any position, and from any point of view: from the front, from the back, from the side, from above, from below: his fore-shortening faultless. But set him to draw any third thing—even a woman with her clothes on—and he could not have produced a scribble that would have been even recognizable.

  He took the pencil: and before long there began to appear between Emily’s crude uncertain lines round thighs, rounder bellies, high swelling bosoms, all somewhat in the manner of Rubens.

  At the same time his mind was still occupied with reflections on his own astuteness. Yes, it had been a near thing with Margaret—it would have been awkward if, when he returned the party, there had been one missing.

  A recollection descended on his mind like a cold douche, something he had completely forgotten about till then. His heart sank—as well it might:

  “Hey!” he called to Otto on the deck above. “What was the name of that boy who broke his neck at Santa? Jim—Sam—what was he called?”

  Otto did not answer, except by a long-drawn-out whistle.

  10

  I

  Emily grew quite a lot during the passage to England on the steamer: suddenly shot up, as children will at that age. But she did it without any gawkiness: instead, an actual increase of grace. Her legs and arms, though longer, did not lose any of the nicety of their shape; and her grave face lost none of its attractiveness by being a fraction nearer your own. The only drawback was that she used to get pains in the calves of her legs, now, and sometimes in her back: but those of course did not show. (They were all provided with clothes by a general collection, so it did not matter that she grew out of her old ones.)

  She was a nice child: and being a little less shy than formerly, was soon the most popular of all of them. Somehow, no one seemed to care very much for Margaret: old ladies used to shake their heads over her a good deal. At least, any one could see that Emily had infinitely more sense.

  You would never have believed that Edward after a few days’ washing and combing would look such a little gentleman.

  After a short while Rachel threw Harold over, to be uninterrupted in her peculiar habits of parthenogenesis, eased now a little by the many presents of real dolls. But Harold became soon just as firm friends with Laura, young though she was.

  Most of the steamer children had made friends with the seamen, and loved to follow them about at their romantic occupations—swabbing decks, and so on. One day, one of these men actually went a short way up the rigging (what little there was), leaving a glow of admiration on the deck below. But all this had no glamour for the Thorntons. Edward and Harry liked best to peer in at the engines: but what Emily liked best was to walk up and down the deck with her arm round the waist of Miss Dawson, the beautiful young lady with the muslin dresses: or stand behind her while she did little watercolor compositions of toppling waves with wrecks foundering in them, or mounted dried tropical flowers in wreaths round photographs of her uncles and aunts. One day Miss Dawson took her down to her cabin and showed her all her clothes, every single item—it took hours. It was the opening of a new world to Emily.

  The captain sent for Emily, and questioned her: but she added nothing to that first, crucial burst of confidence to the stewardess. She seemed struck dumb—with terror, or something: at least, he could get nothing out of her. So he wisely let her alone. She would probably tell her story in her own time: to her new friend, perhaps. But this she did not do. She would not talk about the schooner, or the pirates, or anything concerning them: what she wanted was to listen, to drink in all she could learn about England, where they were really going at last—that wonderfully exotic, romantic place.

  Louisa Dawson was quite a wise young person for her years. She saw that Emily did not want to talk about the horrors she had been through: but considered it far better that she should be made to talk than that she should brood over them in secret. So when the days passed and no confidences came, she set herself to draw the child out. She had, as everybody has, a pretty clear idea in her own head of what life is like in a pirate vessel. That these little innocents should have come through it alive was miraculous, like the three Hebrews in the fiery furnace.

  “Where used you to live when you were on the schooner?” she asked Emily one day suddenly.

  “Oh, in the hold,” said Emily nonchalantly. “Is that your Great-uncle Vaughan , did you say?”

  In the hold. She might have known it. Chained, probably, down there in the darkness like blacks, with rats running over them, fed on bread and water.

  “Were you very frightened when there was a battle going on? Did you hear th
em fighting over your head?”

  Emily looked at her with her gentle stare: but kept silence.

  Louisa Dawson was very wise in thus trying to ease the load on the child’s mind. But also she was consumed with curiosity. It exasperated her that Emily would not talk.

  There were two questions which she particularly wanted to ask. One, however, seemed insuperably difficult of approach. The other she could not contain.

  “Listen, darling,” she said, wrapping her arms round Emily. “Did you ever actually see any one killed?”

  Emily stiffened palpably. “Oh no,” she said. “Why should we?”

  “Didn’t you ever even see a body?” she went on: “A dead one?”

  “No,” said Emily, “there weren’t any.” She seemed to meditate a while. “There weren’t many,” she corrected.

  “You poor, poor little thing,” said Miss Dawson, stroking her forehead.

  But though Emily was slow to talk, Edward was not. Suggestion was hardly necessary. He soon saw what he was expected to say. It was also what he wanted to say. All these rehearsals with Harry, these springings into the main rigging, these stormings of the galley...they had seemed real enough at the time. Now, he had soon no doubt about them at all. And Harry backed him up.

  It was wonderful for Edward that every one seemed ready to believe what he said. Those who came to him for tales of bloodshed were not sent empty away.

  Nor did Rachel contradict him. The pirates were wicked—deadly wicked, as she had good reason to know. So they had probably done all Edward said: probably when she was not looking.

  Miss Dawson did not always press Emily like this: she had too much sense. She spent a good deal of her time simply in tying more firmly the knots of the child’s passion for her.

  She was ready enough to tell her about England. But how strange it seemed that these humdrum narrations should interest any one who had seen such romantic, terrible things as Emily had!