Heart Earth
Ivan Doig
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A HARVEST BOOK • HARCOURT, INC.
ORLANDO AUSTIN NEW YORK SAN DIEGO TORONTO LONDON
* * *
Copyright © Ivan Doig, 1993
All rights reserved. No part of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical,
including photocopy, recording, or any information storage and
retrieval system, without permission in writing from the publisher.
Requests for permission to make copies of any part of the work should
be submitted online at www.harcourt.com/contact or mailed to the
following address: Permissions Department, Harcourt, Inc.,
6277 Sea Harbor Drive, Orlando, Florida 32887-6777.
www.HarcourtBooks.com
Doig family photographs used by permission of the author.
First published by Atheneum in 1993
Library of Congress Cataloging-in-Publication Data
Doig, Ivan.
Heart earth/Ivan Doig.—1st Harvest ed.
p. cm.—(A Harvest book)
1. Novelists, American—20th century—Biography.
2. Ranch life—Montana. 3. Montana—Biography.
I. Title. II. Series.
PS3554.0415Z468 2006
813'.54—DC22 2005037023
ISBN-13: 978-0-15-603108-0 ISBN-10: 0-15-603108-6
Text set in Adobe Caslon Pro
Designed by Kaelin Chappell Broaddus
Printed in the United States of America
First Harvest edition 2006
C E G I K J H F D
* * *
For
Carol Doig
Linda Bierds
and
Sydney Kaplan
when we traveled the Montana heart and perimeter and won at electronic poker, too
* * *
Author's Note
The chain lightning of memory and family never quits in us. Years after it all, I made a book out of the pair of reliably stormy antagonists—Charlie Doig, my father, and my mother's mother, Bessie Ringer—who bent their lives to give me mine:
"Here is a man and here a woman. In the coming light of one June morning, the same piece of life is axed away from each of them. Wounded hard, they go off to their private ways. Until at last the wifeless man offers across to the daughter-robbed woman. And I am the agreed barter between them."
This House of Sky set out the story of how, after the loss of my mother in 1945, those stricken two—we three—struggled ourselves into becoming a family and staying one. Told and done, I thought with satisfaction, as that book took on a life of its own. Until a day when my mother's letters from that end-of-war year found their way to me. Their record of ricochet was stunning: from American deserts and mountaintops to a ship in combat in the South Pacific to a family trunk closed away for forty-one years to a last will and testament to, at very last, a son's eyes. Line by line Berneta Ringer Doig's own report, from the turbulent half-year before the opening pages of This House of Sky, could go from commonplace to searing, from sassy gossip to monumental anguish.
Out of that unexpected narrative of hers comes this saga-within-a-family-saga, of an indelible young woman and the resonances of heart and earth.
* * *
Intervals of dreaming help us to
stand up under days of work.
—Pablo Neruda, Memoirs
Berneta Ringer and Charlie Doig during their courtship days.
In that last winter of the war, she knew to use pointblank ink. Nothing is ever crossed out, never a p.s., the heart-quick lines still as distinct as the day of the postmark, her fountain pen instinctively refusing the fade of time. Among the little I have had of her is that pen. Incised into the demure barrel of it—my father must have birthdayed her a couple of weeks' worth of his cowhand wages in this gesture—rests her maiden name. Readily enough, then, I can make out the hand at the page, the swift skritch of her letters racing down onto paper for Wally—someone—to know. But all else of her, this woman there earmarking a warstriped airmail envelope with the return address of Mrs. Chas. Doig, has been only farthest childscapes, half-rememberings thinned by so many years since. I had given up ever trying to uncurtain my mother. Now her pages begin her: I have to spill over... Upward from her held pen, at last she is back again.
Aluminum and Arizona in their wartime tryst produced Alzona Park, the defense workers'housing project which had been feeling my shovel ever since my parents and I alit there. I knew, with the full mania of a five-year-old, that the project's barren back yards necessitated my toy-truck roads for strafing, bombing—World War Two had a lot of destruction to be played at yet. I was lonesome for my foxhole, though. By a turn of events you couldn't foresee in desert warfare it had been put out of service by rain, my mother making me fill the dirt back into the brimming crater lest somebody underestimate it as a puddle and go in up to the neck.
Spies, saboteurs, the kind of subversive traffic you get in back yards seemed to me to deserve precisely such a ducking, but my mother stood firm on foxholelessness. I suppose she had in mind our standing with our Alzonan barracks neighbors, who, if she would just trust my reports, all the more justified a foxhole: hunker in there, peeking over the earthrim, and see what they turned into, housewife snipers in the 200 building to be fended off with a pretend rifle, pchoo pchoo, the long 300 building a sudden Japanese battleship, the foxhole now needing to be a gun battery on the destroyer USS Ault, blazing away at those fiends threatening our aircraft carriers, holding them at bay until down in the torpedo room Wally—
***
Wally. February 17, 1986. Four fingers of flame thrust toward the snowfields of Mount Baldy and extinguish into echo. Stiffly working their rifle bolts to reload, the Veterans of Foreign Wars honor guard aims and lets fire again, the combined muzzleflash flexing bright another instant. Then a last volley, and the honor guard dissolves into World War Two oldsters clutching at their campaign caps in the cemetery wind.
Ceremonially Wally Ringer's chapter of life was over, that wind-ridden afternoon. But in the family plot of time, not nearly done with. Can this be what that brother of my mother had in mind with the letters, sensing the carrying power of ink as a way to go on? By making me heir to the lost side of my past, to my mother's own communiques of time and place doing to her what they did, he would find a kind of lastingness too?
At the moment I only knew I was the most grudging of pallbearers, gritting against the shiver, more than windborne, of having come back where Id promised myself not to. To where all the compartments of my earliest self rode together on me, nephew, son, grandson, native of this valley, economic refugee from it, ranch kid, town nomad, only child awash in family attention, indrawn half-orphan. Chambered as a goddamn nautilus. Three times before, I watched a saga of my family echo into the earth here, and in the glide of years since convinced myself I was safely done with Montana burials. Those earliest voices of the heart held no more to tell, Id thought. Wally's in particular I no longer gave ear to, even though for most of my life—most of his, as we were only fifteen years apart in age—he was that perfect conspirator, a favorite uncle. That extracurricular relative we need, some close-but-not-immediate livewire in whom the family blood always hums, never drones. As pushful through life as the canyon snowplow he piloted over black ice, bull-chested, supremely bald, with the inveterate overbite grin of my mother's people which brought the top teeth happily out on parade with the rest of him: as he'd have said it himself, quite the Wally. Here at his funeral were his first and third wives, both in utmost tears, and his second wife sent bereaved regrets from New Mexico.
In my own remembering he bursts
home with that whopping grin on him, ever ready to fetch the boy me off to a trouty creek or up into the grass parks of the Castle Mountains to sight deer or elk, or to an away game of football or basketball, never failing to sing out his announcement of our arrival, "Here we are, entertain us!" If I could but choose, the go-anywhere-but-go streak in this likable uncle of mine I would hold in mind, together with my go-along soberside capacity to take everything in. Avid as the Montana seasons, the team we made.
But that all went, in our weedy argument over the expenses of a funeral, no less. By the time of the death of his mother, my grandmother, in 1974, Wally and I were the only ones in what was left of the family who could take on the burial costs. Easy to misstep when trying to shoulder a debt in tandem, and we faithfully fell flat. What got into me, to ignore the first law of relatives—Thou shalt not tangle family and money—and agree that Id temporarily stand his half of the burial bill as well as my own? What got into Wally, to succumb to the snazzier fishing pole and high-powered new hunting scope he soon was showing off to me while letting the funeral reimbursement grow tardy and tardier? In the end he never quite forgave the insult of being asked to pony up, just as I never quite forgave the insult of having to ask. (At last it occurs to me, no longer the overproud struggling young freelance writer I was then: fishpole and riflescope were Wally's own tools of eloquence, weren't they.) I left from Wallace Ringer's graveside half-ashamed of myself that I had not been able to forget our rift, the other half at him for shirking that funeral deal; the sum of it a bone anger in me that we had ended up somewhere between quibble and quarrel forever, this quicksilver uncle and I.
With the packet of letters, then, each dutifully folded back into its envelope edged with World War Two airmail emblazonments, Wally reached out past what had come between us when he was alive.
Long before, when I began to relive on paper my family's saga of trying to right ourselves after the hole that was knocked in us that year of 1945, I asked around for old letters, photos, anything, but Wally offered nothing. This House of Sky grew to be a book faceted with the three of us I had memory record of, my father, my grandmother, myself. Now, in the lee of my estranged uncle's funeral, his bequest. The only correspondence by my mother I'd ever seen, postmarks as direct as a line of black-on-white stepping stones toward that mid-1945 void.
I believe I know the change of heart in Wally. More than once as my writing of books went on, I would be back in Montana en route to lore or lingo along some weatherbeaten stretch of road, near Roundup or Ovando or somewhere equally far from his Deep Creek Canyon highway district, and ahead would materialize my uncle's unmistakable profile, two-thirds of him above his belt buckle, flagging me to a stop. The Montana highway department's annual desperate effort to catch up with maintenance, this was, with section men such as Wally temporarily assigned into hard hat and flrebright safety vest to hold up traffic while heavy equipment labored on a piece of road. Betterments, such midsummer flurries of repairs were called. So, as wind kept trying to swat his stop sign out of his grasp, my mother's brother and I would manage to kill time with car-window conversation, Wally gingerly asking how things were in Seattle, how my writing was going, my stiff reciprocal questions about his latest fishing luck, his hunting plans for that autumn. Old bandits gone civil. When dumptrucks and graders at last paused, he would declare, "Okay, she's a go" and flag me on through to the fresh-fixed patch of blacktop. And I can only believe this was how the dying Wally saw his mending action of willing the letters to me, a betterment.
But before any of this, before the gnarl in our family history that brought me back and back to that wintry cemetery, he was a sailor on the Ault.
***
I am feeling pretty good, much better than anytime so far since I've been down here. Charlie is the one that isn't well.
A few of the letters in the packet duffeled home from the Pacific are blurry from water stains, but this first one by my mother to her sailor brother makes all too clear that we have traded predicament in Montana for predicament in Arizona.
My parents and my father's sister Anna and her husband Joe and the five-year-old dirtmover that was me had thrown what we had into a Ford coupe and pin-balled our way down through the West a thousand and fifty miles, ration books straining from gas station to gas station along U.S. 89, me most of the time intrepidly shelved crosswise in the coupe's rear window, until we rolled to a halt in Phoenix the night before Thanksgiving of 1944. The next Monday my father and Joe latched on as Aluminum Company of America factory hands and our great sunward swerve settled into Alzona Park orbit.
Unit 119B, where the five of us crammed in, consisted of a few cubicles of brown composition board, bare floors and windows howlingly curtainless until my mother could stand it no longer and hung some dimestore chintz; along with fifty-five hundred other Alzonans, we were war-loyally putting up with packing crate living conditions. But pulling in money hand over fist: my father and Joe drawing fat hourly wages at the aluminum plant—hourly, for guys who counted themselves lucky to make any money by the month in Montana ranchwork. Surely this, the state of Arizona humming and buzzing with defense plants and military bases installed for the war, this must be the craved new world, the shores of Social Security and the sugar trees of overtime. True, the product of defense work wasn't as indubitable as a sheep or cow. Aluminum screeched through the cutting area where Dad and Joe worked and a half-mile of factory later was shunted out as bomber wings, but all in between was secret. For the 119B batch of us to try to figure out the alchemy, my father smuggled out down his pant leg a whatzit from the wing plant. I remember the thing as about the size of the business end of a branding iron, the approximate shape of a flying V, pale as ice and almost weightless, so light to hold it was a little spooky. "I'll bet ye can't tell me what this is," Dad challenged as he plunked down the contraband piece of metal to wow my mother and Anna and me and for that matter his brother-in-law Joe. Actually he had no more idea than any of the rest of us what the mystifying gizmo was, but it must have done something supportive in the wing of a bombing plane.
Like light, time is both particle and wave. Even as that far winter of our lives traced itself as a single Arizona amplitude of season along the collective dateline of memory, simultaneously it was stippling all through us in instants distinct as the burn of sparks. The sunshiny morning when suddenly the storm of hammering breaks out and does not quit for forty days, as a hundred more units of Alzona Park are flung up. The time Anna tries to coax me into a trip to the projects store for an ice cream cone and, ice cream passion notwithstanding, I will not budge from my mother, some eddy of apprehension holding me to where I can see her, not lose her from my eyes even a moment. The night of downtown Phoenix after my father and mother have splurged on the double feature of I Love a Soldier and A Night of Adventure. Maybe we were letting our eyeball-loads of Paulette Goddard succumbing to Sonny Tufts settle a little, maybe we were merely gawking at a Phoenix of streets tightpacked with cars nose to tail like an endless elephant review and of sidewalks aswim with soldiers and fliers fifteen thousand strong from the twenty bases in the desert around; we had not seen much of cities, let alone a city in fever. Either case, here the three of us onlook, until my mother happens to send her eyes higher into the night. "Charlie, Ivan. Look how pretty, what they've put up." She points to the top of the Westward Ho Hotel. Dad and I are as dazzled as she at the sign on the peak of the tall building, stupendous jewelry of a quartermoon with a bright, bright star caught on its horn. We peer up at the design, trying to fathom the perfectly achieved silverghost illumination, until my father ventures, "Ye know, I think those are real." We forge a few feet ahead on the crammed sidewalk to test this and sure enough, moon and star go trapezing upward from the hotel roof to hang on sky—not an advertising inspiration after all, but the planet Venus and the ripening moon in rare conjunction.
On such a night, the fresh zodiac of Arizona must have seemed just what my parents were looking for after their
recent Montana struggles. We all recalled Christmas as a rough spot on the calendar, but now it was healful 1945, February in fact, next thing to high summer in this palmy climate. Lately at Alcoa the management had realized how rare were undraftable colorblind 43-year-olds who knew how to run a crew, and my father came zinging home from the plant newly made a foreman. Before my mother could assemble our promising news off to Wally on his Pacific vessel, though, the ink turned to this:
His stomach bothers him all the time. He is so thin. I'm worried to death about Charlie.
Always before, it took something the calibre of getting tromped beneath a bucking horse to lay Charlie Doig out. But this ulcer deal ... how could a gastric squall put my whangleather father on the couch, sick as a poisoned pup?
My father being my father, he tensely urges my mother to relax, will she, about the situation: "Oh-hell-Berneta-I'll-be-okay-in-just-a-little-bit."
There that Sunday as my father tries to sleep away the volcano in his middle, my mother all of a sudden is alone. Anna and Joe are newly gone, called away by the death of Joe's father and obligations back in Montana. Busy in the rear yard and childhood, I am obliviously pushing my roads to the gates of Berlin and raining bombs onto Tokyo. Beyond 119BS windows, Alzona Park is entirely what it is built to be, war's warehouse of strangers. By instinct, not to say need, my mother goes to her companion the ink.
Dear Wally—
...Somehow you seem to be a better pal than anyone else...
This first letter in the chain that Wally chose to save must have come aboard the Ault to him like her voice thrown around the world. Certainly that is what she is trying, quick as the pen will push through such afraid words as worried to death, such Alzona aloneness that I have to spill over to someone. Creed of all writers: I have to.