So it shouldn’t surprise me that of all the possible patterns, this is the one I’ve found. This remnant of the stained-glass clematis windows from Oliver’s room. I remember how the light filtered through those windows, radiating color like the gems Mr. Tiffany used in his jewelry. How we stood in that living light and kissed, and the world opened up for me like an oyster, offering one perfect, luminous pearl. How that kiss became one more, then a hundred more. How we discovered each other’s tastes and scents. How we shared that alchemical reaction when our passions ignited, combusted, and exploded, changing both of us forever.
Clutching the precious memory, I continue walking through the hulking mass of wreckage, treading carefully on the broken treasures. I listen for the familiar sounds—birds chirping, water splashing in the many fountains, and the endless rushing of the man-made waterfall that I always went out of my way to avoid.
But everything here is silent. Not even the birds have returned yet.
I learned about the fire seven days ago. I was at home in Paris, having breakfast, eating a croissant, drinking a café crème, and reading the International
Herald Tribune. The headline popped out at me like the obituary of an old friend with whom I had long been out of touch.
Old Tiffany Mansion Burns
An eight-level structure with twenty-five baths, the house
was owned originally by the late Louis Comfort Tiffany
of the jewelry firm that bears his name. At one time the
estate covered 1,500 acres of woodland and waterfront.
I didn’t realize my hand was shaking until I saw a splotch of coffee soak into my white tablecloth.
The structure later housed the Tiffany Art Foundation,
which operated a summer school for artists.
The reporter wrote that a neighbor out walking his dog noticed flames coming from the clock tower of Laurelton’s main house. Within hours, the mansion was ablaze. Fire companies came from as far as Hicksville and Glen Cove. Firemen drained all the neighboring swimming pools using the water to try to contain the conflagration. They carried hoses a half mile down to the Long Island Sound to siphon off that water, too. At one point, 435 firemen worked on the blaze, but the fire raged on and on for five days, defeating them. Those who lived nearby said the skies blackened as metal and wood, foliage, ephemera, and fabric burned.
The sky here is no longer black. But the smell of the fire persists. And no wonder, considering it burned for so long.
Once the present turns to past, all we have left are memories. Yes, sometimes we can stand where we stood, see our ghost selves, and relive moments of our life. See the shadow of the man we loved. Of the friend we cherished. Of the mentor who made all the difference. Our memories turn specific. The terrier that played by the shoreline, joyously running in the sand. We can remember the smell of the roses. Look at the azure water and see the glimmer of the sun on the opposite shore and hear a fleeting few bars of jazz still lingering in the air.
If you were the only girl in the world . . . Staring into the remains of what is left, I see ghosts of the gardens and woods, the gazebo, terraces, rooms ablaze with stained glass—everywhere we walked and talked and kissed and cried. With my eyes closed, I see it all in my mind, but when I open them, all of it is gone, up in flames.
Mr. Tiffany once told me that there is beauty even in broken things. Looking back, there is no question I would not be the artist I am if not for that lesson. But would he be able to salvage any beauty out of this destruction?
No, I never dreamed I’d come back to Laurelton Hall. The Xanadu where I came of age as both a woman and a painter. Where I found my heart’s desire and my palette’s power. Where depravity bloomed alongside beds and fields of flowers, where creativity and evil flowed with the water in the many fountains. Where the sun shone on the tranquil sea and the pool’s treacherous rock crystals reflected rainbows onto the stone patio. Where the glorious light streaming from Mr. Tiffany’s majestic stained glass illuminated the very deep darkness that had permeated my soul and lifted me out of despair. And where I found the love that sustained me and remained in my heart even after Oliver and I parted.
Standing here, smelling the acrid stench, looking at the felled trees with their charcoal bark, the carbon-coated stones and bent metal frames that once held the master’s windows, at the smoky, melting mess that was one of the greatest mansions on Long Island’s Gold Coast, I know I never will see it again, not how it was that magical and awful summer of 1924.
The fire is still hot in spots, and a tree branch snaps. My reverie is broken. Leaves rustle. Rubble falls. Glass crushes. Twigs crack. Then comes a whisper.
Jenny.
But it can’t be. The wind howling through a hollow tree trunk is playing a trick. Fooling me into thinking I am hearing his sapphire voice, its deep velvet tone.
As I listen to the repeated whisper—Jenny—I raise my hand to wipe at my tears and tell myself that it is the smoldering ash making my eyes water. The charms on my bracelet jingle as I lower my arm. And again the whisper . . . and again my name—Jenny.
On behalf of 1001 Dark Nights,
Liz Berry and M.J. Rose would like to thank ~
Steve Berry
Doug Scofield
Kim Guidroz
Jillian Stein
InkSlinger PR
Dan Slater
Asha Hossain
Chris Graham
Fedora Chen
Kasi Alexander
Jessica Johns
Dylan Stockton
Richard Blake
Simon Lipskar
Steve Berry, The Museum of Mysteries
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