THE TAKER
Gallery Books
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2011 by Alma Katsu
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Gallery Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.
First Gallery Books hardcover edition September 2011
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Designed by Jill Putorti
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Katsu, Alma.
The taker / Alma Katsu.—1st Gallery Books hardcover ed.
p. cm.
1. Physicians—Fiction. 2. Supernatural—Fiction. I. Title.
PS3611.A7886T35 2011
813'.6—dc22
2010036030
ISBN 978-1-4391-9705-9
ISBN 978-1-4391-9707-3 (ebook)
Content
Author’s Note
Part I
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Part II
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Part III
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Part IV
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Acknowledgments
AUTHOR’S NOTE
As The Taker is a work of fantasy, I don’t imagine readers come to it expecting historical authenticity, but there is one liberty I’ve taken with history that must be pointed out. While there is no town of St. Andrew in the state of Maine, if the reader attempts to triangulate the fictional village’s location based on clues in the text, you’ll see that if it were to exist, it would fall about where the town of Allagash stands today. Truth be told, this exact area of Maine wasn’t settled until the 1860s. However, the Acadian town of Madawaska, not far away, was settled in 1785, and so in my mind it didn’t seem too much of a stretch to have Charles St. Andrew found his outpost around this time.
PART I
ONE
Goddamned freezing cold. Luke Findley’s breath hangs in the air, nearly a solid thing shaped like a frozen wasp’s nest, wrung of all its oxygen. His hands are heavy on the steering wheel; he is groggy, having woken just in time to make the drive to the hospital for the night shift. The snow-covered fields to either side of the road are ghostly sweeps of blue in the moonlight, the blue of lips about to go numb from hypothermia. The snow is so deep it covers all traces of the stumps of stalks and brambles that normally choke the fields, and gives the land a deceptively calm appearance. He often wonders why his neighbors remain in this northernmost corner of Maine. It’s lonely and frigid, a tough place to farm. Winter reigns half the year, snow piles to the windowsills, and a serious biting cold whips over the empty potato fields.
Occasionally, someone does freeze solid, and because Luke is one of the few doctors in the area, he’s seen a number of them. A drunk (and there is no shortage of them in St. Andrew) falls asleep against a snowbank and by morning has become a human Popsicle. A boy, skating on the Allagash River, plunges through a weak spot in the ice. Sometimes the body is discovered halfway to Canada, at the junction where the Allagash meets up with the St. John. A hunter goes snow blind and can’t make his way out of the Great North Woods, his body found sitting with its back against a stump, shotgun lying uselessly across his lap.
That weren’t no accident, Joe Duchesne, the sheriff, told Luke in disgust when the hunter’s body was brought to the hospital. Old Ollie Ostergaard, he wanted to die. That’s just his way of committing suicide. But Luke suspects if this were true, Ostergaard would have shot himself in the head. Hypothermia is a slow way to go, plenty of time to think better of it.
Luke eases his truck into an empty parking space at the Aroostook County Hospital, cuts the engine, and promises himself, again, that he is going to get out of St. Andrew. He just has to sell his parents’ farm and then he is going to move, even if he’s not sure where. Luke sighs from habit, yanks the keys out of the ignition, and heads to the entrance to the emergency room.
The duty nurse nods as Luke walks in, pulling off his gloves. He hangs up his parka in the tiny doctors’ lounge and returns to the admitting area. Judy says, “Joe called. He’s bringing in a disorderly he wants you to look at. Should be here any minute.”
“Trucker?” When there is trouble, usually it involves one of the drivers for the logging companies. They are notorious for getting drunk and picking fights at the Blue Moon.
“No.” Judy is absorbed in something she’s doing on the computer. Light from the monitor glints off her bifocals.
Luke clears his throat for her attention. “Who is it then? Someone local?” Luke is tired of patching up his neighbors. It seems only fighters, drinkers, and misfits can tolerate the hard-bitten town.
Judy looks up from the monitor, fist planted on her hip. “No. A woman. And not from around here, either.”
That is unusual. Women are rarely brought in by the police except when they’re the victim. Occasionally a local wife will be brought in after a brawl with her husband, or in the summer, a female tourist may get out of hand at the Blue Moon. But this time of year, there’s not a tourist to be found.
Something different to look forward to tonight. He picks up a chart. “Okay. What else we got?” He half-listens as Judy runs down the activity from the previous shift. It was a fairly busy evening but right now, ten P.M., it’s quiet. Luke goes back to the lounge to wait for the sheriff. He can’t endure another update of Judy’s daughter’s impending wedding, an endless lecture on the cost of bridal gowns, caterers, florists. Tell her to
elope, Luke said to Judy once, and she looked at him as though he’d professed to being a member of a terrorist organization. A girl’s wedding is the most important day of her life, Judy scoffed in reply. You don’t have a romantic bone in your body. No wonder Tricia divorced you. He has stopped retorting, Tricia didn’t divorce me, I divorced her, because nobody listens anymore.
Luke sits on the battered couch in the lounge and tries to distract himself with a Sudoku puzzle. He thinks instead of the drive to the hospital that evening, the houses he passed on the lonely roads, solitary lights burning into the night. What do people do, stuck inside their houses for long hours during the winter evenings? As the town doctor, there are no secrets kept from Luke. He knows all the vices: who beats his wife; who gets heavy-handed with his children; who drinks and ends up putting his truck into a snowbank; who is chronically depressed from another bad year for the crops and no prospects on the horizon. The woods of St. Andrew are thick and dark with secrets. It reminds Luke of why he wants to get away from this town; he’s tired of knowing their secrets and of them knowing his.
Then there is the other thing, the thing he thinks about every time he steps into the hospital lately. It hasn’t been so long since his mother died and he recalls vividly the night they moved her to the ward euphemistically called “the hospice,” the rooms for patients whose ends are too close to warrant moving them to the rehab center in Fort Kent. Her heart function had dropped below 10 percent and she fought for every breath, even wearing an oxygen mask. He sat with her that night, alone, because it was late and her other visitors had gone home. When she went into arrest for the last time, he was holding her hand. She was exhausted by then and stirred only a little, then her grip went slack and she slipped away as quietly as sunset falling into dusk. The patient monitor sounded its alarm at nearly the same time the duty nurse rushed in, but Luke hit the switch and waved off the nurse without even thinking. He took the stethoscope from around his neck and checked her pulse and breathing. She was gone.
The duty nurse asked if he wanted a minute alone and he said yes. Most of the week had been spent in intensive care with his mother, and it seemed inconceivable that he could just walk away now. So he sat at her bedside and stared at nothing, certainly not at the body, and tried to think of what he had to do next. Call the relatives; they were all farmers living in the southern part of the county … Call Father Lymon over at the Catholic church Luke couldn’t bring himself to attend … Pick out a coffin … So many details required his attention. He knew what needed to be done because he’d been through it all just seven months earlier when his father died, but the thought of going through this again was just exhausting. It was at times like these that he most missed his ex-wife. Tricia, a nurse, had been good to have around during difficult times. She wasn’t one to lose her head, practical even in the face of grief.
This was no time to wish things were different. He was alone now and would have to manage by himself. He blushed with embarrassment, knowing how his mother had wanted him and Tricia to stay together, how she lectured him for letting her go. He glanced at the dead woman, a guilty reflex.
Her eyes were open. They had been closed a minute ago. He felt his chest squeeze with hope even though he knew it meant nothing. Just an electrical impulse running through nerves as her synapses stopped firing, like a car sputtering as the last fumes of gas passed through the engine. He reached up and lowered her eyelids.
They opened a second time, naturally, as though his mother was waking up. Luke almost jumped backward but managed to control his fright. No, not fright—surprise. Instead, he slipped on his stethoscope and leaned over her, pressing the diaphragm to her chest. Silent, no sluicing of blood through veins, no rasp of breath. He picked up her wrist. No pulse. He checked his watch: fifteen minutes had passed since he had pronounced his mother dead. He lowered her cold hand, unable to stop watching her. He swore she was looking back at him, her eyes trained on him.
And then her hand lifted from the bedsheet and reached for him. Stretched toward him, palm up, beckoning him to take it. He did, calling her by name, but as soon as he grasped her hand, he dropped it. It was cold and lifeless. Luke took five paces away from the bed, rubbing his forehead, wondering if he was hallucinating. When he turned around, her eyes were closed and her body was still. He could scarcely breathe for his heart thumping in his throat.
It took three days before he could bring himself to talk to another doctor about what had happened. He chose old John Mueller, a pragmatic GP who was known for delivering calves for his rancher neighbor. Mueller had given him a skeptical look, as though he suspected Luke might have been drinking. Twitching of fingers and toes, yeah that happens, he’d said, but fifteen minutes later? Musculoskeletal movement? Mueller eyed Luke again, as though the fact that they were even talking about it was shameful. You think you saw it because you wanted to. You didn’t want her to be gone.
Luke knew that wasn’t it. But he wouldn’t raise it again, not among doctors.
Besides, Mueller had wanted to know, what difference does it make? So the body may have moved a little—you think she was trying to tell you something? You believe in that life-after-death stuff?
Thinking about it now, four months later, still gives Luke a slight chill, running down both arms. He puts the Sudoku book on the side table and works his fingers over his skull, trying to massage out the confusion. The door to the lounge pushes back a crack: it’s Judy. “Joe’s pulling in up front.”
Luke goes outside without his parka so the cold will slap him awake. He watches Duchesne pull up to the curb in a big SUV painted black and white, a decal of the Maine state seal on the front doors and a low-profile light bar strapped to the roof. Luke has known Duchesne since they were boys. They were not in the same grade but they overlapped at school, so he’s seen Duchesne’s narrow, ferretlike face with the beady eyes and the slightly sinister nose for more than twenty years.
Hands tucked into his armpits for warmth, Luke watches Duchesne open the back door and reach for the prisoner’s arm. He’s curious to see the disorderly. He’s expecting a big, mannish biker woman, red-faced and with a split lip, and is surprised to see that the woman is small and young. She could be a teenager. Slender and boyish except for the pretty face and mass of yellow corkscrew curls, a cherub’s hair.
Looking at the woman (girl?), Luke feels a strange tingle, a buzz behind his eyes. His pulse picks up with something almost like—recognition. I know you, he thinks. Not her name, perhaps, but something more fundamental. What is it? Luke squints, studying her more closely. Have I seen her somewhere before? No, he realizes he’s mistaken.
As Duchesne pulls the woman along by the elbow, her hands tied together with a flexicuff, a second police vehicle pulls up and a deputy, Clay Henderson, gets out and takes over escorting the prisoner into the emergency ward. As they pass, Luke sees the prisoner’s shirt is wet, stained black, and she smells of a familiar blend of iron and salt, the smell of blood.
Duchesne steps close to Luke, nodding in the pair’s direction. “We found her like that walking along the logging road to Fort Kent.”
“No coat?” Coatless in this weather? She couldn’t have been out for long.
“Nope. Listen, I need you to tell me if she’s hurt, or if I can take her back to the station and lock her up.”
As far as law enforcement officers went, Luke’s always suspected Duchesne of being heavy-handed; he’s seen too many drunks brought in with lumps on their skulls or facial bruising. This girl, she’s only a kid—what in the world could she have done? “Why is she in custody? For not wearing a coat in this weather?”
Duchesne gives Luke a sharp look, unaccustomed to being mocked. “That girl is a killer. She told us she stabbed a man to death and left his body out in the woods.”
Luke goes through the motions of examining the prisoner, but he can barely think for the strange pulsing in his head. He shines a penlight into her eyes—they are the palest blue eyes he’s
ever seen, like two shards of compressed ice—to see if her pupils are dilated. Her skin is clammy to the touch, her pulse low and her breathing ragged.
“She’s very pale,” he says to Duchesne as they step away from the gurney to which the prisoner has been strapped at the wrists. “That could mean she’s going cyanotic. Going into shock.”
“Does that mean she’s injured?” Duchesne asks, skeptical.
“Not necessarily. She could be in psychological trauma. Could be from an argument. Maybe from fighting with this man she says she killed. How do you know it’s not self-defense?”
Duchesne, hands on hips, stares at the prisoner on the gurney as though he can discern the truth just by looking at her. He shifts his weight from one foot to the other. “We don’t know anything … she hasn’t said much. Can’t you tell if she’s wounded? ’Cause if she’s not hurt I’ll just take her in …”
“I have to get that shirt off, clean off the blood …”
“Get to it. I can’t stay here all night. I left Boucher in the woods, looking for that body.”
Even with the full moon, the woods are dark and vast, and Luke knows the deputy, Boucher, has little chance of finding a body by himself.
Luke picks at the edge of his latex glove. “So go help Boucher while I do the examination …”
“I can’t leave the prisoner here.”
“For Chrissakes,” Luke says, jerking his head in the slight young woman’s direction. “She’s hardly going to overpower me and escape. If you’re that worried about it, have Henderson stay.” They both glance at Henderson tentatively. The big deputy leans against a counter, leafing through an old Sports Illustrated left in the waiting room, a cup of vending machine coffee in his hand. He’s shaped like a cartoon bear and is, appropriately, amicably dim. “He won’t be of much help to you in the woods … Nothing is going to happen,” Luke says impatiently, turning away from the sheriff as though the matter is already settled. He feels Duchesne’s stare bore into his back, unsure if he should argue with Luke.
And then the sheriff lurches away, heading for the double set of sliding doors. “Stay here with the prisoner,” he yells at Henderson as he jams the heavy, fur-lined hat onto his head. “I’m going back to help Boucher. Idiot couldn’t find his own ass with both hands and a map.”