1941
MR. AND MRS. SMITH
Production: R.K.O., 1941. Executive Producer: Harry E. Edington. Director: Alfred Hitchcock. Story and Scenario: Norman Krasna. Director of Photography: Harry Stradling, A.S.C. Sets: Van Nest Polglase and L. P. Williams. Music: Roy Webb. Special Effects: Vernon L. Walker. Editing: William Hamilton. Studio: R.K.O. Distributor: R.K.O., 1941, 95 minutes. Principal Actors: Carole Lombard (Ann Smith and Ann Kranshemer), Robert Montgomery (David Smith), Gene Raymond (Jeff Custer), Jack Carson (Chuck Benson), Philip Merivale (Mr. Custer), Lucile Watson (Mrs. Custer), William Tracy (Sammy) and Charles Halton, Esther Dale, Emma Dunn, Betty Compson, Patricia Farr, Williams Edmunds, Adela Pcarce, Murray Alper, D. Johnson, James Flavin, Sam Harris.
SUSPICION
Production: R.K.O., 1941. Director: Alfred Hitchcock. Scenario: Samson Raphaelson, Joan Harrison and Alma Reville, from the novel by Francis lies (Anthony Berkeley) “Before the Fact.” Director of Photography: Harry Stradling, A.S.C. Special Effects: Vernon L. Walker. Sets: Van Nest Polglase. Assistant: Carroll Clark. Music: Franz Waxman. Editing: William Hamilton. Sound Engineer: John E. Triblv. Assistant Director: Dewey Starkey. Studio: R.K.O. Distributor: R.K.O., 1941, 99 minutes. Principal Actors: Cary Grant (John Aysgarth: “Johnnie”), Joan Fontaine (Lina MacKinlaw), Sir Cedric Hard-wicke (General MacKinlaw), Nigel Bruce (Beaky), Dame May Whitty (Mrs. MacKinlaw), Isabel Jeans (Mrs. Newsham), and Heather Angel, Auriol Lee, Reginald Sheffield, Leo G. Carroll.
1942
SABOTEUR
Production: Universal, 1942. Producers: Frank Lloyd and Jack H. Skirball. Director: Alfred Hitchcock. Scenario: Peter Viertel, Joan Harrison and Dorothy Parker, from an original subject by A. Hitchcock. Director of Photography: Joseph Valentine, A.S.C. Sets: Jack Otterson, Music: Charles Prévin and Frank Skinner. Editing: Otto Ludwig. Studio: Universal. Distributor: Universal, 1942, 108 minutes. Principal Actors: Robert Cummings (Barry Kane), Priscilla Lane (Patricia Martin: “Pat”), Otto Kruger (Charles Tobin), Alan Baxter (Mr. Freeman), Alma Kruger (Mrs. Van Sutton), and Vaughan Glazer, Dorothy Peterson, Ian Wolfe, Anita Bolster, Jeanne and Lynn Roher, Norman Lloyd, Oliver Blake, Anita Le Deaux, Pedro de Cordoba, Kathryn Adams, Murray Alper, Frances Carson, Billy Curtis.
1943
SHADOW OF A DOUBT
Production: Universal, 1943. Producer: Jack H. Skirball. Director: Alfred Hitchcock. Scenario: Thornton Wilder, Alma Reville and Sally Benson, from a story by Gordon McDonnell. Director of Photography: Joseph Valentine, A.S.C. Sets: John B. Goodman, Robert Boyle, A. Gausman and L. R. Robinson. Costumes: Adrian and Vera West. Music: Dimitri Tiomkin; directed by Charles Prévin. Editing: Milton Caruth. Studio: Universal; also shot at Santa Rosa. Distributor: Universal, 1943, 108 minutes. Principal Actors: Joseph Cotten (Charlie Oakley, the uncle), Teresa Wright (Charlie Newton), Mac-Donald Carey (Jack Graham), Patricia Collinge (Emma Newton), Henry Travers (Joseph Newton), Hume Cronyn (Herbic Hawkins), Wallace Ford (Fred Saunders), and Janet Shaw, Estelle Jewell, Eily Malyon, Ethel Griffies, Clarence Muse, Frances Carson, Charlie Bates, Edna May Wona-cott.
LIFEBOAT
Production: Kenneth MacGowan, 20th Century-Fox, 1943. Director: Alfred Hitchcock. Scenario: Jo Swerling, from a story by John Steinbeck. Director of Photography: Glen MacWilliams. Special Effects: Fred Serscn. Sets: James Basevi and Maurice Rans-ford. Music: Hugo Friedhofer; directed by Emil Newman. Costumes: René Hubert. Editing: Dorothy Spencer. Sound Engineers: Bernard Fredericks and Roger Hcman. Studio: Fox, 1943. Distributor: 20th Century-Fox, 1943, 96 minutes. Principal Actors: Tallulah Bankhead (Constance Porter: “Connie”), William Bendix (Gus Smith), Walter Slezak (Willy, Captain of the submarine), Mary Anderson (Alice Mackenzie), John Hodiak (John Kovac), Henry Hull (Charles S. Rittenhousc), Heather Angel (Mrs. Higgins), Hume Cronyn (Stanley Garett), Canada Lee (George Spencer: “Joe,” the steward).
1944
BON VOYAGE
Production: M.O.I., 1944, G.B., British Ministry of Information. Director: Alfred Hitchcock. Scenario: J. O. C. Orton, Angus McPhail, from an original subject by Arthur Calder-Marshall. Director of Photography: Gunther Krampf. Sets: Charles Gilbert. Studio: Associated British. Principal Actors: John Blythe, The Molière Players (a French company that had fled to England).
AVENTURE MALGACHE
Production: M.O.P., 1944, G.B., British Ministry of Information. Director: Alfred Hitchcock. Director of Photography: Gunther Krampf. Sets: Charles Gilbert. Studio: Associated British. Principal Actors: The Molière Players.
1945
SPELLBOUND
Production: Selznick International, 1945. Producer: David O. Selznick. Director: Alfred Hitchcock. Scenario: Ben Hecht, from the novel by Francis Beeding (Hilary St. George Saunders and John Palmer), “The House of Dr. Edwardes.” Adaptation: Angus MacPhail. Director of Photography: George Barnes, A.S.C. Special Photographic Effects: Jack Cosgrove. Sets: James Basevi and John Ewing. Music: Miklos Rozsa. Costumes: Howard Greer. Editing: William Ziegler and Hal C. Kern. Dream Sequence: Salvador Dali. Psychiatric Consultant: May E. Romm. Studio: Selznick International. Distributor: United Artists, 1945, 111 minutes. Principal Actors: Ingrid Bergman (Doctor Constance Petersen), Gregory Peck (John Ballantine), Jean Acker (the Directress), Rhonda Fleming (Mary Carmichael), Donald Curtis (Harry), John Emery (Doctor Fleurot), Leo G. Carroll (Doctor Murchison), Norman Lloyd (Garmes), and Steven Geray, Paul Harvey, Erskine Sandford, Janet Scott, Victor Killian, Bill Goodwin, Art Baker, Wallace Ford, Regis Toomey, Teddy Infuhr, Addison Richards, Dave Willock, George Meader, Matt Morre, Harry Brown, Clarence Straight, Joel Davis, Edward Fielding, Richard Bartell, Michael Chekhov.
1946
NOTORIOUS
Production: Alfred Hitchcock, R.K.O., 1946. Associate Producer: Barbara Kcon. Director: Alfred Hitchcock. Scenario: Ben Hecht, from a theme by Hitchcock. Director of Photography: Ted Tetzlaff, A.S.C. Special Effects: Vernon L. Walker and Paul Eagler, A.S.C. Sets: Albert S. D’Agostino, Carrol Clark, Darrell Silvera and Claude Carpenter. Costumes: Edith Head. Music: Roy Webb; conducted by Constantin Balaleinikoff. Editing: Theron Warth. Sound Engineers: John Tribby and Clem Portman. Assistant Director: William Dorfman. Studio: R.K.O. Distributor: R.K.O., 1946, 101 minutes. Principal Actors: Ingrid Bergman (Alicia Huberman), Cary Grant (Devlin), Claude Rains (Alexander Sebastian), Louis Calhorn (Paul Prescott), Leopoldinc Konstantin (Mrs. Sebastian), Reinhold Schünzel (Doctor Anderson), and Moroni Olsen, Ivan Triesault, Alexis Minotis, Eberhardt Krum-sehmidt, Fay Baker, Ricardo Costa, Lenore Ulric, Ramon Nomar, Peter von Zerneck, Sir Charles Mandl, Wally Brown.
1947
THE PARADINE CASE
Production: Selznick International, 1947. Producer: David O. Selznick. Director: Alfred Hitchcock. Scenario: David O. Selznick, from the novel by Robert Hichens. Adaptation: Alma Reville. Director of Photography: Lee Garnies. Sets: J. MacMillian Johnson and Thomas Morahan. Costumes: Travis Banton. Music: Franz Waxman. Editing: Hal C. Kern and John Faure. Studio: Selznick International. Distributor: United Artists, 1947, 125 minutes. Principal Actors: Gregory Peck (Anthony Keane), Ann Todd (Gay Keane), Charles Laughton (Judge Harnfield), Ethel Barrymorc (Lady Sophie Harnfield), Charles Coburn (Sir Simon Flaquer, the lawyer), Louis Jourdan (André Latour), Alida Valli (Maddalena, Anna Paradine), and Leo G. Carroll, John Goldsworthy, Isobel Elsom, Lester Matthews, Pat Aherne, Colin Hunter, John Williams.
1948
ROPE
Production: Transatlantic Pictures, Warner Bros., 1948. Producers: Sidney Bernstein and Alfred Hitchcock. Director: Alfred Hitchcock. Scenario: Arthur Laurents, from the play by Patrick Hamilton. Adaptation: Hume Cronyn. Directors of Photography: Joseph Valentine and William V. Skall, A.S.C. Color by Technicolor: Consultant, Natalie Kalmus. Sets: Perry Ferguson. Music: Leo F. Forbstein, based on the theme “Perpetual Movement No. 1” by Francis Poulenc. Costumes: Adrian. Editing: William H. Ziegler. Studio: Warner Bros. Distributor: Warner Bros., 1948, 80 minutes. Principal Actors: James Stewart (Rupert Cadell), John Dall (Shaw Brandon), Joan Chandler (J
anet Walker), Sir Cedric Hardwicke (Mr. Kentley, David’s father), Constance Collier (Mrs. Atwater), Edith Evanson (Mrs. Wilson, the governess), Douglas Dick (Kenneth Lawrence), Dick Hogan (David Kcntlev), Farley Granger (Philip).
1949
UNDER CAPRICORN
Production: Transatlantic Pictures, Warner Bros., 1949, G.B. Producers: Sidney Bernstein and Alfred Hitchcock. Managing Producers: John Palmer and Fred Ahern. Director: Alfred Hitchcock. Scenario: James Bridie, from the novel by Helen Simpson. Adaptation: Hume Cronyn. Director of Photography: Jack Cardiff, A.S.C., and Paul Beeson, Ian Craig, David McNeilly, Jack Haste. Sets: Tom Morahan. Music: Richard Addinsell; conducted by Louis Levy. Editing: A. S. Bates. Costumes: Roger Furse. Color by Technicolor: Consultants, Natalie Kalmus and Joan Bridge. Studio: M.G.M. at Elstree. Distributor: Warner Bros., 1949, 117 minutes. Principal Actors: Ingrid Bergman (Lady Henrietta Flusky), Joseph Cotten (Sam Flusky), Michael Wilding (Charles Adare), Margaret Leighton (Milly), Jack Watting (Winter, Flusky’s secretary), Cecil Parker (Sir Richard, the tutor), Dennis O’Dea (Corrigan, the Attorney-General), and Olive Sloan, John Ruddock, Bill Shine, Victor Lucas, Ronald Adam, G. H. Mulcas-tcr, Maureen Delancy, Julia Lang, Betty Mc-Dermot, Roderick Lovell, Francis de Wolff.
1950
STAGE FRIGHT
Production: Alfred Hitchcock, Warner Bros., 1950, G.B. Director: Alfred Hitchcock. Scenario: Whitfield Cook, from two stories by Selwyn Jepson, “Man Running” and “Outrun the Constable.” Adaptation: Alma Reville. Additional Dialogue: James Bridie. Director of Photography: Wilkie Cooper. Sets: Terence Verity. Music: Leighton Lucas, conducted by Louis Levy. Editing: Edward Jarvis. Sound Engineer: Harold King. Studio: Elstree, G.B. Distributor: Warner Bros., 1950, 110 minutes. Principal Actors: Marlene Dietrich (Charlotte Inwood), Jane Wyman (Eve Gill), Michael Wilding (Inspector Wilfred Smith), Richard Todd (Jonathan Cooper), Alastair Sim (Commodore Gill), Dame Sybil Thorndike (Mrs. Gill) and Kay Walsh, Miles Malleson, André Morell, Patricia Hitchcock, Hector MacGregor, Joyce Grenfell.
1951
STRANGERS ON A TRAIN
Production: Alfred Hitchcock, Warner Bros., 1951, U.S.A. Director: Alfred Hitchcock. Scenario: Raymond Chandler and Czenzi Ormonde, from the novel by Patricia Highsmith. Adaptation: Whitfield Cook. Director of Photography: Robert Burks, A.S.C. Special Photographic Effects: H. F. Kocne Kamp. Sets: Ted Hawortt and George James Hopkins. Music: Dimitri Tiomkin, conducted by Ray Heindorf. Costumes: Leah Rhodes. Editing: William H. Ziegler. Sound Engineer: Dolph Thomas. Studio: Warner Bros. Distributor: Warner Bros., 1951, 101 minutes. Principal Actors: Farley Granger (Guy Haines), Ruth Roman (Ann Morton), Robert Walker (Bruno Anthony), Leo G. Carroll (Senator Morton), Patricia Hitchcock (Barbara Morton), Laura Elliot (Miriam Haines), Marion Lome (Mrs. Anthony), Jonathan Hale (Mr. Anthony), and Howard St. John, John Brown, Norma Warden, Robert Gist, John Doucette, Charles Meredith, Murray Alper, Robert B. Williams, Roy Engel.
1952
I CONFESS
Production: Alfred Hitchcock, Warner Bros., 1952. Associate Producer: Barbara Keon. Supervisory Producer: Sherry Shourdes. Director: Alfred Hitchcock. Scenario: George Tabori and William Archibald, from the play by Paul Anthelme, “Our Two Consciences.” Director of Photography: Robert Burks, A.S.C. Sets: Edward S. Haworth and George James Hopkins. Music: Dimitri Tiomkin, conducted by Ray Heindorf. Editing: Rudi Fehr, A.C.E. Costumes: Orry-Kelly. Sound Engineer: Oliver S. Gar-retson. Technical Consultant: Father Paul la Couline. Police Consultant: Inspector Oscar Tang-vay. Studio: Warner Bros. Location Work: Quebec. Assistant Director: Don Page. Distributor: Warner Bros., 1952, 95 minutes. Principal Actors: Montgomery Clift (Father Michael Logan), Anne Baxter (Ruth Grandfort), Karl Maiden (Inspector Larrue), Brian Aherne (the attorney Willy Robertson), O. E. Hasse (Otto Keller), Dolly Haas (Alma Keller, his wife), Roger Dann (Pierre Grandfort), Charles Andre (Father Millais), Judson Pratt (Murphy, a policeman). Ovila Legare (Vilette, the lawyer), Gilles Pelletier (Father Benoit).
1954
DIAL M FOR MURDER
Production: Alfred Hitchcock, Warner Bros., 1954. Director: Alfred Hitchcock. Scenario: A. Hitchcock, from the play by Frederick Knott. Director of Photography: Robert Burks, A.S.C. Film: Naturalvision and 3-D. Color: Warner Color. Sets: Edward Carrère and George James Hopkins. Music: Dimitri Tiomkin, conducted by the composer. Costumes: Moss Mabry. Sound Engineer: Oliver S. Garretson. Editing: Rudi Fehr. Studio: Warner Bros. Distributor: Warner Bros., 1954, 88 minutes. Principal Actors: Ray Milland (Tom Wendice), Grace Kelly (Margot Wendice), Robert Cummings (Mark Halli-day), John Williams (Chief Inspector Hubbard), Anthony Dawson (Captain Swan Lesgate), Leo Britt (the narrator), Patrick Allen (Pearson), George Leigh (William), George Alderson (the detective), Robin Hughes (a police sergeant).
REAR WINDOW
Production: Alfred Hitchcock, Paramount, 1954. Director: Alfred Hitchcock. Scenario: John Michael Hayes, from a novelette by Cornell Woolrich. Director of Photography: Robert Burks, A.S.C. Color: Technicolor. Consultant: Richard Mueller. Special Effects: John P. Fulton. Sets: Hal Pereira, Joseph McMillan Johnson, Sam Comer and Ray Mayer. Music: Franz Waxman. Editing: George Tomasini. Costumes: Edith Head. Assistant Director: Herbert Coleman. Sound Engineers: Harry Lindgren and John Cope. Distributor: Paramount, 1954, 112 minutes. Principal Actors: James Stewart (L. B. Jeffries, called “Jeff”), Grace Kelly (Lisa Fremont), Wendell Corey (Thomas J. Doyle, the detective), Thelma Ritter (Stella, the nurse), Raymond Burr (Lars Thorwald), Judith Evelyn (Miss Lonely Heart), Ross Bagdasarian (the composer), Georgine Darcy (Miss Torse, the dancer), Jesslyn Fax (the lady sculptor), Rand Harper (honeymooner), Irene Winston (Mrs. Thorwald), and Denny Bartlett, Len Hendry, Mike Mahoney, Alan Lee, Anthony Warde, Harry Landers, Dick Simmons, Fred Graham, Edwin Parker, M. English, Kathryn Grandstaff, Havis Davenport, Iphigénie Castiglioni, Sara Berner, Frank Cady.
1955
TO CATCH A THIEF
Production: Alfred Hitchcock, Paramount, 1955. Director: Alfred Hitchcock. Second Unit Direction: Herbert Coleman. Scenario: John Michael Hayes, from the novel by David Dodge. Director of Photography: Robert Burks, A.S.C. Photography Second Unit: Wallace Kelley. Color: Technicolor. Consultant: Richard Mueller. Special Effects: John P. Fulton. Process Photo: Farciot Edouart, A.S.C. Sets: Hal Pereira, Joseph MacMillan Johnson, Sam Comer and Arthur Krams. Music: Lynn Murray. Editing: George Tomasini. Costumes: Edith Head. Assistant Director: Daniel McCauley. Sound Engineers: Lewis and John Cope. Studio: Paramount. Location Work: Côte d’Azur, France. Distributor: Paramount, 1955, 97 minutes. Principal Actors: Cary Grant (John Robie, called “The Cat”), Grace Kelly (Frances Stevens), Charles Vanel (Bertram), Jessie Royce Landis (Mrs. Stevens), Brigitte Auber (Danielle Foussard), René Blancard (Commissioner Lepic), and John Williams, Georgette Anys, Roland Lesaffre, Jean Hebey, Dominique Davray, Rüssel Gaige, Marie Stoddard, Frank Chellano, Otto F. Schulze, Guy de Vestel, Bela Kovacs, John Alderson, Don McGowan, W. Willie Davis, Edward Manouk, Jean Martinelli, Martha Bamattre, Aimee Torriani, Paul “Tiny” Newlan, Lewis Charles.
1956
THE TROUBLE WITH HARRY
Production: Alfred Hitchcock, Paramount, 1956. Director: Alfred Hitchcock. Scenario: John Michael Hayes, from the novel by John Trevor Story. Director of Photography: Robert Burks, A.S.C. Special Effects: John P. Fulton. Color: Technicolor. Consultant: Richard Mueller. Sets: Hal Pereira, John Goodman, Sam Comer and Emile Kuri. Music: Bernard Herrmann. Song: “Flaggin’ the Train to Tuscaloosa.” Lyrics: Mack David. Music: Raymond Scott. Editing: Alma Macrorie. Costumes: Edith Head. Studio: Paramount. Distributor: Paramount, 1956, 99 minutes. Principal Actors: Edmund Gwenn (Captain Albert Wiles), John Forsythe (Sam Marlowe, the painter), Shirley MacLaine (Jennifer, Harry’s wife), Mildred Natwick (Miss Gravely), Jerry Mathers (Tony, Harry’s son), Mildred Dunnock (Mrs. Wiggs), Royal Dano (Alfred Wiggs), and Parker Fennelly, Barry Macollum, Dwight Marfield, Leslie Wolff, Philip Truex, Ernest Curt Bach.
THE MAN WHO KNEW TOO MUCH
Production: Alfred Hitchcock, Paramount,
Filmwite Prod., 1955. Associate Producer: Herbert Coleman. Director: Alfred Hitchcock. Scenario: John Michael Hayes and Angus MacPhail, from a story by Charles Bennett and D. B. Wyndham-Lewis. Director of Photography: Robert Burks, A.S.C. Color: Technicolor. Consultant: Richard Mueller. Special Effects: John P. Fulton, A.S.C. Sets: Hal Pereira, Henry Bum-stead, Sam Comer and Arthur Krams. Music: Bernard Herrmann. Lyrics: Jay Livingston and Ray Evans: “Whatever Will Be”; “We’ll Love Again”; Cantata “Storm Cloud” by Arthur Benjamin and D. B. Wyndham-Lewis, performed by the London Symphony Orchestra, under the direction of Bernard Herrmann. Editing: George Tomasini, A.C.E. Costumes: Edith Head. Sound Engineers: Franz Paul and Gene Garvin, Western Electric. Assistant Director: Howard Joslin. Studio: Paramount. Location Work: Morocco. Distributor: Paramount, 1956, 120 minutes. Principal Actors: James Stewart (Doctor Ben MacKenna), Doris Day (Jo, his wife), Daniel Gelin (Louis Bernard), Brenda de Banzie (Mrs. Drayton), Bernard Miles (Mr. Drayton), Ralph Truman (Inspector Buchanan), Mogens Wieth (the ambassador), Alan Mowbray (Val Parnell), Hilary Brooke (Jan Peterson), Christopher Olsen (little Hank MacKenna), Reggie Malder (Rien, the assassin), and Yves Brainville, Richard Wattis, Alix Talton, Noel Willman, Caroline Jones, Leo Gordon, Abdelhaq Chraibi, Betty Baskomb, Patrick Aherne, Louis Mercier, Anthony Warde, Lewis Martin, Richard Wordsworth.
1957
THE WRONG MAN
Production: Alfred Hitchcock, Warner Bros., 1957. Associate Producer: Herbert Coleman. Director: Alfred Hitchcock. Scenario: Maxwell Anderson and Angus MacPhail, from “The True Story of Christopher Emmanuel Balestrero” by Maxwell Anderson. Director of Photography: Robert Burks, A.S.C. Sets: Paul Sylbert and William L. Kuehl. Music: Bernard Herrmann. Editing: George Tomasini. Assistant Director: Daniel J. McCauley. Studio: Warner Bros. Location Work: New York. Technical Consultant: Frank O’Connor (Police Magistrate to the District Attorney, Queens County, New York). Sound Engineer: Earl Cram, Sr. Distributor: Warner Bros., 1957, 105 minutes. Principal Actors: Henry Fonda (Christopher Emmanuel Balestrero, called “Manny”), Vera Miles (Rose, his wife), Anthony Quayle (O’Connor), Harold J. Stone (Lieutenant Bowers), Charles Cooper (Matthews, a detective), John Heldabrant (Tomasini), Richard Robbins (Daniel, the guilty man), and Esther Minciotti, Do-reen Lang, Laurinda Barrett, Norma Connolly, Nehemiah Persoff, Lola D’Annunzio, Kippy Campbell, Robert Essen, Dayton Lummis, Frances Reid, Peggy Webber.