She didn't want to think of the flat. “Our very last one,” the salesman had called it, twinkling at her meaningfully and doing his best to ignore the freak-show nature of her face. “Just the thing for a starter home. That's what you're looking for, I'll wager, isn't it? Who's the lucky bloke?”
But Rachel hadn't thought of marriage and children when she'd walked through the flat, examining cupboards, looking out at the view, swinging open windows. She'd thought of Sahlah. She'd thought of cooking dinner together, of sitting in front of the grate that held that glowing hopelessly artificial fire, of drinking tea on the minuscule terrace in the spring, of talking and dreaming and being to each other what they'd been for a decade: a very best friend.
She hadn't been looking for a flat when she'd stumbled across Clifftop Snuggeries’ final unit. She'd been bicycling back from Sahlah's. It had been a visit like many other visits they'd had together over the years: talk, laughter, music, and tea but this time interrupted by Yumn's bursting into the room with one of her imperious demands. She wanted Sahlah to give her a pedicure. At once. Now. It had made no difference that Sahlah was entertaining a guest. Yumn had given an order, and she expected it to be obeyed. Rachel had noticed how Sahlah changed when her sister-in-law spoke. The joyous girl she was became a submissive servant: obedient, docile, and once again the frightened child at the junior school who'd been teased and bullied.
So when Rachel came to the red billboard with the announcement FINAL PHASE! ALL THE MOD CONS! emblazoned on it, she'd turned her bicycle off Westberry Way and coasted up the drive to the flats. What she'd encountered in the salesman was not an overweight and overeager middle-aged failure with a stain on his tie, but a purveyor of dreams.
But dreams, she'd learned, had a way of fracturing and leading one to disappointment. Perhaps, therefore, it was better never to dream at all. Because when one learned to harbour hopes, one also—
“Rachel.”
Rachel started. She swung round from her view of the endless level sheet of North Sea. Sahlah was standing before her. Her dupattā had fallen round her shoulders, and her face was grave. The strawberry birthmark on her cheek had deepened in colour, signalling as it always did the depth of a feeling that she couldn't hide.
“Sahlah! How did you …? What're you …?” Rachel didn't know how to begin what they had to say to each other.
“I went to the shop first. Your mum said you'd run off after the woman from Scotland Yard came round. I thought you might come here.”
“’Cause you know me,” Rachel said miserably. She plucked at a gold thread in her skirt. It wove brightly through the red and blue swirls of the material's pattern. “You know me better than anyone, Sahlah. And I know you.”
“I thought we knew each other,” Sahlah said. “But I'm not sure now. I'm not even sure we're friends any longer.”
Rachel didn't know what hurt worse, the knowledge that she'd dealt Sahlah a terrible blow or the blow that Sahlah was dealing in return. She couldn't look at her because at the moment it felt like looking at her friend would be opening up for a more grievous injury than she could bear.
“Why did you give the receipt to Haytham? I know he had it because of you, Rachel. Your mum wouldn't have been likely to pass it on. But I don't understand why you gave it to him.”
“You told me you loved Theo.” Rachel's tongue felt thick and her mind felt desperate for an answer that could explain what was even to herself inexplicable. “You said you loved him.”
“I can't be with Theo. I told you that as well. I said my family would never allow it.”
“And it broke your heart. You said that, Sahlah. You said, ‘I love him. He's like the other half of myself.’ That's what you said.”
“I also said that we couldn't marry, despite what I wanted, despite everything we shared and hoped and …” Sahlah's voice faltered. Rachel looked up. Her friend's eyes were liquid, and she turned her head away abruptly, looking north towards the pier where Theo Shaw was. After a moment she went on. “I said that when the time came, I would have to marry the man chosen by my parents. We'd talked about that, you and I. You can't deny it. I said, ‘Theo's lost to me, Rachel.’ You remember that. You knew I could never be with him. So what did you hope to accomplish by giving the receipt to Haytham?”
“You didn't love Haytham.”
“Yes. All right. I didn't love Haytham. And he didn't love me.”
“It's not right to marry when you don't love each other. You can't be happy when you don't love each other. It's like starting out life in the middle of a lie.”
Sahlah came to the bench and sat. Rachel lowered her head. She could see the edge of her friend's linen trousers, her slender foot, and the strap of her sandal. The sight of these parts of the whole that was Sahlah struck Rachel with sadness. Never in years had she felt so alone.
“You knew my parents wouldn't allow a marriage to Theo. They would've cast me out of my family. But you told Haytham about Theo anyway—”
Rachel's head flew up in swift reaction. “Not his name. I swear. I didn't tell Haytham his name.”
“Because,” Sahlah continued, and she spoke more to herself than to Rachel, as if she were in the process of deducing Rachel's motivation as she went along, “you hoped Haytham would end his engagement to me. And then what?” Sahlah gestured towards the row of flats, and for the first time Rachel saw them as Sahlah doubtless saw them: cheaply built, without character or distinction. “I would have been free to live here with you? Did you expect my father would really have allowed that?”
“You love Theo,” Rachel said weakly. “You said.”
“Are you trying to tell me that you were acting in my interests?” Sahlah asked. “Are you saying that you would've been pleased had Theo and I married? I don't believe you. Because there's another truth that you're not admitting: Had I tried to marry Theo—which I wouldn't, of course—but had I tried, you would have done something to stop that as well.”
“I wouldn't!”
“We would have planned to run off because that's the only way I could have managed it. I would have told you: my best friend. And you would have made certain it didn't happen. Probably by telling my father in advance. Or by telling Munhannad or even by—”
“No! I never! I never!” Rachel couldn't prevent the tears, and she hated herself for a weakness which she knew that her friend would never show. She swung round again, her face to the sea. The sun beat on her, heating her tears as soon as she shed them, heating them so quickly that they dried on her skin and she felt the pulling tightness of their salt.
Sahlah said nothing at first. The only answer to Rachel's sobbing was the cry of gulls and the sound of a distant speedboat hurtling madly along in the sea.
“Rachel.” Sahlah touched her shoulder.
“I'm sorry,” Rachel wept. “I didn't mean … I didn't want … I only thought …” Her sobs broke the words like finely blown glass. “You can marry Theo. I won't stop you. And then you'll see.”
“What?”
“That all I wanted was for you to be happy. And if being happy means being with Theo, then that's exactly what I want you to do.”
“I can't marry Theo.”
“You can! You can! Why d'you always say that you can't and you won't?”
“Because my family won't accept it. It isn't our way. And even if it was—”
“You can tell your dad that the next bloke he brings over from Pakistan won't do. You can say the same about the bloke after that, and the next one as well. He won't make you marry anyone. You've said that yourself. So after a time when he knows you're unhappy with the blokes he's chosen—”
“That's just the point, Rachel. I don't have the time. Can't you see that? I don't have the time.”
Rachel scoffed. “You're just twenty years old. And no one thinks twenty is old these days. Not even the Asians. Girls your age go to university every day. They take jobs as bank clerks. They study law. They learn to be doctors. They don't all get
married. What's wrong with you, Sahlah? You used to want more. You used to have dreams.” Rachel felt all the hopelessness of her situation, made worse by the fact that she couldn't force her friend to understand her meaning or accept her truths. She wrestled for words and finally gave up, saying, “D'you want to be like Yumn? Is that what you want?”
“I am like Yumn.”
“Oh right,” Rachel noted sardonically. “Just exactly like. With your body going completely to seed and nothing to look forward to ’cept a spreading bum and a baby every year.”
“That's right,” Sahlah said, and her voice was desolate. “Rachel, that's just exactly right.”
“It isn't! You don't have to be that way. You're clever. You're pretty. You can be more.”
“You aren't listening to me,” Sahlah said. “You haven't heard, so you don't understand. I don't have time. I don't have options. Not any longer, if I ever did. I am like Yumn. Just exactly like Yumn.”
Rachel felt one final reflex protestation rise to her lips. But this time Sahlah's expression stopped it. She was watching her so intently, her dark eyes so pained, that Rachel's remark was quashed. She breathed in to say bitterly, “You've gone half-cracked if you think you're like Yumn,” but the words were a fire thoroughly doused by what Sahlah's face was telling her.
“Yumn,” Rachel said on the breath she'd taken to excoriate her friend. “Oh m’ God, Sahlah. Yumn. D'you mean … You and Theo …? You never said!” Involuntarily, her gaze went over her friend's body, so carefully concealed beneath her loose clothing.
“Yes,” Sahlah said. “Which is why Haytham agreed to move the marriage forward.”
“He knew?”
“I couldn't have pretended the baby was his. Even if I'd thought I could do it, I had to tell him. He'd come here to marry me, but he'd been content to wait a bit—perhaps for six months—to give both of us time to get to know each other. I had to tell him there was no time. What could I say? Truth was my only option.”
Rachel felt staggered by the immensity of what her friend was telling her, taken in the context of her background, her religion, and her culture. And then she saw—even as she hated herself for seeing it—the possibility of salvation. Because if Haytham Querashi already knew that Theo Shaw was Sahlah's lover, then giving him that receipt, saying mysteriously, “Ask Sahlah about this,” and waiting for the desired result was behaviour for which she could forgive herself. She would only have been telling him something he already knew, accepted, and had come to terms with … if Sahlah had spoken the entire truth to him. “Did he know about Theo?” Rachel asked, trying not to sound as anxious as she felt for affirmation. “Did you tell him about Theo?”
“That's what you did for me,” Sahlah said.
Rachel's hope died again, and this time completely. “Who else knows?”
“No one. Yumn suspects. She would do, wouldn't she? She knows the signs well enough. But I've said nothing to her, and no one else knows.”
“Not Theo?”
Sahlah lowered her gaze, and Rachel followed this to her hands, which were clasped in her lap. The knuckles were whitened and they grew whiter. As if Theo Shaw's name had not come up, Sahlah said, “Haytham knew how little time we had to do the normal things couples do before they marry. Once I told him about my … about the baby, he didn't want me to be humiliated. He agreed to marriage as soon as possible.” She blinked slowly, as if to erase a memory. “Rachel, Haytham Querashi was a very good man.”
Rachel wanted to tell her that in addition to being a very good man, it was also likely that Haytham Querashi was a man who didn't want to bear the scorn of people within their community who would despise him for marrying an unchaste woman. It had been to his advantage as well that they marry as quickly as possible so as to pass the child off as his, no matter how light the colour of the baby's skin. But instead, Rachel thought about Theo Shaw, Sahlah's professed love for him, the knowledge she herself now possessed, and what she could do with it to make things right. But she had to know for certain first. She didn't want to take another misstep.
“Does Theo know about the baby?”
Sahlah gave a dispirited laugh. “You still don't understand, do you? Once you gave that receipt to Haytham, once Haytham knew it was for a gold bracelet, once he ran into Theo at that idiotic Gentlemen's Cooperative that's supposed to bring this pathetic little town back to life—” Sahlah stopped herself, as if suddenly aware of the uncharacteristic bitterness of her words and how they revealed the chaotic state of her mind. “What difference does it make to anything now if Theo knows or doesn't know?”
“What are you saying?” Rachel heard her fear and tried to quell it for the other girl's sake.
“Haytham's dead, Rachel. Don't you see? Haytham's dead. And he'd gone to the Nez. At night. In the dark. Which is less than half a mile from the Old Hall, where Theo lives. And which is also the place that Theo's been collecting fossils for the last twenty years. Do you understand now?” Sahlah asked sharply. “Rachel Winfield, do you understand?”
Rachel gaped at her. “Theo?” she said. “No. Sahlah, you can't think Theo Shaw …”
“Haytham would have wanted to know who it was,” Sahlah told her. “He was prepared to marry me, yes, but still he would have wanted to know who'd made me pregnant. What man wouldn't, no matter what he said to me about living in ignorance? He would have wanted to know.”
“But even if he knew, even if he actually talked to Theo, you can't think that Theo …” Rachel couldn't finish the sentence, so horrified was she at the pure logic behind Sahlah's words. She could even picture how everything had happened: A meeting in the dark on the Nez, Haytham Querashi's conversation with Theo Shaw in which he spoke of Sahlah's pregnancy, Theo Shaw's subsequent desperation to rid the world of the man who stood between himself and his one true love and what he knew—had to know—to be his moral duty … Because he'd want to do his duty by Sahlah, Theo Shaw would. He loved Sahlah and if he knew he'd made her pregnant, he'd want to stand by her side. And because Sahlah was so reluctant—indeed, so afraid—to be cast out from her family for marrying an Englishman, he would also have known that there was only one way to bind her to him.
Rachel swallowed. She sucked in her lip and bit it, hard.
“So look what you've done in passing along the receipt for that bracelet, Rachel,” Sahlah said. “You've given the police a connection—which they might otherwise have never known about—between Haytham Querashi and Theo Shaw. And when a murder's been done, that's the first thing they look for: a connection.”
Rachel began to babble, so acute was her guilt and so horrifying the knowledge of the part she'd played in the tragedy on the Nez. “I'll phone him straightaway. I'll go to the pier.”
“No!” Sahlah sounded horrified.
“I'll tell him to throw the bracelet in the rubbish. I'll make sure he doesn't wear it again. The police have no reason to talk to him anyway. They don't know he knew Haytham. Even if they talk to all the blokes in the Gentlemen's Cooperative, it'll take them days to talk to everyone, won't it?”
“Rachel—”
“And that's the only way they'll know to talk to Theo Shaw. There's no other connection between him and Haytham. Just the Cooperative. So I'll get to him first. And they won't see the bracelet. They won't know about anything. I swear they won't know.”
Sahlah's head was shaking, her expression a mixture of disbelief and despair. “But don't you see, Rachel? That doesn't address the real problem, does it? No matter what you tell Theo, Haytham's still dead.”
“But the police'll rest the case or close it or whatever they do. And then you and Theo—”
“Then Theo and I what?”
“You can get married,” Rachel said. And when Sahlah didn't answer at once, she added weakly, “You and Theo. Married. You know.”
Sahlah rose. She pulled her dupattā back over her head. She looked towards the pier. The calliope music of the roundabout floated towards them on the air, even at th
is distance. The ferris wheel glittered in the sunlight, and the wild mouse frantically tossed its shrieking passengers from side to side. “Do you actually think it's as easy as that? You tell Theo to throw the bracelet in the rubbish, the police go away, and he and I marry?”
“It could happen that way, if we make it happen.”
Sahlah shook her head, then turned back to Rachel. “You don't even begin to understand,” she said. Her voice was resigned, a decision made. “I must have an abortion. As soon as possible. And I need you to help me make all the arrangements.”
• • •
THE BRACELET WAS unmistakably an Aloysius Kennedy piece: thick, heavy, undefined swirls similar to the bracelet Barbara had seen in Ra-con Jewellery. She was willing to admit that Theo Shaw's possession of such a unique item might be pure coincidence, but she hadn't been involved in Criminal Investigations for eleven years for nothing: She knew how unlikely coincidences were when it came to murder.
“Can I get you something to drink?” Theo Shaw's tone was so friendly that Barbara wondered if, against all reason, he thought her visit was a social call. “Coffee? Tea? A Coke? I was about to grab a drink myself. Bloody hot weather, isn't it?”
Barbara said that a Coke would be fine, and when he left his office in search of one, she took the opportunity to have a look round. She wasn't sure what she was looking for, although she wouldn't have said no to the sight of a nice coil of incriminating wire—suitable for tripping someone in the darkness—lying squarely in the middle of his desk.
But there wasn't much to take note of. A set of book shelves held one row of green plastic binders and a second row of account books with successive years stamped on the spine of each in flaking gold numerals. A metal in-and-out tray on the top of a filing cabinet contained a batch of invoices that appeared to be for foodstuffs, for electrical work, for plumbing, and for business supplies. A bulletin board on one of the walls had posted upon it four architectural blue prints: two for a structure identified as the Pier End Hotel and two for a leisure centre called Agatha Shaw Recreational Village. Barbara took note of this latter name. Mother of Theo? she wondered. Aunt? Sister? Wife?