"Come again."
"Our possible futures. The things we might have done had we just edged our lives another way."
"I hadn't thought much about it actually, but I like the sound of it."
"Will you laugh if I tell you my dream?"
"How could I? I've just told you mine."
"I dream that I'm a gunman -- and with these light-sensitive eyes that's a joke. But that's what I am. One of those long-haired shootists like in the Dime Novels, or that real life fellow Wild Jack McCall. I even dream of lying face down on a card table, my pistol career ended by some skulking knave who didn't have the guts to face me and so shot me from behind. It's a good dream, even with the death, because I am remembered, like those soldiers who died at the Little Big Horn. It's such a strong dream I like to believe that it is actually happening somewhere, and that I am that man that I would rather be."
"I think I understand you, friend. I even envy Morse and these damn trains; him and his telegraph and 'pulsating energy'. Those discoveries will make him live forever. Every time a message is flashed across the country or a train bullets along on the crackling power of its fire line, it's like thousands of people crying his name."
"Sometimes -- a lot of the time -- I just wish that for once I could live a dream."
They sat in silence. The night and the shadowed limbs of the cherry trees fled by, occasionally mixed with the staggered light of the moon and the stars.
Finally Cody said, "To bed. Cherrywood is an early stop." He opened his pocket watch and looked at it. "Less than four hours. The wife will awake and call out the Cavalry if I'm not there."
As Cody stood, Hickok said, "I have something for you." He handed Cody a handful of lucifers.
Cody smiled. "Next time we meet, friend, perhaps I will have my own." As he stepped into the aisle he said, "I've enjoyed our little talk."
"So have I," Hickok said. "I don't feel any happier, but I feel less lonesome."
"Maybe that's the best we can do."
Hickok went back to his cabin but did not try to be overly quiet. There was no need. Mary Jane, when drunk, slept like an anvil.
He slipped out of his clothes and crawled into bed. Lay there feeling the warmth of his wife's shoulder and hip; smelling the alcoholic aroma of her breath. He could remember a time when they could not crawl into bed together without touching and expressing their love. Now he did not want to touch her and he did not want to be touched by her. He could not remember the last time she had bothered to tell him she loved him, and he could not remember the last time he had said it and it was not partly a lie.
Earlier, before dinner, the old good times had been recalled and for a few moments he adored her. Now he lay beside her feeling anger. Anger because she would not try. Or could not try. Anger because he was always the one to try, the one to apologize, even when he felt he was not wrong. Trains on a different track going opposite directions, passing fast in the night, going nowhere really. That was them.
Closing his eyes, he fell asleep instantly and dreamed of the blonde lovely in blue and white calico with a thick black Japanese belt. He dreamed of her without the calico, lying here beside him white-skinned and soft and passionate and all the things his wife was not.
And when the dream ended, so did his sleep. He got up and dressed and went out to the parlor car. It was empty and dark. He sat and smoked a cigarette. When that was through he opened a window, felt and smelled the wind. It was a fine night. A lover's night.
Then he sensed the train was slowing.
Cherrywood already?
No, it was still too early for that. What gave here?
In the car down from the one in which he sat, a lamp was suddenly lit, and there appeared beside it the chiseled face of the Cherokee porter. Behind him, bags against their legs, were three people: the matronly lady, the boy who loved trains and the beautiful blonde woman.
The train continued to slow. Stopped.
By God, he thought, they are getting off.
Hickok got out his little, crumpled train schedule and pressed it out on his knee. He struck a lucifer and held it down behind the seat so that he could read. After that he got out his pocket watch and held it next to the flame. Two-fifteen. The time on his watch and that on the schedule matched. This was a scheduled stop -- the little town and fort outside of Cherrywood. He had been right in his day dreaming. The girl was going here.
Hickok pushed the schedule into his pocket and dropped the dead lucifer on the floor. Even from where he sat, he could see the blonde girl. As always, she was smiling. The porter was enjoying the smile and he was giving her one back.
The train began to stop.
For a moment, Hickok imagined that he too was getting off here and that the blonde woman was his sweetheart or better yet, would be. They would meet in the railway station and strike up some talk, and she would be one of those new modern women who did not mind a man buying her a drink in public. But she would not be like his wife. She would drink for taste and not effect.
They would fall instantly in love, and on occasion they would walk in the moonlight down by these tracks, stand beneath the cherry trees and watch the trains run by. And afterwards they would lie down beneath the trees and make love with shadows and starlight as their canopy. When it was over, and they were tired of satisfaction, they would walk arm in arm back towards the town, or the fort, all depending.
The dream floated away as the blonde girl moved down the steps and out of the train. Hickok watched as the porter handed down their bags. He wished he could still see the young girl, but to do that he would have to put his head out the window, and he was old enough that he did not want to appear foolish.
Goodbye, Little Pretty, he thought. I will think and dream of you often.
Suddenly he realized that his cheeks were wet with tears. God, but he was unhappy and lonely. He wondered if behind her smiles the young girl might be lonely too.
He stood and walked toward the light even as the porter reached to turn it out.
"Excuse me," Hickok said to the man. "I'd like to get off here."
The porter blinked. "Yes sir, but the schedule only calls for three."
"I have a ticket for Cherrywood, but I've changed my mind, I'd like to get off here."
"As you wish, sir." The porter turned up the lamp. "Best hurry, the train's starting. Watch your step. Uh, any luggage?"
"None."
Briskly, Hickok stepped down the steps and into the night. The three he had followed were gone. He strained his eyes and saw between a path of cherry trees that they were walking toward the lights of the rail station.
He turned back to the train. The porter had turned out the light and was no longer visible. The train sang its song. On the roof he saw a ripple of blue-white fulmination jump along the metal fire line. Then the train made a sound like a boiling tea pot and began to move.
For a moment he thought of his wife lying there in their cabin. He thought of her waking in Cherrywood and not finding him there. He did not know what she would do, nor did he know what he would do.
Perhaps the blonde girl would have nothing to do with him. Or maybe, he thought suddenly, she is married or has a sweetheart already.
No matter. It was the ambition of her that had lifted him out of the old funeral pyre, and like a phoenix fresh from the flames, he intended to stretch his wings and soar.
The train gained momentum, lashed shadows by him. He turned his back on it and looked through the cherrywood path. The three had reached the rail station and had gone inside.
Straightening his collar and buttoning his jacket, he walked toward the station and the pretty blonde girl with a face like a hopeful heart.
DOG, CAT, AND BABY
Dog did not like baby. For that matter, Dog did not like Cat. But Cat had claws -- sharp claws.
Dog had always gotten attention. Pat on head. "Here, boy, here's a treat. Nice dog. Good dog. Shake hands. Speak! Sit. Nice dog."
Now there wa
s Baby.
Cat had not been problem, really.
Cat was liked, not loved by family. They petted Cat sometimes. Fed her. Did not mistreat her. But they not love her. Not way they loved Dog -- before Baby.
Damn little pink thing that cried.
Baby got "Oooohs and Ahhhs." When Dog tried to get close to Masters, they say, "Get back, boy. Not now."
When would be now?
Dog never see now. Always Baby get now. Dog get nothing. Sometimes they so busy with Baby it be all day before dog get fed. Dog never get treats anymore. Could not remember last pat on head or "Good Dog!"
Bad business. Dog not like it.
Dog decide to do something about it.
Kill Baby. Then there be Dog, Cat again. They not love Cat, so things be okay.
Dog thought that over. Wouldn't take much to rip little Baby apart. Baby soft, pink. Would bleed easy.
Baby often put in Jumper which hung between doorway when Master Lady hung wash. Baby be easy to get then.
So Dog waited.
One day Baby put in Jumper and Master Lady go outside to hang out wash. Dog looks at pink thing jumping, thinks about ripping to pieces. Thinks on it long and hard. Thought makes him so happy his mouth drips water. Dog starts toward Baby, making fine moment last.
Baby looks up, sees Dog coming toward it slowly, almost creeping. Baby starts to cry.
But before Dog can reach Baby, Cat jumps.
Cat been hiding behind couch.
Cat goes after Dog, tears Dog's face with teeth, with claws. Dog bleeds, tries to run. Cat goes after him.
Dog turns to bite.
Cat hangs claw in Dog's eye.
Dog yelps, runs.
Cat jumps on Dog's back, biting Dog on top of head.
Dog tries to turn corner into bedroom. Cat, tearing at him with claws, biting with teeth, makes Dog lose balance. Dog running very fast, fast as he can go, hits the edge of doorway, stumbles back, falls over.
Cat gets off Dog.
Dog lies still.
Dog not breathing.
Cat knows Dog is dead. Cat licks blood from claws, from teeth with rough tongue.
Cat has gotten rid of Dog.
Cat turns to look down hall where Baby is screaming.
Now for other one.
Cat begins to creep down hall.
MISTER WEED-EATER
Mr. Job Harold was in living room with his feet on the couch watching Wheel of Fortune when his five-year-old son came inside covered with dirt. "Daddy," said the boy dripping dirt, "there's a man outside want to see you."
Mr, Harold got up and went outside, and there standing at the back of the house next to his wife's flower bed, which was full of dead roses and a desiccated frog, was, just like his boy had said, a man.
It was over a hundred degrees out there, and the man, a skinny sucker in white T-shirt and jeans with a face red as a baboon's ass, a waterfall of inky hair dripping over his forehead and dark glasses, stood with his head cocked like a spaniel listening for trouble. He had a bright-toothed smile that indicated everything he heard struck him as funny.
In his left hand was a new weed-eater, the cutting line coated in greasy green grass the texture of margarita vomit, the price tag dangling proudly from the handle.
In the other hand the man held a blind man's cane, the tip of which had speared an oak leaf. His white T-shirt, stained pollen-yellow under the arms, stuck wetly to his chest and little pot belly tight as plastic wrap on a fish head. He had on dirty white socks with played-out elastic and they had fallen over the tops of his tennis shoes as if in need of rest.
The man was shifting his weight from one leg to the other. Mr. Harold figured he needed to pee and wanted to use the bathroom, and the idea of letting him into the house with a weed-eater and pointing him at the pot didn't appeal to Mr. Harold cause there wasn't any question in Mr. Harold's mind the man was blind as a peach pit, and Mr. Harold figured he got in the bathroom, he was gonna pee from one end of the place to the other trying to hit the commode, and then Mr. Harold knew he'd have to clean it up or explain to his wife when she got home from work how on his day off he let a blind man piss all over their bathroom. Just thinking about all that gave Mr. Harold a headache.
"What can I do for you?" Mr. Harold asked.
"Well, sir," said the blind man in a voice dry as Mrs. Harold's sexual equipment, "I heard your boy playin' over here, and I followed the sound. You see, I'm the groundskeeper next door, and I need a little help. I was wonderin' you could come over and show me if I've missed a few spots?"
Mr. Harold tried not to miss a beat. "You talking about the church over there?"
"Yes, sir. Just got hired. Wouldn't want to look bad on my first day."
Mr. Harold considered this. Cameras could be set in place somewhere. People in trees waiting for him to do something they could record for a TV show. He didn't want to go on record as not helping a blind man, but on the other hand, he didn't want to be caught up in no silliness either.
Finally, he decided it was better to look like a fool and a Samaritan than a cantankerous asshole who wouldn't help a poor blind man cut weeds.
"I reckon I can do that," Mr. Harold said. Then to his five-year-old who'd followed him outside and was sitting in the dirt playing with a plastic truck.
"Son, you stay right here and don't go off."
"Okay, Daddy," the boy said.
The church across the street had been opened in a building about the size of an aircraft hanger. It had once been used as a liquor warehouse, and later it was called Community Storage, but items had a way of disappearing. It was a little too community for its renters, and it went out of business and Sonny Guy, who owned the place, had to pay some kind of fine and turn up with certain items deemed as missing.
This turn of events had depressed Mr. Guy, so he'd gotten religion and opened a church. God wasn't knocking them dead either, so to compensate, Sonny Guy started a Gospel Opry, and to advertise and indicate its location, beginning on their street and on up to the highway, there was a line of huge orange Day-Glo guitars that pointed from highway to Opry.
The guitars didn't pull a lot of people in though, bright as they were. Come Sunday the place was mostly vacant, and when the doors were open on the building back and front, you could hear wind whistling through there like it was blowing through a pipe. A special ticket you could cut out of the newspaper for five dollars off a fifteen dollar buffet of country sausages and sliced cantaloupe hadn't rolled them in either. Sonny and God most definitely needed a more exciting game plan. Something with titties.
Taking the blind man by the elbow, Mr. Harold led him across the little street and into the yard of the church. Well, actually, it was more than a yard. About four acres. On the front acre sat Sonny Guy's house, and out to the right of it was a little music studio he'd built, and over to the left was the metal building that served as the church. The metal was aluminum and very bright and you could feel the heat bouncing off of it like it was an oven with bread baking inside.
Behind the house were three more acres, most of it weeds, and at the back of it all was a chicken wire fence where a big black dog of undetermined breed liked to pace.
When Mr. Harold saw what the blind man had done, he let out his breath. The fella had been all over that four acres, and it wasn't just a patch of weeds now, but it wasn't manicured either. The poor bastard had tried to do the job of a lawn mower with a weed-eater, and he'd mostly succeeded in chopping down the few flowers that grew in the midst of brick-lined beds, and he'd chopped weeds and dried grass here and there, so that the whole place looked as if it were a head of hair mistreated by a drunk barber with an attitude.
At Mr. Harold's feet, he discovered a mole the blind man's shoe had dislodged from a narrow tunnel. The mole had been whipped to death by the weed-eater sling. It looked like a wad of dirty hair dipped in red paint. A lasso loop of guts had been knocked out of its mouth and ants were crawling on it. The blind had slain the bli
nd.
"How's it look?"
"Well," Mr. Harold said, "you missed some spots."
"Yeah, well they hired me cause they wanted to help the handicapped, but I figure it was just as much cause they knew I'd do the job. They had 'em a crippled nigger used to come out and do it, but they said he charged too much and kept making a mess of things."
Mr. Harold had seen the black man mow. He might have been crippled, but he'd had a riding mower and he was fast. He didn't do such a bad job either. He always wore a straw hat pushed up on the back of his head, and when he got off the mower to get on his crutches, he did it with the style of a rodeo star dismounting a show horse. There hadn't been a thing wrong with the black man's work. Mr. Harold figured Sonny Guy wanted to cut a few corners. Switch a crippled nigger for a blind honkey.
"How'd you come to get this job?" Mr. Harold asked. He tried to make the question pleasant, as if he were asking him how his weekend had been.
"References," the blind man said.
"Of course," said Mr. Harold.
"Well, what do I need to touch up? I stayed me a line from the building there, tried to work straight, turn when I got to the fence and come back. I do it mostly straight?"
"You got off a mite. You've missed some pretty good-sized patches."
Mr. Harold, still holding the blind man's elbow, felt the blind man go a little limp with disappointment. "How bad is it?"
"Well . . ."
"Go on and tell me."
"A weed-eater ain't for this much place. You need a mower."
"I'm blind. You can't turn me loose out here with a mower. I'd cut my foot off."
"I'm just saying."
"Well, come on, how bad is it? It look worse than when the nigger did it?"
"I believe so."
"By much?"
"When he did it, you could look out here and tell the place had been mowed. Way it looks now, you might do better just to poison the weeds and hope the grass dies."
The blind man really slumped now, and Mr. Harold wished he'd chosen his words more carefully. It wasn't his intention to insult a blind man on his lawn skills in a hundred degree heat. He began to wish the fella had only wanted to wet on the walls of his bathroom.