For the first time the obnoxious stranger had managed to intrigue Keirion rather than annoy him. "That sounds …," he started to say, but then the other man exclaimed:
"There he is, there he is. Excuse me."
It seemed that the proprietor—that mutual friend—had finally made his appearance and was now standing behind the desk, looking toward his two customers. "My friend," said the crow-man as he stepped with outstretched hand over to the smoothly bald and softly fat gentleman. The two of them briefly shook hands; they whispered for a few moments. Then the crow-man was invited behind the desk, and—led by the heavy, unsmiling bookseller—made his way into the darkness at the back of the shop. In a distant corner of that darkness the brilliant rectangle of a doorway suddenly flashed into outline, admitting through its frame a large, two-headed shadow.
Left alone among the worthless volumes of that shop, Victor Keirion felt the sad frustration of the uninvited, the abandoned. More than ever he had become infected with hopes and curiosities of an indeterminable kind. And he soon found it impossible to remain outside that radiant little room the other two had entered, and on whose threshold he presently stood in silence.
The room was a cramped bibliographic cubicle within which stood another cubicle formed by free-standing bookcases, creating four very narrow aisleways in the space between them. From the doorway he could not see how the inner cubicle might be entered, but he heard the voices of the others whispering within.
Stepping quietly, he began making his way along the perimeter of the room, his eyes voraciously scanning a wealth of odd-looking volumes.
Immediately he sensed that something of a special nature awaited his discovery, and the evidence for this intuition began to build. Each book that he examined served as a clue in this delirious investigation, a cryptic sign which engaged his powers of interpretation and imparted the faith to proceed. Many of the works were written in foreign languages he did not read; some appeared to be composed in ciphers based on familiar characters and others seemed to be transcribed in a wholly artificial cryptography. But in everyone of these books he found an oblique guidance, some feature of more or less indirect significance: a strangeness in the typeface, pages and bindings of uncommon texture, abstract diagrams suggesting no orthodox ritual or occult system. Even greater anticipation was inspired by certain illustrated plates, mysterious drawings and engravings that depicted scenes and situations unlike anything he could name. And such works as Cynothoglys or The Noctuary of Tine conveyed schemes so bizarre, so remote from known texts and treatises of the esoteric tradition, that he felt assured of the sense of his quest.
The whispering grew louder, though no more distinct, as he edged around a corner of that inner cubicle and anxiously noted the opening at its far end. At the same time he was distracted, for no apparent reason, by a small grayish volume leaning within a gap between larger and more garish tomes. The little book had been set upon the highest shelf, making it necessary for him to stretch himself, as if on an upright torture rack, to reach it. Trying not to give away his presence by the sounds of his pain, he finally secured the ashen-colored object—as pale as his own coloring—between the tips of his first two fingers.
Mutely he strained to slide it quietly from its place; this act accomplished, he slowly shrunk down to his original stature and looked into the book's brittle pages.
It seemed to be a chronicle of strange dreams. Yet somehow the passages he examined were less a recollection of unruled visions than a tangible incarnation of them, not mere rhetoric but the thing itself. The use of language in the book was arrantly unnatural and the book's author unknown. Indeed, the text conveyed the impression of speaking for itself and speaking only to itself, the words flowing together like shadows that were cast by no forms outside the book. But although this volume appeared to be composed in a vernacular of mysteries, its words did inspire a sure understanding and created in their reader a visceral apprehension of the world they described, existing inseparable from it. Could this truly be the invocation of Vastarien, that improbable world to which those gnarled letters on the front of the book alluded? And was it a world at all?
Rather the unreal essence of one, all natural elements purged by an occult process of extraction, all days distilled into dreams and nights into nightmares. Each passage he entered in the book both enchanted and appalled him with images and incidents so freakish and chaotic that his usual sense of these terms disintegrated along with everything else. Rampant oddity seemed to be the rule of the realm; imperfection became the source of the miraculous—wonders of deformity and marvels of miscreation. There was horror, undoubtedly. But it was a horror uncompromised by any feeling of lost joy or thwarted redemption; rather, it was a deliverance by damnation. And if Vastarien was a nightmare, it was a nightmare transformed in spirit by the utter absence of refuge: nightmare made normal.
"I'm sorry, I didn't see that you had drifted in here," said the bookseller in a high thin voice. He had just emerged from the inner chamber of the room and was standing with arms folded across his wide chest. "Please don't touch anything.
And may I take that from you?" The right arm of the bookseller reached out, then returned to its former place when the man with the pale eyes did not relinquish the merchandise.
"I think I would like to purchase it," said Keirion. "I'm sure I would, if. …"
"Of course, if the price is reasonable," finished the bookseller. "But who knows, you might not be able to understand how valuable these books can be. That one …," he said, removing a little pad and pencil from inside his jacket and scribbling briefly. He ripped off the top sheet and held it up for the would-be buyer to see, then confidently put away all writing materials, as if that would be the end of it.
"But there must be some latitude for bargaining," Keirion protested.
"I'm afraid not," answered the bookseller. "Not with something that is the only one of its kind, as are many of these volumes. Yet that one book you are holding, that single copy. …"
A hand touched the bookseller's shoulder and seemed to switch off his voice.
Then the crow-man stepped into the aisleway, his eyes fixed upon the object under discussion, and asked: "Don't you find that the book is somewhat… difficult?"
"Difficult," repeated Keirion. "I'm not sure. … If you mean that the language is strange, I would have to agree, but—"
"No," interjected the bookseller, "that's not what he means at all."
"Excuse us for a moment," said the crow-man.
Then both men went back into the inner room, where they whispered for some time.
When the whispering ceased, the bookseller came forth and announced that there had been a mistake. The book, while something of a curiosity, was worth a good deal less than the price earlier quoted. The revised evaluation, while still costly, was nevertheless within the means of this particular buyer, who agreed at once to pay it.
Thus began Victor Keirion's preoccupation with a certain book and a certain hallucinated world, though to make a distinction between these two phenomena ultimately seemed an error: the book, indeed, did not merely describe that strange world but, in some obscure fashion, was a true composition of the thing itself, its very form incarnate.
Each day thereafter he studied the hypnotic episodes of the little book; each night, as he dreamed, he carried out shapeless expeditions into its fantastic topography. To all appearances it seemed he had discovered the summit or abyss of the unreal, that paradise of exhaustion, confusion, and debris where reality ends and where one may dwell among its ruins. And it was not long before he found it necessary to revisit that twelve-sided shop, intending to question the obese bookseller on the subject of the book and unintentionally learning the truth of how it came to be sold.
When he arrived at the bookstore, sometime in the middle of a grayish afternoon, Victor Keirion was surprised to find that the door, which had opened so freely on his previous visit, was now firmly locked. It would not even rattle in i
ts frame when he nervously pushed and pulled on the handle. Since the interior of the store was lighted, he took a coin from his pocket and began tapping on the glass. Finally, someone came forward from the shadows of the back room.
"Closed," the bookseller pantomimed on the other side of the glass.
"But. …" Keirion argued, pointing to his wristwatch.
"Nevertheless," the wide man shouted. Then, after scrutinizing the disappointed patron, the bookseller unlocked the door and opened it far enough to carry on a brief conversation. "And what is it I can do for you. I'm closed, so you'll have to come some other time if—"
"I only wanted to ask you something. Do you remember the book that I bought from you not long ago, the one—"
"Yes, I remember," replied the bookseller, as if quite prepared for the question. "And let me say that I was quite impressed, as of course was … the other man."
"Impressed?" Keirion repeated.
"Flabbergasted is more the word in his case," continued the bookseller. "He said to me, 'The book has found its reader,' and what could I do but agree with him?"
"I'm afraid I don't understand," said Keirion.
The bookseller blinked and said nothing. After a few moments he reluctantly explained: "I was hoping that by now you would understand. He hasn't contacted you? The man who was in here that day?"
"No, why should he?"
The bookseller blinked again and said: "Well, I suppose there's no reason you need to stand out there. It's getting very cold, don't you feel it?" Then he closed the door and pulled Keirion a little to one side of it, whispering: "There's just one thing I would like to tell you. I made no mistake that day about the price of that book. And it was the price—in full—which was paid by the other man, don't ask me anything else about him. That price, of course, minus the small amount that you yourself contributed. I didn't cheat anyone, least of all him. He would have been happy to pay even more to get that book into your hands. And although I'm not exactly sure of his reasons, I think you should know that."
"But why didn't he simply purchase the book for himself?" asked Keirion.
The bookseller seemed confused. "It was of no use to him. Perhaps it would have been better if you hadn't given yourself away when he asked you about the book. How much you knew."
"But I don't know anything, apart from what I've read in the book itself. I came here to find—"
"—Nothing, I'm afraid. You're the one who should be telling me, very impressive. But I'm not asking, don't misunderstand. And there's nothing more I can tell you, since I've already violated every precept of discretion. This is such an exceptional case, though. Very impressive, if in fact you are the reader of that book."
Realizing that, at best, he had been led into a dialogue of mystification, and possibly one of lies, Victor Keirion had no regrets when the bookseller held the door open for him to leave.
But before very many days, and especially nights, had passed he learned why the bookseller had been so impressed with him, and why the crowlike stranger had been so generous: the bestower of the book who was blind to its mysteries. In the course of those days, those nights, he learned that the stranger had given only so that he might possess the thing he could gain in no other way, that he was reading the book with borrowed eyes and stealing its secrets from the soul of its rightful reader. At last it became clear what was happening to him throughout those strange nights of dreaming.
On each of those nights the shapes of Vastarien slowly pushed through the obscurity of his sleep, a vast landscape emerging from its own profound slumber and drifting forth from a place without name or dimension. And as the crooked monuments became manifest once again, they seemed to expand and soar high above him, drawing his vision toward them. Progressively the scene acquired nuance and articulation; steadily the creation became dense and intricate within its black womb: the streets were sinuous entrails winding through that dark body, and each edifice was the jutting bone of a skeleton hung with a thin musculature of shadows.
But just as his vision reached out to embrace fully the mysterious and jagged form of the dream, it all appeared to pull away, abandoning him on the edge of a dreamless void. The landscape was receding, shrinking into the distance. Now all he could see was a single street bordered by two converging rows of buildings.
And at the opposite end of that street, rising up taller than the buildings themselves, stood a great figure in silhouette. This looming colossus made no movement or sound but firmly dominated the horizon where the single remaining street seemed to end. From this position the towering shadow was absorbing all other shapes into its own, which gradually was gaining in stature as the landscape withdrew and diminished. And the outline of this titanic figure appeared to be that of a man, yet it was also that of a dark and devouring bird.
Although for several nights Victor Keirion managed to awake before the scavenger had thoroughly consumed what was not its own, there was no assurance that he would always be able to do so and that the dream would not pass into the hands of another. Ultimately, he conceived and executed the act that was necessary to keep possession of the dream he had coveted for so long.
Vastarien, he whispered as he stood in the shadows and moonlight of that bare little room, where a massive metal door prevented his escape.
Within that door a small square of thick glass was implanted so that he might be watched by day and by night. And there was an unbending web of heavy wire covering the window which overlooked the city that was not Vastarien. Never, chanted a voice which might have been his own. Then more insistently: never, never, never. …
When the door was opened and some men in uniforms entered the room, they found Victor Keirion screaming to the raucous limits of his voice and trying to scale the thick metal mesh veiling the window, as if he were dragging himself along some unlikely route of liberation. Of course, they pulled him to the floor; they stretched him out upon the bed, where his wrists and ankles were tightly strapped. Then through the doorway strode a nurse who carried a slender syringe crowned with a silvery needle.
During the injection he continued to scream words which everyone in the room had heard before, each outburst developing the theme of his unjust confinement: how the man he had murdered was using him in a horrible way, a way impossible to explain or make credible. The man could not read the book—there, that book—and was stealing the dreams which the book had spawned. Stealing my dreams, he mumbled softly as the drug began to take effect. Stealing my. …
The group remained around the bed for a few moments, silently staring at its restrained occupant. Then one of them pointed to the book and initiated a conversation now familiar to them all.
"What should we do with it? It's been taken away enough times already, but then there's always another that appears."
"And there's no point to it. Look at these pages—nothing, nothing written anywhere."
"So why does he sit reading them for hours? He does nothing else."
"I think it's time we told someone in authority."
"Of course, we could do that, but what exactly would we say? That a certain inmate should be forbidden from reading a certain book? That he becomes violent?"
"And then they'll ask why we can't keep the book away from him or him from the book? What should we say to that?"
"There would be nothing we could say. Can you imagine what lunatics we would seem? As soon as we opened our mouths, that would be it for all of us."
"And when someone asks what the book means to him, or even what its name is… what would be our answer?"
As if in response to this question, a few shapeless groans arose from the criminally insane creature who was bound to the bed. But no one could understand the meaning of the word or words that he uttered, least of all himself. For he was now far from his own words, buried deep within the dreams of a place where everything was transfixed in the order of the unreal; and whence, it truly seemed, he would never return.
The Sect Of The Idiot (1988
)
First published in Crypt Of Cthulhu #56, 1988
Also published in: Songs Of A Dead Dreamer, The Nightmare Factory.
The primal chaos, Lord of all… the blind idiot god—Azathoth.
—Necronomicon
The extraordinary is a province of the solitary soul. Lost the very moment the crowd comes into view, it remains within the great hollows of dreams, an infinitely secluded place that prepares itself for your arrival, and for mine. Extraordinary joy, extraordinary pain—the fearful poles of a world that both menaces and surpasses this one. It is a miraculous hell toward which one unknowingly wanders. And its gate, in my case, was an old town I had desired to see with all the ardor of a holy madness.
Soon after arriving in the town—whose identity I must allow to remain secret, along with my own—I was settled in a high room overlooking a land of dreams through diamond panes. How many times had I already lingered in idleness before these windows, or ones very much like them, and gazed deeply into the old town? How often had I wandered its streets, becoming enveloped in its visions?
I discovered an infinite stillness on foggy mornings, miracles of silence on indolent afternoons, and the strangely flickering tableau of never-ending nights. A sense of serene enclosure was conveyed by every aspect of the old town. There were balconies, railed porches, and the jutting upper stories of shops and houses which created intermittent ceilings over sidewalks. Colossal roofs overhung entire streets and transformed them into the corridors of a single structure containing an uncanny multitude of rooms. And these fantastic brims were echoed below by the lesser roofs which drooped above windows like half-closed eyelids and turned each narrow doorway into a magician's cabinet harboring a false depth of solid shadow.
It is difficult to explain, then, how the old town also conveyed a sense of endlessness, of proliferately unseen dimensions, at the same time that it served as the very image of a claustrophobe's nightmare. Even the infinite nights above the great roofs of the town seemed merely the uppermost level of an earthbound estate, at most a musty old attic in which the stars were useless heirlooms and the moon a dusty trunk of dreams. And this paradox was precisely the source of the town's enchantment. I imagined the heavens themselves as part of an essentially interior décor. By day: heaps of clouds like dust balls floating across the empty rooms of the sky. By night: a single sharp tooth of moon painted upon a great black wall. How much I wanted to move into these rooms and live forever in this domain of medieval autumns and mute winters, serving out my sentence of life among all the visible and invisible wonders I had only dreamed about from so far away.