The singing of his sword filled the room, and the onrushing flood broke in a red wave. But they surged forward again, seemingly willing to fling their lives away in order to drag down the king. Hideous jaws gaped at him; terrible eyes blazed into his unblinkingly; a frightful fetid scent pervaded the atmosphere–the serpent scent that Kull had known in southern jungles. Swords and daggers leaped at him and he was dimly aware that they wounded him. But Kull was in his element; never before had he faced such grim foes but it mattered little; they lived, their veins held blood that could be spilt and they died when his great sword cleft their skulls or drove through their bodies. Slash, thrust, thrust and swing. Yet had Kull died there but for the man who crouched at his side, parrying and thrusting. For the king was clear berserk, fighting in the terrible Atlantean way, that seeks death to deal death; he made no effort to avoid thrusts and slashes, standing straight up and ever plunging forward, no thought in his frenzied mind but to slay. Not often did Kull forget his fighting craft in his primitive fury, but now some chain had broken in his soul, flooding his mind with a red wave of slaughter-lust. He slew a foe at each blow, but they surged about him, and time and again Brule turned a thrust that would have slain, as he crouched beside Kull, parrying and warding with cold skill, slaying not as Kull slew with long slashes and plunges, but with short overhand blows and upward thrusts.
Kull laughed, a laugh of insanity. The frightful faces swirled about him in a scarlet blaze. He felt steel sink into his arm and dropped his sword in a flashing arc that cleft his foe to the breast-bone. Then the mists faded and the king saw that he and Brule stood alone above a sprawl of hideous crimson figures who lay still upon the floor.
“Valka! what a killing!” said Brule, shaking the blood from his eyes. “Kull, had these been warriors who knew how to use the steel, we had died here. These serpent priests know naught of swordcraft and die easier than any men I ever slew. Yet had there been a few more, I think the matter had ended otherwise.”
Kull nodded. The wild berserker blaze had passed, leaving a mazed feeling of great weariness. Blood seeped from wounds on breast, shoulder, arm and leg. Brule, himself bleeding from a score of flesh wounds, glanced at him in some concern.
“Lord Kull, let us hasten to have your wounds dressed by the women.”
Kull thrust him aside with a drunken sweep of his mighty arm.
“Nay, we’ll see this through ere we cease. Go you, though, and have your wounds seen to–I command it.”
The Pict laughed grimly. “Your wounds are more than mine, lord king–” he began, then stopped as a sudden thought struck him. “By Valka, Kull, this is not the council room!”
Kull looked about and suddenly other fogs seemed to fade. “Nay, this is the room where Eallal died a thousand years ago–since unused and named ‘Accursed.’”
“Then by the gods, they tricked us after all!” exclaimed Brule in a fury, kicking the corpses at their feet. “They caused us to walk like fools into their ambush! By their magic they changed the appearance of all–”
“Then there is further deviltry afoot,” said Kull, “for if there be true men in the councils of Valusia they should be in the real council room now. Come swiftly.”
And leaving the room with its ghastly keepers they hastened through halls that seemed deserted until they came to the real council room. Then Kull halted with a ghastly shudder. From the council room sounded a voice speaking, and the voice was his!
With a hand that shook he parted the tapestries and gazed into the room. There sat the councilors, counterparts of the men he and Brule had just slain, and upon the dais stood Kull, king of Valusia.
He stepped back, his mind reeling.
“This is insanity!” he whispered. “Am I Kull? Do I stand here or is that Kull yonder in very truth and am I but a shadow, a figment of thought?”
Brule’s hand clutching his shoulder, shaking him fiercely, brought him to his senses.
“Valka’s name, be not a fool! Can you yet be astounded after all we have seen? See you not that those are true men bewitched by a snake-man who has taken your form, as those others took their forms? By now you should have been slain and yon monster reigning in your stead, unknown by those who bowed to you. Leap and slay swiftly or else we are undone. The Red Slayers, true men, stand close on each hand and none but you can reach and slay him. Be swift!”
Kull shook off the onrushing dizziness, flung back his head in the old, defiant gesture. He took a long, deep breath as does a strong swimmer before diving into the sea; then, sweeping back the tapestries, made the dais in a single lionlike bound. Brule had spoken truly. There stood men of the Red Slayers, guardsmen trained to move quick as the striking leopard; any but Kull had died ere he could reach the usurper. But the sight of Kull, identical with the man upon the dais, held them in their tracks, their minds stunned for an instant, and that was long enough. He upon the dais snatched for his sword, but even as his fingers closed upon the hilt, Kull’s sword stood out behind his shoulders and the thing that men had thought the king pitched forward from the dais to lie silent upon the floor.
“Hold!” Kull’s lifted hand and kingly voice stopped the rush that had started, and while they stood astounded he pointed to the thing which lay before them–whose face was fading into that of a snake. They recoiled, and from one door came Brule and from another came Ka-nu.
These grasped the king’s bloody hand and Ka-nu spoke: “Men of Valusia, you have seen with your own eyes. This is the true Kull, the mightiest king to whom Valusia has ever bowed. The power of the Serpent is broken and ye be all true men. King Kull, have you commands?”
“Lift that carrion,” said Kull, and men of the guard took up the thing.
“Now follow me,” said the king, and he made his way to the Accursed Room. Brule, with a look of concern, offered the support of his arm but Kull shook him off.
The distance seemed endless to the bleeding king, but at last he stood at the door and laughed fiercely and grimly when he heard the horrified ejaculations of the councilors.
At his orders the guardsmen flung the corpse they carried beside the others, and motioning all from the room Kull stepped out last and closed the door.
A wave of dizziness left him shaken. The faces turned to him, pallid and wonderingly, swirled and mingled in a ghostly fog. He felt the blood from his wounds trickling down his limbs and he knew that what he was to do, he must do quickly or not at all.
His sword rasped from its sheath.
“Brule, are you there?”
“Aye!” Brule’s face looked at him through the mist, close to his shoulder, but Brule’s voice sounded leagues and eons away.
“Remember our vow, Brule. And now, bid them stand back.”
His left arm cleared a space as he flung up his sword. Then with all his waning power he drove it through the door into the jamb, driving the great sword to the hilt and sealing the room forever.
Legs braced wide, he swayed drunkenly, facing the horrified councilors. “Let this room be doubly accursed. And let those rotting skeletons lie there forever as a sign of the dying might of the serpent. Here I swear that I shall hunt the serpent-men from land to land, from sea to sea, giving no rest until all be slain, that good triumph and the power of Hell be broken. This thing I swear–I–Kull–king–of–Valusia.”
His knees buckled as the faces swayed and swirled. The councilors leaped forward, but ere they could reach him, Kull slumped to the floor, and lay still, face upward.
The councilors surged about the fallen king, chattering and shrieking. Ka-nu beat them back with his clenched fists, cursing savagely.
“Back, you fools! Would you stifle the little life that is yet in him? How, Brule, is he dead or will he live?”–to the warrior who bent above the prostrate Kull.
“Dead?” sneered Brule irritably. “Such a man as this is not so easily killed. Lack of sleep and loss of blood have weakened him–by Valka, he has a score of deep wounds, but none of them mortal. Yet have
those gibbering fools bring the court women here at once.”
Brule’s eyes lighted with a fierce, proud light.
“Valka, Ka-nu, but here is such a man as I knew not existed in these degenerate days. He will be in the saddle in a few scant days and then may the serpent-men of the world beware of Kull of Valusia. Valka! but that will be a rare hunt! Ah, I see long years of prosperity for the world with such a king upon the throne of Valusia.”
The Children of the Night
There were, I remember, six of us in Conrad’s bizarrely fashioned study, with its queer relics from all over the world and its long rows of books which ranged from the Mandrake Press edition of Boccaccio to a Missale Romanum, bound in clasped oak boards and printed in Venice, 1740. Clemants and Professor Kirowan had just engaged in a somewhat testy anthropological argument: Clemants upholding the theory of a separate, distinct Alpine race, while the professor maintained that this so-called race was merely a deviation from an original Aryan stock – possibly the result of an admixture between the southern or Mediterranean races and the Nordic people.
“And how,” asked Clemants, “do you account for their brachycephalicism? The Mediterraneans were as long-headed as the Aryans: would admixture between these dolichocephalic peoples produce a broad-headed intermediate type?”
“Special conditions might bring about a change in an originally long-headed race,” snapped Kirowan. “Boaz has demonstrated, for instance, that in the case of immigrants to America, skull formations often change in one generation. And Flinders Petrie has shown that the Lombards changed from a long-headed to a round-headed race in a few centuries.”
“But what caused these changes?”
“Much is yet unknown to science,” answered Kirowan, “and we need not be dogmatic. No one knows, as yet, why people of British and Irish ancestry tend to grow unusually tall in the Darling district of Australia – Cornstalks, as they are called – or why people of such descent generally have thinner jaw-structures after a few generations in New England. The universe is full of the unexplainable.”
“And therefore the uninteresting, according to Machen,” laughed Taverel.
Conrad shook his head. “I must disagree. To me the unknowable is most tantalizingly fascinating.”
“Which accounts, no doubt, for all the works on witchcraft and demonology I see on your shelves,” said Ketrick, with a wave of his hand toward the rows of books.
And let me speak of Ketrick. Each of the six of us was of the same breed – that is to say, a Briton or an American of British descent. By British, I include all natural inhabitants of the British Isles. We represented various strains of English and Celtic blood, but basically, these strains are the same after all. But Ketrick: to me the man always seemed strangely alien. It was in his eyes that this difference showed externally. They were a sort of amber, almost yellow, and slightly oblique. At times, when one looked at his face from certain angles, they seemed to slant like a Chinaman’s.
Others than I had noticed this feature, so unusual in a man of pure Anglo-Saxon descent. The usual myths ascribing his slanted eyes to some pre-natal influence had been mooted about, and I remember Professor Hendrik Brooler once remarked that Ketrick was undoubtedly an atavism, representing a reversion of type to some dim and distant ancestor of Mongolian blood – a sort of freak reversion, since none of his family showed such traces.
But Ketrick comes of the Welsh branch of the Cetrics of Sussex, and his lineage is set down in the Book of Peers. There you may read the line of his ancestry, which extends unbroken to the days of Canute. No slightest trace of Mongoloid intermixture appears in the genealogy, and how could there have been such intermixture in old Saxon England? For Ketrick is the modern form of Cedric, and though that branch fled into Wales before the invasion of the Danes, its male heirs consistently married with English families on the border marches, and it remains a pure line of the powerful Sussex Cetrics – almost pure Saxon. As for the man himself, this defect of his eyes, if it can be called a defect, is his only abnormality, except for a slight and occasional lisping of speech. He is highly intellectual and a good companion except for a slight aloofness and a rather callous indifference which may serve to mask an extremely sensitive nature.
Referring to his remark, I said with a laugh: “Conrad pursues the obscure and mystic as some men pursue romance; his shelves throng with delightful nightmares of every variety.”
Our host nodded. “You’ll find there a number of delectable dishes – Machen, Poe, Blackwood, Maturin – look, there’s a rare feast – Horrid Mysteries, by the Marquis of Grosse – the real Eighteenth Century edition.”
Taverel scanned the shelves. “Weird fiction seems to vie with works on witchcraft, voodoo and dark magic.”
“True; historians and chroniclers are often dull; tale-weavers never – the masters, I mean. A voodoo sacrifice can be described in such a dull manner as to take all the real fantasy out of it, and leave it merely a sordid murder. I will admit that few writers of fiction touch the true heights of horror – most of their stuff is too concrete, given too much earthly shape and dimensions. But in such tales as Poe’s Fall of the House of Usher, Machen’s Black Seal and Lovecraft’s Call of Cthulhu – the three master horror-tales, to my mind – the reader is borne into dark and outer realms of imagination.
“But look there,” he continued, “there, sandwiched between that nightmare of Huysmans’, and Walpole’s Castle of Otranto – Von Junzt’s Nameless Cults. There’s a book to keep you awake at night!”
“I’ve read it,” said Taverel, “and I’m convinced the man is mad. His work is like the conversation of a maniac – it runs with startling clarity for awhile, then suddenly merges into vagueness and disconnected ramblings.”
Conrad shook his head. “Have you ever thought that perhaps it is his very sanity that causes him to write in that fashion? What if he dares not put on paper all he knows? What if his vague suppositions are dark and mysterious hints, keys to the puzzle, to those who know?”
“Bosh!” This from Kirowan. “Are you intimating that any of the nightmare cults referred to by Von Junzt survive to this day – if they ever existed save in the hag-ridden brain of a lunatic poet and philosopher?”
“Not he alone used hidden meanings,” answered Conrad. “If you will scan various works of certain great poets you may find double meanings. Men have stumbled on to cosmic secrets in the past and given a hint of them to the world in cryptic words. Do you remember Von Junzt’s hints of ‘a city in the waste’? What do you think of Flecker’s lines:
“‘Pass not beneath! Men say there blows in stony deserts still a rose
“‘But with no scarlet to her leaf – and from whose heart no perfume flows.’
“Men may stumble upon secret things, but Von Junzt dipped deep into forbidden mysteries. He was one of the few men, for instance, who could read the Necronomicon in the original Greek translation.”
Taverel shrugged his shoulders, and Professor Kirowan, though he snorted and puffed viciously at his pipe, made no direct reply; for he, as well as Conrad, had delved into the Latin version of the book, and had found there things not even a cold-blooded scientist could answer or refute.
“Well,” he said presently, “suppose we admit the former existence of cults revolving about such nameless and ghastly gods and entities as Cthulhu, Yog Sothoth, Tsathoggua, Gol-goroth, and the like, I can not find it in my mind to believe that survivals of such cults lurk in the dark corners of the world today.”
To our surprize Clemants answered. He was a tall, lean man, silent almost to the point of taciturnity, and his fierce struggles with poverty in his youth had lined his face beyond his years. Like many another artist, he lived a distinctly dual literary life, his swashbuckling novels furnishing him a generous income, and his editorial position on The Cloven Hoof affording him full artistic expression. The Cloven Hoof was a poetry magazine whose bizarre contents had often aroused the shocked interest of the conservative critics.
“You remember Von Junzt makes mention of a so-called Bran cult,” said Clemants, stuffing his pipe-bowl with a peculiarly villainous brand of shag tobacco. “I think I heard you and Taverel discussing it once.”
“As I gather from his hints,” snapped Kirowan, “Von Junzt includes this particular cult among those still in existence. Absurd.”
Again Clemants shook his head. “When I was a boy working my way through a certain university, I had for roommate a lad as poor and ambitious as I. If I told you his name, it would startle you. Though he came of an old Scotch line of Galloway, he was obviously of a non-Aryan type.
“This is in strictest confidence, you understand. But my roommate talked in his sleep. I began to listen and put his disjointed mumbling together. And in his mutterings I first heard of the ancient cult hinted at by Von Junzt; of the king who ruled the Dark Empire, which was a revival of an older, darker empire dating back into the Stone Age; and of the great, nameless cavern where stands the Dark Man – the image of Bran Mak Morn, carved in his likeness by a master-hand while the great king yet lived, and to which each worshipper of Bran makes a pilgrimage once in his or her lifetime. Yes, that cult lives today in the descendants of Bran’s people – a silent, unknown current it flows on in the great ocean of life, waiting for the stone image of the great Bran to breathe and move with sudden life, and come from the great cavern to rebuild their lost empire.”
“And who were the people of that empire?” asked Ketrick.
“Picts,” answered Taverel, “doubtless the people known later as the wild Picts of Galloway were predominantly Celtic – a mixture of Gaelic, Cymric, aboriginal and possibly Teutonic elements. Whether they took their name from the older race or lent their own name to that race, is a matter yet to be decided. But when Von Junzt speaks of Picts, he refers specifically to the small, dark, garlic-eating peoples of Mediterranean blood who brought the Neolithic culture into Britain. The first settlers of that country, in fact, who gave rise to the tales of earth spirits and goblins.”