Page 1 of Fima




  Fima

  Amos Oz

  Table of Contents

  Title Page

  Table of Contents

  ...

  ...

  Copyright

  CONTENTS

  1. PROMISE AND GRACE

  2. FIMA GETS UP FOR WORK

  3. A CAN OF WORMS

  4. HOPES OF OPENING A NEW CHAPTER

  5. FIMA GETS SOAKED IN THE DARK IN THE POURING RAIN

  6. AS IF SHE WERE HIS SISTER

  7. WITH THIN FISTS

  8. A DISAGREEMENT ON THE QUESTION OF WHO THE INDIANS REALLY ARE

  9. "THERE ARE SO MANY THINGS WE COULD TALK ABOUT, COMPARE"

  10. FIMA FORGIVES AND FORGETS

  11. AS FAR AS THE LAST LAMPPOST

  12. THE FIXED DISTANCE BETWEEN HIM AND HER

  13. THE ROOT OF ALL EVIL

  14. DISCOVERING THE IDENTITY OF A FAMOUS FINNISH GENERAL

  15. BEDTIME STORIES

  16. FIMA COMES TO THE CONCLUSION THAT THERE IS STILL A CHANCE

  17. NIGHTLIFE

  18. "YOU'VE FORGOTTEN YOURSELF"

  19. IN THE MONASTERY

  20. FIMA IS LOST IN THE FOREST

  21. BUT THE GLOWWORM HAD VANISHED

  22. "I FEEL GOOD WITH YOU JUST LIKE THIS"

  23. FIMA FORGETS WHAT HE HAS FORGOTTEN

  24. SHAME AND GUILT

  25. FINGERS THAT WERE NO FINGERS

  26. CHILI

  27. FIMA REFUSES TO GIVE IN

  28. IN ITHACA, ON THE WATER'S EDGE

  29. BEFORE THE SABBATH

  30. AT LEAST AS FAR AS POSSIBLE

  Translated from the Hebrew by

  NICHOLAS DE LANGE

  A HARVEST BOOK

  A HELEN AND KURT WOLFF BOOK

  HARCOURT, INC.

  Orlando Austin New York San Diego London

  Copyright © 1991 by Amos Oz and

  Maxwell-Macmillan-Keter Publishing Ltd.

  English translation copyright © 1993 by Nicholas de Lange

  All rights reserved. No part of this publication may be reproduced or

  transmitted in any form or by any means, electronic or mechanical,

  including photocopy, recording, or any information storage and

  retrieval system, without permission in writing from the publisher.

  Requests for permission to make copies of any part of the work

  should be submitted online at www.harcourt.com/contact or

  mailed to the following address: Permissions Department,

  Houghton Mifllin Harcourt Publishing Company,

  6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

  www.HarcourtBooks.com

  Translation of The Third Condition by Amos Oz, originally

  published in Israel in 1991.

  Library of Congress Cataloging-in-Publication Data

  Oz, Amos.

  [Matsav ha-shelishi. English]

  Fima/Amos Oz: translated from the Hebrew by Nicholas

  de Lange.—1st ed.

  p. cm.

  "A Helen and Kurt Wolff book."

  ISBN 978-0-15-189851-0

  ISBN 978-0-15-600143-4 (pbk.)

  I. Title.

  PJ5054.O9M3513 1993

  892.4'36—dc20 92-44200

  Designed by Lori J. McThomas

  Printed in the United States of America

  First Harvest edition 1994

  N M L K J I H G

  CONTENTS

  1

  PROMISE AND GRACE / [>]

  2

  FIMA GETS UP FOR WORK / [>]

  3

  A CAN OF WORMS / [>]

  4

  HOPES OF OPENING A NEW CHAPTER / [>]

  5

  FIMA GETS SOAKED IN THE DARK

  IN THE POURING RAIN / [>]

  6

  AS IF SHE WERE HIS SISTER / [>]

  7

  WITH THIN FISTS / [>]

  8

  A DISAGREEMENT ON THE QUESTION

  OF WHO THE INDIANS REALLY ARE / [>]

  9

  "THERE ARE SO MANY THINGS WE

  COULD TALK ABOUT, COMPARE" / [>]

  10

  FIMA FORGIVES AND FORGETS / [>]

  11

  AS FAR AS THE LAST LAMPPOST / [>]

  12

  THE FIXED DISTANCE BETWEEN

  HIM AND HER / [>]

  13

  THE ROOT OF ALL EVIL / [>]

  14

  DISCOVERING THE IDENTITY OF A

  FAMOUS FINNISH GENERAL / [>]

  15

  BEDTIME STORIES / [>]

  16

  FIMA COMES TO THE CONCLUSION

  THAT THERE IS STILL A CHANCE / [>]

  17

  NIGHTLIFE / [>]

  18

  "YOU'VE FORGOTTEN YOURSELF" / [>]

  19

  IN THE MONASTERY / [>]

  20

  FIMA IS LOST IN THE FOREST / [>]

  21

  BUT THE GLOWWORM HAD VANISHED / [>]

  22

  "I FEEL GOOD WITH YOU

  JUST LIKE THIS" / [>]

  23

  FIMA FORGETS WHAT HE

  HAS FORGOTTEN / [>]

  24

  SHAME AND GUILT / [>]

  25

  FINGERS THAT WERE NO FINGERS / [>]

  26

  CHILI / [>]

  27

  FIMA REFUSES TO GIVE IN / [>]

  28

  IN ITHACA, ON THE WATER'S EDGE / [>]

  29

  BEFORE THE SABBATH / [>]

  30

  AT LEAST AS FAR AS POSSIBLE / [>]

  1. PROMISE AND GRACE

  FIVE NIGHTS BEFORE THE SAD EVENT, FIMA HAD A DREAM WHICH he recorded at half past five in the morning in his dream book, a brown notebook that always lay beneath an untidy heap of old newspapers and magazines on the floor at the foot of his bed. In this book Fima had made it his habit to write down, in bed, as the first pale lines of dawn began to appear between the slats of his blinds, whatever he had seen in the night. Even if he had seen nothing, or if he had forgotten what he had seen, he still switched on the light, squinted, sat up in bed, and, propping a thick magazine on his knees to serve as a writing desk, wrote something like this:

  "Twentieth of December—blank night."

  Or:

  "Fourth of January—something about a fox and a ladder, but the details have gone."

  He always wrote the date out in words. Then he would get up to relieve himself and lie down in bed again until the cooing of the doves came into the room, with a dog barking and a bird nearby that sounded surprised, as though it could not believe its eyes. Fima promised himself he would get up at once, in a few minutes, a quarter of an hour at most, but sometimes he dropped off again and did not wake till eight or nine. His shift at the clinic started only at one o'clock. He found less falsehood in sleeping than in waking. Even though he had long ago come to understand that truth was beyond his reach, he wanted to distance himself as much as possible from the petty lies that filled his everyday life like a fine dust that penetrated even to the most intimate crannies.

  On Monday morning early, as a murky orange glimmer began to filter through the blind, he sat up in bed and entered the following notes in his book:

  "A woman, attractive rather than beautiful, came up to me; she didn't approach the reception desk but appeared from behind me, despite the notice saying STAFF ONLY. I said, 'Sorry, all inquiries must be made from the front of the desk.' She laughed and said, 'All right, Efraim, we heard you the first time.' I said, 'If you don't get out of here, ma'am, I'll have to ring my bell' (although I haven't got a bell). At these words the woman laughed again, a pleasant, graceful laugh, like a burbling brook. She was slim-shouldered and had a slightly wrinkled neck, but her breast and stomach were we
ll rounded and her calves covered by silk stockings with curving seams. The combination of curvaceousness and vulnerability was both sexy and touching. Or maybe it was the contrast between the shapely body and the face of an overworked teacher that was touching. I had a little girl by you, she said, and now it's time for our daughter to meet her father. Although I knew I wasn't supposed to leave the clinic, that it would be dangerous to follow her, especially barefoot, which I suddenly was, a sort of inner signal formed itself: If she draws her hair over her left shoulder with her left hand, then I'll have to go. She knew; with a light movement she brought her hair forward until it spread over her dress and covered her left breast, and she said: Come. I followed her through several streets and alleys, several flights of steps and gates, and more stone-paved courtyards in Valladolid in Spain, though it was really more or less the Bukharian Quarter here in Jerusalem. Even though this woman in the girlish cotton dress and sexy stockings was a stranger and I had never set eyes on her before, I still wanted to see the little girl. So we walked through entrances to buildings that led to back yards full of loaded clotheslines, which led us to new alleyways and an ancient square lit by a street lamp in the rain. Because it had started to rain, not hard, not pouring, very few drops in fact, just a thick dampness in the darkening air. We didn't meet a living soul on the way. Not even a cat. Suddenly the woman stopped in a passageway that had vestiges of decaying grandeur, as if it were an entrance to an Oriental palace, but probably it was just a tunnel joining two sodden courtyards, with battered mailboxes and flaking ceramic tiles. Removing my wristwatch, she pointed to a tattered army blanket in an alcove under the steps, as though removing my watch was the prelude to some kind of nakedness, and now I had to give her a baby daughter. I asked where we were and where the children were, because somehow along the way the daughter had turned into children. The woman said, Chili. I couldn't tell whether this was the little girl's name or the name of the woman herself, who was clasping my hand to her breast. Perhaps she was cold because of the nakedness of the skinny daughters, or else it was an invitation to hug her and warm her up. When I hugged her, her whole body shook, not with desire but with despair, and she whispered, Don't be afraid, Efraim, I know a way and I'll get you safely across to the Aryan side. In the dream this whispered phrase was full of promise and grace, and I continued to trust her and follow her ecstatically, and was not at all surprised when in the dream she turned into my mother, nor did I ask where the Aryan side was. Until we reached the water. At the water's edge stood a man in a dark uniform, with a blond military mustache and legs spread wide, and he said: Have to separate.

  "So it became clear that it was the water that made her shiver, and that I would not see her again. I woke with sadness, and even now, as I conclude these notes, the sadness has not left me."

  2. FIMA GETS UP FOR WORK

  FIMA GOT OUT OF BED IN HIS SWEATY UNDERWEAR, OPENED HIS shutters a crack, and looked out at the beginning of a winter day in Jerusalem. The nearby buildings did not look near: they seemed far from him and from each other, with wisps of low cloud drifting among them. There was no sign of life outside. As though the dream were continuing. Except that there was no stone-paved alley now, but a shabby road at the southwest edge of Kiryat Yovel, a row of squat blocks of flats jerry-built in the late 'fifties. The balconies had been mostly closed in with breezeblock, plasterboard, aluminum, or glass. Here and there an empty window box or a neglected flowerpot stood on a rusting balustrade. Away to the south the Bethlehem hills merged with the gray clouds, looking unattractive and grubby this morning, more like slag heaps than hills. A neighbor was having difficulty starting his car because of the cold and the damp. The starter wheezed repeatedly, like a terminally ill lung case who still insisted on chain-smoking. Again Fima was overcome by the feeling that he was here by mistake, that he ought to be somewhere completely different.

  But what the mistake was, or where he ought to be, he did not know this morning. In fact he never did.

  The car's wheezing brought on his own morning cough, and he moved away from the window. He did not want to start his day in such a pointless and pathetic way. He said to himself, Lazybones! and began to do some simple exercises, bends and stretches, in front of the mirror that was dappled with dark islands and continents. The mirror was fixed to the front of the old brown wardrobe his father had bought for him thirty years ago. He should have asked the woman what it was he was supposed to separate. But he had missed his chance.

  As a general rule Fima loathed people standing at windows. He especially loathed the sight of a woman looking out of a window with her back to the room. Before his divorce he had often irritated Yael by asking her not to stand like that, looking out at the street or the hills.

  "What's wrong? Am I breaking the rules again?"

  "You know it annoys me."

  "That's your problem, Effy."

  This morning, even his exercises in front of the mirror annoyed and tired him. After a minute or two he stopped. Calling himself lazybones again. He panted and added mockingly:

  "That's your problem, pal."

  He was fifty-four, and during his years of living alone he had fallen into the habit of talking to himself. He reckoned this among his old bachelor's foibles, along with losing the lid of the jam, trimming the hair in one of his nostrils and forgetting to do the other, unzipping his fly on the way to the bathroom to save time but missing the bowl when he started to piss, or flushing in the middle in the hope that the sound of rushing water would help him overcome his stuttering bladder. He would try to finish while the water was still running; so there was always a race between his own water and that from the tank. It was a race he always lost, and he would be faced with the infuriating alternative of standing there, tool in hand, until the tank refilled and he could have another go, or admitting defeat and leaving his urine in the bowl till next time. He did not like to admit defeat or to waste his time waiting, so impatiently he would pull the handle before the tank was full again. This would provoke a premature eruption which was insufficient to flush, and again he had the abhorrent choice between waiting longer or giving up and going away.

  In the course of his life he had had several love affairs, several ideas, wrote a book of poems that aroused some expectations, thought about the purpose of the universe and where the country had lost its way, spun a detailed fantasy about founding a new political movement, felt longings of one sort or another, and the constant yearning to open a new chapter. And here he was now in this shabby flat on a gloomy wet morning, engaged in a humiliating struggle to release the comer of his shirt from the zipper of his fly. While outside some soggy bird kept repeating the same-three note phrase over and over again, as though it had come to the conclusion that he was so dimwitted he would never understand.

  In this way, by painstakingly identifying and classifying his middle-aged bachelor habits, Fima hoped to distance himself from himself, to open up a space for mockery and so defend his longings and his self-respect. But there were times when this obsessive pursuit of the ridiculous or compulsive in him appeared to him, in a kind of illumination, not a line of defense between himself and the middle-aged bachelor but in fact a stratagem employed by that bachelor to get rid of him and usurp his place.

  He decided to return to the wardrobe and take a look at himself in the mirror. And he also decided to view his body not with disgust, despair, or self-pity, but with resignation. In the mirror he beheld a pale, rather overweight clerk with folds of flesh at the waist, whose underwear was none too fresh, who had sparse black hair on white legs that were too skinny in relation to the belly, and graying hair, weak shoulders, and flabby male breasts growing on a chest dotted with pimples, one of which was surrounded by redness. He squeezed the pimples between his forefinger and thumb, watching in the mirror. The bursting of the pimples and the squirting of the yellowish pus afforded a vague, irritable pleasure. For fifty years, like the gestation of an elephant, this faceless clerk had been swelling inside t
he womb of child and youth and grown man, and now the fifty years were up, the gestation was complete, the womb had burst open, the butterfly had begotten a chrysalis. In this chrysalis Fima recognized himself.

  He also saw that now the roles were reversed, that from here on, in the depth of the cocoonlike womb, the wide-eyed child with the gawky limbs would be forever hiding.

  Resignation accompanied by faint mockery sometimes contains its opposite: an inner craving for the child, the youth, the grown man out of whose womb the chrysalis emerged. And so sometimes he experienced, for an instant, the restoration of that which could never be restored, which was pure, consistent, immune to decay, proof against longing and sorrow. As though trapped inside a glass bubble, for an instant Yael's love was restored to him, with the touch of her lips and tongue behind his ear and her whispered, "Here, touch me here."

  In the bathroom Fima was put in a quandary when he discovered that his shaving foam had run out, but he had the bright idea of trying to shave with a thick layer of ordinary toilet soap. Except that the soap turned out to have a rancid smell, like armpits in a heat wave. He scraped his jaws till they were raw but forgot to shave the bristles under his chin. Then he took a hot shower and found the courage to end with thirty seconds of cold water, and for a moment he felt fresh and vigorous and ready to open a new chapter in his life, until the towel, which was damp from the day before and the day before that and more, wrapped him again in his own stale night smell, as though he had put on a dirty shirt.

  From the shower he made for the kitchen and put on the water for coffee; he washed a dirty cup from the sink, put two saccharin tablets and two spoonfuls of instant coffee in it, and went to make his bed. His struggle with the bedspread lasted several minutes. When he returned to the kitchen, he saw that he had left the refrigerator door open overnight. He took out the margarine and the jam and a yogurt he had started the day before, but it turned out that some feeble-minded insect had for some reason selected the yogurt to commit suicide in. He attempted to fish the cadaver out with a teaspoon, but succeeded only in drowning it. He dropped the yogurt jar in the trash can and made do with black coffee, assuming, not checking, that the milk turned sour because the fridge door had been left open.