Galen let Mrs. Vesey conduct him about the room, making introductions. Some he’d met before, but he appreciated her reminders; he always feared he would forget a name. The two gentlemen were new to him. The seeming tradesman was one Benjamin Stillingfleet—who, true to Mrs. Vesey’s word, was wearing ordinary blue stockings—and the other, a stout and loud-voiced figure, was revealed to be the great Dr. Samuel Johnson.
“I am honored, sir,” Galen said, and swept him a bow.
“Of course you are,” Johnson grunted. “Can’t go anywhere in this town without being known. Damned nuisance.” His head jerked oddly on his shoulders, and Galen’s eyes widened.
“If you did not want recognition,” Mrs. Montagu said tartly, “you should not have poured years of your life into that dictionary of yours.” She took no notice of the gesture, nor of his ill manner, and Galen thought it best to follow her example.
Mrs. Vesey’s drawing room was a masterpiece of restrained elegance, its chairs upholstered in Chinese silks that showed to great advantage in the warm glow of the candles. It lacked the ruelles and other accoutrements of the great salons in Paris, but this was a modest affair after all; scarcely more than a dozen guests altogether. Mrs. Montagu hosted much larger gatherings at her own house on Hill Street, and she was nothing to the French salonnières. Galen was glad of the smallness, though. Here he could believe, as Mrs. Vesey said, that he was among friends, and not feel so conscious of himself.
As he retired to a chair with a glass of punch, Johnson picked up the thread of a conversation apparently dropped when Galen entered the room. “Yes, I know I said March,” he told Stillingfleet impatiently, “but the work takes longer than expected—and there’s another project besides, a series called The Idler, which will begin next month. Tonson can wait.” His manner as he spoke was most peculiar—more strange tics of the head and hands. It was not a palsy, but something else altogether. Galen was torn between staring and looking away.
“Shakespeare,” Mrs. Vesey murmured to Galen, not quite sotto voce. “Dr. Johnson is working on a new edition of the plays, but I fear his enthusiasm fades.”
Johnson heard her, as she no doubt meant him to. “To do the work properly,” he said with dignity, “takes time.”
Mrs. Montagu laughed. “But you don’t dispute the lack of enthusiasm, I see. What play is it you edit now?”
“A Midsummer Night’s Dream, and a piece of nonsense it is, too,” Johnson said. “Low comedy—quite unappealing, to discerning tastes—full of flower faeries and other silliness. What moral lesson are we to derive from them? Do not tell me he wrote of pagan times; it is a writer’s duty to make the world better, and—”
“And justice is a virtue independent of time or place,” Mrs. Montagu finished for him. “So you have said before. But must there be a lesson in faeries?”
The writer’s eyebrows drew together sharply. “There can be no excuse for them,” Johnson said, “if they serve not a moral purpose.”
Galen found himself on his feet again, with no sense of transition, and his glass of punch clutched so tightly in his hand he feared the delicate glass would shatter. “Why, sir, you might as well say there can be no excuse for a tree, or a sunset, or a—a human, if they serve not a moral purpose!”
Johnson’s white eyebrows rose. “Indeed there is not. The moral purpose of a human is to struggle against sin and seek out God, to redeem himself from the Fall. As for trees and sunsets, may I refer you to the Holy Bible, most particularly the Book of Genesis, wherein it tells us how the Lord created the day and the night—and therefore, we may presume, the transition between them—and also trees; and these are the stage upon which He put His most beloved creation, which is that human previously mentioned. But show to me, if you will, where the Bible speaks of faeries, and their place in God’s plan.”
While Galen sputtered, searching for words, he added—almost gently—“If, indeed, such creatures exist at all, which I find doubtful in the extreme.”
Heat and chill washed Galen’s body in alternating waves, so that he trembled like a leaf in the wind. “Not all things,” he managed, “that exist in the world, are laid out in scripture. But how can anything be that is not a part of God’s plan?”
Somehow Johnson managed to convey both disgust and delight, as if appalled at the triviality of the topic, but pleased that Galen had mustered an argument in its defense. “Just so. Even the very devils in Hell serve His plan, by tempting mankind to his baser nature, and therefore rendering meaningful the exercise of his free will. But if you wish to persuade me regarding faeries, Mr. St. Clair, you will have to do better than to hide behind divine ineffability.”
He wished for something to hide behind. Johnson had the air of a hunter merely waiting for the pheasant to break cover, so he could shoot it down. Oh, if only this debate had not come so soon! Galen was new to the Bluestocking Circle; he scarcely had his feet under him. Given more time and confidence, he would have defended his ideals without fear of ridicule. But here he was, a newcomer facing a man twice his age and twice his size, with all the weight of learning and reputation on Dr. Johnson’s side.
To flee would only invite contempt, though. Galen was aware of his audience—not just Johnson, but Mrs. Vesey and Mrs. Montagu, Mr. Stillingfleet, and all the other ladies, waiting with great enjoyment for his next move. And others, not present, who deserved his best attempt. Choosing his words carefully, Galen said, “I would say that faeries exist to bring a sense of wonder and beauty into life, that lifts the spirit and teaches it something of transcendence.”
“Transcendence!” Johnson barked a laugh. “From something called Mustardseed?”
“There is also Titania,” Galen countered, flushing. “Faeries must have their lower classes as well, just as our own society has its farmers and sailors, tradesmen and laborers, without whom the gentry and nobility would have no legs to stand upon.”
Johnson snorted. “So they must—if they existed at all. But this has been nothing more than a pretty exercise of the intellect, Mr. St. Clair. Faeries live only in peasant superstition and the inferior works of Shakespeare, where their only purpose is silly diversion.”
Mrs. Montagu saved him. Galen didn’t know what words would have leapt from his mouth had she not spoken, but the lady brought up Macbeth, and diverted Dr. Johnson onto the topic of witches, where he was only too happy to go.
Freed from the transfixion of the great writer’s gaze, Galen sagged weakly back onto his chair. Sweat stood out on his brow, until he blotted it dry with a handkerchief. Under the guise of replenishing his punch—for these informal evenings, there was nothing stronger to drink, nor any servants to fill the glasses—he went to the side table, away from watching eyes.
But not away from Mrs. Vesey, who followed him. “I am so sorry, Mr. St. Clair,” she murmured, this time taking care not to be overheard. “He is a very great man, but also a very great windbag.”
“I came so near to saying too much,” he told her, hearing the anguish in his own voice. “It would be so easy to prove him wrong—”
“On one count, perhaps,” Mrs. Vesey said. “He will argue moral purposes until they nail his coffin shut, and then go up to Heaven to argue some more. But you would never betray that secret—no more than would I.”
Even to say that much was dangerous. Of those gathered in this room, only they two knew the truth. Perhaps in time, a few others could be trusted with it; indeed, that was why Galen had come here, to see if any might. Instead he found Dr. Johnson, who made Galen long to blurt out the words burning within his heart.
There are faeries in the world, sir, more terrible and glorious than you can conceive, and I can show them to you—for they live among us here in London.
Oh, the fierce joy of being able to fling it in the other man’s teeth—but it would do no good. Dr. Johnson would think him deranged, and though seeing would convince him, it would also be an unconscionable betrayal of trust. Faerie-kind lived hidden for a reason.
Christian faith such as the writer showed could wound them deeply, as could iron, and other things of the mortal world.
Galen sighed and set down his glass, turning to glance over his shoulder at the rest of the room. “I had hoped to find congenial minds here. Not men like him.”
Mrs. Vesey laid her hand on his velvet-clad arm. Sylph, her friends called her, and in the gentle light of the candles she looked like one, as if no particle of matter weighed down her being. “Mr. St. Clair, you are letting your impatience run away with you. I promise you, such minds exist, and we shall speak with them in due time.”
Time. She spoke of it with the placid trust of a woman who had survived her childbearing years, to whom God might grant another two or three decades of life. Mrs. Vesey attributed Galen’s impatience to his youth, thinking it merely the headlong rush of a man scarcely twenty-one, who has not yet learned that all things must happen in their season.
She did not understand that a season would come, very soon, when all this tranquility might be destroyed.
But that was another secret he could not betray. Mrs. Vesey knew of faeries; one called on her every week for gossip. But she knew little of their history, the myriad of secret ways in which they touched the lives of mortal men, and she knew nothing of the threat that faced them.
Already it was 1757. With every passing day, the comet drew closer, bringing with it the Dragon of the Great Fire. And when that enemy returned, the ensuing battle might well spill over into the streets of mortal London.
He could not tell her that. Not while standing in this elegant room, surrounded by the beautiful luxuries of literature and conversation and chairs upholstered in Chinese silk. All he could do was search for allies: others who, like him, like Mrs. Vesey, could stand between the two worlds, and perhaps find a way to make them both safe.
Mrs. Vesey was watching him with concerned eyes, hand still on his elbow. He smiled at her with as much hope as he could muster, and said, “Then by all means, Mrs. Vesey, acquaint me with others here. I trust you will not steer me wrong.”
Tyburn, Westminster: September 30, 1757
Irrith often claimed, with perfect honesty, to cherish the unmediated presence of nature. Sunlight and starlight, wind and snow, grass and the storied forests of England; these were, in her innermost heart, her home.
At moments like this, though, ankle-deep in cold mud and drizzling rain, she had to admit that nature also had its unpleasant face.
She wiped the draggled strands of her auburn hair from her eyes and squinted ahead through the darkness. That might be light on the horizon—not just the scattered glow of a candlelit house here and there, but the massed illumination of Westminster, and beyond it, the City of London itself.
Or she might be imagining it.
The sprite sighed and pulled her boot free of the sucking mud. She was a Berkshire faerie at heart; her home was the Vale, and though she’d spent some years in the city, she’d left it long ago—and for good reason. Yet it was so easy to forget when Tom Toggin showed up, with all his persuasive arguments. She could take over his return journey; let the hob spend time with his cousins in the rustic comforts of the Vale, and relieve her own boredom with the excitement of London. It sounded like such a fine idea when he said it, especially when he offered bribes.
Maybe he’d known what awaited her on the road. The rain started just after she left, and accompanied her all the way from Berkshire.
As she walked, Irrith entertained herself with a vision of stumbling onto some farmer’s front step, drenched and pathetic, begging shelter from the night. The farmer would aid her, and in exchange she’d bless his family for nine generations—no, that was a bit much, for mere rain. Three generations, from him to his grandchildren. And they would tell tales for the remaining six, of the faerie traveler their ancestor had saved, of how magic had touched their lives for one brief night.
Irrith sighed. More like the farmwife would screech and call her “devil.” Or they would stare at her, the whole farm family of them, wondering what strange creature had come to their door, and what she could possibly want from them.
She knew she was being unfair. Country folk had not forgotten the fae; the burden she carried was proof of that. But whether Westminster was on the horizon or not, she was nearing the city, and she didn’t have much faith in their knowledge of their proper duties toward faerie-kind.
How long had it been, since she last saw London? Irrith tried to count, then gave up. The time didn’t matter. Mortals changed so rapidly, especially in the city; whether she was gone for six months or six years, they were sure to have invented strange new fashions in her absence.
She hitched the sack Tom had given her higher on one shoulder. Yes, those were definitely lights ahead, and something looming in the center of the road. Could that possibly be the Tyburn gallows? The triangular frame looked familiar, but she didn’t remember there being so many houses near it. Ash and Thorn, how big had the city grown?
A rustle in the hedgerow to her left was her only warning.
Irrith dove flat against the mud as a black shape burst toward her. Its leap carried it clear over, so that it skidded and went down in the muck. A black dog, she saw as she scrambled to her feet. And not an ordinary hound, someone’s mastiff escaped from its keeper; this was a padfoot or skriker, a faerie in the shape of a dog.
And he was not there to welcome her back to London.
The dog lunged forward, and Irrith dodged. But she realized her mistake as she went: the beast wasn’t aiming for her. His jaws closed around the oiled cloth of the satchel she carried, and dragged it free of the mud.
Irrith snarled. Her blossoming fear died beneath the boot of fury; she had not hauled that bag all the way from Berkshire in the rain just to lose it to a padfoot. She threw herself forward and landed half on the creature’s back. His feet splayed under the unexpected weight, and down they both went, into the mud again. Irrith grabbed an ear and yanked mercilessly. The black dog snarled and tried to bite her; but she was on his back, and now he’d lost the bag. The sprite snatched at the strap, and quite by accident managed to kick her opponent in the head as she slid across the ground. He shook his head with a whimper, then lunged at her again, and this time she was flat on her back with no way to defend herself.
Just before the beast’s massive jaws could close around her leg, a sound broke through the patter of the rain, that Irrith had never thought she would be grateful to hear: church bells.
The black dog howled and fell back, writhing. But the peals broke harmlessly over Irrith, and so she seized her advantage, and the bag; clutching it in her filthy hands, she aimed herself at the Tyburn gallows and ran.
By the time the bells stopped, she was well among the houses that now crowded the once rural road. Irrith slowed, panting for breath, feeling her heart pound. Would the dog track her here? She doubted it; too much risk of someone hearing the disturbance and coming out to investigate. And now the other faerie knew she was protected, as he was not.
Then again, Irrith would have said if asked that no local faerie would dream of assaulting a fellow on the road, so close to his Queen’s domain. A mortal, perhaps, but not a sprite like her.
Perhaps he wasn’t local. But then what was he doing on the Tyburn road, waiting for her to pass with the delivery from the Vale?
It was a good question. She knew the fae of London had their problems, but she might have underestimated them. How much had changed here, besides the landscape?
She hadn’t thought to ask Tom Toggin. Unless she felt like walking all the way back to Berkshire—past the black dog who might still be hunting her—the only way to answer that question was to continue onward, and present herself, looking like a rat drowned in mud, to the Queen of the Onyx Court.
The Onyx Hall, London: September 30, 1757
The crowded and unfashionable environs of Newgate, in the central City of London, were an unlikely destination for a gentleman so late at night, but so long as Ga
len paid the chair-men, they had no reason to ask questions. With the rain finally ended, they deposited him at the front of a pawnbroker’s, closed for the night, and went on their way. Once they were well out of sight, Galen tiptoed around the corner, trying and failing to protect the shoes and black silk stockings Mrs. Montagu had derided, into a narrow alley.
The door he sought stood in the back wall of the pawnbroker’s, and if anyone noticed it—which they should not—they no doubt assumed it let into the cramped room where the shopkeeper stored wares he could not fit in the display out front. Instead, it admitted Galen to a tiny alcove barely large enough for him to squeeze into and still shut the door behind him. Standing in that stifling space, he murmured, “Downward,” and felt the floor drop away.
It was a vertiginous feeling, no matter how often he experienced it. Galen always tensed, expecting a bruising impact, and he always touched down as lightly as a feather. He would have preferred a more ordinary staircase. But with that word, he shifted from the ordinary world into one that was anything but.
His feet settled onto a roundel of black marble, and cool light bloomed around him. The chamber in which he now stood was a lofty dome—nothing to the soaring heights of St. Paul’s Cathedral, but it felt so after the confines of the alcove above. The walls formed slender ribs that seemed inadequate to the weight, and no doubt they were; something other than the architect’s art kept the shadowed ceiling up.
It was far from the greatest wonder here.
Country folk still told tales of faerie realms hidden away in hollow hills, but few if any would expect to find one beneath the City of London. So far as Galen knew, the Onyx Hall was unique; nowhere else in Britain, or possibly in the entire world, did fae live so close with mortal kind. Yet here they had a palace that was a city unto itself, crowded with bedchambers and gardens, dancing halls and long galleries of art, all protected against the hostility of the world above. It was a mirror of that world, casting a strange and altered reflection, and one that only a select few could enter.