“What a filthy thing to say.”
“I come by it naturally. I get particularly filthy when people I care for are murdered and life just cranks on with merely a nod of acknowledgement to mark it.”
Sudden anger choked her. “And you think I don’t care about what happened to my sister?”
“I think you’re delighted as hell,” he replied. “The crowning glory would have been to be the one to plunge the knife yourself.”
Irene felt the cruel shock of his words, felt the colour drain from her face. “My God, that’s not true and you know it,” she said, hearing how close her voice was to breaking. She jerked away from him and dashed into the auditorium, only imperfectly aware of the fact that he followed her, that he took a seat in the darkness of the last row, like a lurking Nemesis, champion of the dead.
The confrontation with Vinney was exactly what she had not needed prior to meeting with the cast members again. She had hoped to use all of her lunch hour to reflect upon how she would perform the role that Sergeant Havers had schooled her for last night. Now, however, she felt her heart pounding, her palms sweating, and her mind taken up with a violent denial of Vinney’s final accusation. It was not true. She swore that to herself again and again as she approached the empty stage. Yet the turmoil she felt would not be stilled by such a simple expedient as denial, and knowing how much rested on her ability to perform today, she fell back upon an old technique from drama school. She took her place at the single table in the centre of the stage, brought her folded hands to her forehead, and closed her eyes. Thus, it proved nothing at all for her to move into character a few moments later when she heard approaching footsteps and her cousin’s voice.
“Are you all right, Irene?” Rhys Davies-Jones asked.
She looked up, managing a weary smile. “Yes. Fine. A bit tired, I’m afraid.” That would be enough for now.
Others began to arrive. Irene heard rather than saw them, mentally ticking off each person’s entrance as she listened for signs of strain in their voices, signs of guilt, signs of increased anxiety. Robert Gabriel gingerly took his place next to her. He fingered his swollen face with a rueful smile.
“I’ve not had a chance to say thank you for last night,” he said in a tender voice. “I’m…well, I’m sorry about it, Renie. I’m most wretchedly sorry about everything, in fact. I would have said something when the doctors had finished with me, but you’d already gone. I rang you up, but James said you were at Joy’s in Hampstead.” He paused for a reflective moment. “Renie. I thought…I did hope we might—”
She cut him off. “No. There was a great deal of time for me to think last night, Robert. And I did that. Clearly. At last.”
Gabriel took in her tone and turned his head away. “I can guess what kind of thinking you accomplished at your sister’s,” he said with aggrieved finality.
The arrival of Joanna Ellacourt allowed Irene to avoid an answer. She swept up the aisle between her husband and Lord Stinhurst as David Sydeham was saying, “We want final approval of all the costumes, Stuart. It’s not part of the original contract, I know. But considering everything that’s already happened, I think we’re within our rights to negotiate a new clause. Joanna feels—”
Joanna did not wait for her husband to argue the merits of their case. “I’d like the costumes to reflect who the starring role belongs to,” she said pointedly, with a cool glance at Irene.
Stinhurst did not reply to either of them. He looked and moved like a man ageing rapidly. Managing the stairs seemed to drain him of energy. He appeared to be wearing the very same suit, shirt, and tie that he’d had on yesterday, the charcoal jacket rumpled, its sleeves badly creased. As if he’d given up interest in his appearance entirely. Watching him, Irene wondered, with a chill, if he would even live to see this production open. When he took his chair, with a nod of acknowledgement towards Rhys Davies-Jones, the new reading began.
They were midway through the play when Irene allowed herself to drop off to sleep. The theatre was so warm, the atmosphere on the stage was so close, their voices rose and fell with such hypnotic rhythm that she found it easier than she had supposed it would be to let herself go. She stopped worrying about their willingness to believe in the role she was playing and became the actress she had been years ago, before Robert Gabriel had entered her life and undermined her confidence with year after year of public and private humiliation.
She even felt herself beginning to dream when Joanna Ellacourt’s voice snapped angrily, “For God’s sake, would someone wake her up? I’ve no intention of trying to work my way through this with her sitting there like a drooling grandmother snoring at a kitchen fire.”
“Renie?”
“Irene!”
She opened her eyes with a start, pleased to feel the rush of embarrassment sweep over her. “Did I drop off? I’m terribly sorry.”
“Late night, sweetie?” Joanna asked tartly.
“Yes, I’m afraid…I…” Irene swallowed, smiled flickeringly to mask pain, and said, “I spent most of the night going through Joy’s things in Hampstead.”
Stunned astonishment met this announcement. Irene felt pleased to see the effect her words had upon them, and for a moment she understood Jeremy Vinney’s anger. How easily indeed they had forgotten her sister, how conveniently their lives had moved on. But not without a stumbling block for someone, she thought, and began to construct it with every power available to her. She brought tears into her eyes.
“There were diaries, you see,” she said hollowly.
As if instinct alone told her that she was in the presence of a performance capable of upstaging her own, Joanna Ellacourt sought their attention again. “No doubt an account of Joy’s life makes absolutely fascinating reading,” she said. “But if you’re awake now, perhaps this play will be fascinating as well.”
Irene shook her head. She allowed her voice to raise a degree. “No, no, that isn’t it. You see, they weren’t hers. They had come by express yesterday, and when I opened them and found the note from the husband of that wretched woman who had written them—”
“For God’s sake, is this really necessary?” Joanna’s face was white with anger.
“—I started to read. I didn’t get very far, but I saw that they were what Joy had been waiting for to do her next book. The one she talked about just the other night in Scotland. And suddenly…I seemed to realise that she was really dead, that she wouldn’t ever be back.” Irene’s tears began to fall, becoming suddenly copious as she felt the first swelling of genuine grief. Her next words only marginally touched upon the script that she and Sergeant Havers had so painstakingly prepared. She was rambling, she knew it, but the words had to be said. And nothing else mattered but saying them. “So she’ll never write it now. And I felt as if…with Hannah Darrow’s diaries sitting there in her house…I ought to write the book for her if only I could. As a means of saying that…in the end, I understood how it happened between them. I did understand. Oh, it hurt. God, it was agony all the same. But I understood. And I don’t think…She was always my sister. I never told her that. Oh God, I can’t go back there now that she’s dead!”
And then, having done it, she let herself weep, understanding at last the source of her tears, mourning the sister she had loved but forgiven too late, mourning the youth she had wasted in devotion to a man who finally meant nothing to her. She sobbed despairingly, for the years gone and the words unspoken, caring for nothing at last but this act of grief.
Across from her, Joanna Ellacourt spoke again. “This cuts it. Can’t any of you do something with her, or is she going to blubber for the rest of the day?” She turned to her husband. “David,” she insisted.
But Sydeham was gazing out into the theatre. “We’ve a visitor,” he said.
Their eyes followed his. Marguerite Rintoul, Countess of Stinhurst, was standing midway down the centre aisle.
SHE WAITED only as long as it took to close the door to her husband’s office. “
Where were you last night, Stuart?” she demanded, doing nothing to hide the asperity in her voice as she pulled off her coat and gloves and threw them down on a chair.
It was a question which Lady Stinhurst knew quite well she would not have asked twenty-four hours ago. Then she would have accepted his absence in her usual, pathetically cringing fashion, hurt and wondering and afraid to know the truth. But now she was beyond that. Yesterday’s revelations in this room had combined with a long night of soul-searching to produce an anger so finely honed that it could not be blunted by any stony wall of protective and deliberate inattention.
Stinhurst went to his desk, sat behind it in the heavy leather chair.
“Sit down,” he said. His wife didn’t move.
“I asked you a question. I want an answer. Where were you last night? And please don’t ask me to believe that Scotland Yard kept you until nine this morning. I like to think I’m not that much of a fool.”
“I went to an hotel,” Stinhurst said.
“Not your club?”
“No. I wanted anonymity.”
“Something you couldn’t have at home, of course.”
For a moment, Stinhurst said nothing, fingering a letter opener that lay on his desk. Long and silver, it caught the light. “I found I couldn’t face you.”
Perhaps more than anything else, her reaction to that single sentence signalled the manner in which their relationship had changed. His voice was even, but brittle, as if the slightest provocation might cause him to break down. His skin was pallid, his eyes bloodshot and, when he placed the letter opener back on his desk, his wife saw that his hands trembled. And yet, she felt herself unmoved by all this, knowing perfectly well that its cause was not his concern for her welfare or the welfare of their daughter or even for himself, but concern over how he was going to keep the story about Geoffrey Rintoul’s despicable life and his violent death out of the newspapers. She had seen Jeremy Vinney herself in the back of the theatre. She knew why he was there. Her anger swelled anew.
“There I was at home, Stuart, patiently waiting as I always have done, worrying about you and what was happening at Scotland Yard. Hour after hour. I thought—I realised only later how foolish I was being—that somehow this tragedy might serve to bring us closer to each other. Imagine my thinking that, in spite of the story you produced about my ‘affair’ with your brother, we might still put this marriage of ours back together. But then you never even phoned, did you? And, like a fool, I waited and waited obediently. Until I finally saw that things are quite dead between us. They have been for years, of course, but I was far too afraid to face that. Until last night.”
Lord Stinhurst raised a hand as if in the hope of forestalling further words. “You do choose your moments, don’t you? This isn’t the time to discuss our marriage. I should think you’d see that if nothing else.”
Always, it was his voice of dismissal. So cold and final. So rigid with restraint. Odd, how it didn’t affect her one way or the other now. She smiled politely. “You’ve misunderstood. We aren’t discussing our marriage, Stuart. There’s nothing to discuss.”
“Then why—”
“I’ve told Elizabeth about her grandfather. I thought we might do it together last night. But when you didn’t come home, I told her myself.” She walked across the room to stand in front of his desk. She rested her knuckles against its pristine surface. Her fingers were newly bare of rings. He watched her but did not speak. “And do you know what she said when I told her that her beloved grandfather had killed her uncle Geoffrey, had snapped his handsome neck in two?”
Stinhurst shook his head. He lowered his eyes.
“She said, ‘Mummy, you’re standing in the way of the telly. Would you move, please?’ And I thought, isn’t that rich? All these years, dedicated to protecting the sacred memory of a grandfather she adored, have come down to this. Of course, I stepped out of her way at once. I’m like that, aren’t I? Always cooperative, eager to please. Always hoping things will turn out for the best if I ignore them long enough. I’m a shell of a person in a shell of a marriage, wandering round a fine house in Holland Park with every advantage save the one I’ve wanted so desperately all these years. Love.” Lady Stinhurst watched for a reaction on her husband’s face. There was nothing. She continued. “I knew then that I can’t save Elizabeth. She’s lived in a house of lies and half-truths for too many years. She can only save herself. As can I.”
“What’s that supposed to mean?”
“That I’m leaving you,” she said. “I don’t know if it’s permanent. I don’t have the bravado to claim that, I’m afraid. But I’m going to Somerset until I have everything sorted out in my mind, until I know what I want to do. And if it does become permanent, you’re not to worry. I don’t require much. Just a few rooms somewhere and a bit of peace and quiet. No doubt we can work out an equitable settlement. But if not, our respective solicitors—”
Stinhurst swung his chair to one side. “Don’t do this to me. Not today. Please. Not on top of everything else.”
She gave a regretful laugh. “That’s really what it is, isn’t it? I’m about to cause you one more headache, just another inconvenience. Something else to have to explain away to Inspector Lynley, if it comes down to that. Well, I would have waited, but as I needed to talk to you anyway, now seemed as good a time as any to tell you everything.”
“Everything?” he asked dully.
“Yes. There’s one thing more before I’m on my way. Francesca telephoned this morning. She couldn’t bear it any longer, she said. Not after Gowan. She thought she would be able to. But Gowan was dear to her, and she couldn’t bear to think that she had made less of his life and his death by what she had done. She was willing to at first, for your sake, of course. But she found that she couldn’t keep up the pretence. So she plans to speak to Inspector Macaskin this afternoon.”
“What are you talking about?”
Lady Stinhurst pulled on her gloves, picked up her coat, preparatory to leaving. She took brief, hostile pleasure in her final remarks. “Francesca lied to the police about what she did, and what she saw, the night Joy Sinclair died.”
“I’VE BROUGHT Chinese food, Dad.” Barbara Havers popped her head into the sitting room. “But I shall have to ask you not to fight with Mum over the shrimp this time. Where is she?”
Her father sat before the television set, which was tuned deafeningly into BBC-1. The horizontal hold was slipping, and people’s heads were being cut off right at the eyebrows so that it looked a bit like a science fiction show.
“Dad?” Barbara repeated. He gave no answer. She walked into the room, lowered the volume, and turned to him. He was asleep, his jaw slack, the tubes that fed him oxygen askew in his nostrils. Racing magazines covered the floor near his chair and a newspaper was opened over his knees. It was too hot in the room, in the entire house for that matter, and the musty smell of her parents’ ageing seemed to seep from the walls and the floor and the furniture. This mixed with a stronger, more recent scent of food overcooked and inedible.
Barbara’s movement made sufficient noise to waken her father, and, seeing her, he smiled, showing teeth that were blackened, crooked, and in places altogether missing. “Barbie. Mussa dozed off.”
“Where’s Mum?”
Jimmy Havers blinked, adjusting the tubes in his nostrils and reaching for a handkerchief into which he coughed heavily. His breathing sounded like the bubbling of water. “Just next door. Mrs. Gustafson’s come down with flu again and Mum’s taken her some soup.”
Knowing her mother’s questionable culinary talents, Barbara wondered briefly if Mrs. Gustafson’s condition would improve or worsen under her ministrations. Nonetheless, she was encouraged by the fact that her mother had ventured out of the house. It was the first time she had done so in years.
“I’ve brought Chinese,” she told her father, indicating the sack she cradled in one arm. “I’m off again tonight, though. I’ve only half an hour to eat.??
?
Her father frowned. “Mum won’t like that, Barbie. Not one bit.”
“That’s why I’ve brought the food. Peace offering.” She went on to the kitchen at the back of the house.
Her heart sank at the sight of it. A dozen tins of soup were lined up near the sink with their lids gaping open and spoons stuck in them as if her mother had sampled each one before deciding which to offer their neighbour. Three had actually been heated, in separate pans which still stood on the stove with the fire left carelessly on beneath them and their contents burnt to nothing, sending up a scent of scalded vegetables and milk. Perilously near the flame, a package of biscuits lay open, spilling out its contents, its wrapper hastily torn away and part of it discarded on the floor.
“Oh hell,” Barbara said wearily, turning off the stove. She put her package down onto the kitchen table, next to her mother’s newest album of travel information. A glance told her that Brazil was this week’s destination, but she wasn’t interested in looking at the collection of brochures and photographs clipped from magazines. She rummaged beneath the sink for a rubbish sack and was dropping the tins of soup into it when the front door opened, hesitant steps teetered down the uncarpeted hall, and her mother appeared at the kitchen door, a badly scored plastic tray in her hands. Soup, biscuits, and a withered apple were all in place upon it.
“It went cold,” Mrs. Havers said, her colourless eyes trying to focus past her own confusion. She was wearing only an irregularly buttoned cardigan over her shabby housedress. “I didn’t think to cover the soup, lovey. And when I got there, her daughter had come to stay and said that Mrs. Gustafson didn’t want it.”
Barbara looked at the curious mixture and blessed Mrs. Gustafson’s daughter for her wisdom if not for her tact. The soup was a blend of everything on the stove, an unappealing concoction of split pea, clam chowder, and tomato with rice. Rapidly cooling in the night air, it had formed a puckered skin on the top so that it vaguely resembled coagulating blood. Her stomach churned uneasily at the sight.