“I’m sure insurance stipulates—”
“Don’t get me going on those shitheads,” he says. “When Lynette died, I didn’t get a cryin’ nickel.” Lynette was Wade’s wife number two, a tiny Texas termagant and Catholic crackpot who left him to enter a Maryknoll residence in Bucks County, where she became a Christian analyst auditing the troubled life stories of others like herself, until she had an embolism, assigned her benefits to the nuns and croaked. I’ve heard quite a bit about all that since the summer, and I consider it one of the fringe benefits of not marrying Wade’s daughter, Vicki, that I missed having Lynette as my mother-in-law. Wade doesn’t always perfectly remember I was ever in love with Vicki, or why he and I know each other. Vicki, however—he told me—has now changed her name to Ricki and lives a widow’s life in Reno, where she works as an ER nurse and never ventures back to New Jersey. God works in sundry ways.
I’ve driven us around to the temporary parking remuda behind the Martello Brothers’ bleachers. Back here are two trucked-in Throne Room portable toilets—always good to find—and several land yachts and fifth-wheel camper rigs, indicating that other implosion enthusiasts have spent the night to get the best seats. I’ve barely stopped and Wade is already quick out and stumping around toward the side of the bleachers, Panasonic in one hand, greasy sandwich bag in the other, not wanting to miss anything, since we’re five minutes late.
The whole setup’s like an athletic event, a Friday pigskin tilt between Belvedere and Hackettstown in the brittle late-autumn sunshine—only this tilt’s between man’s hold on permanence and the Reaper (most contests come down to that). The crowd around the front of the bleachers is exerting a continuous anticipatory hum as I approach. A raucous male voice shouts, “Not yet, not yet. Please, not yet!” An African-looking woman in a flowered daishiki has set up a makeshift table-stand, selling I Went Down with the Queen and The Queen Regent Had My Child tee-shirts. A large black man has secured the “Chicago Jew Dog” concession and is cooking franks on a black fifty-gallon drum. I’m famished and buy one of these in a paper napkin. Bush and Gore placards are leaned against the fence in case anyone wants to recant his vote. The Salvation Army has a tripod and kettle off to the side, with a tall blue-suited matron clanging a big bell and smiling. There are lots of Asbury Park cops. Everything is here but someone singing karaoke.
When I get near the edge of the grandstand (Wade has disappeared), I can see that the crowd’s being addressed by a small stout man in a yellow jumpsuit and gold hard hat, who’s talking through a yellow electric bullhorn. He’s in the middle of declaring that thousands of man-hours, four million sticks of dynamite, nine zillion feet of wire, brain-scrambling computer circuitry, the services of two Rutgers Ph.D.’s, plus the generous cooperation of the Monmouth County Board of Supervisors and the Asbury Park city council, plus the cops, have made here be the safest place to be in New Jersey, which makes the crowd snicker. This man I recognize as “Big Frank” Martello of the fabled brothers. Big Frank is a homegrown Jersey product who, after mastering percussive skills blowing up VC caves in the sixties, came home to Passaic, turned away from the family’s business of loan-sharking and knee-restructuring, took a marketing degree at Drew and went into the legit business of blowing things to smithereens for profit (the fireworks came along later). Being the oldest, Frank sent his six siblings to college (one is a dentist in Middlebush), and little by little absorbed the ones who were inclined into the business, which was in fact, booming. There they thrived and became a famed family phenomenon the world over—a sort of black-powder Wallendas—capable of astounding destructive dexterities, pinpoint precision and smokeless, dustless, barely noticeable obliterations in which buildings safely vanished, sites were cleaned and the craters filled so that the concrete trucks could be all lined up for work the following day.
I’m acquainted with Big Frank “the legend” because his brother Nunzio, the dentist, made inquiries about a snug-away for one of his girlfriends in Seaside Heights. While we cruised the streets, one thing led to another and the family saga got unspooled. Nunzio finally bought a lanai apartment for his honey down in Ship Bottom, and I’m sure is happy there.
Big Frank’s riling up the crowd—about two hundred of us—to a modest pitch, cracking dumb New Jersey Turnpike and Turkey Day jokes, taking off his yellow hard hat and dipping his dome to show us how few hairs his dangerous job has left him, then strutting around arms-crossed in front of the bleachers, like Mussolini. The crowd includes plenty of young parents with their kids in crash helmets, off for school holidays, plus a good number of older couples representing the land yachts and fifth-wheelers, who conceivably honeymooned in the Queen Regent, skating nights on the hardwood floors of the convention hall way back when. There’s also, of course, the inevitable collection of singleton strangees like Wade and me, who just like a good explosion and don’t need to talk about it. All are seated in rows, knees together, sunglasses and headgear in place, staring more or less raptly at a red plunger box Big Frank has stationed on a red milk crate in front of the temporary fence on which is attached a sign inscribed with his well-known motto, WE TAKE IT DOWN.
From where I’m standing to the side of the bleachers, eating my Jew Dog, I can see the red plunger is ominously up. Though no wires are connected. The whole plunger business, I suspect, is a fake, the critical signal likely to be beamed in from Martello Command Central in Passaic, using computer modeling, high-tolerance telemetry, fiber optics, GPS, etc. Nobody there will hear or see a thing but what’s on a screen.
I cast up into the bleachers, half-wolfed hot dog in hand, seeking Wade’s orange face, and find it instantly, sunk in the crowd at the top row. He’s glowering down at me for not being up where he is, with a good view across the Progress Zone to the far away Queen Regent. Wade makes an awkward, spasmic hand gesture for me to get my ass up there. It’s a movement a person having a heart attack would make, and people on either side of him give him a fishy eye and inch away. (“Some smelly old nut sat beside us at the implosion. You can’t go anywhere—”)
But I’m in no mood for climbing over strangers to achieve closer bodily contact with Wade—plus, I have my dog, and am as happy here as I’m likely to get today. The sun at the crowd’s edge feels good, the air rinsed clean like a state fair on the first afternoon before the rides are up. No matter that we’re in a no-man’s-land in a dispirited seaside town, waiting to watch an abandoned building get turned to rubble—the second explosion I’ve been close to in two days.
I wave enigmatically up to Wade, raise my hot dog bun, point to my wrist as if it had a watch on it that said zero hour. Wade mouths back grudging words no one can hear. Then I turn my attention back to Big Frank, who’s standing beside his red plunger box while a skinny white kid with technical know-how, wearing a plain white jumpsuit, screws wires to terminals on top, looking questioningly up at Big Frank as if he doesn’t think any of this is going quite right. In the distance, through the fence and across the three football fields, I can make out small human figures moving hastily inside the Queen Regent’s secure perimeter toward what must be the exit gates. Many more blue-and-white Asbury PD cruisers are now apparent, all with their blue flashers going. Yellow traffic lights I also hadn’t noticed are blinking along the emptied streets. A police helicopter, an orange-striped Coast Guard chopper and a “News at Noon” trafficopter are hovering just off the boardwalk in anticipation of a big bang soon to come. The Salvation Army bell is clanging, and for the first time I hear hearty, sing-song human voices chanting from somewhere “Save the cream, save the cream,” which, of course, is “Save the Queen, save the Queen.” The chanters are nicely dressed (but unavailing) landmark loonies who’ve been forced into a spot outside some white police sawhorses, where they can make their voices heard but be ignored.
Big Frank, through his electric megaphone, which makes his strong New Jersey basso seem to come out of a cardboard box, is spieling about how the “seismic effects” of what we’re ab
out to witness will be detectable in China, yet the charges have been so ingeniously calculated by his family that the Queen Regent will fall straight down in exactly eighteen seconds, every loving brick coming to rest in arithmetically predetermined spots. “Nat-ur-al-ly” there’ll be some dust (none of it asbestos), but not even as much, he’s saying, as a stolen garbage truck would kick up in Newark—this is also due to climatological gauging, humidity indexing, plus fiber optics, lasers, etc. The sound will be surprisingly modest, “so you might want to hire us to renovate your mother-in-law’s house in Trenton, hawr, hawr, hawr.” A Coast Guard cutter is stationed just off the boardwalk (“In case one of my brothers gets blown out there”). Scuba divers are in the water. Fish and geese migration patterns won’t be disrupted, nor will air quality or land values in Asbury Park—a murmur of general amusement. Likewise hospital services. “All efforts, in other words,” he concludes, “have been expended to make the demolition nuttin’ more than a fart in a paint bucket.”
Big Frank stumps heavily off his central master of ceremonies spot to confer, head-down, with the skinny technician kid, plus two other swart-haired parties in red jumpsuits, who look like they might be filling station employees, though for all I know are the Rutgers Ph.D.’s. One of these red-suits hands Big Frank a set of old-fashioned calipered earphones with a mouthpiece attached. Big Frank, hard hat in hand, holds one phone to his ear, seems to listen intently to something—a voice?—coming through, then begins barking orders back, his meathead’s big mouth cut into a downward swoop of anger, his head nodding.
Conceivably something’s amiss, something that might postpone the big mushroom cloud and send us all cruising back down the streets of Asbury Park seeking substitute excitements. A hush of waiting has fallen over the hurly-burly, and a low hum of individual voices and single laughters and beer-can pops arises. A rich fishy smell drifts in off the sea—contributor, no doubt, to the Queen Regent’s run of bad luck, since it comes from discharge practices long banned, though the pollutants are still in the soil and the atmosphere. From some undetermined place, there’s a high-pitched mechanized whee-wheeing in the air, like the ghost of an empty ferris wheel at the boardwalk Fun Zone, where millions idled and thrilled and smooched away summer evenings without a care for what came before or next. To me, there’s good to be found in these random sensations. I’ve made it my business at this odd time of life, when the future seems interesting but not necessarily “fun,” to permit no time to be a dead time, since you wouldn’t want to forget at a later, direr moment what that earlier, possibly better, day or hour or era was “like”; how the afternoon felt when the implosion got canceled, what specific life got lived as you awaited the Queen Regent’s decline to rubble. You definitely would want to know that, to have that on your mind’s record instead of say, like poor Ernie, hearing the thanatologist droning, “Frankee, Frankee? Can you hear me? Can you hear any-ting? Is you all de vay dead?”
Then…boom, boom, boom, boom. Boomety-boom. Boom, boom. Boomety-boomety! The Queen Regent is going. Right now. I’m happy I didn’t duck out to the Throne Room.
Innocent puffs of gray-white smoke, small but specific and unquestionably consequential, go poof-poof-poof all up and down the Queen’s nine-storey height, as if someone, some authority inside, was letting air out of old pillows, sweeping her clean, putting her in top form for the big reopening. Birds—the gulls I’d seen before, diving, swooping and wheeling—are suddenly flying away. No one warned them.
Our entire crowd—many are standing—exhales or gasps or sighs a spoon-moon-Juning “ahhhh” as if this is the thing now, finally, what we’ve come for, what nothing else can ever get better than.
Big Frank’s staring, startled, right along with us, his big baldy head still calipered, his mouth gapped open, though he quickly closes it hard as an anvil, nostrils flaring. The two swarthy red-suited assistants have backed away as if he might start wind-milling punches. The skinny kid who’d wired the plunger box is blabbing into Big Frank’s sizable ear, though Big Frank’s staring out at the building being consumed in smoke, the plunger still stagily up at his feet.
Boom. Boom. Boomety-boom. Again, puffs of now grayer smoke squirt out all around the Queen Regent’s foundation skirting, and another big one at the top, from the crenellated crown. And now commences a set of larger sounds. These things never go off with one bang, but more like a percussive chess game—the pawns first, then the bishops, then the knights. Whatever’s left stands and fights but can’t do either. At least that’s how it happened down in Ventnor.
Now another series of boom-booms, bigger towering ones erupt from the Queen Regent’s core. The old dowager has yet to shudder, lean or sway. Possibly she won’t go down at all and the crowd will be the winner. Some yokel up in the stands laughs and yaps, “She ain’t fallin’. They fucked this all up.” Spectators have begun smiling, looking side to side. Wade, I can see, is getting all on tape. The Grove ladies will love him even more if the Queen survives. Big Frank’s now glaring. I can read his lips, and they say, Fuck you. It’ll fuckin’ fall, you pieces of shit.
Just then, as the Queen Regent is holding firm and the copters are darting in closer from over the water, and some of the Asbury cops with flashers are moving along Ocean Avenue in front of the convention hall, and our crowd has started clapping, whooping and even stomping on the risers (Big Frank looks disgusted in his caliper headgear, and no doubt’s begun calculating who’s gonna catch shit)—just then, as the demolition turns to undemolition—a scrawny, dark-skinned black kid of approximately twelve, wearing a hooded black sweatshirt, baggy dungarees down over big silver basketball sneaks and carrying a plastic Grand Union bag containing a visible half gallon of milk, a kid who’s been standing beside me, letting his milk carton bap against my leg for five minutes as if I wasn’t there, this kid suddenly makes a springing, headlong dash from beside me, out across the front of the crowd, and with one insolent stomp of his silver foot whams down the red plunger of the phony detonator box, then goes whirling back past me around the end of the grandstand, darting and dodging through the standees toward the parking lot, where he disappears around a big Pace Arrow and is gone. “Motherfuckin’ booolshit” is all I’m certain he says in departure, though he may have said something more.
And now the Queen Regent is headed down. Maybe the plunger did it. Black smoke gushes from what must be the hotel’s deepest subterranean underpinnings, her staunchest supports (this will be what the Chinese seismographers detect). Her longitude lines, rows of square windows in previously perfect vertical alignment, all go wrinkled, as if the whole idea of the building had sustained, then sought to shrug off a profound insult, a killer wind off the ocean. And then rather simply, all the way down she comes, more like a brick curtain being lowered than like a proud old building being killed. Eighteen seconds is about it.
A clean vista briefly comes open behind the former Queen—toward Allenhurst and Deal—leafless trees, a few flecks of white house sidings, a glint of a car bumper. Then that is gone and a great fluff of cluttered gray smoke and dust whooshes upward and outward. We spectators are treated to a long, many-sectioned, more muffled than sharp progression of rumblings and crumblings and earth-delving noises that for a long moment strike us all silent (it must be the same at a public hanging or a head lopping).
Someone, another male, with a Maryland Tidewater accent, shouts, “Awww-raaiight. Yoooooo-hoo.” (Who are the people who do this?) Then someone else shouts, “Aww-right,” and people begin clapping in the tentative way people clap in movies. Big Frank, who’s stood glaring across the empty Progress Zone, turns to the crowd with a smirk that combines disdain with derision. Someone yells, “Go get ’em, Frank!” And for an instant, I think he’s shouting encouragement to me. But it’s to the other Frank, who just waves a sausage hand dismissively—know-nothings, jerkimos, putzes—and with his two red-suited lieutenants, stalks away around the far side of the bleachers and out of sight. One could hope, forever.
r /> Wade’s gone pensive as we walk back across the grass lot to my Suburban, a mood that’s infected other spectators retreating to their campers and SUVs and vintage Volvos. Most conduct intimate hushed-voice exchanges. A few laugh quietly. Some brand of impersonal closure has been sought and gained at no one’s expense. It’s been a good outing. All seem to respect it.
Wade, however, is struggling some with his motor skills. How he climbed the bleachers, I don’t know, though he seems a man at peace. He’s told me that after Lynette retreated to the Bucks County nunnery and he’d retired from the Turnpike, he decided to put his Aggie engineering degree to use for the public’s benefit. This involved trying out some invention ideas he’d logged in a secret file cabinet down in his Barnegat Pines basement (plenty of time to dream things up in the tollbooth). These were good ideas he’d never had time for while raising a family, moving up to New Jersey from the Dallas area and working a regular shift at Exit 9 for fifteen-plus years. His ideas were the usual Gyro Gearloose brainstorms: a lobster trap that floated to the surface when a lobster was inside; a device to desalinate seawater one glassful at a time—an obvious hit, he felt, with lifeboat manufacturers; a universal license plate that would save millions and make crime detection a cinch. If he could dream it up, it could work, was his reasoning. And there were plenty of millionaires to prove him right. You just had to choose one good idea, then concentrate resources and energies there. Wade chose as his idea the manufacture of mobile homes no tornado could sweep away in a path of destruction. It would revolutionize lower-middle-class life, Florida to Kansas, he felt certain. He took half his lump-payment Turnpike pension and sank it in a prototype and some expensive wind-tunnel testings at a private lab in Michigan. Naturally, none of it worked. The coefficients to wind resistance proved 100 percent relatable to mass, he said. To make a mobile home not blow away—and he knew this outcome was a possibility—you had to make it really heavy, which made it not a mobile home but just a house you wouldn’t think to put up on wheels and move to Weeki Wachee. And apart from not working, his prototype was also far too expensive for the average mobile-home resident who works at the NAPA store.