So banal a task did not interest me, but I nodded and told him a mould would be ready within the day for him. I did not miss the similarity in motif to that required by Hastur Sejanus, but said nothing. Words could only antagonise this warrior, for he had the air of one to whom casual, shocking violence was no stranger. To fear the Astartes was natural, they were, after all, bred to be killers, but this was something else, something more immediate than simply the recognition of his purpose in existing.
He left, and I immediately felt the air of my workshop become lighter, as though it had been pressing down on my skull. The animal part of me knew I had been in terrible danger, and screamed at me to flee, but my higher self could find no reason for that fear. If only I had listened to my instinctual heart and fled, but where could I hide aboard this starship that one of the Warmaster's chosen would not find me?
I turned my attention to the silver, pushing aside all thoughts save those of working the metal. Such a simple task should have taken only a few hours, but I found I could not free myself from thoughts of the warrior and his threatening presence. Each carving lacked life and any spark of inspiration, so I turned to the same dusty books I had consulted when crafting the reliquary for the Lord General.
Within their pages, I found plentiful references to wolves and the moon: the Neuroi of ancient Scythia transforming into wolves once a year; the fear that the eyes of a she-wolf could bedazzle the senses of men. Some saw wolves as omens of victory, while others saw them as heralds of the world's last days. In the end, I found a fragmented tale of a chained wolf that broke its bonds and swallowed the sun before being slain by a one-eyed god. Given that my carven wolf was to be set against the moon, it seemed an apt choice.
With the design set in my mind's eye, I quickly sculpted the piece, rendering the wolf with simplicity and elegance. A noble creature, set proudly against a crescent moon, head tilted back as though about to loose a wild howl. Though the work was not difficult, and the design plain, I was, nevertheless, proud of it. I felt sure my nameless patron would be pleased with the final piece, and my fear of the violence that lurked at his core receded.
As promised, he returned the next day as the ship's bells sounded the beginning of the evening cycle. He demanded to see what I had created and smiled as I placed the silver carving on his absurdly huge palm. He turned it this way and that, letting the light catch the embossed image. At last he nodded to me and complimented my work.
I bowed my head, pleased my creation had met with his approval, but no sooner had I raised my gaze than his hand fastened upon my neck. Fingers like iron cables closed around my throat and I was lifted from my feet, kicking the air as I felt the inexorable pressure of his grip. I looked into his eyes, struggling to understand why he was doing this, but I could see nothing to explain his murderous attack.
I could not cry out, for his hand prevented anything other than a strangled wheeze escaping my mouth. Something cracked and I felt a tearing pressure inside me. Then I was falling, landing hard on the floor of the workshop and scrabbling my feet as I struggled for breath. Only tiny wisps of oxygen made it through my ruined throat to my lungs, and I watched as he knelt beside me, with a sardonic expression on his blunt features.
Words struggled to reach my cyanotic lips, a thousand questions, but I had breath for only one.
Why?
The warrior leaned down and whispered in my ear.
An answer of sorts, but one that made no sense.
I was dying. He could see that. Within minutes I would be dead, and without waiting to watch my last moments, the warrior turned and left my workshop.
I am stronger than I look, and though I cannot know for certain, I do not believe I am dying as swiftly as my killer might have imagined. I draw the thinnest of breaths, enough to sustain me for moments longer, but not enough to live. My sight grows dim, and I feel my body dying.
This silversmith is no more, and I fear no one will ever know why.
Yet, what is this?
Is that a draught of wind across my skin, the sound of a shutter door opening?
It is! I hear a cry of alarm, and heavy footsteps. Something huge and pale looms above me. Beautiful features swim before me, like the face of a rescuer viewed from beneath the waters of a still lake.
I know this warrior.
No finer figure in Mark IV plate.
Hastur Sejanus.
Even as he lifts me from the floor, I know he will not be able to save me. I will not survive, no matter how swiftly he brings me to the medicae, but I am sanguine. I will not die alone, someone will watch as I shuffle off this mortal coil. I will be remembered.
As he lays me upon my workbench, he is not careful of my possessions, and sweeps a tray of completed commissions aside. My head lolls to the side and I see four rings fall onto the floor. I watch him accidentally tread on one of them, flattening it completely beneath his bulk.
It is the ring I made for him.
He leans over me, his words urgent, and his grief at my passing is genuine.
Sejanus barks questions at me, but I can make little sense of them.
Life is slipping away. My eyes close, but before I am gone, I hear Sejanus ask his last questions.
Who did this? What did he say?
With my last spark of life, I dredge the dying memories left to me and force my killer's last words up through my ruined larynx.
I can't say.
Graham McNeill, Horus Heresy - Death of a Silversmith
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