Cree played through therapeutic scenarios, feeling hugely relieved, grateful for the truth.
But then a lingering problem occurred to her. Josephine had fallen silent as she let Cree sort through the ramifications, just watching her, clearly anticipating where it would take her.
"But . . . but Richard was poisoned!" Cree cried. "If you didn't kill him, who did? Charmian?"
Josephine looked at her with that implacable sympathy. "You poor baby. You poor girl. Now you got to grow into a ol' lady. Now you gon' know what's worse'n Lila got raped by her daddy."
"Nothing's worse!"
"Worse is, Lila killed her daddy! Lila burnt hot, she thought it was him had raped her, she stood up for herself, she put that poison in his drink. And she'd be right to! 'Cept Richard di'n't do it. He love her like I did! He the one beat Bradford near to death for it! But Lila didn't know. She killed her own daddy for somethin' he di'n't do. An' now you know why she got to forget."
40
THE HEAT WAS STILL INTENSIFYING as they hobbled along the paths in the dappled tree shade. Cree found herself limping, too, all the injuries of the past weeks coming back to pain her. She felt almost too weak to carry her own weight, as old as Josephine, as stiff. Behind them they heard the rhythmic whunk! of Hiram's mattock, and to the west the faint rush of cars on the highway. Here and there in the little ragtag wilderness were partially cultivated areas, Josephine's extended garden of wild herbs.
Broken mirrors, Cree was thinking. Murdering your own father, even if you believed him guilty of the ultimate betrayal - yes, that would freight you with enough subconscious guilt and self-hatred for a lifetime.
For the life of her, she could not imagine a way to free Lila. In this case, the truth set no one free. She walked numb and stiff and speechless as Josephine filled in the story.
Bradford had always been wild and reckless. The kids loved him because he was charming and funny and let them do things their parents didn't and because Charmian and Richard both adored him. Brad was smart, affectionate, and engaging - he quickly understood people and their feelings and motivations. Richard and he were very close. Josephine thought it was because each provided the other with a counterbalance for the excesses of his nature. Where Richard was responsible, overcom-mitted, staid, dutiful, Brad was freewheeling, pleasure seeking, risk taking, free of constraints and obligations. Around Brad, Richard could have fun, let his guard down, feel young and free and easy; around Richard, Brad could feel more important, useful, legitimate, connected. They could talk about Charmian, they could talk about women in general, they could talk about Ron's development. Their fishing trips together were a chance for both to leave behind their habitual roles and connect in some primal male way, as equals. Richard sometimes helped Brad out in business matters. Brad occasionally helped smooth over arguments between Richard and Charmian, or served as mediator between Richard and his sometimes rebellious son, his spirited daughter. Over the years, they had forged a deep bond, more like brothers than brothers-in-law.
But Brad had grown up with too much money and privilege and good looks. For all the shallow social successes his charm bought him, he harbored the nagging sense that he was worthless, that he lived off the Lambert family's accomplishments and not his own, that he used his sister's family to anchor him because he lacked what it took to create one of his own. As he got older, he noticed changes in his relationship with other scions of the aristocracy: He became less of a peer than an icon of perpetual immaturity, the one who never quite grew up. People liked him, but they didn't respect him, didn't trust him in business dealings; as a result, his entrepreneurial efforts never panned out. The same was true in his intimate life. Women of his class learned he was fun for a fling but not any kind of candidate for marriage. Aside from his connection with his sister's household, he found himself increasingly outside the main channel of New Orleans social and business life.
Except for Carnival — that was an arena in which he could earn respect. Carnival had different standards. Status then was measured by the very things that jeopardized it in daily life: hard drinking, pranks, flirtations and risque talk, sexual escapades and braggadocio, wild dancing, lavish spending, showing off, pushing every boundary of acceptable behavior. Fat Tuesday was almost a competition to see who could cut most loose, especially among the younger men. And here Bradford excelled.
Josephine's implacable rasp painted a clear portrait: For Bradford, the Mardi Gras of 1971 folded together the toxic psychological elements required for the sadistic rape of his niece. The lust-charged exuberance and abandon combined with the frustration and rage at his growing sense of irrelevance, his impotence in other spheres of life, an unending string of failed romances.
And Lila had turned into a beauty. At fourteen, she had already grown into a woman's shape, with fuller breasts and broader hips than her friends, and that confidence, that assertiveness, that spunk. Brad had long since begun injecting playful sexual innuendo into their conversations, flattering and teasing her, and Lila had thrown it right back, vamping and scorning him. The family laughed at the whole thing.
The morning after, when Josephine had seen the blood on Lila's sheets and had put it together with the change in Lila's affect and the mess in the house, she had gone straight to Lila. Lila had at first denied that anything was wrong. But after only a few moments of Josephine's probing she broke, crawled crying like a toddler into her nanny's lap, and told the story.
She was afraid to tell Momma, she said. She hurt inside. He had said things that suggested it was her fault, her own secret wish. It was 1971, the miniskirt had finally hit New Orleans, she had taken to wearing one over Daddy's objections, and she and all her friends were dancing to that kind of music he disapproved of. Maybe he was right, she deserved it, she had sort of asked for it? When he'd made those animal noises, pig noises, the whole time, it was like he'd wanted her to feel like an animal. And she did, she felt filthy and disgusting. She hated herself.
In that moment, Josephine learned that she herself was capable of the worst sin, that she could kill a man.
Lila couldn't face Charmian, so Josephine went to her. She was sitting in the study next to her bedroom, hungover, nursing her coffee and going through some Polaroids from the night before. Charmian confirmed that Richard - dressed as a pirate, dressed as Brad - had never left the Hardings' last night, and that he and Brad had revealed the costume switch near the end of the evening, as planned. And the proof was right there: the partyers grinning at the camera, Richard smiling ear-to-ear after lifting off his pirate face mask and wig. And Bradford, the boar mask under his arm, hair wet with sweat, mouth smiling but eyes to one side as if the enormity of what he'd done was catching up to him.
Charmian's rage had been terrifying to behold, and Josephine recognized the blood look in her eyes because she'd felt it in her own only moments before: Charmian, too, could kill. And yet Josephine knew she was also wounded, in agony over her daughter's distress and staggered by the fact that her younger brother was capable of this.
Telling it, Josephine had to sit down again. There was a stump among the maze of paths, and Cree helped her fold her length onto it.
"Before I lef that room, she tol' me one thing. She say, 'You don't tell anyone.' I knowed that woman, know she hurtin' for Lila, see, but she thinkin' of Ron, too, she thinkin' of the Lambert name an' the Beauforte name. Me, I can't get past thinkin' 'bout that sweet baby girl and 'bout somebody could do that to her. But Charmian, she thinkin' ahead. She playin' it out in her mind. I says, 'No, ma'am,' but she know I don't ean it and she stop me at the door. She tell me to look at her. And what I see, I never forget. Never forget that woman's eye. She say again, 'You don't tell anyone. You don't talk to Lila. You don't talk to Richard. This is my family, and this is my respons'bility.' She say, 'Don't underestimate me, Jos'phine. What I will do to keep this from doin' more damage than it already done.' And I know she mean she kill me or anybody, not just the man raped her daughter. I b'lie
ve it down to my shoes."
Cree could easily imagine Charmian saying it, the cold steel in her eyes, the saber of her voice.
Later, passing by the door to Lila's bedroom, she several times overheard Charmian talking to her daughter in hushed, urgent, hard tones. But Josephine couldn't be quiet about it. The anger and concern were too great. She tried to talk to Lila, but Lila wouldn't open up again, and Josephine thought maybe that was a good thing, she was hardening herself as she had to. It took another week or more to find a time to tell Richard. She was shocked to learn that Charmian hadn't told him. But he admitted he had seen the difference in his beloved daughter, and now he was outraged to learn its reason. He stormed off to talk to Charmian.
Another two weeks went by and the household started to fragment into secrets, quiet hatreds, hushed conversations, and tense silences. Poor Ron, knowing nothing, was especially confused. Lila grew increasingly distant, her light dimming, the lid coming over her.
Bradford had not returned to the house, but Richard and Brad's regular three-day fishing expedition was coming up. The night before the trip, Richard came to Josephine, told her to help ready his gear for their early morning departure. The way it always worked was Bradford got up early, came to the house at three-thirty or four A.M., they'd drive down to the private dock where Richard kept his boat, then continue by water the last ten miles or so. The place was an old trapper's cabin Brad had won in a card game years before, deep in the brackish swamps of Terrebonne Parish, back where water and land merged in a labyrinthine lacework.
Three in the morning, and Richard woke Josephine up. The rest of the household was fast asleep as she joined him in the library. When Brad came in, Richard locked the library door and confronted him. Brad looked sick with nervousness, but at first he pretended he thought Richard was joking. Richard threatened him and then had Josephine confront him as well. Brad shifted strategies, claimed it hadn't really been rape, it didn't get that far, it was just horsing around. When that didn't stick, he shifted again, saying it was Lila's fault. She was a ripe one, a hot one, a little slut who knew perfectly well what she was doing; he wasn't the first, she was lying if she said he was.
At that, Richard's rage built in him until he became a human bomb. At first he just demanded that Brad admit what he did, apologize on his hands and knees to Lila, and then leave New Orleans forever. But Brad resisted and anyway it wasn't enough. Richard bulled him, pushed him, took up the poker and threatened him with it. And Brad, afraid now, admitted, wept, swore he was sorry. But it was too late. The admission only inflamed Richard, the bomb had been triggered. Richard's face was a knot of red bulging veins, the enonnity of it was catching up with him; he hit Brad, he kept beating Brad, he couldn't stop himself. At first Josephine was shocked, but when Richard finally came to his senses and looked at the poker, appalled, she took it from his hands. Bradford was lying on the floor, maybe already critically injured. And Josephine struck him, too - once, and then again, with all the strength her capable arms could muster. And then he stopped moving. Josephine's heart rose up, joyous in vengeance.
There was almost no blood, and what there was they worked quickly to clean up. Then they had another task.
Josephine had never been clear if Richard had envisioned everything from the start - the murder and then the concealment of the murder - or whether he had just been overtaken by his own rage and had improvised a solution afterward.
Whichever, in New Orleans, as nowhere else, there was a convenient way to dispose of dead bodies.
They packed Brad out through the former carriage house and into Richard's car. They drove to Lafayette Cemetery, only five blocks away, and carried the corpse quickly inside. Josephine moved the car away from the gate as Richard carried the body to the Lambert family tomb, deep in the center of the mazelike necropolis. When she rejoined him, they unbolted the crypt's marble front cover and used a small sledgehammer to batter away the bricks behind it. When they'd opened a hole big enough to squeeze the body through, they stuffed Brad onto the top of his mother's coffin, then bolted the cover back on.
So within half an hour of Brad's death, he had disappeared for good. Josephine and Richard knew no one would ever open the Lambert crypt to find the gap in the bricks or the remains atop the coffin. Because there would never be cause to open the grave: Brad was the last of the Lambert name. When her time came, Charmian would be buried in the Beauforte tomb. Anyway, in only a year and a day Bradford would be baked to dust and flakes of bone.
It wasn't yet sunrise when Richard dropped Josephine off at the house and went on down to the shack just as he and Brad had done so many times over the years. He came back two days later with a terrible story. The lie he'd told the police was that they'd separated in the cypress labyrinth, Brad taking a little pirogue he favored and Richard using the larger boat as they fished for black bass and flatheads. Later, when Richard arrived at their planned rendezvous, he'd been shocked to find the pirogue floating untethered and untended. Some accident must have happened. Police rescue teams combed the area, but no one could say for certain how far the pirogue might have drifted before Richard found it, and in the endless maze of cypress lanes, the tangle of roots groping down into coffee-dark water, it was no wonder they couldn't find his body. With all the alligators around, there probably wasn't much to find.
It made the newspapers as a tragedy for one of New Orleans's oldest and most respected families. At the church ceremony they eventually held, Brad's survivors - Charmian, Ron, Lila, Richard - appeared much distraught.
A family grieved.
41
THE MAN WHO PICKED UP Charmian wasn't from Crescent City Confidential Services. His two gold teeth, the checked shirt, those too-small oval sunglasses, and the posture of deliberate negligence showed him for what he was. As variously described by Ronald and the people he'd referred her to find him, he was a "fixer," a "hitter," a "handyman" - someone willing to do dirty work for pay. Just how dirty, Charmian wasn't sure, but the way he looked, slouched behind the wheel of his beat-up Cadillac, driving with one wrist, she wouldn't put much past him. He was a scrawny, chain-smoking, hatchet-faced Cajun swamp rat who leered when he told her his name was Pierre Lapin Peter Rabbit. When he'd first taken the driver's seat and tugged his jeans up, Charmian saw the end of a switchblade over the top of his pointy, ankle-high, bayou lounge-lizard boots.
She wasn't sure how you went about asking his type if murder was part of his resume. She wasn't sure she could bring it to that in any case. Three people had died already, her daughter had almost died yesterday - the swath of pain cut by that long-ago act was more than broad enough. But it was an outcome she was willing to accept if it proved necessary, and they'd have to discuss it before they got to Port Sulphur.
The Crescent City Confidential man she'd hired to watch Cree, after Charmian's last conversation with Paul Fitzpatrick, had phoned from Port Sulphur to say that Miss Black had located Josephine. As Paul had predicted. It infuriated her that in ten days this out of towner, a woman, a parapsychologist, a Yankee, could find a person the region's supposed top detective firm hadn't been able to. She let him hear her fury for a moment before telling him to wait there, that she would be there in just over one hour, that he was to follow Cree if she left Josephine's house and report in on the cell phone if she did.
Cree's finding Josephine meant that she would know the truth - most of it, anyway. There was only one fallback position now. If Cree didn't go for it, if she didn't agree on the solution, Pierre would be given an opportunity to become one very rich swamp rat.
It was bad enough that she had to spend over an hour with Pierre Lapin in his cigarette-reeking Cadillac. But the real problem was that there was nothing to say to such a lowlife, even if she did have need of his services, and the silence left time for her thoughts to whirl. The image of Lila, pathetically asleep in the hospital bed, her arms at her sides and bound to the bed, interposed itself between images of the past.
That night,
and the following days, chiseled into her memory, replayed itself as it had so often in the past few months. It was becoming an obsession: searching every detail, every word said and every assumption made, in a hopeless quest to find ways she might have done it differently, done it better. With the wisdom of hindsight, she found many. But no amount of second-guessing or soul-searching could change what had happened.
It had been a particularly good party at the Hardings' that year, and the revelation of the ruse pulled by Richard and Brad had topped it off perfectly. Charmian had danced several times with her own brother, not knowing who it was, thinking only that Richard was affecting a different style of movement. She had watched the ostensible "Brad" stealing caresses from women old and young - only to shock them later by revealing himself as the ordinarily staid Richard! The only flaw in the otherwise perfect evening had been the way Brad looked, after they had taken off their masks: so sweaty and uneasy, his skin pasty. At the time, thinking she knew the reason for his poorly concealed misery, she'd felt a pang of sympathy for him. Susan Lattimore, Brad's most recent flame, had been noticeably absent from the party. Earlier, he'd confessed to Charmian that he was considering proposing to Susan, getting serious at last. Her absence, and Brad's appearance when he unmasked, suggested what her response had been.
And of course he'd been drinking heavily all night, lifting his boar's-head mask just enough to tuck tumblers of whiskey to his lips. They'd all had too much to drink. Excess was de rigueur at the Hardings'.
And then the nightmare of that morning: Josephine, storming into her bedroom study with a basket of laundry, her grave countenance afire with righteous anger. She was panting, so worked up that her voice came out more a scraping sound than a whisper: "Bradford come home crazy, he rape Lila when you's all still at Hardings'. He hurt that girl worse than any thin'."