Jake knew what he needed—knew exactly what he had to do.
And ever since night had fallen over St. Albans, he'd been there, hidden by the shadows, holding perfectly still in the darkness, waiting.
The hours crept by. He could feel the people inside the house, almost see them tossing in their troubled sleep.
His ears, sharpened by a life spent tracking the creatures that roamed the night, could almost hear them breathing, and when, in the small hours of the night, the cat leaped from the windowsill, he heard it clearly, even though its paws struck the ground so lightly they made almost no sound.
As the cat moved through the darkness, Jake tensed, waiting.
His ears and eyes tracked it as it moved through the area, exploring the wilderness that had closed around the house as the years had passed. He waited patiently, knowing that soon it would move in his direction.
Perhaps it would even sense him.
But if he held still—if he made no sound at all—
Yes!
It was coming toward him now.
Jake held his breath as the cat stopped, tensing as it caught his scent. For an instant he thought it was going to bolt, but then, as he silently willed it forward, it dropped low to the ground and began slinking nearer.
Jake waited, every muscle in his body vibrating with the strain of holding perfectly still.
The cat crept closer, its tail twitching.
It paused once more, when it was still just beyond his reach. But then, its curiosity overcoming its caution, it moved still closer.
Closer...
Close enough!
So quickly the cat had no time to react, Jake's arms snaked through the darkness.
His huge hands closed around the cat's neck.
CHAPTER 10
You promise you'll look for Muffin?" Kim asked when Janet pulled the Toyota to a stop in front of St. Ignatius School the next morning.
"Will you stop worrying?" Jared said as he slid out of the backseat. "She's a cat. They do what they want to do. She'll come home when she feels like it."
"But what if she tried to go back to Shreveport?" Kim fretted.
"I'm sure she didn't do that," Janet assured her. "Jared's probably right. But I promise I'll keep an eye out for her." She looked at her watch. "Now let's get you two enrolled so I can get back to the house before your father—" She cut her words short, but it was too late. She saw Kim and Jared glance at each other and was certain they were supplying the words she hadn't uttered: starts drinking.
But maybe, just maybe, he'd really meant what he said about making this work, about starting over again in St. Albans. When she woke up this morning, Ted was already out of bed, and for a fleeting moment—and it had only happened because she wasn't quite awake yet—she felt the same despair that had washed over her at least half a dozen times in the last few months when she woke up to find that Ted hadn't come to bed at all.
Mostly, she'd found him passed out on the sofa in the living room.
Once, she found him in the bathtub.
And once he hadn't come home at all. That morning, she'd been on the verge of calling the police when he'd phoned her with a story—which she chose to believe, although she knew it was undoubtedly a lie—about having worked most of the night and finally collapsing in one of the rooms at the Majestic.
But this morning, Janet had found him downstairs ripping up the worn carpet that covered the dining room floor, in order to expose the intricately inlaid hardwood hidden beneath it. "Will you look at this?" he crowed. "It's incredible! Oak inlaid with cherry, walnut, and God only knows what else. All it needs is sanding and refinishing." He kept working while she put together a makeshift breakfast, and when she left to enroll Jared and Kimberley at St. Ignatius, he was still at it. Molly, in her playpen, had been watching her father work and happily played with a scrap of carpet he'd given her. And for the first time in years, Janet allowed herself to hope that maybe this time things really would change. But even as she let that tiny ray of hope into her consciousness, she reminded herself that he'd made dozens of promises before. None of them had ever been kept.
"Come on," she said now, starting up the steps to the school. "No matter what's happening at home, I still need to be there. I'll keep an eye out for Muffin. I promise."
The moment he stepped through the door, Jared's worst fears about what St. Ignatius might be like were instantly validated. The front door opened onto a long, narrow corridor lit only by a few old-fashioned glass globes that hung at the intersections where other hallways led off to the right and left. The walls were wainscoted, but the wood and plaster had been painted the same color—a sort of beige that looked yellowish and dirty. The floor was covered with a dark linoleum unbroken by any pattern, unless you could count a worn strip down the middle through which the wood of the floor beneath was starting to show. Jared decided the worn strip didn't count.
As they made their way to the office, Jared and Kim glanced uneasily at each other, but neither said anything.
Half an hour later, after their mother had left, the twins started up the stairs to their new homeroom. "You'll like Sister Clarence," Father Bernard, the priest who ran St. Ignatius, had assured them. "She's one of our best teachers, and all the children love her."
"Not exactly like Shreveport, is it?" Jared observed as they emerged from the stairwell onto the second-floor landing. Ahead of them stretched a duplicate of the corridor on the first floor, except this one contained a bank of lockers, two of which had been assigned to them. "They'll need to have locks, of course," Father Bernard had told Janet. "We require combination locks, and the combinations must be on file in the office." He'd fixed Jared with a hard look, as if he expected his charges to try to get away with as much as they could. "We do spot checks, and if the combination has been changed, it is an automatic one-week suspension."
Now, as Jared eyed the lockers, he grinned at his sister. " 'Spose if I put a padlock with a key on my locker, I could get kicked out completely?"
Kim resisted the urge to laugh. "Let's just make the best of it. Mom's got enough problems without having to worry about us."
Jared sighed. "I know. But I'd still like to see the look on Father Bernard's face if he found a lock he couldn't open."
They found their room halfway down the hall, and Jared pulled the door open for Kim. As they stepped through, the black-clad figure who had been writing on the blackboard turned and impaled them with a stare that knifed through steel-rimmed glasses.
"I am Sister Clarence," she said.
"I'm Jared Con—" Jared began, but the nun cut him off.
"I know who you are." She indicated two seats in the second row with the slightest nod of her cowled head. "We are discussing the role of the Vatican in World War Two," she went on. "You've already missed the first two weeks of school. I'll expect you to have caught up with the reading by tomorrow."
As she turned back to the blackboard, Jared and Kim slipped into their seats at the old-fashioned school desks. Directly behind Jared sat Luke Roberts, who slipped Jared a note. Jared unfolded the note and read the scrawled message.
Welcome to St. Ignoramus.
Suppressing a smile, Jared refolded the note and passed it across to Kim. A nearly inaudible giggle escaped her lips. She silenced it a moment too late.
"You will share that note with the rest of the class, Kimberley," Sister Clarence pronounced, her eyes boring into Kim, whose face reddened.
"I—It doesn't really—"
"Stand up," Sister Clarence ordered. "In this school, we always stand when we are spoken to, or when we wish to speak."
Her knees trembling, her flush deepening, Kim got to her feet.
"Read the note," the nun ordered.
Kim bit her Up, and her eyes darted to her brother, who winked at her. "'Welcome to Saint Ignoramus,'" she read, her voice barely audible.
"I can't hear you," Sister Clarence said, each word a chip of ice. Kim's face burned. The nun cer
tainly hadn't had any trouble hearing her a minute ago, when all she'd done was utter an almost silent giggle.
She read the note again—more loudly—into the hush that had fallen over the room.
"And you think that's funny," Sister Clarence said, her voice making it clear that her words were not a question.
Kim said nothing.
"Does anyone else think it's funny?" Sister Clarence asked.
Though Kim dared not even glance around, she knew that no one else in the classroom had so much as moved a finger, let alone raised a hand. Then, from the corner of her eye, she saw Jared stand.
"I do," he said. Kim saw the surprise—and cold fury—in Sister Clarence's eyes as they shifted to Jared.
"Both of you think it's funny to mock the school?"
"It's just a pun," Jared said. "I bet lots of people call it that."
"It is disrespectful, and it will not be tolerated. Is that clear?"
Jared hesitated, then bobbed his head a fraction of an inch. "Yes."
" 'Yes, Sister Clarence,'" the nun corrected him.
Kim could almost feel the anger rising in her brother. Don't, she silently begged. Just let it go!
The quiet in the room stretched out as Jared and the teacher confronted each other.
Everyone waited.
Once again Kim reached out with her mind and begged her brother not to say anything more.
Sister Clarence's eyes behind the steel-rimmed glasses glittered dangerously.
Jared's jaw tightened. Kim saw his lips starting to form words she knew would only dig him in deeper than he already was. Don't, Jared! she pleaded a third time, praying that this time he would pick up her thought and heed it.
Just let it go! The moment seemed to stretch out endlessly, but then, as clearly as if he'd spoken aloud, Kim heard Jared's voice inside her head.
Okay, he said. But I hate this. I really hate it!
A split second later Jared spoke aloud, his voice betraying none of the anger Kim had heard in his unvoiced thought. "Yes, Sister Clarence," he said softly.
Sister Clarence's gaze shifted back to Kim. "I've decided to overlook this, since this is your first day. But in the future such things will not be overlooked. Is that clear?"
"Yes, Sister Clarence," Kim said, her chastened voice little more than a whisper.
Sister Clarence's response stung like the lash of a whip. "Speak up!"
"Yes, Sister Clarence," Kim repeated, her face burning as tears welled in her eyes.
For the rest of the hour, Kim and Jared sat silently at their desks, trying to concentrate on the lesson the nun was teaching. But for both of them, their humiliation kept replaying itself in their minds.
It doesn't matter, Kim finally told herself. It's just different here, and I'll get used to it.
Jared, though, was absolutely sure he'd never get used to it. Never.
Janet Conway climbed down off the ladder, automatically arching her back and stretching first in one direction, then the other. As the ache in her spine and burning knots in her shoulders eased, she surveyed the results of her two hours at the top of the ladder, where she'd twisted herself into contortions to which her body had been mounting increasingly strenuous objections. But already she knew that no matter how much pain she had to put herself through for the next day or two, in the end it would be worth it. Already, light—the clear, clean light of the fall morning—was streaming through the glass roof and the upper third of the conservatory's northern and eastern walls. When she was finished, the room would provide her with the studio that until a few days ago she had only dreamed about. With sunlight coming in from three directions as well as from above, there would never be a time when she wouldn't be able to get exactly the illumination she wanted on her canvas. Just the thought of spending hours here with her paints and brushes, her easel and canvas—bringing to life the visions she'd always seen in her mind—quickened her pulse and made her fairly tingle with excitement and anticipation.
But as her eyes moved beyond the windows to the view outside the enormous glass walls, her excitement gave way to dark trepidation.
She told herself there was nothing ominous here. Just the tangle of vegetation, the thick, creeping kudzu that snaked out of the forest to slowly engulf the property, banking up against the carriage house, swallowing up the shrubs that had once had their own distinctive shapes and colors but were now slowly being strangled under the thick tentacles of twisted vines. Even the enormous oaks, willows, and magnolias were on the verge of succumbing to the tendrils, which had reached all but their highest branches; soon they, too, would be choked by the invader.
Yet even the devastation brought by the kudzu couldn't completely erase the vision in Janet's mind. Despite the decades of grime that still fogged the lower portion of the windows, she could see the possibilities. Tomorrow—maybe even this afternoon—she would start hacking away at the encroaching foliage. She'd start with the trees; once she cut through the thick stems of the vines, cutting off their connections to their roots, they would quickly die off, and pulling them down would be much easier. She would cut those that were climbing over the house, too. And this weekend Jared could begin clearing off the rest of the property, stripping the kudzu away. The lawn, of course, had been ruined years ago, but some of the larger shrubs might yet be saved. And halfway between the conservatory and the woods, she could just make out the shape of what looked like a fountain. In her mind's eye she stripped away the tangle of vines to reveal...
What?
Marble! Yes, of course. It would be made of marble—though limestone would be almost as good—carved into some wonderful pattern over which the water would shimmer and ripple as it flowed. She could almost see the plumes of water that would rise from the restored fountain, nearly hear the gentle sound of its spray splashing back into the catchment basin. Perhaps they could even put some goldfish in it.
The vision took on more details, and Janet could see the beginnings of a painting. Or better yet, a trompe l'oeil mural big enough to cover an entire wall of one of the house's huge rooms. It would depict the grounds as they would have looked when the house was new, when Ted's ancestors had first built it. The gardens would have been formal, she was sure, with perfectly manicured box hedges bordering beds of azaleas and roses. A profusion of flowers, in every color of the rainbow. There would have been furniture, too—white-painted wrought iron, upon which graceful women holding parasols would lounge.
Pointillism. That was it. And perhaps she would give it a French cast, to fit with the New Orleans influences of the town. She would do it in the style of Georges Seurat, filling it with light and texture and—
A sudden sharp rap on one of the French doors leading to the terrace outside the conservatory jerked her out of her reverie, startling her so badly she almost knocked over the ladder upon which she'd been so precariously perched only a few minutes before. "Hello?" a voice called from outside. "Is anybody here?"
Steadying the ladder, Janet went to the French doors, fumbled with the lock, then pushed the handle down. When she pulled on the door, the upper corner stuck fast, the frame warped so badly that the glass threatened to break.
"Stop!" the voice from outside called. "Let me push from out here!"
Janet let the door go fully shut. Then, as she tried to ease it open again, the person outside struck the upper corner sharply and the door came free.
"I hate these old French doors," Corinne Beckwith announced as she stepped into the conservatory. "The frames always stick. This fancy stuff might have been okay a hundred and fifty years ago, but give me something nice and modern, preferably in anodized aluminum. No paint, no rust, no upkeep." She gazed around at the interior of the conservatory, and Janet could practically see her adding up the hours it would take just to clean this one room.
"The others are just as bad," Janet said.
The other woman shook her head slowly. "I don't know." She sighed. "I guess it's nice that there are people who want to t
ake on projects like this, but if you want to know the truth, I've got a feeling that folks around here are only going to take your trying to restore this place as proof that they're right."
"Right?" Janet echoed, unsure what the sheriff's wife meant. "Right about what?"
Corinne Beckwith grinned. "That all the Conways are crazy!"
Corinne's words touched a nerve in Janet. "If that's why you came over here—" She bristled, but Corinne raised her hands as if to fend off her words.
"I'm sorry—I was just trying to make a joke." Her smile disappeared. "I really am sorry. It wasn't a very good joke, and I suspect you're not really in the mood for jokes anyway. Actually, the real reason I came over was to talk about your project. If you're really going to try to turn this place into an inn, you're going to need all the help you can get. And Father MacNeill's just going to be the beginning, although frankly I'm not sure exactly how you're going to get around him."
"But all he said was that there'd be some people who'd object."
Corinne's brows rose in a cynical arch. "That's code, Janet." Her eyes darted around as if searching for an unseen eavesdropper, and her voice dropped a notch. "Ray—that's my husband—would kill me if he knew I was telling you this, but Father MacNeill never does anything up front. He doesn't have to, since practically everyone who's anyone in this town is Catholic, and if they didn't go to St. Ignatius School themselves, then their kids are going there now. And they do what Father Mack wants them to do. If he said there would be objections, it's because he's planning to make very sure that there are."
Janet cocked her head quizzically. "I gather you're not Catholic?"
Corinne shrugged. "I still go to St. Ignatius because Ray does. But I like to think for myself." Once again she glanced around as if searching for invisible ears. "Ray doesn't always like it, but that's the way I am."
Janet decided she liked Corinne Beckwith. "May I get you a cup of coffee?"
"If I can drink it while you give me a tour of this place. I've been dying to see it ever since I was a little girl and heard all the stories."