Page 32 of Waking the Dead


  She found a publication page. The book had been published in Boston. Maybe accepting herbs as natural medicinal components was something the author had done boldly and angrily, since it was printed only a few years after the calamity of the Salem witch trials.

  She quickly discovered that she was right. The author, Millicent Smith, had written an introduction, dedicating the book to the women who had died in innocence, victims of jealousy or greed or even mass hysteria. “True evil rests deeply and does not enter into the clean souls of those who will not be corrupted by demons.” Danni admired the author and printer for their courage, and wondered how many copies of The Book of Truth had been created. Were they kept secret during those perilous times, circulating underground? How had her father come across this one?

  “Turn to the book,” he’d told her.

  She shook her head. She didn’t believe she’d have to protect anyone from being hanged, pressed or burned to death for being a witch. Maybe he was warning her to guard against prejudice of any kind, because there was nothing so dangerous.

  Maybe it was his way of saying that there were people out there who needed to be saved.

  “I called the police, Dad,” she murmured. “I tried to get help for Mrs. Simon.” She sighed. “Okay, I’ll meet your bulwark of a private eye and buy the damned statue!”

  She set the book back in its case, but as she did, she noticed another piece of paper between the next pages.

  The light. Make sure you use the light!

  That had been written hastily.

  Use the light.

  Well, she couldn’t read without light, could she? Besides, there were plenty of lights down here.

  Determined, feeling guilty although she couldn’t understand why, Danni looked at her watch. She’d been down here longer than she’d realized.

  If she was going to meet Quinn, she had to get moving.

  But she hesitated, drumming her fingers on the glass, frowning. Michael Quinn. She vaguely remembered the name and wondered why. She knew she hadn’t met him through her father. It was a good old Irish name and there were plenty of those in the city.

  And then she remembered. Years ago, the name had been revered. There’d been a Michael Quinn who had hit the sports pages of the Times Picayune again and again. He’d lifted his public school from obscurity to stardom playing football. He was offered scholarships to half the colleges in the country. He’d been a local hero, soaring to football glory while maintaining academic achievement and capturing the hearts of adolescent females through the city, the parish and beyond. She was only twelve at the time, so she couldn’t really remember the details, but...

  But nothing. He’d disappeared. There’d been brief articles about him—about his behavior, attending parties known for excessive drug and alcohol use. Then everything had stopped. She hadn’t heard anything about him ripping up the college scoreboards or joining the pros. He’d just disappeared.

  Might have been a different Michael Quinn.

  * * *

  Gladys heard the voice again as she drove down the street. He was there, beside her, whispering in her ear.

  “Do it. Gun it!” he ordered her.

  She had ignored him as she’d driven through the French Quarter; you could barely move through the Quarter at times, much less gun a car. People walked into the street heedlessly—especially those who’d gotten an early start on Bourbon Street.

  But now, she could see a group of schoolchildren. A crossing guard stood in the street with a large red stop sign, warning drivers that it was a school zone and elementary kids were making their way across the road.

  “Gun it. End it for the little bastards—stop the pain for them now. Half of them live in crack houses, you know that. End their pain and yours. Gun it!”

  She turned to look at him. He was beautiful. His face was so handsomely structured, with dark hair curling over his brow. His mouth was full and sensual. He moved, and yet he still looked as if he were cast out of marble. It was so strange; the statue in her house was a bust, showing only the head, shoulders and neck of the man, but he seemed to be sitting by her side in full body. He acted natural and at ease. He’d been carved during the time of the Renaissance, but he spoke English and knew modern idioms. He seemed to know modern mores and customs, too.

  He was beautiful, yes...

  And so malicious. Evil to the core. His smile was one of pure cruelty.

  “You have to do it, Gladys. Think of the world, always the same. Kill or be killed. You can end their misery and your own. Or if you survive, you’ll walk away because of your fragile mental state, the depths of your grief. It’s kill or be killed, Gladys. That’s the way of the world.”

  She saw the man in her mind, of course, but he seemed so...real. She’d seen him the night her husband had died, seen him standing over the body. And she’d known that Hank Simon was killed by the marble bust he’d been so ecstatic to acquire, the piece that had lain half-buried by the grave of a pirate-turned-entrepreneur in St. Louis Cemetery #1. A former pirate, yes, but a man who’d dedicated himself to good works in the latter part of his life. God knew where the bust had been before that.

  He’d stood over Hank where he lay on the floor of their grand Garden District home; he’d stood over him, smiling, while Hank lay broken and bleeding. It looked as if he’d fallen or jumped over the balcony railing, but he hadn’t. She’d known it when she saw the man. He had disappeared into thin air and she hadn’t seen him again—until he’d appeared at the foot of her bed that morning, telling her she had to do as he instructed, or she’d wind up like Hank.

  It was astonishing that her heart hadn’t given out then.

  No, it was tragic that her heart hadn’t given out. Because now he was with her, urging her to kill....

  She wasn’t a killer. She wasn’t going to mow down schoolchildren with her Lincoln.

  And yet...

  She felt her foot almost itching to touch the pedal. She felt something inside her suddenly longing to do as he said—hit the gas. Hit it hard. Hit all the children she could. And, definitely, hit the plump crossing guard with her sign and her whistle....

  Her foot inched down on the gas with a malevolence that seemed to fill her heart with bloodred fury.

  Copyright © 2013 by Heather Graham Pozzessere

  ISBN-13: 9781460328590

  WAKING THE DEAD

  Copyright © 2014 by Heather Graham Pozzessere

  All rights reserved. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher, Harlequin Enterprises Limited, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9.

  This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental. This edition published by arrangement with Harlequin Books S.A.

  ® and ™ are trademarks of the publisher. Trademarks indicated with ® are registered are registered in the United States Patent and Trademark Office, the Canadian Intellectual Property Office and in other countries.

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  Heather Graham, Waking the Dead

  (Series: Cafferty and Quinn # 2)

 

 


 

 
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