“Uncle!” she cried, yet her voice was loud as before, “but what a funny face! You’re pretending you’ve seen a ghost”—and she was gone from his knee and from the room, the door closing quietly behind her. He saw her cross the floor, a tiny figure. Then, just as she reached the door, she became of normal size again, as if she crossed a line.
He felt dizzy. the loud voice close to his ear issuing from a diminutive figure half a mile away had a distressing effect upon him. He knew a curious qualm as he sat there in the dark. He heard the wind walking round the house, trying the doors and windows. He was troubled by a memory he could not seize.
Yet the emotion instantly resolved itself into one of personal anxiety: something had gone wrong with his eyes. Sight, his most precious possession as an artist, was of course affected. He was conscious of a little trembling in him, as he at once began trying his sight at various objects—his hands, the high ceiling, the trees dim in the twilight on the lawn outside. He opened a book and read half a dozen lines, at changing distances; finally he stared carefully at the second hand of his watch. “Right as a trivet!” he exclaimed aloud. He emitted a long sigh; he was immensely relieved. “Nothing wrong with my eyes.”
He thought about the actual occurrence a great deal—he felt as puzzled as any other normal person must have felt. While he held the child actually in his arms, gripping her with both hands, he had seen her suddenly half a mile away. “Half a mile!” he repeated under his breath, “why it was even more, it was easily a mile.” It had been exactly as though he suddenly looked at her down the wrong end of a powerful telescope. It had really happened; he could not explain it; there was no more to be said.
This was the first time it happened to him.
At the theater, a week later, when the phenomenon was repeated, the stage he was watching fixedly at the moment went far away, as though he saw it from a long way off. the distance, so far as he could judge, was the same as before, about a mile. It was an Eastern scene, realistically costumed and produced, that without an instant’s warning withdrew. the entire stage went with it, although he did not actually see it go. He did not see movement, that is. It was suddenly remote, while yet the actors’ voices, the orchestra, the general hubbub retained their normal volume. He experienced again the distressing dizziness; he closed his eyes, covering them with his hand, then rubbing the eyeballs slightly; and when he looked up the next minute, the world was as it should be, as it had been, at any rate. Unwilling to experience a repetition of the thing in a public place, however, and fortunately being alone, he left the theater at the end of the act.
Twice this happened to him, once with an individual, his brother’s child, and once with a landscape, an Eastern stage scene. Both occurrences were within the week, during which time he had been considering a visit to the oculist, though without putting his decision into execution. He was the kind of man that dreaded doctors, dentists, oculists, always postponing, always finding reasons for delay. He found reasons now, the chief among them being an unwelcome one—that it was perhaps a brain specialist, rather than an oculist, he ought to consult. This particular notion hung unpleasantly about his mind, when, the day after the theater visit, the thing recurred, but with a startling difference.
While idly watching a blue-bottle fly that climbed the window-pane with remorseless industry, only to slip down again at the very instant when escape into the open air was within its reach, the fly grew abruptly into gigantic proportions, became blurred and indistinct as it did so, covered the entire pane with its furry, dark, ugly mass, and frightened him so that he stepped back with a cry and nearly lost his balance altogether. He collapsed into a chair. He listened with closed eyes. the metallic buzzing was audible, a small, exasperating sound, ordinarily unable to stir any emotion beyond a mild annoyance. Yet it was terrible; that so huge an insect should make so faint a sound seemed to him terrible.
At length he cautiously opened his eyes. the fly was of normal size once more. He hastily flicked it out of the window.
An hour later he was talking with the famous oculist in Harley Street…about the advisability of starting reading-glasses. He found it difficult to relate the rest. A curious shyness restrained him.
“Your optic nerves might belong to a man of twenty,” was the verdict. “Both are perfect. But at your age it is wise to save the sight as much as possible. There is a slight astigmatism.…” And a prescription for the glasses was written out. It was only when paying the fee, and as a means of drawing attention from the awkward moment, that his story found expression. It seemed to come out in spite of himself. He made light of it even then, telling it without conviction. It seemed foolish suddenly as he told it. “How very odd,” observed the oculist vaguely, “dear me, yes, curious indeed. But that’s nothing. H’m, h’m!” Either it was no concern of his, or he deemed it negligible.… His only other confidant was a friend of psychological tendencies who was interested and eager to explain. It is on the instant plausible explanation of anything and everything that the reputation of such folk depends; this one was true to type: “A spontaneous invention, my dear fellow—a pictorial rendering of your thought. You are a painter, aren’t you? Well, this is merely a rendering in picture-form of”—he paused for effect, the other hung upon his words—“of the odd expression ‘disappop.’”
“Ah!” exclaimed the painter.
“You see everything pictorially, of course, don’t you?”
“Yes—as a rule.”
“There you have it. Your painter’s psychology saw the child ‘disappopping.’ That’s all.”
“And the fly?” but the fly was easily explained, since it was merely the process reversed. “Once a process has established itself in your mind, you see, it may act in either direction. When a madman says ‘I’m afraid Smith will do me an injury,’ it means, ‘I will do an injury to Smith,’” And he repeated with finality, “That’s it.”
The explanations were not very satisfactory, the illustration even tactless, but then the problem had not been stated quite fully. Neither to the oculist nor to the other had all the facts been given. the same shyness had been a restraining influence in both cases; a detail had been omitted, and this detail was that he connected the occurrences somehow with his brother whom the war had taken.
The phenomenon made one more appearance—the last—before its character, its field of action rather, altered. He was reading a book when the print became now large, now small; it blurred, grew remote and tiny, then so huge that a single word, a letter even, filled the whole page. He felt as if someone were playing optical tricks with the mechanism of his eyes, trying first one, then another focus.
More curious still, the meaning of the words themselves became uncertain; he did not understand them any more; the sentences lost their meaning, as though he read a strange language, or a language little known. the flash came then—someone was using his eyes—someone else was looking through them.
No, it was not his brother. the idea was preposterous in any case. Yet he shivered again, as when he heard the walking wind, for an uncanny conviction came over him that it was someone who did not understand eyes but was manipulating their mechanism experimentally. With the conviction came also this: that, while not his brother, it was someone connected with his brother.
Here, moreover, was an explanation of sorts, for if the supernatural existed—he had never troubled his head about it—he could accept this odd business as a manifestation, and leave it at that. He did so, and his mind was eased. This was his attitude: “The supernatural may exist. Why not? We cannot know. But we can watch.” His eyes and brain, at any rate, were proved in good condition.
He watched. No change of focus, no magnifying or diminishing, came again. For some weeks he noticed nothing unusual of any kind, except that his mind often filled now with Eastern pictures. Their sudden irruption caught his attention, but no more than that; they were sometimes blurred and sometimes vivid; he had never been in the East; he attributed them to
his constant thinking of his brother, missing in Mesopotamia these six months. Photographs in magazines and newspapers explained the rest. Yet the persistence of the pictures puzzled him: tents beneath hot cloudless skies, palms, a stretch of desert, dry watercourses, camels, a mosque, a minaret—typical snatches of this kind flashed into his mind with a sense of faint familiarity often. He knew, again, the return of a fugitive memory he could not seize.… He kept a note of the dates, all of them subsequent to the day he read his brother’s fate in the official Roll of Honour: “Believed missing; now killed.” Only when the original phenomenon returned, but in its altered form, did he stop the practice. the change then affected his life too fundamentally to trouble about mere dates and pictures.
For the phenomenon, shifting its field of action, abruptly became mental, and the singular change of focus took place now in his mind. Events magnified or contracted themselves out of all relation with their intrinsic values, sense of proportion went hopelessly astray. Love, hate and fear experienced sudden intensification, or abrupt dwindling into nothing; the familiar everyday emotions, commonplace daily acts, suffered exaggerated enlargement, or reduction into insignificance, that threatened the stability of his personality. Fortunately, as stated, they were of brief duration; to examine them in detail were to touch the painful absurdities of incipient mania almost; that a lost collar stud could block his exasperated mind for hours, filling an entire day with emotion, while a deep affection of long standing could ebb towards complete collapse suddenly without apparent cause…!
It was the unexpected suddenness of Turkey’s spectacular defeat that closed the painful symptoms. the Armistice saw them go. He knew a quick relief he was unable to explain. the telegram that his brother was alive and safe came after his recovery of mental balance. It was a shock. But the phenomena had ceased before the shock.
It was in the light of his brother’s story that he reviewed the puzzling phenomena described. the story was not more curious than many another, perhaps, yet the details were queer enough. That a wounded Turk to whom he gave water should have remembered gratitude was likely enough, for all travellers know that these men are kindly gentlemen at times; but that this Mohammedan peasant should have been later a member of a prisoner’s escort and have provided the means of escape and concealment—weeks in a dry watercourse and months in a hut outside the town—seemed an incredible stroke of good fortune. “He brought me food and water three times a week. I had no money to give him, so I gave him my Zeiss glasses. I taught him a bit of English too. But he liked the glasses best. He was never tired of playing with ’em—making big and little, as he called it. He learned precious little English.…”
“My pair, weren’t they?” interrupted his brother. “My old climbing glasses.”
“Your present to me when I went out, yes. So really you helped me to save my life. I told the old Turk that. I was always thinking about you.”
“And the Turk?”
“No doubt.… Through my mind, that is. At any rate, he asked a lot of questions about you. I showed him your photo. He died, poor chap—at least they told me so. Probably they shot him.”
CONFESSION
The fog swirled slowly round him, driven by a heavy movement of its own, for of course there was no wind. It hung in poisonous thick coils and loops; it rose and sank; no light penetrated it directly from street lamp or motor-car, though here and there some big shop-window shed a glimmering patch upon its ever-shifting curtain.
O’Reilly’s eyes ached and smarted with the incessant effort to see a foot beyond his face. the optic nerve grew tired, and sight, accordingly, less accurate. He coughed as he shuffled forward cautiously through the choking gloom. Only the stifled rumble of crawling traffic persuaded him he was in a crowded city at all—this, and the vague outlines of groping figures, hugely magnified, emerging suddenly and disappearing again, as they fumbled along inch by inch towards uncertain destinations.
The figures, however were human beings; they were real. That much he knew. He heard their muffled voices, now close, now distant, strangely smothered always. He also heard the tapping of innumerable sticks, feeling for iron railings or the kerb. These phantom outlines represented living people. He was not alone.
It was the dread of finding himself quite alone that haunted him, for he was still unable to cross an open space without assistance. He had the physical strength, it was the mind that failed him. Midway the panic terror might descend upon him, he would shake all over, his will dissolve, he would shriek for help, run wildly—into the traffic probably—or, as they called it in his North Ontario home, “throw a fit” in the street before advancing wheels. He was not yet entirely cured, although under ordinary conditions he was safe enough, as Dr. Henry had assured him.
When he left Regent’s Park by Tube an hour ago the air was clear, the November sun shone brightly, the pale blue sky was cloudless, and the assumption that he could manage the journey across London Town alone was justified. the following day he was to leave for Brighton for the week of final convalescence: this little preliminary test of his powers on a bright November afternoon was all to the good. Doctor Henry furnished minute instructions:“You change at Piccadilly Circus—without leaving the underground station, mind—and get out at South Kensington. You know the address of your V.A.D. friend. Have your cup of tea with her, then come back the same way to Regent’s Park. Come back before dark—say six o’clock at latest. It’s better.” He had described exactly what turns to take after leaving the station, so many to the right, so many to the left; it was a little confusing, but the distance was short. “You can always ask. You can’t possibly go wrong.”
The unexpected fog, however, now blurred these instructions in a confused jumble in his mind. the failure of outer sight reacted upon memory. the V.A.D. besides had warned him her address was “not easy to find the first time. the house lies in a backwater. But with your ‘backwoods’ instincts you’ll probably manage it better than any Londoner!” She, too, had not calculated upon the fog.
When O’Reilly came up the stairs at South Kensington Station, he emerged into such murky darkness that he thought he was still underground. An impenetrable world lay round him. Only a raw bite in the damp atmosphere told him he stood beneath an open sky. For some little time he stood and stared—a Canadian soldier, his home among clear brilliant spaces, now face to face for the first time in his life with that thing he had so often read about—a bad London fog. With keenest interest and surprise he “enjoyed” the novel spectacle for perhaps ten minutes, watching the people arrive and vanish, and wondering why the station lights stopped dead the instant they touched the street—then, with a sense of adventure—it cost an effort—he left the covered building and plunged into the opaque sea beyond.
Repeating to himself the directions he had received—first to the right, second to the left, once more to the left, and so forth—he checked each turn, assuring himself it was impossible to go wrong. He made correct if slow progress, until someone blundered into him with an abrupt and startling question: “Is this right, do you know, for South Kensington Station?”
It was the suddenness that startled him; one moment there was no one, the next they were face to face, another, and the stranger had vanished into the gloom with a courteous word of grateful thanks. But the little shock of interruption had put memory out of gear. Had he already turned twice to the right, or had he not? O’Reilly realized sharply he had forgotten his memorized instructions. He stood still, making strenuous efforts at recovery, but each effort left him more uncertain than before. Five minutes later he was lost as hopelessly as any townsman who leaves his tent in the backwoods without blazing the trees to ensure finding his way back again. Even the sense of direction, so strong in him among his native forests, was completely gone. There were no stars, there was no wind, no smell, no sound of running water. There was nothing anywhere to guide him, nothing but occasional dim outlines, groping, shuffling, emerging and disappearing in the eddyin
g fog, but rarely coming within actual speaking, much less touching, distance. He was lost utterly; more, he was alone.
Yet not quite alone—the thing he dreaded most. There were figures still in his immediate neighborhood. They emerged, vanished, reappeared, dissolved. No, he was not quite alone. He saw these thickenings of the fog, he heard their voices, the tapping of their cautious sticks, their shuffling feet as well. They were real. They moved, it seemed, about him in a circle, never coming very close.
“But they’re real,” he said to himself aloud, betraying the weak point in his armor. “They’re human beings right enough. I’m positive of that.”
He had never argued with Dr. Henry—he wanted to get well; he had obeyed implicitly, believing everything the doctor told him—up to a point. But he had always had his own idea about these “figures,” because, among them, were often enough his own pals from the Somme, Gallipoli, the Mespot horror, too. And he ought to know his own pals when he saw them! At the same time he knew quite well he had been “shocked,” his being dislocated; half dissolved as it were, his system pushed into some lopsided condition that meant inaccurate registration. True. He grasped that perfectly. But, in that shock and dislocation, had he not possibly picked up another gear? Were there not gaps and broken edges, pieces that no longer dovetailed, fitted as usual, interstices, in a word? Yes, that was the word—interstices. Cracks, so to speak, between his perception of the outside world and his inner interpretation of these? Between memory and recognition? Between the various states of consciousness that usually dovetailed so neatly that the joints were normally imperceptible?
His state, he well knew, was abnormal, but were his symptoms on that account unreal? Could not these “interstices” be used by—others? When he saw his “figures,” he used to ask himself: “Are not these the real ones, and the others—the human beings—unreal?”