said I took it off a drunk man downtown tonight. Ewell probably found that kitchen knife in the dump somewhere. Honed it down and bided his time . . . just bided his time."
Atticus made his way to the swing and sat down. His hands dangled limply between his knees. He was looking at the floor. He had moved with the same slowness that night in front of the jail, when I thought it took him forever to fold his newspaper and toss it in his chair.
Mr. Tate clumped softly around the porch. "It ain't your decision, Mr. Finch, it's all mine. It's my decision and my responsibility. For once, if you don't see it my way, there's not much you can do about it. If you wanta try, I'll call you a liar to your face. Your boy never stabbed Bob Ewell," he said slowly, "didn't come near a mile of it and now you know it. All he wanted to do was get him and his sister safely home."
Mr. Tate stopped pacing. He stopped in front of Atticus, and his back was to us. "I'm not a very good man, sir, but I am sheriff of Maycomb County. Lived in this town all my life an' I'm goin' on forty-three years old. Know everything that's happened here since before I was born. There's a black boy dead for no reason, and the man responsible for it's dead. Let the dead bury the dead this time, Mr. Finch. Let the dead bury the dead."
Mr. Tate went to the swing and picked up his hat. It was lying beside Atticus. Mr. Tate pushed back his hair and put his hat on.
"I never heard tell that it's against the law for a citizen to do his utmost to prevent a crime from being committed, which is exactly what he did, but maybe you'll say it's my duty to tell the town all about it and not hush it up. Know what'd happen then? All the ladies in Maycomb includin' my wife'd be knocking on his door bringing angel food cakes. To my way of thinkin', Mr. Finch, taking the one man who's done you and this town a great service an' draggin' him with his shy ways into the limelight--to me, that's a sin. It's a sin and I'm not about to have it on my head. If it was any other man it'd be different. But not this man, Mr. Finch."
Mr. Tate was trying to dig a hole in the floor with the toe of his boot. He pulled his nose, then he massaged his left arm. "I may not be much, Mr. Finch, but I'm still sheriff of Maycomb County and Bob Ewell fell on his knife. Good night, sir."
Mr. Tate stamped off the porch and strode across the front yard. His car door slammed and he drove away.
Atticus sat looking at the floor for a long time. Finally he raised his head. "Scout," he said, "Mr. Ewell fell on his knife. Can you possibly understand?"
Atticus looked like he needed cheering up. I ran to him and hugged him and kissed him with all my might. "Yes sir, I understand," I reassured him. "Mr. Tate was right."
Atticus disengaged himself and looked at me. "What do you mean?"
"Well, it'd be sort of like shootin' a mockingbird, wouldn't it?"
Atticus put his face in my hair and rubbed it. When he got up and walked across the porch into the shadows, his youthful step had returned. Before he went inside the house, he stopped in front of Boo Radley. "Thank you for my children, Arthur," he said.
31
When Boo Radley shuffled to his feet, light from the livingroom windows glistened on his forehead. Every move he made was uncertain, as if he were not sure his hands and feet could make proper contact with the things he touched. He coughed his dreadful raling cough, and was so shaken he had to sit down again. His hand searched for his hip pocket, and he pulled out a handkerchief. He coughed into it, then he wiped his forehead.
Having been so accustomed to his absence, I found it incredible that he had been sitting beside me all this time, present. He had not made a sound.
Once more, he got to his feet. He turned to me and nodded toward the front door.
"You'd like to say good night to Jem, wouldn't you, Mr. Arthur? Come right in."
I led him down the hall. Aunt Alexandra was sitting by Jem's bed. "Come in, Arthur," she said. "He's still asleep. Dr. Reynolds gave him a heavy sedative. Jean Louise, is your father in the livingroom?"
"Yes ma'am, I think so."
"I'll just go speak to him a minute. Dr. Reynolds left some . . ." her voice trailed away.
Boo had drifted to a corner of the room, where he stood with his chin up, peering from a distance at Jem. I took him by the hand, a hand surprisingly warm for its whiteness. I tugged him a little, and he allowed me to lead him to Jem's bed.
Dr. Reynolds had made a tent-like arrangement over Jem's arm, to keep the cover off, I guess, and Boo leaned forward and looked over it. An expression of timid curiosity was on his face, as though he had never seen a boy before. His mouth was slightly open, and he looked at Jem from head to foot. Boo's hand came up, but he let it drop to his side.
"You can pet him, Mr. Arthur, he's asleep. You couldn't if he was awake, though, he wouldn't let you . . ." I found myself explaining. "Go ahead."
Boo's hand hovered over Jem's head.
"Go on, sir, he's asleep."
His hand came down lightly on Jem's hair.
I was beginning to learn his body English. His hand tightened on mine and he indicated that he wanted to leave.
I led him to the front porch, where his uneasy steps halted. He was still holding my hand and he gave no sign of letting me go.
"Will you take me home?"
He almost whispered it, in the voice of a child afraid of the dark.
I put my foot on the top step and stopped. I would lead him through our house, but I would never lead him home.
"Mr. Arthur, bend your arm down here, like that. That's right, sir."
I slipped my hand into the crook of his arm.
He had to stoop a little to accommodate me, but if Miss Stephanie Crawford was watching from her upstairs window, she would see Arthur Radley escorting me down the sidewalk, as any gentleman would do.
We came to the street light on the corner, and I wondered how many times Dill had stood there hugging the fat pole, watching, waiting, hoping. I wondered how many times Jem and I had made this journey, but I entered the Radley front gate for the second time in my life. Boo and I walked up the steps to the porch. His fingers found the front doorknob. He gently released my hand, opened the door, went inside, and shut the door behind him. I never saw him again.
Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.
I turned to go home. Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. There were Miss Maudie's, Miss Stephanie's--there was our house, I could see the porch swing--Miss Rachel's house was beyond us, plainly visible. I could even see Mrs. Dubose's.
I looked behind me. To the left of the brown door was a long shuttered window. I walked to it, stood in front of it, and turned around. In daylight, I thought, you could see to the postoffice corner.
Daylight . . . in my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephanie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over her azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him.
It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishing-pole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention.
It was fall, and his children fought on the sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet, and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive.
Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog.
Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
The street lights were fuzzy from the fine rain that was falling. As I made my way home, I felt very old, but when I looked at the top of my nose I could see fine misty beads, but looking cross-eyed made me dizzy so I quit. As I made my way home, I thought what a thing to tell Jem tomorrow. He'd be so mad he missed it he wouldn't speak to me for days. As I made my way home, I thought Jem and I would get grown but there wasn't much else left for us to learn, except possibly algebra.
I ran up the steps and into the house. Aunt Alexandra had gone to bed, and Atticus's room was dark. I would see if Jem might be reviving. Atticus was in Jem's room, sitting by his bed. He was reading a book.
"Is Jem awake yet?"
"Sleeping peacefully. He won't be awake until morning."
"Oh. Are you sittin' up with him?"
"Just for an hour or so. Go to bed, Scout. You've had a long day."
"Well, I think I'll stay with you for a while."
"Suit yourself," said Atticus. It must have been after midnight, and I was puzzled by his amiable acquiescence. He was shrewder than I, however: the moment I sat down I began to feel sleepy.
"Whatcha readin'?" I asked.
Atticus turned the book over. "Something of Jem's. Called The Gray Ghost."
I was suddenly awake. "Why'd you get that one?"
"Honey, I don't know. Just picked it up. One of the few things I haven't read," he said pointedly.
"Read it out loud, please, Atticus. It's real scary."
"No," he said. "You've had enough scaring for a while. This is too--"
"Atticus, I wasn't scared."
He raised his eyebrows, and I protested: "Leastways not till I started telling Mr. Tate about it. Jem wasn't scared. Asked him and he said he wasn't. Besides, nothin's real scary except in books."
Atticus opened his mouth to say something, but shut it again. He took his thumb from the middle of the book and turned back to the first page. I moved over and leaned my head against his knee. "H'rm," he said, "The Gray Ghost, by Seckatary Hawkins. Chapter One . . ."
I willed myself to stay awake, but the rain was so soft and the room was so warm and his voice was so deep and his knee was so snug that I slept.
Seconds later, it seemed, his shoe was gently nudging my ribs. He lifted me to my feet and walked me to my room. "Heard every word you said," I muttered. ". . . wasn't sleep at all, 's about a ship an' Three-Fingered Fred 'n' Stoner's Boy. . . ."
He unhooked my overalls, leaned me against him, and pulled them off. He held me up with one hand and reached for my pajamas with the other.
"Yeah, an' they all thought it was Stoner's Boy messin' up their clubhouse an' throwin' ink all over it an' . . ."
He guided me to the bed and sat me down. He lifted my legs and put me under the cover.
"An' they chased him 'n' never could catch him 'cause they didn't know what he looked like, an' Atticus, when they finally saw him, why he hadn't done any of those things . . . Atticus, he was real nice. . . ."
His hands were under my chin, pulling up the cover, tucking it around me.
"Most people are, Scout, when you finally see them."
He turned out the light and went into Jem's room. He would be there all night, and he would be there when Jem waked up in the morning.
Copyright
A hardcover edition of this book was originally published in 1960 by J.B. Lippincott Company.
TO KILL A MOCKINGBIRD. Copyright (c) 1960, renewed 1988 by Harper Lee. All rights reserved. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of the text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the HarperCollins ebooks.
First Perennial Classics edition published 2002.
First Harper Perennial Modern Classics edition published 2006.
The Library of Congress has catalogued the Harper Perennial Modern Classics edition as follows: Lee, Harper.
To kill a mockingbird / Harper Lee.--1st Perennial classics ed.
p. cm.--(Perennial classics) ISBN-10: 0-06-112008-1
ISBN-13: 978-0-06-112008-4
1. Fathers and daughters--Fiction. 2. Southern States--Fiction. 3. Race relations--Fiction. 4. Trials (Rape)--Fiction. 5. Girls--Fiction. I. Title.
PS3562.E353 T6 2001
813'.54--dc21
2001016794
EPUB Edition July 2014, ISBN 9780062368683
06 07 08 09 10 RRD 10 9 8 7 6 5 4 3 2 1
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Harper Lee, To Kill a Mockingbird
(Series: To Kill a Mockingbird # 1)
ISBN: - 9780062368683
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