Page 17 of Tortilla Flat


  The friends looked at Pilon gratefully. They knew how his sharp wits had been digging over possibilities. But it was only half, less than half, to see the funeral. Being seen at the funeral was the most important half. This was the best that could be done.

  "In this we learn a lesson," said Pilon. "We must take it to heart that we should always have a good suit of clothes laid by. We can never tell what may happen."

  There they left it, but they felt that they had failed. All through the night they wandered in the town. What yard then was not plundered of its finest blooms? What flowering tree remained standing? In the morning the hole in the cemetery that was to receive Danny's body was almost hidden by a mound of the finest flowers from the best gardens in Monterey.

  It is not always that Nature arranges her effects with good taste. Truly, it rained before Waterloo; forty feet of snow fell in the path of the Donner Party. But Friday turned out a nice day. The sun arose as though this were a day for a picnic. The gulls flew in across a smiling bay to the sardine canneries. The rock fishermen took their places on the rocks for the ebbing tide. The Palace Drug Company ran down its awnings to protect the red hot-water bottles in its windows from the chemical action of the sun. Mr. Machado, the tailor, put a sign in his window, Back In Ten Minutes, and went home to dress for the funeral. Three purse seiners came in, loaded with sardines. Louie Duarte painted his boat, and changed its name from Lolita to The Three Cousins. Jake Lake, the cop, arrested a roadster from Del Monte and turned it loose and bought a cigar.

  It is a puzzle. How can life go on its stupid course on such a day? How can Mamie Jackson hose off her front sidewalk? How can George W. Merk write his fourth and angriest letter to the water company? How can Charlie Marsh be as dirtily drunk as usual? It is sacrilege. It is outrage.

  Danny's friends awakened sadly and got up off the floor. Danny's bed was empty. It was like the rider-less charger of an officer which follows its master to his grave. Even Big Joe Portagee had cast no covetous glance at Danny's bed. The sun shone enthusiastically through the window and cast the delicate shadows of spider webs on the floor.

  "Danny was glad on mornings like this," said Pilon.

  After their trip to the gulch the friends sat for a while on the front porch and celebrated the memory of their friend. Loyally they remembered and proclaimed Danny's virtues. Loyally they forgot his faults.

  "And strong," said Pablo. "He was as strong as a mule! He could lift a bale of hay."

  They told little stories of Danny, of his goodness, his courage, his piety.

  All too soon it was time to go to the church, to stand across the street in their ragged clothes. They blushed inwardly when luckier people went into the church, dressed so beautifully, smelling so prodigally of Agua Florida. The friends could hear the music and the shrill drone of the service. From their vantage point they saw the cavalry arrive, and the band with muffled drums, and the firing squad, and the caisson with its three pairs of horses, and a cavalryman on the near horse of each pair. The mournful clop-clop of shod horses on asphalt put despair in the hearts of the friends. Helplessly they watched the casket carried out and laid on the caisson, and the flag draped over it. The officer blew his whistle, raised his hand and threw it forward. The squadron moved, the firing squad dropped its rifles. The drums thundered their heartbreaking, slow rhythm. The band played its sodden march. The caisson moved. The people walked majestically behind, men straight and stern, women daintily holding their skirts up out of the indelible trail of the cavalry. Everyone was there, Cornelia Ruiz, Mrs. Morales, Galvez, Torrelli and his plump wife, Mrs. Palochico, Tito Ralph the traitor, Sweets Ramirez, Mr. Machado, everyone who amounted to anything on Tortilla Flat, and everyone else, was there.

  Is it any wonder that the friends could not stand the shame and misery of it? For a little while they slunk along the sidewalk, bolstered with heroism.

  Jesus Maria broke down first. He sobbed with shame, for his father had been a rich and respected prize-fighter. Jesus Maria put down his head and bolted; and the five other friends followed, and the five dogs bounded behind them.

  Before the procession was in sight, Danny's friends were lying in the tall grass that edged the cemetery. The service was short and military. The casket was lowered; the rifles cracked; the bugle sang taps, and at the sound Enrique and Fluff, Pajarito and Rudolph and Senor Alec Thompson laid back their heads and howled. The Pirate was proud of them then!

  It was over too soon; the friends walked hurriedly away so that the people would not see them.

  They had to pass Torrelli's deserted house anyway, on the way home. Pilon went in through a window and brought out two gallons of wine. And then they walked slowly back to Danny's quiet house. Ceremoniously they filled the fruit jars and drank.

  "Danny liked wine," they said. "Danny was happy when he had a little wine."

  The afternoon passed, and the evening came. Each man, as he sipped his wine, roved through the past. At seven o'clock a shamed Tito Ralph came in with a box of cigars he had won on a punch board. The friends lighted the cigars and spat, and opened the second gallon. "Pablo tried a few notes of the song "Tuli Pan," to see whether his voice was gone for good.

  "Cornelia Ruiz was alone today," Pilon said speculatively.

  "Maybe it would be all right to sing a few sad songs," said Jesus Maria.

  "But Danny did not like sad songs," Pablo insisted. "He liked the quick ones, about lively women."

  They all nodded gravely. "Yes, Danny was a great one for women."

  Pablo tried the second verse to "Tuli Pan," and Pilon helped a little, and the others joined in toward the end.

  When the song was done, Pilon puffed at his cigar, but it had gone out. "Tito Ralph," he said, "why don't you get your guitar so we can sing a little better?" He lighted his cigar and flipped the match.

  The little burning stick landed on an old newspaper against the wall. Each man started up to stamp it out; and each man was struck with a celestial thought, and settled back. They found one another's eyes and smiled the wise smiles of the deathless and hopeless ones. In a reverie they watched the flame flicker and nearly die, and sprout to life again. They saw it bloom on the paper. Thus do the gods speak with tiny causes. And the men smiled on as the paper burned and the dry wooden wall caught.

  Thus must it be, O wise friends of Danny. The cord that bound you together is cut. The magnet that drew you has lost its virtue. Some stranger will own the house, some joyless relative of Danny's. Better that this symbol of holy friendship, this good house of parties and fights, of love and comfort, should die as Danny died, in one last glorious, hopeless assault on the gods.

  They sat and smiled. And the flame climbed like a snake to the ceiling and broke through the roof and roared. Only then did the friends get up from their chairs and walk like dreaming men out of the door.

  Pilon, who profited by every lesson, took what was left of the wine with him.

  The sirens screamed from Monterey. The trucks roared up the hill in second gear. The searchlights played among the trees. When the Department arrived, the house was one great blunt spear of flame. The hoses wet the trees and brush to keep the flames from spreading.

  Among the crowding people of Tortilla Flat, Danny's friends stood entranced and watched until at last the house was a mound of black, steaming cinders. Then the fire trucks turned and coasted away down the hill.

  The people of the Flat melted into the darkness. Danny's friends still stood looking at the smoking ruin. They looked at one another strangely, and then back to the burned house. And after a while they turned and walked slowly away, and no two walked together.

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  Stein
beck's tough but loving portrait evokes the lives of Monterey's vital laboring class and their emotional triumph over the bleak existence of life in Cannery Row.

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  Adopting the structure and themes of the Arthurian legend, Steinbeck created a "Camelot" on a shabby hillside above Monterey on the California coast and peopled it with a colorful band of knights. As Steinbeck chronicles their thoughts and emotions, temptations and lusts, he spins a tale as compelling, and ultimately as touched by sorrow, as the famous legends of the Round Table. ISBN 978-0-14004240-5

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  Edited by Jackson J. Benson and Susan Shillinglaw This original new collection brings together for the first time more than fifty of Steinbeck's finest essays and journalistic pieces, along with the complete text of his last-published and long-out-of-print America and Americans.

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  Burning Bright: A Play in Story Form

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  Written as a play in story form, this novel traces the story of a man ignorant of his own sterility, a wife who commits adultery to give her husband a child, the father of that child, and the outsider whose actions affect them all.

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  The masterpiece of Steinbeck's later years, East of Eden is the powerful and vastly ambitious novel that is both family saga and a modern retelling of the book of Genesis.

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  This Pulitzer Prize-winning epic of the Great Depression follows the western movement of one family and a nation in search of work and human dignity.

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  In Dubious Battle

  Introduction by Warren French

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  Introduction by Richard Astro

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  Introduction by John H. Timmerman First published in 1938, this collection of stories set in the rich farmland of Salinas Valley includes the O. Henry Prize-winning story "The Murder," as well as one of Steinbeck's most famous short works, "The Snake."

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  Introduction by James Nagel

  Each of these interconnected tales is devoted to a family living in a fertile valley on the outskirts of Monterey, California, and the effects, either intentional or unwitting, that one family has on all of them. ISBN 978-0-14-018748-9

  A Russian Journal

  Introduction by Susan Shillinglaw; Photographs by Robert Capa First published in 1948, A Russian Journal is a remarkable memoir and unique historical document that records the writer and acclaimed war photographer's journey through Cold War Russia. ISBN 978-0-14-118019-9

  The Short Reign of Pippin IV

  Edited and Introduction by Robert E. Morsberger and Katherine Morsberger Steinbeck's only work of political satire turns the French Revolution upside down, creating the hilarious characters of the motley royal court of King Pippin.

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  Sweet Thursday

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  Introduction by Robert DeMott

  Set in familiar Steinbeck territory, To a God Unknown is a mystical tale, exploring one man's attempt to control the forces of nature and, ultimately, to understand the ways of God. ISBN 978-0-14-018751-9

  The Wayward Bus

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  In this imaginative and unsentimental chronicle of a bus traveling California's back roads, Steinbeck creates a vivid assortment of characters, all running away from their shattered dreams but hoping that they are running toward the promise of a future. ISBN 978-0-14-243787-2

  The Winter of Our Discontent

  Ethan Hawley works as a clerk in the grocery store owned by an Italian immigrant. His wife is restless, and his teenaged children are hungry for the tantalizing material comforts he cannot provide. Then one day, in a moment of moral crisis, Ethan decides to take a holiday from his own scrupulous standards. ISBN 978-0-14-018753-3

 


 

  John Steinbeck, Tortilla Flat

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