In time, Quart learned about the fates of several of the players in the story. A letter from Father Oscar, having followed a circuitous route from a little village in Almeria to Rome and then on to Bogota, said that Our Lady of the Tears was still open for worship and functioning as a parish. The assistant priest added that he had radically revised his opinion of Quart.
The only news of Pencho Gavira was a brief item in the financial section of the Latin American edition of El Pais, about Octavio Machuca's retirement from the Cartujano Bank in Seville and the appointment of a new chairman of the board. Quart did not recognise the appointee's name. The article also mentioned Gavira's resignation as vice-chairman and general manager of the bank.
Quart received sporadic information about Father Ferro. The verdict was involuntary manslaughter, and Father Ferro was moved from the prison hospital to a rest home for elderly priests in the diocese of Seville. He was still there, in poor health, at the end of that winter, but according to a brief, courteous note from the director of the home, in response to Quart's enquiry, it was unlikely that the old priest would survive until spring. He spent his days in his room and had nothing to do with anyone; at night, in good weather, he went out into the garden, accompanied by a nurse, and sat in silence on a bench watching the stars.
Of the remaining characters whose paths crossed Quart's during his stay in Seville, Quart heard nothing more. They gradually faded from memory, together with the ghosts of Carlota Bruner and Captain Xaloc, who often accompanied him on his long evening walks through the colonial district of old Bogota. All but one of them disappeared. He caught only a brief glimpse of her and was never absolutely sure it was she. This happened some time later. Quart had just been transferred to another even more obscure secretariat in Cartagena and was leafing through a local paper when he saw a report on the peasant revolt in the Mexican state of Chiapas. The report described life in a small, remote village under guerrilla control. At the local school a group of children were photographed with their teacher. The picture was blurred, and even with a magnifying glass Quart couldn't be sure, but the woman looked very familiar. She was wearing jeans, and her grey hair was gathered in a short plait; her hands were resting on her pupils' shoulders, and she stared defiantly at the camera with cold blue eyes. The eyes that were the last thing Honorato Bonafé saw before he was struck down by the wrath of God.
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Arturo Pérez-Reverte, The Seville Communion
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