Ender was busy mollifying the mother. "Dorabella, please, I'm not offended and of course I know you weren't planning anything. Alessandra is teasing me. Teasing us both."
"I'm not, but you can say whatever it takes to make Mother happy," said Alessandra. "Our lives together are one long play. She makes me...not the star of my own autobiography. But Mother always sees the happy ending, right from the start."
Valentine wasn't sure what to make of the relationship between these two. The words were biting, almost hostile. Yet as she said them, Alessandra gave her mother a hug and seemed to mean it. As if the words were part of a long ritual between them, but they no longer were meant to sting.
Whatever was going on, between Ender and Alessandra, Dorabella seemed mollified. "I like the happy ending."
"We should put on a Greek play," said Alessandra. "Medea. The one where the mother kills her own children."
Valentine was shocked at this--what a cruel thing to say in front of her mother. But no, from Dorabella's reaction Alessandra wasn't referring to her. For Dorabella laughed and nodded and said, "Yes, yes, Medea, spiteful mama!"
"Only we'll rename her," said Alessandra. "Isabella!"
"Isabella!" cried Dorabella at almost the same moment. The two of them laughed so hard they almost cried, and Ender joined with them.
Then, to Valentine's surprise, while the other two were still hiccuping through the end of their laughter, Ender turned to her and explained. "Isabella is Dorabella's mother. They had a painful parting."
Alessandra stopped laughing and looked at Ender searchingly--but if Dorabella was surprised that Ender knew so much of their past, she didn't show it. "We come on this colony to be free of my perfect mother. Santa Isabella, we will not pray to you!"
Then Dorabella leapt to her feet and began to do some kind of dance, a waltz perhaps, holding an imaginary full skirt in one hand, and with the other hand tracing arcane patterns in the air as she danced. "Always I have a magic land where I can be happy, and I take my daughter there with me, always happy." Then she stopped and faced Ender. "Shakespeare Colony is our magic land now. You are king of the...folletti?" She looked to her daughter.
"Elfs," said Alessandra.
"Elves," said Valentine.
"Gli elfi!" cried Dorabella in delight. "Again same word! Elfo, elve!"
"Elf," said Valentine and Alessandra together.
"King of the elves," said Ender. "I wonder what email address I'll get for that one.
[email protected]" He turned to Valentine. "Or is that the title Peter aspires to?"
Valentine smiled. "He's still torn between Hegemon and God," she said.
Dorabella didn't understand the reference to Peter. She returned to her dancing, and this time she sang a wordless but haunting tune with it. And Alessandra shook her head but still joined in the song, harmonizing with it. So she had heard it before and knew it and had sung with her mother. Their voices blended sweetly.
Valentine watched Dorabella's dance, fascinated. At first it had seemed like a childish, rather mad thing to do. Now, though, she could see that Dorabella knew she was being silly, but still meant it from the heart. It gave the movement, and her facial expression, a sort of irony that made it easy to forgive the silliness and affectation of it, while the sincerity turned it into something quite winning.
The woman isn't old, thought Valentine. She's still young and quite good looking. Beautiful, even, especially now, especially in this strange fairyish dance.
The song ended. Dorabella kept dancing in the silence.
"Mother, you can stop flying now," said Alessandra gently.
"But I can't," said Dorabella, and now she was openly teasing. "In this starship we fly for fifty years!"
"Forty years," said Ender.
"Two years," said Alessandra.
Apparently Ender liked the idea of doing a play, because he brought them all back to the topic. "Not Romeo and Juliet," he said. "We need a comedy, not a tragedy."
"The Merry Wives of Windsor," said Valentine. "Lots of women's parts."
"The Taming of the Shrew!" cried Alessandra, and Dorabella almost collapsed with laughter. Another reference, apparently, to Isabella. And when they stopped laughing, they insisted that Shrew was the perfect play. "I will read the part of the madwoman," said Dorabella. Valentine noticed that Alessandra seemed to be biting back some kind of comment.
So it was that the plan was conceived for a play reading in the theater three days later--days by ship's time, though the whole concept of time seemed rather absurd to Valentine, on this voyage where forty years would pass in less than two. What would her birthday be now? Would she count her age by ship's time or the elapsed calendar when she arrived? And what did Earth's calendar mean on Shakespeare?
Naturally, Dorabella and Alessandra came to Ender often during the days of preparation, asking him endless questions. Even though he made it clear that all the decisions were up to them, that he was not in charge of the event, he was never impatient with them. He seemed to enjoy their company--though Valentine suspected that it was not for the reason Dorabella had hoped. Ender wasn't falling in love with Alessandra--if he was infatuated with anyone, it was likely to be the mother. No, what Ender was falling in love with was the family-ness of them. They were close in a way that Ender and Valentine had once been close. And they were including Ender in that closeness.
Why couldn't I have done that for him? Valentine was quite jealous, but only because of her own failure, not because she wished to deprive him of the pleasure he was getting from the Toscanos.
It was inevitable, of course, that they enlisted Ender himself to read the part of Lucentio, the handsome young suitor of Bianca--played, of course, by Alessandra. Dorabella herself read Kate the Shrew, while Valentine was relegated to the part of the Widow. Valentine didn't even pretend not to want to read the part--this was the most interesting thing going on in the ship, and why not be at the heart of it? She was Ender's sister; let people hear her voice, especially in the ribald, exaggerated part of the Widow.
It was entertaining for Valentine to see how the men and boys who were cast in the many other parts focused on Dorabella. The woman had an incredible laugh, rich and throaty and contagious. To earn a laugh from her in this comedy was a fine thing, and the men all vied to please her. It made Valentine wonder if getting Ender and Alessandra together was really Dorabella's agenda? Perhaps it's what she thought she was doing, but in fact Dorabella held the center of the stage herself, and seemed to love having all eyes on her. She flirted with them all, fell in love with them all, and yet always seemed to be in a world of her own, too.
Has Kate the Shrew ever been played like this before?
Does every woman have what this Dorabella has? Valentine searched in her heart to find that kind of ebullience. I know how to have fun, Valentine insisted to herself. I know how to be playful.
But she knew there was always irony in her wit, a kind of snottiness in her banter. Alessandra's timidity covered everything she did--she was bold in what she said, but it was as if her own words surprised and embarrassed her after the fact. Dorabella, however, was neither ironic nor frightened. Here was a woman who had faced all her dragons and slain them; now she was ready for the accolades of the admiring throng. She cried out Kate's dialogue from the heart, her rage, her passion, her petulance, her frustration, and finally her love. The final monologue, in which she submits to her husband's will, was so beautiful it made Valentine cry a little, and she thought: I wonder what it would be like to love and trust a man so much that I'd be willing to abase myself as Kate did. Is there something in women that makes us long to be humbled? Or is it something in human beings, that when we are overmastered, we rejoice in our subjection? That would explain a lot of history.
Since everyone who was interested in the play was already in it, and attending the rehearsals, it wasn't as if the actual performance was going to surprise anyone. Valentine almost asked the whole group, at the last rehearsal, "Why bother to p
ut it on? We just did it, and it was wonderful."
But there was still a kind of excitement throughout the ship about the coming performance, and Valentine realized that rehearsal was not performance, no matter how well it went. And there would be others there after all, who had not been at the last rehearsal: Dorabella was going around inviting members of the crew, many of whom promised to come. And passengers who weren't in the play seemed excited about coming, and some were openly rueful about having declined to take part. "Next time," they said.
When they got to the theater at the appointed time, they found Jarrko standing at the door, a stiff, formal expression on his face. No, the theater would not be opened; by order of the admiral, the play reading had been canceled.
"Ah, Governor Wiggin," said Jarrko.
A bad sign, if the title was back, thought Valentine.
"Admiral Morgan would like to see you at once, if you please, sir."
Ender nodded and smiled. "Of course," he said.
So Ender had expected this? Or was he really that perfectly poised, so it seemed that nothing surprised him?
Valentine started to go with him, but Jarrko touched her shoulder. "Please, Val," he whispered. "Alone."
Ender grinned at her and took off with real bounce in his step, as if he was truly excited to be going to see the admiral.
"What's this about?" Valentine asked Jarrko quietly.
"I can't say," he said. "Truly. Just have my orders. No play, theater closed for the night, would the governor please come see the admiral immediately."
So Valentine stayed with Jarrko, helping soothe the players and other colonists, whose reactions ranged from disappointment to outrage to revolutionary fervor. Some of them even started reciting lines there in the corridor, until Valentine asked them not to. "Poor Colonel Kitunen will be in trouble if you keep this up, and he's too nice to stop you himself."
The result was that everyone was quite angry with Admiral Morgan for his arbitrary cancellation of a completely harmless event. And Valentine herself couldn't help but wonder: What was the man thinking? Hadn't he ever heard of morale? Maybe he'd heard of it, but was against it.
Something was going on here, and Valentine began to wonder if somehow Ender was behind it. Could it be that in his own way, Ender was just as sneaky and snaky as Peter?
No. Not possible. Especially because Valentine could always see through Peter. Ender wasn't devious at all. He always said what he meant and meant what he said.
What is the boy doing?
CHAPTER 9
To:
[email protected] From:
[email protected]/hegemon
Re: While you were out
I had one of my staff run a set of calculations about how long it has been for you since you began your relativistic voyage into the future. At best he could give me only a range of possible subjective durations--a few weeks, anyway. For me, a couple of years. So I am fairly safe in saying that I miss you a great deal more than you miss me. At present you probably still think that you will never miss me at all. The world is full of people who are convinced of the same thing. They vaguely remember that I was elected to the office of Hegemon. They just can't remember what that office does. They think my name is Locke when they think of me at all.
Yet I am at war. My force is tiny, commanded by--of all people--Ender's old friend Bean. The other children from Ender's jeesh--Battle School slang for "army," but it's caught on here and that's what they're called--were all kidnapped by the Russians, inspired by a conniving little bastard named Achilles, who was kicked out of Battle School. It appears that Achilles chose his main enemy better than Bonito de Madrid did--it was Bean who confronted him in a dark air vent, or so the story goes, and instead of killing him, turned him over to the authorities. Have you ever heard that tale? Did Ender know about it when it happened? Achilles is Hitler with stealth, Stalin with brains, Mao with energy, Pol Pot with subtlety--name your monster, and Achilles has all the inconvenient virtues to make him very hard to stop and even harder to kill. Bean swears he will do it, but he had the chance before and blew it, so I'm skeptical.
I wish you were here.
More than that, I actually wish Ender were here. I'm waging war with the help of an army of a few hundred men--very loyal, brilliantly trained, but only two hundred of them! Bean is not the most reliable of commanders. He always wins, but he doesn't always do what he's told or go where I want him to. He picks and chooses among his assignments. To his credit, he doesn't argue with me in front of his (supposedly "my") men.
The trouble is that these Battle School kids are all so cynical. They don't believe in anything. Certainly they don't believe in ME. Just because Achilles keeps trying to assassinate Bean and has all the Battle School kids terrified, they think they don't owe Ender Wiggin's big brother their lifelong personal service. (That was a joke. They owe me nothing.)
Wars here and there around the world, shifting alliances--it's what I predicted would happen after the Battle School kids came home. They're such excellent weapons--potentially devastating, but no fallout, no mushroom clouds. Somehow, though, I always saw myself riding the crest of the wave. Now I find myself sucked down to the bottom of the wave so I can barely tell which way is up and I'm constantly running out of air. I get to the top, gasp, and then a new wave crashes me back down.
A few privileges inhere to this office, for the time being, anyway. Minister of Colonization Graff tells me I have unlimited access to the ansible--I can talk to you whenever I want. Congratulate me for not abusing it. I know you're writing a history of Battle School, and I thought you could use some information about the careers of the more prominent Battle School grads, for an epilogue, perhaps. Ender's jeesh fought the formics and won; but all the others are now involved, one way or another, as captives or servants or leaders or figureheads or victims, in the military planning and action of every nation lucky enough to have a single graduate and strong enough to hold on to him.
So steel yourself for reams of information. Graff tells me that it will take weeks to send it all from his office (in the old Battle School station now), but that at your end it will seem to arrive all at once. I hope it doesn't annoy your ship's captain too much--I understand it's a nobody, not Mazer Rackham after all--but what I'm sending goes with hegemony priority, which means he won't be able to read any of this and any messages HE'S expecting will have to wait. Give him my apologies. Or not, as you see fit.
I have never been so alone in my life. I wish for you every day. Fortunately, Father and Mother have turned out to be surprisingly useful. No, I should have said "helpful." But I'll leave the "useful" there so you can say, "He hasn't changed." They also miss you, and among the information you're getting are letters from both Father and Mother. Also letters from them to Ender. I hope the boy gets over the snit he's in and writes back to them. Missing you has given me some idea of how they feel about Ender (and now you): If he wrote to them it would mean the world. And what would it cost him?
No, I'm not going to write to him myself. I have no stock in that company. Mom and Dad are miserable, having only me as visible proof that they reproduced. Brighten their lives, both of you. What ELSE do you have to do? I picture you gliding along at lightspeed, with servants bringing you juleps and the fawning colonists begging Ender to tell them once again about how the formic home world went boom.
Writing this sometimes feels as if I'm talking to you like old times. But at this moment it's a painful reminder that it's nothing like talking to you at all.
As the official monster of the family, I hope you will compare me to a real monster like Achilles and give me some points for not being as awful as it is possible to be. I also have to tell you that I've learned that when no one else can be trusted--and I mean no one--there is family. And somehow I managed to be complicit in driving away two of the four people I could trust. Clumsy of me, n'est-ce pas?
I love you, Valentine. I wish I had treated you better from childhood on up
. Ender too. Now, happy reading. The world is such a mess, you're glad you aren't here. But I promise you this: I will do all I can to put things back in order and bring peace. Without, I hope, waging too much war along the way.
With all my heart, your bratty brother,
Peter
Admiral Morgan kept Ender waiting outside his office for two full hours. It was exactly what Ender expected, however, so he closed his eyes and used the time to take a long, refreshing nap. He awoke to hear someone shouting from the other side of a door: "Well, wake him up and send him in, I'm ready!"
Ender sat up immediately, instantly aware of his surroundings. Even though he had never knowingly been in combat, he had acquired the military habit of remaining alert even when asleep. By the time the ensign whose duty was to waken him arrived, Ender was already standing up and smiling. "I understand it's time for my meeting with Admiral Morgan."
"Yes sir, if you please sir." The poor kid (well, six or seven years older than Ender, but still young to have an admiral yelling at him all day) was all over himself with eagerness to please Ender. So Ender made it a point to be visibly pleased. "He's in a temper," the ensign whispered.
"Let's see if I can cheer him up a little," said Ender.
"Not bloody likely," whispered the ensign. Then he had the door open. "Admiral Andrew Wiggin, sir." Ender stepped in as he was announced; the ensign beat a hasty retreat and shut the door behind him.
"What the hell do you think you're doing?" demanded Admiral Morgan, his face livid. Since Ender had been napping for two hours, that meant either that Morgan had maintained his lividity throughout the interim, or he was able to switch it on at will, for effect. Ender was betting on the latter.
"I'm meeting with the captain of the ship, at his request."
"Sir," said Admiral Morgan.
"Oh, you don't need to call me sir," said Ender. "Andrew will do. I don't like to insist on the privileges of rank." Ender sat down in a comfortable chair beside Morgan's desk, instead of the stiff chair directly in front of it.