“You, Engineer,” the Captain said.

  “They’re all right.”

  “Carry them back to the galley.”

  “Wont they do here?”

  “Carry them back to the galley.”

  They had smashed a lot of it. I could feel broken glass under my feet, so I shuffled my feet along the floor, pushing the glass aside. It smelled horrible.

  There was a scuttle in the bulkhead. Pete went through easily. But the nigger, naked from the waist up, was pretty bloody, where they had dumped him in on the broken bottles and then trampled on him, beside the wound itself, which began to bleed again when I moved him. I wedged him into the scuttle and went around into the galley and hauled at him. I tried to slip my hand down and catch the waist of his pants, but he stuck again and something broke and my hand came free with the broken string on which his charm—a cloth tobacco sack containing three hard pellets—the charm which he had said would protect him from anything that came to him across water—hung, the soiled bag dangling at the end of it. But at last I got him through.

  My hand was smarting again, and all at once we passed out of the island’s lee and the boat began to roll a little, and I leaned against the grease-crusted oil stove, wondering where the soda was. I didn’t see it, but I saw Pete’s bottle, the one he had brought aboard with him in New Orleans. I got it and took a big drink. As soon as I swallowed I knew I was going to be sick, but I kept on swallowing. Then I stopped and thought about trying to make it topside, but I quit thinking about anything and leaned on the stove and got pretty sick. I was sick for a good while, but afterward I took another drink and then I felt a little better.

  Miss Zilphia Gant

  I

  Jim Gant was a stock trader. He bought horses and mules in three adjoining counties, and with a hulking halfwitted boy to help him, drove them overland seventy-five miles to the Memphis markets.

  They carried a camping outfit with them in a wagon, passing only one night under roof during each trip. That was toward the end of the journey, where at nightfall they would reach … the first mark of man’s hand in almost fifteen miles of cypress-and-cane river jungle and worn gullies and second-growth pine … a rambling log house with stout walls and broken roof and no trace whatever of husbandry … plow or plowed land … anywhere near it. There would be usually from one to a dozen wagons standing before it and in a corral of split rails nearby the mules stamped and munched, with usually sections of harness still unremoved: about the whole place lay an air of transient and sinister dilapidation.

  Here Gant would meet and mingle with other caravans similar to his, or at times more equivocal still, of rough, unshaven, over-alled men, and they would eat coarse food and drink pale, virulent corn whiskey and sleep in their muddy clothes and boots on the puncheon floor before the log fire. The place was conducted by a youngish woman with cold eyes and a hard infrequent tongue. There was in the background a man, oldish, with cunning reddish pig’s eyes and matted hair and beard which lent a kind of ferocity to the weak face which they concealed. He was usually befuddled with drink to a state of morose idiocy, though now and then they would hear him and the woman cursing one another in the back or beyond a closed door, the woman’s voice cold and level, the man’s alternating between a rumbling bass and the querulous treble of a child.

  After Gant sold his stock he would return home to the settlement where his wife and baby lived. It was less than a village, twenty miles from the railroad in a remote section of a remote county. Mrs. Gant and the two-year-old girl lived alone in the small house while Gant was away, which was most of the time. He would be at home perhaps a week out of each eight. Mrs. Gant would never know just what day or hour he would return. Often it would be between midnight and dawn. One morning about dawn she was awakened by someone standing in front of the house, shouting “Hello, Hello” at measured intervals. She opened the window and looked out. It was the halfwit.

  “Yes?” she said. “What is it?”

  “Hello,” the halfwit bawled.

  “Hush your yelling,” Mrs. Gant said, “where’s Jim?”

  “Jim says to tell you he ain’t coming home no more,” the halfwit bawled. “Him and Mrs. Vinson taken and went off in the waggin. Jim says to tell you not to expect him back.” Mrs. Vinson was the woman at the tavern, and the halfwit stood in the making light while Mrs. Gant in a white cotton nightcap leaned in the window and cursed him with the gross violence of a man. Then she banged the window shut.

  “Jim owes me a dollar and six bits,” the halfwit bawled. “He said you would give it to me.” But the window was shut, the house silent again; no light had ever shown. Yet still the halfwit stood before it, shouting “Hello, Hello” at the blank front until the door opened and Mrs. Gant came out in her nightdress, with a shotgun and cursed him again. Then he retreated to the road and stopped again in the dawn, shouting “Hello, Hello” at the blank house until he tired himself at last and went away.

  Just after sunup the next morning Mrs. Gant, with the sleeping child wrapped in a quilt, went to a neighbor’s house and asked the woman to keep the child for her. She borrowed a pistol from another neighbor and departed. A passing wagon, bound for Jefferson, took her aboard and she passed slowly from sight that way, sitting erect in a shoddy brown coat, on the creaking seat.

  All that day the halfwit told about the dollar and seventy-five cents which Gant had taken from him and told him Mrs. Gant would repay. By noon he had told them all singly, and hoarse, voluble and recapitulant, he would offer to stop them and tell them again as they gathered at the store over the pistol incident. An ancient mariner in faded overalls he pursued them, gesticulant, shock-haired, with a wild eye and drooling a little at the mouth, telling about the dollar and seventy-five cents.

  “Jim said for me to git it from her. He said she would give hit to me.”

  He was still talking about it when Mrs. Gant returned ten days later. She returned the pistol with no more than thanks. She had not even cleaned it nor removed the two exploded cartridges … a hale, not-old woman with a broad, strong face: she had been accosted more than once during her sojourn in those equivocal purlieus of Memphis, where, with a deadly female intuition, an undeviating conviction for sin (who had never been further away from home than the county seat and who had read no magazines and seen no movies) she sought Gant and the woman with the capability of a man, the pertinacity of a Fate, the serene imperviousness of a vestal out of a violated temple, and then returned to her child, her face cold, satiate and chaste.

  The night of her return she was called to the door. It was the halfwit.

  “Jim says you would give me that dollar and.…”

  She struck him, felled him with a single blow. He lay on the floor, his hands lifted a little, his mouth beginning to open in horror and outrage. Before he could shriek she stooped and struck him again, jerking him up and holding him while she beat him in the face, he bellowing hoarsely. She lifted him bodily and flung him from the porch to the ground and entered the house, where his cries had roused the child. She sat and took it onto her lap, rocking it, her heels clapping hard and rythmic at each thrust, hushing it by singing to it in a voice louder, more powerful, than its own.

  Three months later she had sold the house for a good price; and she moved away, taking with her a battered trunk tied with cotton rope and the shotgun and the quilt in which the child slept. They learned later that she had bought a dressmaking shop in Jefferson, the county seat.

  II

  They told in the town how she and her daughter, Zilphia, lived in a single room twelve feet square for twenty-three years. It was partitioned off from the rear of the shop and it contained a bed, a table, two chairs and an oil stove. The rear window gave upon a vacant lot where farmers tethered their teams on market days and where sparrows whirled in gusty clouds about the horse and mule droppings and the refuse from the grocery store beneath. The window was barred and in it for the seven years before the county Health Officer forc
ed Mrs. Gant to let Zilphia go to school, the farmers, hitching or unhitching, would see a wan small face watching them, or, holding to the bars, coughing: a weak hacking sound soon blown away along the air, leaving the still pale face as before with something about it of that quality of Christmas wreaths in a forgotten window.

  “Who is that?” one asked.

  “Gant’s gal. Jim Gant. Used to live out to the Bend.”

  “Oh. Jim Gant. I heard about that.” They looked at the face. “Well, I reckon Mrs. Gant ain’t got a whole lot of use for men-folks no more.” They looked at the face. “But she ain’t no more than a child yet.”

  “I reckon Mrs. Gant ain’t taking no risk.”

  “Hit ain’t her risk. Hit’s whoever’s risk that would chance her.”

  “Hit’s a fact. Sho.”

  That was before Mrs. Gant came upon Zilphia and the boy lying inside a worn horse-blanket in the woods one day. It was during the time when, every morning and again at one o’clock they would see the two of them going toward the school, and every noon and afternoon returning to the barred room above the vacant lot. At midmorning recess time Mrs. Gant would close the shop and when the dismissal bell rang, she would be standing at the corner of the playground, upright, erect in a shapeless dress of dull black and an oil cloth sewing apron and her bosom festooned with threaded needles; still comely in a harsh way. Zilphia would cross the playground straight to her and the two of them would sit on the stone coping above the street level, side by side and not talking while the other children ran with random shouts back and forth behind them, until the bell rang again and Zilphia returned to her books and Mrs. Gant to the shop and the seam which she had laid aside.

  They told how it was a client of Mrs. Gant’s that got Zilphia in school. One day in the shop she was talking to Zilphia about school; Zilphia was nine then. “All the boys and girls go. You’ll like it.” Her back was to the room. She did not hear the machine cease, she only saw Zilphia’s eyes go suddenly blank and then fill with terror. Mrs. Gant stood over them.

  “Go home,” she said. Zilphia … she did not turn and walk away: she seemed to dissolve behind her wan, haunting face and terrified eyes. The client rose. Mrs. Gant was thrusting a wad of cloth into her arms. “Get out of here,” she said.

  The client fell back, her hands raised, the half-finished dress cascading to the floor. Mrs. Gant picked it up and thrust it at her again, her hands hard in a series of restrained blows. “Get out of my shop,” she said. “Don’t you never come here again.”

  Mrs. Gant went back to the room. Zilphia crouched in the corner, watching the door. Mrs. Gant drew her out by one thin arm. She began to beat Zilphia, striking her about the body with her flat hand while Zilphia’s thin arm appeared to elongate like rubber hose as she silently wrenched and strained. “Bitches!” Mrs. Gant said: “bitches!” She ceased as suddenly and sat on the bed and drew Zilphia toward her. Zilphia resisted. She began to cry and vomit, her eyeballs back-rolling until only the whites showed, shrieking and retching. Mrs. Gant got her to bed and sent for the doctor.

  At that time Zilphia was pole-thin, with a wan, haunted face and big, not-quite-conquered eyes, going to and from school at her mother’s side, behind her small tragic mask of a face. In her third year she refused one day to go back to school. She would not tell Mrs. Gant why: that she was ashamed to never be seen on the street without her mother. Mrs. Gant would not let her stop. In the spring she was ill again, from anemia and nervousness and loneliness and actual despair.

  She was sick for a long time. The doctor told Mrs. Gant that Zilphia would have to have companionship, to play with children of her own age and out-of-doors. When Zilphia was convalescent Mrs. Gant came in one day with a miniature cook stove. “Now you can have the girls in and you can cook,” she said. “Won’t that be nicer than visiting?” Zilphia lay on the pillow, not less white than it. Her eyes looked like holes thumbed into a piece of blotting paper. “You can have a tea party every day,” Mrs. Gant said. “I’ll make dresses for all the dolls.”

  Zilphia began to cry. She lay on the pillow, crying, her hands at her sides. Mrs. Gant took the stove away. She took it back to the store and made them return her money.

  Zilphia was convalescent for a long time. She still had sudden crying fits. When she was up Mrs. Gant asked her what girls she would like to visit. Zilphia named three or four. That afternoon Mrs. Gant locked the shop. She was seen in three different parts of town, looking at houses. She stopped passers. “Who lives there?” she said. They told her. “What family have they got?” The passer looked at her. She faced him steadily: a strong, still comely woman. “Have they got any boys?”

  The next day she gave Zilphia permission to visit one of them. Zilphia would go home with the girl from school on certain days and they played in the barn or, in bad weather, in the house. At a certain hour Mrs. Gant appeared at the gate in a black shawl and bonnet and she and Zilphia returned to the barred room above the lot. And each afternoon … behind the barn a short pasture sloped to a ditch where scrub cedars grew … in these cedars Mrs. Gant sat on a wooden box from the time school was out until the time for Zilphia to start home, when she would hide the box again and go around by the next street to the gate and be waiting there when Zilphia emerged from the house. She did not watch the barn or, in the winter time, the house; she just sat there … a woman who for twelve years had been growing into the outward semblance of a man until now at forty there was a faint shadow of moustache at the corner of her mouth … in the timeless patience of her country raising and her cold and implacable paranoia, in the mild weather, or with the shawl drawn close about her against the rain and cold.

  In Zilphia’s thirteenth year Mrs. Gant began to examine her body each month. She made Zilphia strip naked and stand cringing before her while the savage light fell through the bars and the gray winter drove above the lot. After one of these examinations … it was in the spring … she told Zilphia what her father had done and what she had done. She sat on the bed while Zilphia cringed swiftly into her clothes, telling her about it in a cold, level voice, in the language of a man while Zilphia’s thin body shrank and shrank as though in upon itself, as though at the impact of the words. Then her voice ceased. She was sitting on the bed, upright, motionless, her cold mad eyes gone blank as a statue’s; and standing before her, her mouth open a little, Zilphia thought of a rock or a pile from which an abruptly undammed stream has roared away.

  They lived now in a kind of armistice. They slept in the same bed and ate of the same food for days in complete silence; sitting at the machine Mrs. Gant would hear Zilphia’s feet pass through the room and cease beyond the stairs to the street, without even raising her head. Yet now and then she would close the shop and with the shawl about her shoulders she would repair to the less frequented streets and lanes on the edge of town and after a while she would meet Zilphia walking rapidly and aimlessly. Then together they would return home without a word between them.

  One afternoon Zilphia and the boy were lying beneath the blanket. It was in a ditch in the woods on the outskirts of town, within hailing distance of the highroad. They had been doing this for about a month, lying in the mutual, dreamlike mesmeric throes of puberty, rigid, side by side, their eyes closed, not even talking. When Zilphia opened her eyes she was looking up at Mrs. Gant’s inverted face and foreshortened body against the sky.

  “Get up,” Mrs. Gant said. Zilphia lay quietly looking up at her. “Get up, you bitch,” Mrs. Gant said.

  The next day Zilphia withdrew from school. In an oil cloth sewing apron she sat in a chair beside the window which gave upon the square; beside it Mrs. Gant’s machine whirred and whirred. The window was not barred. Through it she watched the children with whom she had gone to school begin to fall into inevitable pairs and pass into and out of her vision, some of them as far as the minister or the church; one year she made the white gown for the girl whom she used to visit; four years later, dresses for her daughter. She sat be
side the window for twelve years.

  III

  In the town they told about Miss Zilphia’s beau, with amusement and pity and, here and there, with concern. “He’ll take advantage of her,” they said. “It ought not to be allowed. A person of her … surely they would not sell her a license, even if.…” She was a neat woman, with neat hair. Her skin was the color of celery and she was a little plump in a flabby sort of way. Her glasses lent a baffled, ascetic look to her face, enlarging her opaque irises. As long as she had a needle in her fingers and was unobserved, her movements were direct, assured; but on the street, in the hat and clothes which her mother made for her, they had that vague, indefinite awkwardness of the nearsighted.

  “But surely you don’t think that she … of course, her mother is crazy, but Zilphia … poor girl.”

  “It’s a shame. A tramp painter. She should be protected. How her mother can be so blind I cannot.…”

  He was a young man with black hair and eyes like wood ashes. One day Mrs. Gant found that he had been painting in the window at Zilphia’s chair for two days. She moved Zilphia into the back room … it was now a fitting room; for two years now they had been living in a frame bungalow bleak as a calendar picture, on an obscure street … and when he came inside to paint the walls Mrs. Gant closed the shop and she and Zilphia went home. For eight days Zilphia had a holiday, the first in twelve years.

  Robbed of her needle, of the slow mechanical manipulation, Zilphia’s eyes began to pain her, and she could not sleep well. She would wake from dreams in which the painter performed monstrously with his pot and brush. In the dream his eyes were yellow instead of gray, and he was always chewing, his chin fading away into the blurred drool of the chewing; one night she waked herself by saying aloud, “He’s got a beard!” Now and then she dreamed of the pot and brush alone. They would be alive, performing of themselves actions of monstrous and ritualled significance.