"Why'd you have to throw sand in my face?" moaned Luke. "Why'd you have to make me start a fight?"
And my mother quietly admitted to me, "I told you to stop their fight. I told you to take your eyes off him."
If I had had any time at all to feel a sense of relief, it would have quickly evaporated, because my mother also said, "So now I am telling you, we must go and find him, quickly, tomorrow morning." And everybody's eyes looked down. But I saw it as my punishment: to go out with my mother, back to the beach, to help her find Bing's body.
Nothing prepared me for what my mother did the next day. When I woke up, it was still dark and she was already dressed. On the kitchen table was a thermos, a teacup, the white leatherette Bible, and the car keys.
"Is Daddy ready?" I asked.
"Daddy's not coming," she said.
"Then how will we get there? Who will drive us?"
She picked up the keys and I followed her out the door to the car. I wondered the whole time as we drove to the beach how she had learned to drive overnight. She used no map. She drove smoothly ahead, turning down Geary, then the Great Highway, signaling at all the right times, getting on the Coast Highway and easily winding the car around the sharp curves that often led inexperienced drivers off and over the cliffs.
When we arrived at the beach, she walked immediately down the dirt path and over to the end of the reef ledge, where I had seen Bing disappear. She held in her hand the white Bible. And looking out over the water, she called to God, her small voice carried up by the gulls to heaven. It began with "Dear God" and ended with "Amen," and in between she spoke in Chinese.
"I have always believed in your blessings," she praised God in that same tone she used for exaggerated Chinese compliments. "We knew they would come. We did not question them. Your decisions were our decisions. You rewarded us for our faith.
"In return we have always tried to show our deepest respect. We went to your house. We brought you money. We sang your songs. You gave us more blessings. And now we have misplaced one of them. We were careless. This is true. We had so many good things, we couldn't keep them in our mind all the time.
"So maybe you hid him from us to teach us a lesson, to be more careful with your gifts in the future. I have learned this. I have put it in my memory. And now I have come to take Bing back."
I listened quietly as my mother said these words, horrifed. And I began to cry when she added, "Forgive us for his bad manners. My daughter, this one standing here, will be sure to teach him better lessons of obedience before he visits you again."
After her prayer, her faith was so great that she saw him, three times, waving to her from just beyond the first wave. "Nale!"—There! And she would stand straight as a sentinel, until three times her eyesight failed her and Bing turned into a dark spot of churning seaweed.
My mother did not let her chin fall down. She walked back to the beach and put the Bible down. She picked up the thermos and teacup and walked to the water's edge. Then she told me that the night before she had reached back into her life, back when she was a girl in China, and this is what she had found.
"I remember a boy who lost his hand in a firecracker accident," she said. "I saw the shreds of this boy's arm, his tears, and then I heard his mother's claim that he would grow back another hand, better than the last. This mother said she would pay back an ancestral debt ten times over. She would use a water treatment to soothe the wrath of Chu Jung, the three-eyed god of fire. And true enough, the next week this boy was riding a bicycle, both hands steering a straight course past my astonished eyes!"
And then my mother became very quiet. She spoke again in a thoughtful, respectful manner.
"An ancestor of ours once stole water from a sacred well. Now the water is trying to steal back. We must sweeten the temper of the Coiling Dragon who lives in the sea. And then we must make him loosen his coils from Bing by giving him another treasure he can hide."
My mother poured out tea sweetened with sugar into the teacup, and threw this into the sea. And then she opened her fist. In her palm was a ring of watery blue sapphire, a gift from her mother, who had died many years before. This ring, she told me, drew coveting stares from women and made them inattentive to the children they guarded so jealously. This would make the Coiling Dragon forgetful of Bing. She threw the ring into the water.
But even with this, Bing did not appear right away. For an hour or so, all we saw was seaweed drifting by. And then I saw her clasp her hands to her chest, and she said in a wondrous voice, "See, it's because we were watching the wrong direction." And I too saw Bing trudging wearily at the far end of the beach, his shoes hanging in his hand, his dark head bent over in exhaustion. I could feel what my mother felt. The hunger in our hearts was instantly filled. And then the two of us, before we could even get to our feet, saw him light a cigarette, grow tall, and become a stranger.
"Ma, let's go," I said as softly as possible.
"He's there," she said firmly. She pointed to the jagged wall across the water. "I see him. He is in a cave, sitting on a little step above the water. He is hungry and a little cold, but he has learned now not to complain too much."
And then she stood up and started walking across the sandy beach as though it were a solid paved path, and I was trying to follow behind, struggling and stumbling in the soft mounds. She marched up the steep path to where the car was parked, and she wasn't even breathing hard as she pulled a large inner tube from the trunk. To this lifesaver, she tied the fishing line from my father's bamboo pole. She walked back and threw the tube into the sea, holding onto the pole.
"This will go where Bing is. I will bring him back," she said fiercely. I had never heard so much nengkan in my mother's voice.
The tube followed her mind. It drifted out, toward the other side of the cove where it was caught by stronger waves. The line became taut and she strained to hold on tight. But the line snapped and then spiraled into the water.
We both climbed toward the end of the reef to watch. The tube had now reached the other side of the cove. A big wave smashed it into the wall. The bloated tube leapt up and then it was sucked in, under the wall and into a cavern. It popped out. Over and over again, it disappeared, emerged, glistening black, faithfully reporting it had seen Bing and was going back to try to pluck him from the cave. Over and over again, it dove and popped back up again, empty but still hopeful. And then, after a dozen or so times, it was sucked into the dark recess, and when it came out, it was torn and lifeless.
At that moment, and not until that moment, did she give up. My mother had a look on her face that I'll never forget. It was one of complete despair and horror, for losing Bing, for being so foolish as to think she could use faith to change fate. And it made me angry—so blindingly angry—that everything had failed us.
I know now that I had never expected to find Bing, just as I know now I will never find a way to save my marriage. My mother tells me, though, that I should still try.
"What's the point?" I say. "There's no hope. There's no reason to keep trying."
"Because you must," she says. "This is not hope. Not reason. This is your fate. This is your life, what you must do."
"So what can I do?"
And my mother says, "You must think for yourself, what you must do. If someone tells you, then you are not trying." And then she walks out of the kitchen to let me think about this.
I think about Bing, how I knew he was in danger, how I let it happen. I think about my marriage, how I had seen the signs, really I had. But I just let it happen. And I think now that fate is shaped half by expectation, half by inattention. But somehow, when you lose something you love, faith takes over. You have to pay attention to what you lost. You have to undo the expectation.
My mother, she still pays attention to it. That Bible under the table, I know she sees it. I remember seeing her write in it before she wedged it under.
I lift the table and slide the Bible out. I put the Bible on the table, flipping quic
kly through the pages, because I know it's there. On the page before the New Testament begins, there's a section called "Deaths," and that's where she wrote "Bing Hsu" lightly, in erasable pencil.
Half and Half | Up
* * *
Two Kinds
Jing-Mei Woo
* * *
My mother believed you could be anything you wanted to be in America. You could open a restaurant. You could work for the government and get good retirement. You could buy a house with almost no money down. You could become rich. You could become instantly famous.
"Of course you can be prodigy, too," my mother told me when I was nine. "You can be best anything. What does Auntie Lindo know? Her daughter, she is only best tricky."
America was where all my mother's hopes lay. She had come here in 1949 after losing everything in China: her mother and father, her family home, her first husband, and two daughters, twin baby girls. But she never looked back with regret. There were so many ways for things to get better.
We didn't immediately pick the right kind of prodigy. At first my mother thought I could be a Chinese Shirley Temple. We'd watch Shirley's old movies on TV as though they were training films. My mother would poke my arm and say, "Ni kan"—You watch. And I would see Shirley tapping her feet, or singing a sailor song, or pursing her lips into a very round O while saying, "Oh my goodness."
"Ni kan," said my mother as Shirley's eyes flooded with tears. "You already know how. Don't need talent for crying!"
Soon after my mother got this idea about Shirley Temple, she took me to a beauty training school in the Mission district and put me in the hands of a student who could barely hold the scissors without shaking. Instead of getting big fat curls, I emerged with an uneven mass of crinkly black fuzz. My mother dragged me off to the bathroom and tried to wet down my hair.
"You look like Negro Chinese," she lamented, as if I had done this on purpose.
The instructor of the beauty training school had to lop off these soggy clumps to make my hair even again. "Peter Pan is very popular these days," the instructor assured my mother. I now had hair the length of a boy's, with straight-across bangs that hung at a slant two inches above my eyebrows. I liked the haircut and it made me actually look forward to my future fame.
In fact, in the beginning, I was just as excited as my mother, maybe even more so. I pictured this prodigy part of me as many different images, trying each one on for size. I was a dainty ballerina girl standing by the curtains, waiting to hear the right music that would send me floating on my tiptoes. I was like the Christ child lifted out of the straw manger, crying with holy indignity. I was Cinderella stepping from her pumpkin carriage with sparkly cartoon music filling the air.
In all of my imaginings, I was filled with a sense that I would soon become perfect. My mother and father would adore me. I would be beyond reproach. I would never feel the need to sulk for anything.
But sometimes the prodigy in me became impatient. "If you don't hurry up and get me out of here, I'm disappearing for good," it warned. "And then you'll always be nothing."
Every night after dinner, my mother and I would sit at the Formica kitchen table. She would present new tests, taking her examples from stories of amazing children she had read in Ripley's Believe It or Not, or Good Housekeeping, Reader's Digest, and a dozen other magazines she kept in a pile in our bathroom. My mother got these magazines from people whose houses she cleaned. And since she cleaned many houses each week, we had a great assortment. She would look through them all, searching for stories about remarkable children.
The first night she brought out a story about a three-year-old boy who knew the capitals of all the states and even most of the European countries. A teacher was quoted as saying the little boy could also pronounce the names of the foreign cities correctly.
"What's the capital of Finland?" my mother asked me, looking at the magazine story.
All I knew was the capital of California, because Sacramento was the name of the street we lived on in Chinatown. "Nairobi!" I guessed, saying the most foreign word I could think of. She checked to see if that was possibly one way to pronounce " Helsinki" before showing me the answer.
The tests got harder—multiplying numbers in my head, finding the queen of hearts in a deck of cards, trying to stand on my head without using my hands, predicting the daily temperatures in Los Angeles, New York, and London.
One night I had to look at a page from the Bible for three minutes and then report everything I could remember. "Now Jehoshaphat had riches and honor in abundance and…that's all I remember, Ma," I said.
And after seeing my mother's disappointed face once again, something inside of me began to die. I hated the tests, the raised hopes and failed expectations. Before going to bed that night, I looked in the mirror above the bathroom sink and when I saw only my face staring back—and that it would always be this ordinary face—I began to cry. Such a sad, ugly girl! I made highpitched noises like a crazed animal, trying to scratch out the face in the mirror.
And then I saw what seemed to be the prodigy side of me—because I had never seen that face before. I looked at my reflection, blinking so I could see more clearly. The girl staring back at me was angry, powerful. This girl and I were the same. I had new thoughts, willful thoughts, or rather thoughts filled with lots of won'ts. I won't let her change me, I promised myself. I won't be what I'm not.
So now on nights when my mother presented her tests, I performed listlessly, my head propped on one arm. I pretended to be bored. And I was. I got so bored I started counting the bellows of the foghorns out on the bay while my mother drilled me in other areas. The sound was comforting and reminded me of the cow jumping over the moon. And the next day, I played a game with myself, seeing if my mother would give up on me before eight bellows. After a while I usually counted only one, maybe two bellows at most. At last she was beginning to give up hope.
Two or three months had gone by without any mention of my being a prodigy again. And then one day my mother was watching The Ed Sullivan Show on TV. The TV was old and the sound kept shorting out. Every time my mother got halfway up from the sofa to adjust the set, the sound would go back on and Ed would be talking. As soon as she sat down, Ed would go silent again. She got up, the TV broke into loud piano music. She sat down. Silence. Up and down, back and forth, quiet and loud. It was like a stiff embraceless dance between her and the TV set. Finally she stood by the set with her hand on the sound dial.
She seemed entranced by the music, a little frenzied piano piece with this mesmerizing quality, sort of quick passages and then teasing lilting ones before it returned to the quick playful parts.
"Ni kan," my mother said, calling me over with hurried hand gestures, "Look here."
I could see why my mother was fascinated by the music. It was being pounded out by a little Chinese girl, about nine years old, with a Peter Pan haircut. The girl had the sauciness of a Shirley Temple. She was proudly modest like a proper Chinese child. And she also did this fancy sweep of a curtsy, so that the fluffy skirt of her white dress cascaded slowly to the floor like the petals of a large carnation.
In spite of these warning signs, I wasn't worried. Our family had no piano and we couldn't afford to buy one, let alone reams of sheet music and piano lessons. So I could be generous in my comments when my mother bad-mouthed the little girl on TV.
"Play note right, but doesn't sound good! No singing sound," complained my mother.
"What are you picking on her for?" I said carelessly. "She's pretty good. Maybe she's not the best, but she's trying hard." I knew almost immediately I would be sorry I said that.
"Just like you," she said. "Not the best. Because you not trying." She gave a little huff as she let go of the sound dial and sat down on the sofa.
The little Chinese girl sat down also to play an encore of "Anitra's Dance" by Grieg. I remember the song, because later on I had to learn how to play it.
Three days after watching The Ed Sullivan
Show, my mother told me what my schedule would be for piano lessons and piano practice. She had talked to Mr. Chong, who lived on the first floor of our apartment building. Mr. Chong was a retired piano teacher and my mother had traded housecleaning services for weekly lessons and a piano for me to practice on every day, two hours a day, from four until six.
When my mother told me this, I felt as though I had been sent to hell. I whined and then kicked my foot a little when I couldn't stand it anymore.
"Why don't you like me the way I am? I'm not a genius! I can't play the piano. And even if I could, I wouldn't go on TV if you paid me a million dollars!" I cried.
My mother slapped me. "Who ask you be genius?" she shouted. "Only ask you be your best. For you sake. You think I want you be genius? Hnnh! What for! Who ask you!"
"So ungrateful," I heard her mutter in Chinese. "If she had as much talent as she has temper, she would be famous now."
Mr. Chong, whom I secretly nicknamed Old Chong, was very strange, always tapping his fingers to the silent music of an invisible orchestra. He looked ancient in my eyes. He had lost most of the hair on top of his head and he wore thick glasses and had eyes that always looked tired and sleepy. But he must have been younger than I thought, since he lived with his mother and was not yet married.
I met Old Lady Chong once and that was enough. She had this peculiar smell like a baby that had done something in its pants. And her fingers felt like a dead person's, like an old peach I once found in the back of the refrigerator; the skin just slid off the meat when I picked it up.
I soon found out why Old Chong had retired from teaching piano. He was deaf. "Like Beethoven!" he shouted to me. "We're both listening only in our head!" And he would start to conduct his frantic silent sonatas.
Our lessons went like this. He would open the book and point to different things, explaining their purpose: "Key! Treble! Bass! No sharps or flats! So this is C major! Listen now and play after me!"