The most important thing about it, however, was that this was his place, not theirs, and that fact re-established their relations on a different level. Henceforth he was determined not to let his life and love be one. She had her world of the theatre and of her rich friends which he did not want to belong to, and he had his world of writing which he would have to manage alone. He would keep love a thing apart, and safeguard to himself the mastery of his life, his separate soul, his own integrity.
Would she accept this compromise? Would she take his love, but leave him free to live his life and do his work? That was the way he told her it must be, and she said yes, she understood. But could she do it? Was it in a woman's nature to be content with all that a man could give her, and not for ever want what was not his to give? Already there were little portents that made him begin to doubt it.
One morning when she came to see him and was telling him with spirit and great good humour about a little comedy she had witnessed in the street, suddenly she stopped short in the middle of it, a cloud passed over her face, her eyes became troubled, and she turned to him and said:
"You do love me, don't you, George?"
"Yes," he said. "Of course. You know I do."
"Will you never leave me again?" she asked, a little breathless. "Will you go on loving me for ever?"
Her abrupt change of mood and her easy assumption that he or any human being could honestly pledge himself to anyone or anything for ever struck him as ludicrous, and he laughed.
She made an impatient gesture with her hand. "Don't laugh, George," she said. "I need to know. Tell me. Will you go on loving me for ever?"
Her seriousness, and the impossibility of giving her an answer annoyed him now, and he rose from his chair, stared down blankly at her for a moment, and then began pacing back and forth across the room. He paused once or twice and turned to her as if to speak, but, finding it hard to say what he wanted to say, he resumed his nervous pacing.
Esther followed him with her eyes; their expression betraying her mixed feelings, in which amusement and exasperation were giving way to alarm.
"What have I done now?" she thought. "God, was there ever anybody like him! You never can tell what he'll do! All I did was ask him a simple question and he acts like this! Still, it's better than the way he used to act. He used to blow up and call me vile names. Now he just stews in his own juice and I can't tell what he's thinking. Look at him--pacing like a wild animal in a cage, like a temperamental and introspective monkey!"
As a matter of fact, in moments of excitement George did look rather like a monkey. Barrel-chested, with broad, heavy shoulders, he walked with a slight stoop, letting his arms swing loosely, and they were so long that they dangled almost to the knees, the big hands and spatulate fingers curving deeply in like paws. His head, set down solidly upon a short neck, was carried somewhat forward with a thrusting movement, so that his whole figure had a prowling and half-crouching posture. He looked even shorter than he was, for, although he was an inch or two above the middle height, around five feet nine or ten, his legs were not quite proportionate to the upper part of his body. Moreover, his features were small--somewhat pug-nosed, the eyes set very deep in beneath heavy brows, the forehead rather low, the hair beginning not far above the brows. And when he was agitated or interested in something, he had the trick of peering upward with a kind of packed attentiveness, and this, together with his general posture, the head thrust forward, the body prowling downwards, gave him a distinctly simian appearance. It was easy to see why some of his friends called him Monk.
Esther watched him a minute or two, feeling disappointed and hurt that he had not answered her. He stopped by the front window and stood looking out, and she went over to him and quietly put her arm through his. She saw the vein swell in his temple, and knew there was no use in speaking.
Outside, the little Jewish tailors were coming from the office of their union next door and were standing in the street. They were pale, dirty, and greasy, and very much alive. They shouted and gesticulated at one another, they stroked each other gently on the cheek in mounting fury, saying tenderly in a throttled voice: "Nah! Nah! Nah!" Then, still smiling in their rage, they began to slap each other gently in the face with itching finger-tips. At length they screamed and dealt each other stinging slaps. Others cursed and shouted, some laughed, and a few said nothing, but stood darkly, sombrely apart, feeding upon their entrails.
Then the young Irish cops charged in among them. There was something bought and corrupt about their look. They had brutal and brainless faces, full of pride. Their jaws were loose and coarse, they chewed gum constantly as they shoved and thrust their way along, and they kept saying:
"Break it up, now! Break it up! All right! Keep movin'!"
The motors roared by like projectiles, and people were passing along the pavement. There were the faces George and Esther had never seen before, and there were the faces they had always seen, everywhere: always different, they never changed; they welled up from the sourceless springs of life with unending fecundity, with limitless variety, with incessant movement, and with the monotony of everlasting repetition. There were the three girl-friends who pass along the streets of life for ever. One had a cruel and sensual face, she wore glasses, and her mouth was hard and vulgar. Another had the great nose and the little bony features of a rat. The face of the third was full and loose, jeering with fat rouged lips and oily volutes of the nostrils. And when they laughed, there was no warmth or joy in the sound: high, shrill, ugly, and hysterical, their laughter only asked the earth to notice them.
In the street the children played. They were dark and strong and violent, aping talk and toughness from their elders. They leaped on one another and hurled the weakest to the pavement. The policemen herded the noisy little tailors along before them, and they went away. The sky was blue and young and vital, there were no clouds in it; the trees were budding into leaf; the sunlight fell into the street, upon all the people there, with an innocent and fearless life.
Esther glanced at George and saw his face grow twisted as he looked. He wanted to say to her that we are all savage, foolish, violent, and mistaken; that, full of our fear and confusion, we walk in ignorance upon the living and beautiful earth, breathing young, vital air and bathing in the light of morning, seeing it not because of the murder in our hearts.
But he did not say these things. Wearily he turned away from the window.
"There's for ever," he said. "There's your for ever."
* * *
2. Fame's First Wooing
In spite of the colourings of guilt that often tinged his brighter moods, George was happier than he had ever been. There can be no doubt about that. He exulted in the fact. The old madness had gone out of him, and for long stretches at a time he was now buoyed up by the glorious belief--not by any means a new one with him, though it was much stronger now than it had ever been before--that he was at last in triumphant control of his destiny. From his early childhood, when he was living like an orphan with his Joyner relatives back in Libya Hill, he had dreamed that one day he would go to New York and there find love and fame and fortune. For several years New York had been the place that he called home, and love was his already; and now he felt, with the assurance of deep conviction, that the time for fame and fortune was at hand.
Anyone is happy who confidently awaits the fulfilment of his highest dreams, and in that way George Was happy. And, like most of us when things are going well, he took the credit wholly to himself. It was not chance or luck or any blind confluence of events that had produced the change in his spirits: his contentment and sense of mastery were the reward of his own singular and peculiar merit, and no more than his just due. Nevertheless fortune had played a central part in his transformation. A most incredible thing had happened.
He had been back in New York only a few days when Lulu Scudder, the literary agent, telephoned him in great excitement. The publishing house of James Rodney & Co. was interested in
his manuscript, and Foxhall Edwards, the distinguished editor of this great house, wanted to talk to him about it. Of course, you couldn't tell about these things, but it was always a good idea to strike while the iron was hot. Could he go over right away to see Edwards?
As he made his way uptown George told himself that it was silly to be excited, that probably nothing would come of it. Hadn't one publisher already turned the book down, saying that it was no novel? That publisher had even written---and the words of his rejection had seared themselves in. George's brain--"The novel form is not adapted to such talents, as you have." And it was still the same manuscript. Not a line of it had been changed, not a word cut, in spite of hints from Esther and Miss Scudder that it was too long for any publisher to handle. He had stubbornly refused to alter it, insisting that it would have to be printed as it was or not at all. And he had left the manuscript with Miss Scudder and gone away to Europe, convinced that her efforts to find a publisher would prove futile.
All the time he was abroad it had nauseated him to think of his manuscript, of the years of work and sleepless nights, he had put into it, and of the high hopes that bad sustained him through it; and he had tried, not to think of it, convinced now that it was no good, that he himself was no good, and that all his hot ambitions and his dreams of fame were the vapourings of a shoddy aesthete without talent. In this, he told himself, he was just like most of the other piddling instructors at the School for Utility Cultures, from which he had fled, and to which he would return to resume his classes in English composition when his leave of absence expired. They talked for ever about the great books they were writing, or were going to write, because, like him, they needed so desperately to find some avenue of escape from the dreary round of teaching, reading themes, grading papers, and trying to strike a spark in minds that had no flint in them. He had stayed in Europe almost nine months, and no word had come from Miss Scudder, so he had felt confirmed in all his darkest forebodings.
But now she said the Rodney people were interested. Well, they had taken their time about it. And what did "interested" mean? Very likely they would tell him they had detected in the book some slight traces of a talent which, with careful nursing, could be schooled to produce, in time, a publishable book. He had heard that publishers sometimes had a weather eye for this sort of thing and that they would often string an aspiring author along for years, giving him just the necessary degree, of encouragement to keep him from abandoning hope altogether and to make him think that they had faith in his great future if only he would go on writing book after rejected book until he "found himself". Well, he'd show them that he was not their fool! Not by so much as a flicker of an eyelash would he betray his disappointment, and he would commit himself to nothing!
If the traffic policeman on the corner noticed a strange young man in front of the office of James Rodney & Co. that morning, he would never have guessed at the core of firm resolution with which this young man had tried to steel himself for the interview that lay before him. If the policeman saw him at all, he probably observed him with misgiving, wondering whether he ought not to intervene to prevent the commission of a felony, or at any rate whether he ought not to speak to the young man and hold him in conversation until the ambulance could arrive and take him to Bellevue for observation.
For, as the young man approached the building at a rapid, loping stride, a stern scowl upon his face and his lips set in a grim line, he had hardly crossed the street and set his foot upon the kerb before the publisher's building when his step faltered, he stopped and looked about him as if not knowing what to do, and then, in evident confusion, forced himself to go on. 'But now his movements were uncertain; as if his legs obeyed his will with great reluctance. He lunged ahead, then stopped, then lunged again and made for the door, only to halt again in a paroxysm of indecision as he came up to it. He stood there facing the door for a moment, clenching and unclenching his hands, then looked about him quickly, suspiciously, as though he expected to find somebody watching him. At last, with a slight shudder of resolution, he thrust his hands deep into his pockets, turned deliberately, and walked on past the door.
And now he moved slowly, the line of his mouth set grimmer than before, and his head was carried stiffly forward from the shoulders as if he were trying to hold himself to the course he had decided upon by focusing on some distant object straight before him. But all the while, as he went along before the entrance and the show windows filled with books which flanked it on both sides, he peered sharply out of the corner of his eye like a spy who had to find out what was going on inside the building without letting the passers-by observe his interest. He walked to the end of the block and turned about and then came back, and again as he passed in front of the publishing house he kept his face fixed straight ahead and looked stealthily out of the corner of his eye. For fifteen or twenty minutes he repeated this strange manoeuvred, and each time as he approached the door he-would hesitate and half turn as if about to enter, and then abruptly go on as before.
Finally, as he came abreast of the entrance for perhaps the fiftieth time, he quickened his stride and seized the door-knob--but at once, as though it had given him an electric shock, he snatched his hand away and backed off, and stood on the kerb looking up at the house of James Rodney & Co. For several minutes more he stood there, shifting uneasily on his feet and watching all the upper windows as for a sign. Then, suddenly, his jaw muscles tightened, he stuck out his under lip in desperate resolve, and he bolted across the pavement, hurled himself against the door, and disappeared inside.
An hour later, if the policeman was still on duty at the corner, he was no doubt as puzzled and mystified as before by the young man's behaviour as he emerged from the building. He came out slowly, walking mechanically, a dazed look on his face, and in one of his hands, which dangled loosely at his sides, he held a crumpled slip of yellow paper. He emerged from the office of James Rodney & Co. like a man walking in a trance. With the slow and thoughtless movements of an automaton, he turned his steps uptown, and, still with the rapt and dazed look upon his face, he headed north and disappeared into the crowd..
It was, late afternoon and the shadows were slanting swiftly eastwards when George Webber came to his senses somewhere in the wilds of the upper Bronx. How he got there he never knew. All he could remember was that suddenly he felt hungry and stopped and looked about him and realized where he was. His dazed look gave way to one of amazement and incredulity, and his mouth began W stretch in a broad grin. In his hand he still held the rectangular slip of crisp yellow paper, and slowly he smoothed out the wrinkles and examined it carefully.
It was a cheque for five hundred dollars. His book bad been accepted, and this was an advance against his royalties.
So he was happier than he had ever been in all his life. Fame, at last, was knocking at his door and wooing him with her sweet blandishments, and he lived in a kind of glorious delirium. The next weeks and months were filled with the excitement of the impending event. The book would not be published till the autumn, but meanwhile there was much work to do. Foxhall Edwards had made some suggestions for cutting and revising the manuscript, and, although George at first objected, he surprised himself in the end by agreeing with Edwards, and he undertook to do what Edwards wanted.
George had called his novel, Home to Our Mountains, and in it he had packed everything he knew about his home town in Old Catawba and the people there. He had distilled every line of it out of his own experience of life. And, now that the issue was decided, he sometimes trembled when he thought that it would be only a matter of months before the whole world knew what he had written. He loathed the thought of giving pain to anyone, and that he might do so had never occurred to him till now. But now it was out of his hands, and he began to feel uneasy. Of course it was fiction, but it was made as all honest fiction must be, from the stuff of human life. Some people might recognize themselves, and be offended, and then what would he do? Would he have to go around in smoked g
lasses and false whiskers? He comforted himself with the hope that his characterisations were not so true as, in another mood, he liked to think they, were, and he thought that perhaps no one would notice anything.
Rodney's Magazine, too, had become interested in the young author and was going to publish a story, a chapter from the book, in their next number. This news added immensely to his excitement. He was eager to see his name in print, and in the happy interval of expectancy he felt like a kind of universal Don Juan, for he literally loved everybody--his fellow instructors at the school, his drab students, the little shopkeepers in all the stores, even the nameless hordes that thronged the streets. Rodney's, of course, was the greatest and the finest publishing house in all the world, and Foxhall Edwards was the greatest editor and the finest man that ever was. George had liked him instinctively from the first, and now, like an old and intimate friend, he was calling him Fox. George knew that Fox believed in him, and the editor's faith and confidence, coming as it had come, at a time when George had given up all hope, restored his self-respect and charged him with energy for new work.
Already his next novel was begun and was beginning to take shape within him. He would soon have to get it out of him. He dreaded the prospect of buckling down in earnest to write it, for he knew the agony of it. It was like demoniacal possession, driving him with an alien force much greater than his own. While the fury of creation was upon him, it meant sixty cigarettes a day, twenty cups of coffee, meals snatched anyhow and anywhere and at whatever time of day or night he happened to remember he was hungry. It meant sleeplessness, and miles of walking to bring on the physical fatigue without which he could not sleep, then nightmares, nerves, and exhaustion in the morning. As he said to Fox: