Janey was asleep on her side, snoring a bit, her butt thrust toward him, which Virgil believed was not an accident. They’d already gone around twice, but Janey was fond of what she called “threesies,” and Virgil had been married to her long enough to understand the signal he was getting. Married to her second; that is, between his first and third wives. And before her third and fourth.
Janey Small had been a rotten idea. Virgil had been in town, had dropped by the Minnesota Music Café to see what was up, and there she was, leaning on the bar, the wonder of the universe packed into a pair of women’s 501s.
One thing led to another—it wasn’t like they were sexually incompatible. That hadn’t been the problem. They’d just been incompatible in every other way, like when she became webmaster of a Celine Dion fan site, or decided that fried tofu strips were better than bacon, or that fish felt lip pain.
Janey.
A problem. He liked her, but only for a couple hours at a time.
Maybe if he could slide really slowly over to the edge of the bed . . . his jeans and boots and shirt were right there on the floor, he could be halfway to the door before she woke up.
Virgil was making his move when the cell phone went off on the nightstand, and Janey woke with a start and rolled flat and said, “You left the cell phone on, you goddamned moron.”
Not like she had a mouth on her.
Virgil fumbled for the phone, peered at the view-screen, hoping against hope that the call was from an 888 number, but it wasn’t.
Lucas Davenport. Virgil said aloud, “It’s Davenport.”
“That’s not good,” Janey said. She was a cop groupie and knew what a late-night call meant. Her last husband, Small, worked vice in St. Paul. Janey said he’d picked up some entertaining tips on the job, but unfortunately was deeply enmeshed in his model-train hobby, and when he began building the Rock Island Line in the living room, she moved out.
In any case, she knew Lucas. “So answer it.”
He did. “Yeah, Lucas,” Virgil said into the cell phone.
“You sound like you’re already awake,” Lucas said.
“Just getting ready for bed,” Virgil said. “I’m kinda beat up.”
“No, he isn’t,” Janey shouted. “He’s over here fuckin’ me.”
“Who was that?” Lucas asked. “Was that Janey Carter?”
“Ah, man,” Virgil said. “It’s Janey Small now. She got married to Greg Small over at St. Paul. They broke up.”
“There’s a surprise,” Lucas said. “Listen: get out to Stillwater. The Stillwater cops have a body at a veterans’ memorial. With a lemon.”
“What?” He swung his feet over the edge of the bed. “Two shots to the head?”
“Exactly,” Lucas said. “They’d like to move the body before the TV people get onto it. It looks exactly like Utecht, and you’re the guy. Tom Mattson is the chief out there, he called operations and they yanked me out of bed.”
“Okay, okay,” Virgil said. “I might need some backup. This could get ugly.”
“Yeah, I know—and I’m heading into D.C. tomorrow for more convention stuff. Del’s going with me, the feds are briefing us on the counterculture people. You can have Shrake and Jenkins if you need them. I’ll be on my cell phone if you need some weight, and I’ll leave a note for Rose Marie.”
“Okay.”
“You gotta move on this,” Lucas said. “Take your gun with you.”
“I’m on my way. I’m putting on my boots,” Virgil said. “I got my gun right here.”
“Stay in touch,” Lucas said, and he was gone.
Janey said, “Don’t let the door hit you in the ass.”
THREE-THIRTY in the morning, running not that late, he thought, ninety-five miles an hour east out of St. Paul, on an empty I-94, his grille lights flashing red and blue, hair wet from a shower, but feeling tacky in yesterday’s T-shirt, underwear, and jeans. Thumbed his cell, ramped up the exit onto I-694, got the operations duty guy, got a phone number for the Stillwater chief of police, punched it in, got the guy at the scene.
“Mattson,” the chief said.
“Hey—Virgil Flowers, BCA. I’m getting there fast as I can. I’m on 694 coming up to 36. You shut down the scene?”
“Yeah, we shut off the whole block,” Mattson said. “No TV yet, but there probably will be. People are coming out of their houses.”
“Was the guy on the ground, or do you have some kind of display?”
“He’s sitting up, leaning back against one of these memorial slab-things,” Mattson said. “We put a construction screen around him so there won’t be any photos. I guess Davenport probably told you about the lemon.”
“Yeah, he did,” Virgil said. “Who found him?”
“One of our guys. Sanderson—victim’s name is Bobby Sanderson— went out to walk the dog and didn’t come back,” Mattson said. “His old lady got worried and called in and we rolled a car around his route. Not like he was hidden or anything. He was right there, in the lights. Something going on with his old lady, though. She’s got a story you need to listen to.”
“All right,” Virgil said. “You think she had a hand in it?”
“No, no. I’m sure she didn’t,” Mattson said. “She’s a pretty messed-up ol’ gal. But something was going on with Sanderson. He might’ve known the killer.”
“Be there in ten minutes,” Virgil said. “You’re up on the hill, by the old courthouse?”
“Right there. We got coffee coming.”
VIRGIL WAS MEDIUM-TALL and lanky, mid-thirties, weathered, with blond hair worn on his shoulders, too long for a cop. He’d once sported an earring, but after two weeks decided that he looked like an asshole and got rid of it.
He’d been a high school jock, and played university-level baseball for a couple of years. When he didn’t show up for the third year, the coaches hadn’t beaten his door down. Good on defense, with a strong arm from third base, he just couldn’t see a college-level fastball, and was hitting .190 at the end of his second season.
He’d also picked up on the fact that the slender, brown-haired, big-boobed literature students, the ones who turned his crank, didn’t give a rat’s ass about baseball, didn’t know Mike Schmidt from Willie Mays, but could tell you anything you wanted to know about Jean-Paul Sartre or those other French guys. Derrida. Foucault. Whatever.
Virgil drifted through college, changing majors a couple of times, and wound up with a degree in ecological science. The demand for ecologists wasn’t that great when he got out of school, so he volunteered for Army Officer Candidate School. He’d been thinking infantry, but the army made him an MP. Got in some fights, but never shot at anyone.
Back in civilian life, there still wasn’t much demand for ecologists, so he hooked up with the St. Paul cops. After a few years of that, he moved along to the Bureau of Criminal Apprehension, pulled in by Lucas Davenport, a political appointee and the BCA’s semi-official wild hair. When he came over, Davenport had told him that they’d put him on the hard stuff. And they did.
VIRGILWAS A WRITER in his spare time; or, on occasion, got his reporting done by taking a few hours of undertime.
A lifelong outdoorsman, he wrote for a variety of hook-and-bullet magazines, enough that he was becoming a regular at some of them and was making a name. He told people it was for the extra money, but he loved seeing his byline on a story, his credit line on a photograph—and he loved it when somebody came up at a sports show and asked, “Are you the Virgil Flowers who wrote that musky article in Gray’s?”
He loved pushing out on a stream, or a lake, at 5:30 on a cool summer morning with the sun on the horizon and the steam coming off the still water. He liked still-hunting for deer, ghosting through the woods with the snow falling down around him, shifting through the pines. . . .
Virgil’s home base was in the south Minnesota town of Mankato, and he worked the counties generally south and west of the Twin Cities metro area, down to the Iowa line, out west to Sou
th Dakota. That had been changing, and Davenport had been pulling him into the metro area more often. Virgil had an astonishing clearance rate with the BCA, as he’d had with the St. Paul cops.
Nobody, including Virgil, knew exactly how he did it, but it seemed to derive from a combination of hanging out on the corner, bullshit, rumor, skepticism, luck, and possibly prayer. Davenport liked it because it worked.
THIS CASE HAD BEGUN in the town of New Ulm, right in the heart of Virgil’s home territory, when a man named Chuck Utecht had turned up dead and mutilated at the foot of the local veterans’ monument. He had a lemon in his mouth and had been shot twice in the head with a .22-caliber pistol. The .22 was a target shooter’s piece, or a stone-cold killer’s. It was not the kind of gun that a man would keep for self-protection or as a carry weapon. That was interesting.
Virgil had spent much of the two weeks going in and out of the Brown County Law Enforcement Center, working with the New Ulm cops and Brown County sheriff’s deputies, doing interviews, pushing the little bits of evidence around, looking for somebody who might hate Utecht enough to kill him. At the end of the two weeks, he’d been thinking about checking out the local food stores, to see who’d been buying lemons—at that point, he had zip. Nada. Nothing. Utecht had run a title company; who hates a title company?
He’d talked to Utecht’s wife, Marilyn, three times, and even she didn’t seem to have a strong opinion about the man. His death had been more of an inconvenience than a tragedy, although, Virgil said to himself, that might be unfair. Marilyn may have been in the grip of some strong, hidden current of emotion that he simply hadn’t felt.
Or not.
Death had a strange effect on the left-behind people. Some found peace and a new life; some clutched the death to their breasts.
VIRGIL HAD KILLED a man the year before, and hadn’t quite gotten over it. He spoke with God about it some nights. He wasn’t sure, but he thought the killing might have made him a bit more sober than he had been, might have aged him a little.
On the other hand, here he was, tearing through the night, wearing a Bif Naked T-shirt and cowboy boots, with a guilty, semi-chafed dick. He made the turn on 36 and ran it up to a hundred and five. Willie Nelson came up on the satellite radio with “Gravedigger,” one of Virgil’s top-five Willie songs of all time, and he started to rock with it, singing along, and not badly, burning up the highway toward the lights of Stillwater.
HE GOT OFF AT Osgood Avenue and headed north, past the cemetery, through the dark streets, through a stop sign, without hesitating, over a hump toward a barricade and all the lights of the cops beyond. At the barricade, he held up his ID and a cop came over and looked at it, said, “It’s a mess,” and let him through. He rolled down a slope, found a hole in the pile of cop cars, stuck the truck into it, and climbed out.
There were cars from Washington County, Stillwater, Oak Park Heights, a fire truck, and even a cop car from Hudson, across the river in Wisconsin. No sign of the crime-scene van. Though it was coming up on four o’clock in the morning, local residents were clustering around the police barricades, chatting with the cops and each other, or standing on front lawns, looking down at the memorial. A number of them were carrying coffee cups, and when he got out of the truck, Virgil could smell coffee on the night air.
The courthouse was an old brown-brick relic with an Italianate cupola, sitting on a bump on a hill that looked down on the old river town. Virgil had been there once before, for a wedding out on the lawn—Civil War statue to one side, spires of the churches poking through the trees, narrow streets, clapboard houses from the days when the river was clogged with logs and made Stillwater temporarily rich.
Slightly down the bump from the courthouse, and across the street, the sixty-foot stainless-steel veterans’ memorial was glittering in the work lights set up by the firemen. In the middle of it, under a spear-pointed shaft reflective of the steeples down the hill, a gated fence, like the kind that gas-company workers set up around manholes, shielded the body from the public eye. Virgil walked on down, picked out a clump of big thick-chested men who looked like the local authority, and headed toward them.
One of the men, a square-shouldered fifty-year-old with a brush mustache, dressed in a rumpled suit, nodded at him, and asked, “You Virgil Flowers?”
“Yeah, I am,” Virgil said.
They shook hands, and the man said, “Tom Mattson,” and then gestured to the two men he’d been standing with and said, “Darryl Cunningham, Washington County chief deputy, and Jim Brandt, my assistant chief.”
Virgil shook their hands and noticed all three noticing his Bif Naked T-shirt and he didn’t explain it, because he didn’t do that. If they wanted to know, they could ask. “Where’s the crime-scene guys?”
Mattson shook his head, and Cunningham said, “There might have been some miscommunication. They didn’t get rolling as quick as they could.”
“A fuckin’ clown car would have been here by now,” Brandt fumed.
Cunningham said, “Hey, c’mon . . .” He was really saying, Not in front of the state guy.
“It happens,” Virgil said, letting everybody off the hook. “Mind if I take a look?”
THEY WALKED DOWN to the utility fence as a group, Mattson filling him in on how the body had been found. “He was out walking his dog, a German shepherd. The dog was shot right between the eyes. It’s down below, there.”
“Takes a good shot to kill a big shepherd with one round,” Virgil said.
“Especially since, if you missed, the dog would eat your ass alive. The girlfriend says it was security-trained.”
The utility fence was hip-high and consisted of two overlapping C-shaped metal frames covered with canvas panels. A space between the Cs allowed the cops to come and go. The fence was ten feet back from the body. Virgil stepped through the space between the two arcs of fence, watching where he put his feet, and eased up close enough to see the bullet wounds in Sanderson’s head; bullet wounds with some burn and debris. The muzzle of the gun hadn’t been more than an inch or two from Sanderson’s forehead.
A quarter of a lemon was visible between the victim’s thin lips, clenched by yellowed teeth. Sanderson looked like he was in his late fifties or early sixties. He had rough, square hands; a workingman’s hands.
The killing looked exactly like the Utecht murder. Virgil stared at the body for another ten seconds, was about to turn away when he noticed a hard curve in the jogging suit, slightly under the body.
He looked back over his shoulder: “So the crime-scene guys know, I’m going to touch his suit.” He checked the concrete between himself and the body to make sure he wouldn’t disturb anything, then duckwalked forward a couple of feet, reached out, and touched the hard curve. Shook his head, stood up.
“What?” Mattson asked.
“He’s got a gun in his pocket,” Virgil said.
“Are you shitting me?”
“No. I could feel the cylinder cuts,” Virgil said. “You might want to check and see if he’s got a carry permit, and if he does, when he got it.”
“That means . . . he knew something was coming.”
“Maybe,” Virgil said.
“CRIME SCENE’S HERE,” Cunningham said, looking back up the street.
Virgil stepped away, back to the fence, and out, and Mattson asked, “What do you think?”
“Same as New Ulm. The gunshots look identical. A .22, from two inches. One difference—Sanderson’s got some abrasions on his neck, like he was choked. Didn’t see that at New Ulm. But the lemon’s not public, yet, and that pretty much ties it up.”
“Some of the media know about the lemon,” Mattson said. “I had Linda Bennett from KSTP, she asked me if there was a lemon in his mouth.”
“Yeah, some of them know. We asked them not to report it. But they’ll be connecting the dots, the veterans’ memorial,” Virgil said, looking up at the hoops and struts of the memorial. “I hope we can hold the line on the lemon. Don’t need any
copycats.”
“You actually know of any copycats?” Cunningham asked. He seemed genuinely curious.
Virgil grinned and said, “No, but I’ve seen them on TV shows.”
“Speaking of which,” Mattson said. Virgil looked up the hill and saw a white SUV do a U-turn at the barricade. A logo on the door said WCCO.
“I’m surprised they took so long,” Virgil said. “You guys ought to take five minutes to think about who’s going to say what. The whole bunch of them will be down here, and they’ll be all over you.”
They all looked over the fence at the body, which looked a little like a scarecrow, deflated and dead, and Brandt asked, “What the hell’s going on?”
“Wish you could tell me,” Virgil said. The crime-scene van was squeezing down the hill, and a cop car had to be moved so it could get past.
“You all through here?” Cunningham asked.
“Yeah—nothing much for me to do,” Virgil said. “I ain’t Sherlock Holmes.”
Cunningham said, “I talked to Jimmy Stryker at the sheriff’s meet last month, and he thinks you are.”
Virgil said, “Well, we’re friends.”
“He said you were friends with his sister, too—for a while,” Cunningham said.
Virgil nodded at him, sharp and quick. “Ships passing in the night, Sheriff.” He wasn’t going to step into that bog. “I would like to talk to Sanderson’s girlfriend. We need to know why he was carrying a revolver.”
Mattson nodded. “She’s available.”
3
SANDERSON HAD lived three blocks from the veterans’ memorial, up the hill, past the courthouse, and down a dark side street. Brandt walked along with him, to show him the way and to fill him in on the dead man’s background.