thing in the world happens to be rats."
A sort of premonitory tremor, a fear of he was not certain what, had passed through Winston as soon as he caught his first glimpse of the cage. But at this moment the meaning of the mask-like attachment in front of it suddenly sank into him. His bowels seemed to turn to water.
"You can't do that!" he cried out in a high cracked voice. "You couldn't, you couldn't! It's impossible."
"Do you remember," said O'Brien, "the moment of panic that used to occur in your dreams? There was a wall of blackness in front of you, and a roaring sound in your ears. There was something terrible on the other side of the wall. You knew that you knew what it was, but you dared not drag it into the open. It was the rats that were on the other side of the wall."
"O'Brien!" said Winston, making an effort to control his voice. "You know this is not necessary. What is it that you want me to do?"
O'Brien made no direct answer. When he spoke it was in the schoolmasterish manner that he sometimes affected. He looked thoughtfully into the distance, as though he were addressing an audience somewhere behind Winston's back.
"By itself," he said, "pain is not always enough. There are occasions when a human being will stand out against pain, even to the point of death. But for everyone there is something unendurable--something that cannot be contemplated. Courage and cowardice are not involved. If you are falling from a height it is not cowardly to clutch at a rope. If you have come up from deep water it is not cowardly to fill your lungs with air. It is merely an instinct which cannot be disobeyed. It is the same with the rats. For you, they are unendurable. They are a form of pressure that you cannot withstand, even if you wished to. You will do what is required of you."
"But what is it, what is it? How can I do it if I don't know what it is?"
O'Brien picked up the cage and brought it across to the nearer table. He set it down carefully on the baize cloth. Winston could hear the blood singing in his ears. He had the feeling of sitting in utter loneliness. He was in the middle of a great empty plain, a flat desert drenched with sunlight, across which all sounds came to him out of immense distances. Yet the cage with the rats was not two meters away from him. They were enormous rats. They were at the age when a rat's muzzle grows blunt and fierce and his fur brown instead of gray.
"The rat," said O'Brien, still addressing his invisible audience, "although a rodent, is carnivorous. You are aware of that. You will have heard of the things that happen in the poor quarters of this town. In some streets a woman dare not leave her baby alone in the house, even for five minutes. The rats are certain to attack it. Within quite a small time they will strip it to the bones. They also attack sick or dying people. They show astonishing intelligence in knowing when a human being is helpless."
There was an outburst of squeals from the cage. It seemed to reach Winston from far away. The rats were fighting; they were trying to get at each other through the partition. He heard also a deep groan of despair. That, too, seemed to come from outside himself.
O'Brien picked up the cage, and, as he did so, pressed something in it. There was a sharp click. Winston made a frantic effort to tear himself loose from the chair. It was hopeless: every part of him, even his head, was held immovably. O'Brien moved the cage nearer. It was less than a meter from Winston's face.
"I have pressed the first lever," said O'Brien. "You understand the construction of this cage. The mask will fit over your head, leaving no exit. When I press this other lever, the door of the cage will slide up. These starving brutes will shoot out of it like bullets. Have you ever seen a rat leap through the air? They will leap onto your face and bore straight into it. Sometimes they attack the eyes first. Sometimes they burrow through the cheeks and devour the tongue."
The cage was nearer; it was closing in. Winston heard a succession of shrill cries which appeared to be occurring in the air above his head. But he fought furiously against his panic. To think, to think, even with a split second left--to think was the only hope. Suddenly the foul musty odor of the brutes struck his nostrils. There was a violent convulsion of nausea inside him, and he almost lost consciousness. Everything had gone black. For an instant he was insane, a screaming animal. Yet he came out of the blackness clutching an idea. There was one and only one way to save himself. He must interpose another human being, the body of another human being, between himself and the rats.
The circle of the mask was large enough now to shut out the vision of anything else. The wire door was a couple of hand-spans from his face. The rats knew what was coming now. One of them was leaping up and down; the other, an old scaly grandfather of the sewers, stood up, with his pink hands against the bars, and fiercely snuffed the air. Winston could see the whiskers and the yellow teeth. Again the black panic took hold of him. He was blind, helpless, mindless.
"It was a common punishment in Imperial China," said O'Brien as didactically as ever.
The mask was closing on his face. The wire brushed his cheek. And then--no, it was not relief, only hope, a tiny fragment of hope. Too late, perhaps too late. But he had suddenly understood that in the whole world there was just one person to whom he could transfer his punishment--one body that he could thrust between himself and the rats. And he was shouting frantically, over and over.
"Do it to Julia! Do it to Julia! Not me! Julia! I don't care what you do to her. Tear her face off, strip her to the bones. Not me! Julia! Not me!"
He was falling backwards, into enormous depths, away from the rats. He was still strapped in the chair, but he had fallen through the floor, through the walls of the building, through the earth, through the oceans, through the atmosphere, into outer space, into the gulfs between the stars--always away, away, away from the rats. He was light-years distant, but O'Brien was still standing at his side. There was still the cold touch of wire against his cheek. But through the darkness that enveloped him he heard another metallic click, and knew that the cage door had clicked shut and not open.
VI
THE CHESTNUT TREE was almost empty. A ray of sunlight slanting through a window fell yellow on dusty tabletops. It was the lonely hour of fifteen. A tinny music trickled from the telescreens.
Winston sat in his usual corner, gazing into an empty glass. Now and again he glanced up at a vast face which eyed him from the opposite wall. BIG BROTHER IS WATCHING YOU, the caption said. Unbidden, a waiter came and filled his glass up with Victory Gin, shaking into it a few drops from another bottle with a quill through the cork. It was saccharine flavored with cloves, the speciality of the cafe.
Winston was listening to the telescreen. At present only music was coming out of it, but there was a possibility that at any moment there might be a special bulletin from the Ministry of Peace. The news from the African front was disquieting in the extreme. On and off he had been worrying about it all day. A Eurasian army (Oceania was at war with Eurasia; Oceania had always been at war with Eurasia) was moving southward at terrifying speed. The midday bulletin had not mentioned any definite area, but it was probable that already the mouth of the Congo was a battlefield. Brazzaville and Leopoldville were in danger. One did not have to look at the map to see what it meant. It was not merely a question of losing Central Africa; for the first time in the whole war, the territory of Oceania itself was menaced.
A violent emotion, not fear exactly but a sort of undifferentiated excitement, flared up in him, then faded again. He stopped thinking about the war. In these days he could never fix his mind on any one subject for more than a few moments at a time. He picked up his glass and drained it at a gulp. As always, it made him shudder and even retch slightly. The stuff was horrible. The cloves and saccharine, themselves disgusting enough in their sickly way, could not disguise the flat oily smell; and what was worst of all was that the smell of gin, which dwelt with him night and day, was inextricably mixed up in his mind with the smell of those----
He never named them, even in his thoughts, and so far as it was possible he never visualized them. They were something that he was half aware of, hovering close to his face, a smell that clung to his nostrils. As the gin rose in him he belched through purple lips. He had grown fatter since they released him, and had regained his old color--indeed, more than regained it. His features had thickened, the skin on nose and cheekbones was coarsely red, even the bald scalp was too deep a pink. A waiter, again unbidden, brought the chessboard and the current issue of the Times, with the page turned down at the chess problem. Then, seeing that Winston's glass was empty, he brought the gin bottle and filled it. There was no need to give orders. They knew his habits. The chessboard was always waiting for him, his corner table was always reserved; even when the place was full he had it to himself, since nobody cared to be seen sitting too close to him. He never even bothered to count his drinks. At irregular intervals they presented him with a dirty slip of paper which they said was the bill, but he had the impression that they always undercharged him. It would have made no difference if it had been the other way about. He had always plenty of money nowadays. He even had a job, a sinecure, more highly paid than his old job had been.
The music from the telescreen stopped and a voice took over. Winston raised his head to listen. No bulletin from the front, however. It was merely a brief announcement from the Ministry of Plenty. In the preceding quarter, it appeared, the Tenth Three-Year Plan's quota for bootlaces had been overfulfilled by ninety-eight per cent.
He examined the chess problem and set out the pieces. It was a tricky ending, involving a couple of knights. "White to play and mate in two moves." Winston looked up at the portrait of Big Brother. White always mates, he thought with a sort of cloudy mysticism. Always, without exception, it is so arranged. In no chess problem since the beginning of the world has black ever won. Did it not symbolize the eternal, unvarying triumph of Good over Evil? The huge face gazed back at him, full of calm power. White always mates.
The voice from the telescreen paused and added in a different and much graver tone: "You are warned to stand by for an important announcement at fifteen-thirty. Fifteen-thirty! This is news of the highest importance. Take care not to miss it. Fifteen-thirty!" The tinkling music struck up again.
Winston's heart stirred. That was the bulletin from the front; instinct told him that it was bad news that was coming. All day, with little spurts of excitement, the thought of a smashing defeat in Africa had been in and out of his mind. He seemed actually to see the Eurasian army swarming across the never-broken frontier and pouring down into the tip of Africa like a column of ants. Why had it not been possible to outflank them in some way? The outline of the West African coast stood out vividly in his mind. He picked up the white knight and moved it across the board. There was the proper spot. Even while he saw the black horde racing southward he saw another force, mysteriously assembled, suddenly planted in their rear, cutting their comunications by land and sea. He felt that by willing it he was bringing that other force into existence. But it was necessary to act quickly. If they could get control of the whole of Africa, if they had airfields and submarine bases at the Cape, it would cut Oceania in two. It might mean anything: defeat, breakdown, the redivision of the world, the destruction of the Party! He drew a deep breath. An extraordinary medley of feelings--but it was not a medley, exactly; rather it was successive layers of feeling, in which one could not say which layer was undermost--struggled inside him.
The spasm passed. He put the white knight back in its place, but for the moment he could not settle down to serious study of the chess problem. His thoughts wandered again. Almost unconsciously he traced with his finger in the dust on the table:
2 + 2 = 5.
"They can't get inside you," she had said. But they could get inside you. "What happens to you here is forever;" O'Brien had said. That was a true word. There were things, your own acts, from which you could not recover. Something was killed in your breast; burnt out, cauterized out.
He had seen her; he had even spoken to her. There was no danger in it. He knew as though instinctively that they now took almost no interest in his doings. He could have arranged to meet her a second time if either of them had wanted to. Actually it was by chance that they had met. It was in the Park, on a vile, biting day in March, when the earth was like iron and all the grass seemed dead and there was not a bud anywhere except a few crocuses which had pushed themselves up to be dismembered by the wind. He was hurrying along with frozen hands and watering eyes when he saw her not ten meters away from him. It struck him at once that she had changed in some ill-defined way. They almost passed one another without a sign; then he turned and followed her, not very eagerly. He knew that there was no danger, nobody would take any interest in them. She did not speak. She walked obliquely away across the grass as though trying to get rid of him, then seemed to resign herself to having him at her side. Presently they were in among a clump of ragged leafless shrubs, useless either for concealment or as protection from the wind. They halted. It was vilely cold. The wind whistled through the twigs and fretted the occasional, dirty-looking crocuses. He put his arm round her waist.
There was no telescreen, but there must be hidden microphones; besides, they could be seen. It did not matter, nothing mattered. They could have lain down on the ground and done that if they had wanted to. His flesh froze with horror at the thought of it. She made no response whatever to the clasp of his arm; she did not even try to disengage herself. He knew now what had changed in her. Her face was sallower, and there was a long scar, partly hidden by the hair, across her forehead and temple; but that was not the change. It was that her waist had grown thicker, and, in a surprising way, had stiffened. He remembered how once, after the explosion of a rocket bomb, he had helped to drag a corpse out of some ruins, and had been astonished not only by the incredible weight of the thing, but by its rigidity and awkwardness to handle, which made it seem more like stone than flesh. Her body felt like that. It occurred to him that the texture of her skin would be quite different from what it had once been.
He did not attempt to kiss her, nor did they speak. As they walked back across the grass she looked directly at him for the first time. It was only a momentary glance, full of contempt and dislike. He wondered whether it was a dislike that came purely out of the past or whether it was inspired also by his bloated face and the water that the wind kept squeezing from his eyes. They sat down on two iron chairs, side by side but not too close together. He saw that she was about to speak. She moved her clumsy shoe a few centimeters and deliberately crushed a twig. Her feet seemed to have grown broader, he noticed.
"I betrayed you," she said baldly.
"I betrayed you," he said.
She gave him another quick look of dislike.
"Sometimes," she said, "they threaten you with something--something you can't stand up to, can't even think about. And then you say, 'Don't do it to me, do it to somebody else, do it to so-and-so.' And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn't really mean it. But that isn't true. At the time when it happens you do mean it. You think there's no other way of saving yourself, and you're quite ready to save yourself that way. You want it to happen to the other person. You don't give a damn what they suffer. All you care about is yourself."
"All you care about is yourself," he echoed.
"And after that, you don't feel the same toward the other person any longer."
"No," he said, "you don't feel the same."
There did not seem to be anything more to say. The wind plastered their thin overalls against their bodies. Almost at once it became embarrassing to sit there in silence; besides, it was too cold to keep still. She said something about catching her Tube and stood up to go.
"We must meet again," he said.
"Yes," she said, "we must meet again."
He followed irresolutely for a little distance, half a pace behind her. They did not speak again. She did not actually try to shake him off, but walked at just such a speed as to prevent his keeping abreast of her. He had made up his mind that he would accompany her as far as the Tube station, but suddenly this process of trailing along in the cold seemed pointless and unbearable. He was overwhelmed by a desire not so much to get away from Julia as to get back to the Chestnut Tree Cafe, which had never seemed so attractive as at this moment. He had a nostalgic vision of his corner table, with the newspaper and the chessboard and the ever-flowing gin. Above all, it would be warm in there. The next moment, not altogether by accident, he allowed himself to become separated from her by a small knot of people. He made a half-hearted attempt to catch up, then slowed down, turned and made off in the opposite direction. When he had gone fifty meters he looked back. The street was not crowded, but already he could not distinguish her. Any one of a dozen hurrying figures might have been hers. Perhaps her thickened, stiffened body was no longer recognizable from behind.
"At the time when it happens," she had said, "you do mean it." He had meant it. He had not merely said it, he had wished it. He had wished that she and not he should be delivered over to the----
Something changed in the music that trickled from the telescreen. A cracked and jeering note, a yellow note, came into it. And then--perhaps it was not happening, perhaps it was only a memory taking on the semblance of sound--a voice was singing:
"Under the spreading chestnut tree
I sold you and you sold me--"
The tears welled up in his eyes. A passing waiter noticed that his glass was empty and came back with the gin bottle.
He took up his glass and sniffed at it. The stuff grew not less but more horrible with every mouthful he drank. But it had become the element he swam in. It was his life, his death, and his resurrection. It was gin that sank him into stupor every night, and gin that revived him every morning. When he woke, seldom before eleven hundred, with gummed-up eyelids and fiery mouth and a back that seemed to be broken, it would have been impossible even to rise from the horizontal if it had not been for the bottle and teacup plac