“Looting art treasure is a time-honored tradition. The Greeks and Romans always stripped a defeated nation of their valuables. Crusaders during the fourteenth and fifteenth centuries pilfered all across Eastern Europe and the Middle East. Western European churches and cathedrals continue to be adorned with their plunder.
“In the seventeenth century, a more refined method of stealing began. After a military defeat the great royal collections—there were no museums in those days—were purchased rather than stolen. An example. When Tsarist armies occupied Berlin in 1757, Frederick II’s collections were not touched. To have tampered with them would have been regarded as barbaric, even by the Russians, who were themselves deemed barbarians by Europeans.
“Napoleon was perhaps the greatest looter of all. Germany’s, Spain’s, and Italy’s museums were stripped clean so the Louvre could be stocked full. After Waterloo, at the Congress of Vienna in 1815, France was ordered to return the stolen art. Some was, but a lot remained the property of France and can still be seen in Paris.”
Paul was impressed with how Grumer handled himself. Like a teacher in class. The group seemed fascinated by the information.
“Your President Lincoln issued an order during the American Civil War that called for the protection of Southern classical works of art, libraries, scientific collections, and precious instruments. A conference in Brussels in 1874 endorsed a similar proposal. Nicholas II, the Russian Tsar, proposed even more ambitious protections, which were approved at the Hague in 1907, but these codes proved of limited value during the two world wars following.
“Hitler completely ignored the Hague Convention and mimicked Napoleon. The Nazis created an entire administrative department that did nothing but steal. Hitler wanted to build a supershowcase—the Führermuseum—to be the largest collection of art in the world. He intended to locate this museum in Linz, Austria, his birthplace. The Sonderauftrag Linz, Hitler called it. Special Mission Linz. It was to become the heart of the Third Reich, designed by Hitler himself.”
Grumer paused a moment, seemingly allowing the information to be absorbed.
“Plunder for Hitler, though, served another purpose. It demoralized the enemy, and this was especially true in Russia, where the Imperial palaces around Leningrad were decimated in full view of local townspeople. Not since the Goths and Vandals had Europe witnessed so spiteful an assault on human culture. Museums all over Germany were stocked full with stolen art, particularly the Berlin museums. It was in the waning days of the war, with the Russians and Americans close, that a trainload of this art was evacuated from Berlin south to the Harz Mountains. Here, in this region where we are right now.”
The television sprang to life with a panning image of a mountain range. Grumer pointed a controller and paused the video on a forested scene.
“The Nazis loved hiding things underground. The Harz Mountains now surrounding us were used extensively, since they were the closest underground depositories to Berlin. Examples of what was found after the war proves this point. The German national treasury was hidden here along with over a million books, paintings of all descriptions, and tons of sculptures. But perhaps the strangest cache was found not far from here. An American team of soldiers reported finding a fresh brick wall, nearly two meters thick, five hundred meters into the mountain. It was removed, and a locked steel door waited on the other side.”
Paul watched the partners’ faces. They were riveted. He was, too.
“Inside, the Americans found four enormous caskets. One was decorated with a wreath and Nazi symbols, the name Adolf Hitler on the side. German regimental banners draped the other three coffins. A jeweled scepter and orb, two crowns, and swords were also found. The whole thing had a theatrical arrangement, like a shrine. Imagine what these soldiers thought. Here was the tomb of Hitler. But, alas, it wasn’t. Instead the coffins contained the remains of Field Marshal von Hindenburg, Hindenburg’s wife, Frederick the Great, and Frederick William I.”
Grumer pointed the remote control and released the video. The color image shifted to the inside of the underground chamber. McKoy had traveled to the site earlier and remade the video from yesterday, an edited version to buy a little time with the partners. Grumer now used that video to explain the digging, the three transports, and the bodies. Fifty-six pairs of eyes were glued to the screen.
“Finding these trucks is most exciting. Obviously, something of great value was moved here. Trucks were a precious commodity, and to forfeit three in a mountain meant a lot was at stake. The five bodies only add to the mystery.”
“What did you find inside the trucks?” came the first question from the audience.
McKoy stepped to the front. “They’re empty.”
“Empty?” several asked at once.
“That’s right. All three beds were bare.” McKoy motioned to Grumer, who popped in another videotape.
“This is not unusual,” Grumer said.
An image rematerialized, an area of the chamber intentionally not filmed on the first tape.
“This shows the other entrance to the chamber.” Grumer pointed at the screen. “We hypothesize there may be another chamber past this point. That’s where we will now dig.”
“You’re telling us the trucks are empty,” an older man asked.
Paul realized that this was the hard part. The questions. Reality. But they’d gone over everything, he and Rachel prepping McKoy like a witness about to be cross-examined. Paul had approved the strategy of saying there may be another chamber. Hell, there might be. Who knows? At least it would keep the partners happy a few days until McKoy’s crew could burrow into the other entrance and learn for sure.
McKoy fended off the challenges well, each inquiry answered completely and with a smile. The big man was right. He did know how to work a crowd. Paul’s eyes constantly scanned the spacious salon, trying to gauge the individual reaction.
So far, so good.
Most seemed satisfied with the explanation.
Toward the back of the room, at the double doorway leading out to the lobby, he noticed a woman slip in. She was short, with medium-length blond hair, and stayed in the shadows, making it hard to distinguish her face. Yet there was something familiar about her.
“Paul Cutler here is my legal counsel,” McKoy said.
He turned at the mention of his name.
“Mr. Cutler is available to assist Herr Doktor Grumer and myself in the event we have any legal difficulties at the site. We don’t expect any, but Mr. Cutler, a lawyer from Atlanta, has graciously volunteered his time.”
He smiled at the group, uncomfortable with the loose representations but powerless to say anything. He acknowledged the crowd, then turned back to the doorway.
The woman was gone.
FORTY-THREE
Suzanne scampered out of the hotel. She’d seen and heard enough. McKoy, Grumer, and both Cutlers were there and apparently busy. By her count, five workers were there, as well. According to Grumer’s information, that left two other people on the payroll, probably at the site standing guard.
She’d caught Paul Cutler’s momentary glance, but his notice shouldn’t be a problem. Her physical appearance was far different from last week in his Atlanta office. To be safe, she’d stayed in the shadows and lingered only a few moments, long enough to see what was going on and take inventory. She’d taken a chance going to the Garni, but she didn’t trust Alfred Grumer. He was too German, too greedy. A million euros? The fool must be dreaming. Did he think her benefactor that gullible?
Outside, she hustled back to her Porsche, then sped east to the excavation and parked in thick woods about a half kilometer away. After a quick hike, she found a work shed and shaft entrance. The generators outside hummed. No trucks, cars, or people were visible.
She slipped into the open shaft and followed a trail of bulbs to a semidarkened gallery. Three halogen light bars were dark, the only available illumination was what spilled from a cavernous chamber beyond. She crept over
and tested the air above one of the lights. Warm. She looked down and discovered that the trio of lamps had been unplugged.
In the shadows across the gallery she caught the glimpse of a form lying prone. She stepped close. A man in coveralls lay in the sand. She tried a pulse. Weak, but there.
She glanced into the chamber through an opening in the rock. A shadow danced across the far wall. She crouched low and slipped inside. No shadows betrayed her entrance, the powderlike sand cushioning each step. She decided not to ready her gun until she saw who was there.
She made it to the nearest truck and bent down, looking out from beneath the chassis. A pair of legs and boots stood on the side of the farthest truck. The feet moved right. Casual, unhurried. Her presence was obviously unknown. She stood still and decided to stay anonymous.
The legs stopped toward the rear of the farthest transport.
Canvas cracked. Whoever it was must be looking in a truck bed. She used the moment to slip around to the front end of the closest transport and dash to the hood of the next truck. Whoever it was now stood catty-corner to her on the opposite side. She carefully peered around at the figure twenty feet away.
Christian Knoll.
A chill swept through her.
Knoll checked inside the last truck bed. empty. These trucks had been picked clean. There was nothing in any of the cabs or beds. But who’d done that? McKoy? No way. He’d heard nothing in town about a significant find. Besides, there’d be remnants. Packing crates. Filler material. Yet nothing was here. And would McKoy leave a rich site guarded by only one easily overpowered man if he’d found a fortune in stolen art? The more logical explanation was these trucks were empty when McKoy breached the chamber.
But how?
And the bodies. Were they robbers from decades ago? Perhaps. Nothing unusual about that. Many of the Harz chambers had been pillaged, most by U.S. and Soviet armies that raped the region after the war, some later by scavengers and treasure hunters before the government took control of the area. He stepped to one of the bodies and stared down at the blackened bones. This whole scenario was strange. Why was Danzer so interested in what was obviously nothing? Interested enough to cultivate a covert source that wanted a million euros merely as a downpayment for information.
What kind of information?
A feeling surged through him. One he’d learned to trust. One that told him in Atlanta that Danzer was on his trail. One that told him now that somebody else was in the chamber.
He told himself to keep his moves casual. A sudden turn would spook his visitor. Instead, he slowly strolled down the length of the truck and led whoever it was farther from the entrance, placing himself in between. The intruder, though, intentionally avoided the light bars, allowing no shadow to betray any movement. He stopped and crouched, staring beneath the three transports for legs and feet.
There were none.
Suzanne stood rigid before one of the crushed wheel assemblies. She’d followed Knoll deeper into the chamber and heard when his footsteps stopped. He was making no effort to mask sound, and that worried her. Did he sense her? Like in Atlanta? Maybe he was looking underneath the trucks as she’d done. If so, there’d be nothing to see. But he wouldn’t hesitate long. She was not used to such an adversary. Most of her opponents did not possess the cunning of Christian Knoll. And once he ascertained it was her, there’d be hell to pay. Surely by now he’d learned about Chapaev, realized the mine had been a trap, and narrowed the list of likely suspects who would have set that trap to one.
Knoll’s path across the chamber was also cause for concern.
He was leading her in. The bastard knew.
She withdrew the Sauer, her finger instantly wrapped around the trigger.
Knoll twisted his right arm and released the stiletto. He palmed the lavender-jade handle and prepared himself. He stole another look beneath the trucks. No feet. Whoever it was obviously had used the wheel mounts as protection. He decided to act and pivoted off the rusted hood of the nearest transport and landed on the other side.
Suzanne Danzer stood twenty feet away, hugging a rear wheel mount. Shock filled her face at the sight of him. Her gun came up and leveled. He leaped in front of the adjacent transport. Two muffled shots exited the barrel, the bullets ricocheting off the rock wall.
He rose up and hurled the stiletto.
Suzanne dived to the ground, anticipating the knife. It was Knoll’s trademark, and the tip had glistened in the light as he landed for the first assault. She realized that her shots would only be enough to momentarily distract him, so when Knoll rebounded, cocked his wrist, and propelled the blade her way, she was ready.
The stiletto swooshed past, slicing into the petrified canvas of the nearest transport’s bed, its blade piercing the thin layer of rigid cloth down to the handle. There’d be only a second before he charged. She fired another shot in Knoll’s direction. Again, the bullet damaged only rock.
“Not this time, Suzanne,” Knoll slowly said. “You’re mine.”
“You’re unarmed.”
“Are you sure?”
She stared down at her gun, wondering how many shots were left in the clip. Four? Her eyes scanned the chamber, her mind reeling. Knoll was between her and the only way out. She needed something to stop the bastard long enough to allow her to escape this rat cage. Her eyes surveyed the rock walls, trucks, and lights.
The lights.
Darkness would be her ally.
She quickly popped the clip from the pistol and replaced it with the spare from her pocket. Now she had seven shots. She aimed at the nearest light bar and fired. Lamps exploded in an electrical shower of sparks and smoke. She rose and darted for the opening, firing at the other light bar. Another blinding explosion flared, then extinguished and the chamber was plunged into total darkness. She set her course just as the last bits of light faded and hoped she ran straight.
If not, a wall of rock would be waiting for her.
Knoll dashed for the stiletto as the first light bar exploded. He realized there’d be only a few more seconds of vision, and Danzer was right, without the knife he was unarmed. A gun would be nice. He’d foolishly left the CZ-75B in his hotel room, thinking it not necessary for this short foray. He actually preferred the stealth of a blade to a gun, but fifteen rounds would have come in handy right now.
He yanked the stiletto free of the canvas and turned. Danzer was racing for the opening to the shaft. He readied himself for another throw.
A light bar exploded in a blinding flash.
Then the room congealed into darkness.
Suzanne ran straight ahead and bisected the opening leading out to the gallery. Ahead, the main shaft was strung with bulbs. She focused on the glow closest to her and raced straight for it, then charged down the narrow shaft, using her gun to rake the bulbs clean and extinguish the trail.
Knoll was blinded by the last flash. He closed his eyes and told himself to stand still, stay calm. What had Monika said about Danzer earlier?
Mousy little thing.
Hardly. Dangerous as hell was a better description.
The acrid odor of an electrical burn filled his nostrils. The chamber started to cool from the darkness. He opened his eyes. Black slowly dissolved and even darker forms appeared. Beyond the opening, past the gallery to the main shaft, lights flashed as bulbs exploded.
He ran toward them.
Suzanne raced for daylight. Footsteps echoed from behind. Knoll was coming. She had to move fast. She emerged into a dim afternoon and sprinted through thick forest toward her car. The half kilometer would take a minute or so to traverse. Hopefully she had enough of a lead on Knoll to give her time. Maybe he wouldn’t know which direction she went after exiting.
She zigzagged past tall pines, through dense ferns, breathing hard, commanding her legs to keep moving.
Knoll exited the tunnel and quickly took stock of the surroundings. Off to his right, clothing flashed through the trees fifty meters away. He took in th
e shape of the runner.
A woman.
Danzer.
He sprinted in her direction, stiletto in hand.
Suzanne reached the porsche and leaped in. She revved the engine, slammed the gear shift into first, and plunged the accelerator to the floor. Tires spun, then grabbed, and the car lurched forward. In the rearview mirror, she saw Knoll emerge from the trees, knife in hand.
She sped to the highway and stopped, then cocked her head out the window and saluted before speeding away.
Knoll almost smiled at the gesture. Payback for his mocking of her in the Atlanta airport. Danzer was probably proud of herself, pleased with her escape, another one-up on him.
He checked his watch. 4:30 P.M.
No matter.
He knew exactly where she’d be in six hours.
FORTY-FOUR
4:45 p.m.
Paul watched the last partner file out of the salon. Wayland McKoy had smiled at each one, shook their hands, and assured them that things were going to be great. The big man seemed pleased. The meeting had gone well. For nearly two hours they’d fended questions, lacing their answers with romantic notions of greedy Nazis and forgotten treasure, using history as a narcotic to dull the investors’ curiosity.
McKoy walked over. “Friggin’ Grumer was pretty good, huh?” Paul, McKoy, and Rachel were now alone, all the partners upstairs, settling into their rooms. Grumer had left a few minutes ago.
“Grumer did handle himself well,” Paul said. “But I’m not comfortable with this stalling.”
“Who’s stallin’? I intend to excavate that other entrance, and it could lead to another chamber.”
Rachel frowned. “Your ground radar soundings indicate that?”
“Shit if I know, Your Honor.”
Rachel took the rebuke with a smile. She seemed to be warming to McKoy, his abrupt attitude and sharp tongue not all that different from her own.