“But it soon became apparent that Bony was not the ideal confederate. In spite of his enthusiasm, he was simply too tall. His head and feet stuck out too far beyond my doctored sheet, and it was too late to fabricate a new one. And there was the inescapable fact that while Bony was a marvel with his hands, his body and limbs were still those of an awkward and ungainly schoolboy. His stork-like knees would tremble when he was supposed to be levitating, and at one rehearsal he fell flat on his behind, bringing the whole illusion—sheet, shoes, and all—down with a crash.
“I couldn’t think what to do. Bony would be devastated if I chose another assistant, and yet it was too much to hope that he would master his role in the few days remaining before the performance. I was on the verge of despair.
“It was Bony who came up with the solution.
“ ‘Why not swap roles?’ he suggested after one particularly embarrassing collapse of our props. ‘Let me have a go. I’ll put on the old sorcerer’s robe and you shall be the floater.’
“I have to admit it was brilliant. With his face a chalky yellow, and his long thin hands projecting from the sleeves of the red kimono (made even more ghastly by three inches of sausage-skin fingernails), Bony made as remarkable a figure as has ever stalked the stage.
“And because he was a natural mimic, he had no trouble in picking up the cracked, piping voice of an ancient Mandarin. His Oriental double-talk was, if anything, better than my own, and those long twiggy fingers waving in the air like stick insects were a sight not soon to be forgotten.
“The performance itself was brilliant. With the entire school and the visiting parents as onlookers, Bony put on a show that none of them will ever forget. He was, by turns, exotic and sinister. When he called me up from the audience as his assistant, even I shivered a little at this menacing figure who was beckoning from beyond the footlights.
“And when he fired the pistol and shot me in the chest, there was pandemonium! I had taken the precaution of warming up and watering down my reservoir of ketchup blood, and the resulting stain was all too horridly real.
“One of the parents—the father of Giddings Minor—had to be physically restrained by Mr. Twining, who had foreseen that some gullible onlooker might rush the stage.
“ ‘Steady on, dear sir,’ Twining whispered in Mr. Giddings’s ear, ‘It’s simply an illusion. These boys have done it many a time before.’
“Mr. Giddings was escorted reluctantly back to his seat, his face still burning red. Yet in spite of it, he was man enough to come up after the show and give both our hands a good cranking.
“After such a bath of gore at the death, my levitation at the resurrection was almost a letdown, if I may use the phrase, although it brought round after round of ringing applause from an audience of kind hearts who were relieved to see the hapless volunteer restored to life. At the end, we were made to come back for seven curtain calls, although I knew perfectly well that at least six of them were for my partner.
“Bony soaked up the adulation like a parched sponge. An hour after the show he was still shaking hands and being patted on the back by a tidal wave of admiring mothers and fathers who seemed to want only to touch him, although when I threw my arm across his shoulders, he gave me rather an odd look: a look which suggested, for a fleeting instant, that he had never seen me before.
“In the days that followed, I saw that a transformation had come over him. Bony had become the confident conjurer, and I was now no more than his simple assistant. He began speaking to me in a new way, and adopted a rather offhand manner, as if his earlier timidity had never existed.
“I suppose I could say he dropped me—or that was how it seemed. I often saw him with an older boy, Bob Stanley, who was someone I had never much fancied. Stanley had one of those angular, square-jawed faces that photographs well but seems hard in real life. As he had done with me, Bony seemed to take on some of Stanley’s traits, in much the same way a bit of blotting paper absorbs the handwriting from a letter. I know that it was at about this time that Bony began smoking and, I suspect, tippling a bit as well.
“One day, I realized with a bit of a shock that I no longer liked him. Something had changed inside Bony or, perhaps, had crawled out. There were times when I caught him staring at me in the classroom when his eyes would seem to be at first the eyes of an aged Mandarin, and then, as they regarded me, would become cold and reptilian. I began to feel as if, in some unknowable way, something had been stolen from me.
“But there was worse to come.”
Father fell silent and I waited for him to go on with his story, but instead he sat gazing out sightlessly into the falling rain. It seemed best to keep quiet and leave him to his thoughts, whatever those might be.
But I knew that, as with Horace Bonepenny, something had changed between us.
Here we were, Father and I, shut up in a plain little room, and for the first time in my life having something that might pass for a conversation. We were talking to one another almost like adults; almost like one human being to another; almost like father and daughter. And even though I couldn’t think of anything to say, I felt myself wanting it to go on and on until the last star blinked out.
I wished I could hug him, but I couldn’t. For some time now I had been aware that there was something in the de Luce character which discouraged any outward show of affection towards one another; any spoken statement of love. It was something in our blood.
And so we sat, Father and I, primly, like two old women at a parish tea. It was not a perfect way to live one’s life, but it would have to do.
sixteen
A FLASH OF LIGHTNING BLEACHED EVERY TRACE OF color from the room, and with it came a deafening crack of thunder. We both of us flinched.
“The storm is directly overhead,” Father said.
Nodding to reassure him that we were in it together, I looked about at my surroundings. The brightly lighted little cubicle—its naked bulb overhead, its steel door, and its cot—the rain pouring down outside, was oddly like the control room of the submarine in We Dive at Dawn. I imagined the rolling thunder of the storm to be the sound of depth charges exploding immediately above our heads, and suddenly I was not quite so fearful for Father. We two, at least, were allies. I would pretend that as long as we kept still and I remained silent, nothing on earth could harm us.
Father went on as if there had been no interruption.
“We became rather strangers, Bony and I,” he said. “Although we continued as members of Mr. Twining’s Magic Circle, each of us pursued his own particular interests. I developed a passion for the great stage tricks: sawing a lady in half, vanishing a cage of singing canaries, that sort of thing. Of course, most of these effects were beyond my schoolboy budget, but as time went on, it seemed enough simply to read about them and learn how each one was executed.
“Bony, however, progressed to tricks which required an ever-greater degree of manual dexterity: simple effects which could be done under the spectator’s nose with a minimal amount of gadgetry. He could make a nickel-plated alarm clock disappear from one hand and appear in the other before your very eyes. He never would show me how it was done.
“It was about that time that Mr. Twining had the idea of organizing a Philatelic Society, another of his great enthusiasms. He felt that in learning to collect, catalogue, and mount postage stamps from round the world, we would learn a great deal about history, geography, and neatness, to say nothing of the fact that regular discussions would promote confidence among the more shy members of the club. And since he was himself a devoted collector, he saw no reason why every one of his boys should be any less enthusiastic.
“His own collection was the eighth wonder of the world, or so it seemed to me. He specialized in British stamps, with particular attention to color variations in the printing inks. He had the uncanny ability of being able to deduce the day—sometimes the very hour—a given specimen was printed. By comparing the ever-changing microscopic cracks and variations pr
oduced by wear and stress upon the engraved printing plates, he was able to deduce an astonishing amount of detail.
“The leaves of his albums were masterpieces. The colors! And the way in which they ranged across the page, each one a dab from the palette of a Turner.
“They began, of course, with the black issues of 1840. But soon the black warms to brown, the brown to red, the red to orange, the orange to bright carmine; on to indigo, and Venetian red—a bright blossoming of color, as if to paint the bursting into bloom of the Empire itself. There’s glory for you!”
I had never seen Father so alive. He was suddenly a schoolboy again, his face transformed, and shining like a polished apple.
But those words about glory: Hadn’t I heard them before? Weren’t they the ones spoken to Alice by Humpty Dumpty?
I sat quietly, trying to work out the connections his mind must be making.
“For all that,” he went on, “Mr. Twining was not in possession of the most valuable philatelic collection at Greyminster. That honor belonged to Dr. Kissing, whose collection, although not extensive, was choice—perhaps even priceless.
“Dr. Kissing was not, as one might expect of the head of one of our great public schools, a man born either to wealth or to privilege. He was orphaned at birth and brought up by his grandfather, a bell-foundry worker in London’s East End which, in those days, was better known for its crushing living conditions than for its charity, and for its crime rather than its educational opportunities.
“When he was forty-eight, the grandfather lost his right arm in a ghastly accident involving molten metal. Now no longer able to work at his trade, there was nothing for it but take to the streets as a beggar; a predicament in which he remained sunk for nearly three years.
“Five years earlier, in 1840, the London firm of Messrs. Perkins, Bacon and Petch had been appointed by the Lords of the Treasury as the sole printers of British postage stamps.
“Business prospered. In the first twelve years alone of their appointment some two billion stamps were printed, most of which eventually found their way into the dustbins of the world. Even Charles Dickens referred to their prodigious output of Queens’ heads.
“Happily it was in the Fleet Street printing plant of this very firm that Dr. Kissing’s grandfather found employment at last—as a sweeper. He taught himself to push a broom with one hand better than most men did with two, and because he was a firm believer in deference, punctuality, and reliability, he soon found himself one of the firm’s most valued employees. Indeed, Dr. Kissing himself once told me that the senior partner, old Joshua Butters Bacon himself, always called his grandfather ‘Ringer’ out of respect to his former trade.
“When Dr. Kissing was still a child, his grandfather often brought home stamps that had been rejected and discarded because of irregularities in printing. These ‘pretty bits of paper,’ as he called them, were often his only playthings. He would spend hours arranging and rearranging the colorful scraps by shade, by variation too subtle for the human eye unaided. His greatest gift, he said, was a magnifying glass, which his grandfather bargained away from a street-seller after pawning his own mother’s wedding ring for a shilling.
“Each day, on his way to and from the board school, the boy called upon as many shops and offices as he was able, offering to sweep their pavements clear of rubbish in exchange for the stamped envelopes from their wastepaper baskets.
“In time, those pretty bits of paper became the nucleus of a collection which was to be the envy of Royalty, and even when he had risen to become headmaster of Greyminster, he still possessed the little magnifying glass his grandfather had given him.
“ ‘Simple pleasures are best,’ he used to tell us.
“The young Kissing built upon the tenacity with which life had favored him as a boy and went on from scholarship to scholarship, until there came the day when old ‘Ringer’ was on hand in tears to see his grandson graduate with a double first at Oxford.
“Now, there is a belief among those who should know better, that the rarest of postage stamps are those freaks and mutilations that are inevitably produced as by-products of the printing process, but this is simply not so. No matter what sums such monstrosities might fetch if they are leaked upon the market, to the true collector they are never more than salvage.
“No, the real scarcities are those stamps which have been put into official circulation, legitimately or otherwise, but in very limited numbers. Sometimes a few thousand stamps may be released before a problem is noticed; sometimes a few hundred, as is the case when a single sheet manages to effect its escape from the Treasury.
“But in the entire history of the British Post Office, there has been one occasion—and one occasion only—when a single sheet of stamps was so dramatically different from its millions of fellows. This is how it came about.
“In June of 1840, a crazy potboy named Edward Oxford had fired two pistols at nearly point-blank range at Queen Victoria and Prince Albert as they rode in an open carriage. Mercifully, both shots missed their target, and the Queen, who was then four months pregnant with her first child, was unharmed.
“The attempted assassination was thought by some to be a Chartist plot, while others believed it to be a conspiracy of Orangemen who wished to set the Duke of Cumberland upon the throne of England. There was more truth in the latter than the government believed, or perhaps than they were prepared to admit. Although Oxford would pay for his crime by spending the next twenty-seven years of his life confined to Bedlam—where he seemed more sane than most of the inhabitants and many of the doctors—his handlers would remain at large, invisible in the metropolis. They had other hares to run.
“In the autumn of 1840, an apprentice pressman named Jacob Tingle was employed at the firm of Perkins, Bacon and Petch. Because he was, above all else, a creature of ambition, young Jacob was soon progressing in his trade by leaps and bounds.
“What his employers did not yet know was that Jacob Tingle was the pawn in a deadly serious game, a game to which only his shadowy masters were privy.”
If there was anything that surprised me about this tale, it was the way in which Father brought it to life. I could almost reach out and touch the gentlemen in their high starched collars and stovepipe hats; the ladies in their bustled skirts and bonnets. And as the characters in his tale came to life, so did Father.
“Jacob Tingle’s mission was a most secret one: He was, by whatever means were at hand, to print one sheet, and one sheet only, of Penny Black stamps, using a bright orange ink which had been provided for his mission. The vial had been handed to him, along with a retaining fee, in an alehouse adjoining St. Paul’s Churchyard by a man with a broad-brimmed hat who had sat in the tavern’s shadows and spoken in a stony whisper.
“When he had secretly printed this bastard sheet, he was to conceal it in a ream of ordinary Penny Blacks which were awaiting dispatch to the post offices of England. With this accomplished, Jacob’s work was done. Fate would see to the rest.
“Sooner or later, somewhere in England, a sheet of orange stamps would surface, and their message would be plain enough to those with eyes to see. ‘We are in your midst,’ they would declare. ‘We move amongst you freely and unseen.’
“The unsuspecting Post Office would have no opportunity to recall the inflammatory stamps. And once they came to light, word of their existence would spread like wildfire. Not even Her Majesty’s Government could keep it quiet. The result would be terror at the highest levels.
“You see,” Father went on, “although his message came too late, a secret agent had infiltrated the ranks of the conspirators and sent back word that discovery of the orange stamps was to serve as a signal to conspirators everywhere to begin a new wave of personal attacks upon the Royal Family.
“It seemed the perfect scheme. Had it failed, the perpetrators would simply have bided their time and tried again another day. But there was no need to try again; the thing went off like clockwork.
 
; “The day after he met the stranger in St. Paul’s Churchyard, there was a spectacular, and suspicious, conflagration in an alley directly behind Perkins, Bacon and Petch. As the printers and clerical staff dashed outside for a better view of the fire, Jacob coolly pulled the vial of orange ink from his pocket, inked the plate with a spare roller he had hidden behind a row of chemical bottles on a shelf, applied a damped sheet of watermarked paper, and printed the sheet. It was almost too easy.
“Before the other workers returned to their posts, Jacob had already tucked the orange sheet among its black sisters, cleaned the plate, hidden the soiled rags, and was setting up for the next run of ordinary stamps when old Joshua Butters Bacon himself strolled by and congratulated the young man on his coolness in the face of danger. He would go far in his chosen trade, the old man told him.
“And then Fate, as Fate so often does, threw a wrench into the works. What the plotters could not foresee was that the man in the broad-brimmed hat would, that very night, be struck down in the rain in Fleet Street by a runaway cart-horse, and that with his dying breath, he would revert to the faith into which he had been born and confess the plot—Jacob Tingle and all—to a rain-caped bobby whom he mistook for a cassocked Catholic priest.
“But by that time, Jacob had done his dirty work, and the sheet of orange stamps was already flying, via the night mail, to some unknown corner of England. I hope you are not finding this too boring, Harriet?”
Harriet? Had Father called me “Harriet”?
It is not unknown for fathers with a brace of daughters to reel off their names in order of birth when summoning the youngest, and I had long ago become accustomed to being called “Ophelia Daphne Flavia, damn it.” But Harriet? Never! Was this a slip of the tongue, or did Father actually believe he was telling his tale to Harriet?
I wanted to shake the stuffing out of him; I wanted to hug him; I wanted to die.