Page 47 of Nostromo


  "I feel I have a duty towards these girls," said Mrs. Gould, uneasily. "Is Nostromo in Sulaco now?"

  "He is, since last Sunday."

  "He ought to be spoken to—at once."

  "Who will dare speak to him? Even the love-mad Ramirez runs away from the mere shadow of Captain Fidanza."

  "I can. I will," Mrs. Gould declared. "A word will be enough for a man like Nostromo."

  The doctor smiled sourly.

  "He must end this situation which lends itself to—-I can't believe it of that child," pursued Mrs. Gould.

  "He's very attractive," muttered the doctor, gloomily.

  "He'll see it, I am sure. He must put an end to all this by marrying Linda at once," pronounced the first lady of Sulaco with immense decision.

  Through the garden gate emerged Basilio, grown fat and sleek, with an elderly hairless face, wrinkles at the corners of his eyes, and his jet-black, coarse hair plastered down smoothly. Stooping carefully behind an ornamental clump of bushes, he put down with precaution a small child he had been carrying on his shoulder—his own and Leonarda's last born. The pouting, spoiled Camerista and the head mozo of the Casa Gould had been married for some years now.

  He remained squatting on his heels for a time, gazing fondly at his offspring, which returned his stare with imperturbable gravity; then, solemn and respectable, walked down the path.

  "What is it, Basilio?" asked Mrs. Gould.

  "A telephone came through from the office of the mine. The master remains to sleep at the mountain to-night."

  Dr. Monygham had got up and stood looking away. A profound silence reigned for a time under the shade of the biggest trees in the lovely gardens of the Casa Gould.

  "Very well, Basilio," said Mrs. Gould. She watched him walk away along the path, step aside behind the flowering bush, and reappear with the child seated on his shoulder. He passed through the gateway between the garden and the patio with measured steps, careful of his light burden.

  The doctor, with his back to Mrs. Gould, contemplated a flower-bed away in the sunshine. People believed him scornful and soured. The truth of his nature consisted in his capacity for passion and in the sensitiveness of his temperament. What he lacked was the polished callousness of men of the world, the callousness from which springs an easy tolerance for oneself and others; the tolerance wide as poles asunder from true sympathy and human compassion. This want of callousness accounted for his sardonic turn of mind and his biting speeches.

  In profound silence, and glaring viciously at the brilliant flower-bed, Dr. Monygham poured mental imprecations on Charles Gould's head. Behind him the immobility of Mrs. Gould added to the grace of her seated figure the charm of art, of an attitude caught and interpreted for ever. Turning abruptly, the doctor took his leave.

  Mrs. Gould leaned back in the shade of the big trees planted in a circle. She leaned back with her eyes closed and her white hands lying idle on the arms of her seat. The half-light under the thick mass of leaves brought out the youthful prettiness of her face; made the clear, light fabrics and white lace of her dress appear luminous. Small and dainty, as if radiating a light of her own in the deep shade of the interlaced boughs, she resembled a good fairy, weary with a long career of well-doing, touched by the withering suspicion of the uselessness of her labours, the powerlessness of her magic.

  Had anybody asked her of what she was thinking, alone in the garden of the Casa, with her husband at the mine and the house closed to the street like an empty dwelling, her frankness would have had to evade the question. It had come into her mind that for life to be large and full, it must contain the care of the past and of the future in every passing moment of the present. Our daily work must be done to the glory of the dead, and for the good of those who come after. She thought that, and sighed without opening her eyes—without moving at all. Mrs. Gould's face became set and rigid for a second, as if to receive, without flinching, a great wave of loneliness that swept over her head. And it came into her mind, too, that no one would ever ask her with solicitude what she was thinking of. No one. No one, but perhaps the man who had just gone away. No; no one who could be answered with careless sincerity in the ideal perfection of confidence.

  The word "incorrigible"—a word lately pronounced by Dr. Monygham—floated into her still and sad immobility. Incorrigible in his devotion to the great silver mine was the Senor Administrador! Incorrigible in his hard, determined service of the material interests to which he had pinned his faith in the triumph of order and justice. Poor boy! She had a clear vision of the grey hairs on his temples. He was perfect—perfect. What more could she have expected? It was a colossal and lasting success; and love was only a short moment of forgetfulness, a short intoxication, whose delight one remembered with a sense of sadness, as if it had been a deep grief lived through. There was something inherent in the necessities of successful action which carried with it the moral degradation of the idea. She saw the San Tome mountain hanging over the Campo, over the whole land, feared, hated, wealthy; more soulless than any tyrant, more pitiless and autocratic than the worst Government; ready to crush innumerable lives in the expansion of its greatness. He did not see it. He could not see it. It was not his fault. He was perfect, perfect; but she would never have him to herself. Never; not for one short hour altogether to herself in this old Spanish house she loved so well! Incorrigible, the last of the Corbelans, the last of the Avellanos, the doctor had said; but she saw clearly the San Tome mine possessing, consuming, burning up the life of the last of the Costaguana Goulds; mastering the energetic spirit of the son as it had mastered the lamentable weakness of the father. A terrible success for the last of the Goulds. The last! She had hoped for a long, long time, that perhaps—-But no! There were to be no more. An immense desolation, the dread of her own continued life, descended upon the first lady of Sulaco. With a prophetic vision she saw herself surviving alone the degradation of her young ideal of life, of love, of work—all alone in the Treasure House of the World. The profound, blind, suffering expression of a painful dream settled on her face with its closed eyes. In the indistinct voice of an unlucky sleeper lying passive in the grip of a merciless nightmare, she stammered out aimlessly the words—

  "Material interest."

  Chapter Twelve

  *

  Nostromo had been growing rich very slowly. It was an effect of his prudence. He could command himself even when thrown off his balance. And to become the slave of a treasure with full self-knowledge is an occurrence rare and mentally disturbing. But it was also in a great part because of the difficulty of converting it into a form in which it could become available. The mere act of getting it away from the island piecemeal, little by little, was surrounded by difficulties, by the dangers of imminent detection. He had to visit the Great Isabel in secret, between his voyages along the coast, which were the ostensible source of his fortune. The crew of his own schooner were to be feared as if they had been spies upon their dreaded captain. He did not dare stay too long in port. When his coaster was unloaded, he hurried away on another trip, for he feared arousing suspicion even by a day's delay. Sometimes during a week's stay, or more, he could only manage one visit to the treasure. And that was all. A couple of ingots. He suffered through his fears as much as through his prudence. To do things by stealth humiliated him. And he suffered most from the concentration of his thought upon the treasure.

  A transgression, a crime, entering a man's existence, eats it up like a malignant growth, consumes it like a fever. Nostromo had lost his peace; the genuineness of all his qualities was destroyed. He felt it himself, and often cursed the silver of San Tome. His courage, his magnificence, his leisure, his work, everything was as before, only everything was a sham. But the treasure was real. He clung to it with a more tenacious, mental grip. But he hated the feel of the ingots. Sometimes, after putting away a couple of them in his cabin—the fruit of a secret night expedition to the Great Isabel—he would look fixedly at his fingers, as if surprised
they had left no stain on his skin.

  He had found means of disposing of the silver bars in distant ports. The necessity to go far afield made his coasting voyages long, and caused his visits to the Viola household to be rare and far between. He was fated to have his wife from there. He had said so once to Giorgio himself. But the Garibaldino had put the subject aside with a majestic wave of his hand, clutching a smouldering black briar-root pipe. There was plenty of time; he was not the man to force his girls upon anybody.

  As time went on, Nostromo discovered his preference for the younger of the two. They had some profound similarities of nature, which must exist for complete confidence and understanding, no matter what outward differences of temperament there may be to exercise their own fascination of contrast. His wife would have to know his secret or else life would be impossible. He was attracted by Giselle, with her candid gaze and white throat, pliable, silent, fond of excitement under her quiet indolence; whereas Linda, with her intense, passionately pale face, energetic, all fire and words, touched with gloom and scorn, a chip of the old block, true daughter of the austere republican, but with Teresa's voice, inspired him with a deep-seated mistrust. Moreover, the poor girl could not conceal her love for Gian' Battista. He could see it would be violent, exacting, suspicious, uncompromising—like her soul. Giselle, by her fair but warm beauty, by the surface placidity of her nature holding a promise of submissiveness, by the charm of her girlish mysteriousness, excited his passion and allayed his fears as to the future.

  His absences from Sulaco were long. On returning from the longest of them, he made out lighters loaded with blocks of stone lying under the cliff of the Great Isabel; cranes and scaffolding above; workmen's figures moving about, and a small lighthouse already rising from its foundations on the edge of the cliff.

  At this unexpected, undreamt-of, startling sight, he thought himself lost irretrievably. What could save him from detection now? Nothing! He was struck with amazed dread at this turn of chance, that would kindle a far-reaching light upon the only secret spot of his life; that life whose very essence, value, reality, consisted in its reflection from the admiring eyes of men. All of it but that thing which was beyond common comprehension; which stood between him and the power that hears and gives effect to the evil intention of curses. It was dark. Not every man had such a darkness. And they were going to put a light there. A light! He saw it shining upon disgrace, poverty, contempt. Somebody was sure to. . . . Perhaps somebody had already. . . .

  The incomparable Nostromo, the Capataz, the respected and feared Captain Fidanza, the unquestioned patron of secret societies, a republican like old Giorgio, and a revolutionist at heart (but in another manner), was on the point of jumping overboard from the deck of his own schooner. That man, subjective almost to insanity, looked suicide deliberately in the face. But he never lost his head. He was checked by the thought that this was no escape. He imagined himself dead, and the disgrace, the shame going on. Or, rather, properly speaking, he could not imagine himself dead. He was possessed too strongly by the sense of his own existence, a thing of infinite duration in its changes, to grasp the notion of finality. The earth goes on for ever.

  And he was courageous. It was a corrupt courage, but it was as good for his purposes as the other kind. He sailed close to the cliff of the Great Isabel, throwing a penetrating glance from the deck at the mouth of the ravine, tangled in an undisturbed growth of bushes. He sailed close enough to exchange hails with the workmen, shading their eyes on the edge of the sheer drop of the cliff overhung by the jib-head of a powerful crane. He perceived that none of them had any occasion even to approach the ravine where the silver lay hidden; let alone to enter it. In the harbour he learned that no one slept on the island. The labouring gangs returned to port every evening, singing chorus songs in the empty lighters towed by a harbour tug. For the moment he had nothing to fear.

  But afterwards? he asked himself. Later, when a keeper came to live in the cottage that was being built some hundred and fifty yards back from the low lighttower, and four hundred or so from the dark, shaded, jungly ravine, containing the secret of his safety, of his influence, of his magnificence, of his power over the future, of his defiance of ill-luck, of every possible betrayal from rich and poor alike—what then? He could never shake off the treasure. His audacity, greater than that of other men, had welded that vein of silver into his life. And the feeling of fearful and ardent subjection, the feeling of his slavery—so irremediable and profound that often, in his thoughts, he compared himself to the legendary Gringos, neither dead nor alive, bound down to their conquest of unlawful wealth on Azuera—weighed heavily on the independent Captain Fidanza, owner and master of a coasting schooner, whose smart appearance (and fabulous good-luck in trading) were so well known along the western seaboard of a vast continent.

  Fiercely whiskered and grave, a shade less supple in his walk, the vigour and symmetry of his powerful limbs lost in the vulgarity of a brown tweed suit, made by Jews in the slums of London, and sold by the clothing department of the Compania Anzani, Captain Fidanza was seen in the streets of Sulaco attending to his business, as usual, that trip. And, as usual, he allowed it to get about that he had made a great profit on his cargo. It was a cargo of salt fish, and Lent was approaching. He was seen in tramcars going to and fro between the town and the harbour; he talked with people in a cafe or two in his measured, steady voice. Captain Fidanza was seen. The generation that would know nothing of the famous ride to Cayta was not born yet.

  Nostromo, the miscalled Capataz de Cargadores, had made for himself, under his rightful name, another public existence, but modified by the new conditions, less picturesque, more difficult to keep up in the increased size and varied population of Sulaco, the progressive capital of the Occidental Republic.

  Captain Fidanza, unpicturesque, but always a little mysterious, was recognized quite sufficiently under the lofty glass and iron roof of the Sulaco railway station. He took a local train, and got out in Rincon, where he visited the widow of the Cargador who had died of his wounds (at the dawn of the New Era, like Don Jose Avellanos) in the patio of the Casa Gould. He consented to sit down and drink a glass of cool lemonade in the hut, while the woman, standing up, poured a perfect torrent of words to which he did not listen. He left some money with her, as usual. The orphaned children, growing up and well schooled, calling him uncle, clamoured for his blessing. He gave that, too; and in the doorway paused for a moment to look at the flat face of the San Tome mountain with a faint frown. This slight contraction of his bronzed brow casting a marked tinge of severity upon his usual unbending expression, was observed at the Lodge which he attended—but went away before the banquet. He wore it at the meeting of some good comrades, Italians and Occidentals, assembled in his honour under the presidency of an indigent, sickly, somewhat hunchbacked little photographer, with a white face and a magnanimous soul dyed crimson by a bloodthirsty hate of all capitalists, oppressors of the two hemispheres. The heroic Giorgio Viola, old revolutionist, would have understood nothing of his opening speech; and Captain Fidanza, lavishly generous as usual to some poor comrades, made no speech at all. He had listened, frowning, with his mind far away, and walked off unapproachable, silent, like a man full of cares.

  His frown deepened as, in the early morning, he watched the stone-masons go off to the Great Isabel, in lighters loaded with squared blocks of stone, enough to add another course to the squat light-tower. That was the rate of the work. One course per day.

  And Captain Fidanza meditated. The presence of strangers on the island would cut him completely off the treasure. It had been difficult and dangerous enough before. He was afraid, and he was angry. He thought with the resolution of a master and the cunning of a cowed slave. Then he went ashore.

  He was a man of resource and ingenuity; and, as usual, the expedient he found at a critical moment was effective enough to alter the situation radically. He had the gift of evolving safety out of the very danger, this incompa
rable Nostromo, this "fellow in a thousand." With Giorgio established on the Great Isabel, there would be no need for concealment. He would be able to go openly, in daylight, to see his daughters—one of his daughters—and stay late talking to the old Garibaldino. Then in the dark . . . Night after night . . . He would dare to grow rich quicker now. He yearned to clasp, embrace, absorb, subjugate in unquestioned possession this treasure, whose tyranny had weighed upon his mind, his actions, his very sleep.

  He went to see his friend Captain Mitchell—and the thing was done as Dr. Monygham had related to Mrs. Gould. When the project was mooted to the Garibaldino, something like the faint reflection, the dim ghost of a very ancient smile, stole under the white and enormous moustaches of the old hater of kings and ministers. His daughters were the object of his anxious care. The younger, especially. Linda, with her mother's voice, had taken more her mother's place. Her deep, vibrating "Eh, Padre?" seemed, but for the change of the word, the very echo of the impassioned, remonstrating "Eh, Giorgio?" of poor Signora Teresa. It was his fixed opinion that the town was no proper place for his girls. The infatuated but guileless Ramirez was the object of his profound aversion, as resuming the sins of the country whose people were blind, vile esclavos.