Page 10 of If You Stay


  I glare at her.

  “Maddy, you shouldn’t judge someone that you don’t even know. I don’t think he actually has a drug problem. I think he uses, and of course I hope he stops. He made a mistake the other night by using too much. And again, I hope he stops and that never happens again. But there’s something in him that seems so real and genuine, I can’t help but want to get to know him better. There must be something good in him. He saved me last night. He didn’t have to.”

  I stare at her and Maddy sighs heavily once again as she strums her red nails on her desk nervously.

  “There’s something I should remind you of—something our mother always said. You can’t change a person, Mila. Not ever. A person will always be what they are. So don’t go into this thinking that you can change Pax, and that his good qualities will overtake his bad. Things don’t work that way. You don’t even know him.”

  I’m quiet as I brush my hair and pull it into a low ponytail.

  “No, I don’t,” I finally say as I turn to face her. “But you don’t either. I’m going to get to know him because I’m an adult and it’s my decision. Can we please drop this now?”

  We have a stare down, me into her blue eyes and her into my green. Finally, she sighs and looks away. I smile at her concession.

  “Thank you,” I tell her as I bend to kiss her cheek. “Just be polite to him, okay? I’m not asking you to be best friends.”

  Maddy scowls at me, but I pay her no mind as I hurry out to the bar to save Pax from Tony. As I approach, I see that he doesn’t appear to need saving. Tony is chuckling at something that Pax said, and Pax seems to be perfectly at ease.

  I relax.

  That is, until Pax turns in his seat and smiles at me. He’s got a cleft in his chin that I somehow didn’t notice before and his golden eyes are sparkling.

  The world tilts on its axis and my heart slams a crazy cadence against my ribcage. I’m probably in way over my head, but for the moment, I don’t care.

  Chapter Ten

  Pax

  I’ve never seen anything as beautiful as Mila looks walking toward me across the dining room. It’s not just because she’s gorgeous. It’s because she’s walking toward me. To be with me. Even if it’s only for tonight or for now.

  I gulp and grin at her.

  She smiles back and everything seems right with the world, a strange and unusual feeling for me.

  When Mila is halfway to me, Tony says quietly, “Don’t hurt that girl or you will answer to me.”

  I glance at him and he’s got a gruff, rigid look on his face, very different from the congenial bartender he was a second ago. But I understand it. He’s protecting Mila and I’ve got to respect that. I nod.

  “I’ll try not to.”

  Tony nods back as he towels off a glass. “Do that.”

  Mila slides up next to me, breaking the sudden tension.

  “Hi,” she murmurs and she places her slender hand on my shoulder. I fight the urge to lift it into mine and kiss it. It’s a strange inclination for me. But she seems to bring out strange things in me.

  “Hi,” I answer. “You ready for our date?”

  She grins again. “Absolutely. Why don’t we put our food orders in before the kitchen closes and then we’ll open a bottle of wine. I’ll show you the best table in the house.”

  She grabs my hand and leads me through the quiet dining room to an even quieter table for two by the windows. The entire back of the restaurant faces the lake which is easily visible through the windows. To the left, I see an Italian-style patio, which I must assume is used for dining in the summer months. It’s too chilly to eat out there now.

  “Will this be all right, monsieur?” Mila asks with a smile and an exaggerated accent. I grin back.

  “French? I thought this was some fancy Italian joint.”

  She giggles, handing me a menu as I sit. I catch a hint of her perfume as she moves and I inhale it. She smells like heaven, just the way her mouth tastes.

  “We’re not aiming to be fancy. We’re aiming to be an authentic Italian place. We just did a bunch of renovations this past summer to improve the ambiance and make it feel like you’re in Italy.”

  I look around at the rough stucco walls, the Italian art, the rustic charm. It does seem like we’re sitting in an old-world kitchen. So I tell her that and she beams. Apparently, that’s exactly the look they were going for.

  “I’ll have the lasagna,” I tell her. “Is it good here?”

  She gives me a look. “Everything’s good here. Make sure to tell all your friends.”

  I laugh. “I don’t have that many. But I’ll try and pimp your restaurant for you anyway. How do you feel about the rougher type of crowd?”

  She gives me a dry look and darts away, presumably to turn our food order in. She’s back within a minute with a bottle of wine and she settles into the chair across from me. The candlelight flickering on our table casts a soft light onto her face.

  “Wine?” she asks as she pours me a glass of red. I nod, which is good, because she’s already pouring.

  “Thank you,” I tell her. “It’s a beautiful night, isn’t it?”

  I glance out the windows, at the lake that is calm and dark in the night. Mila follows my gaze.

  “I love the lake,” she tells me quietly. “I know that most of us do that live here, but I really love it. It’s so comforting. It’s always the same no matter what else changes in my life.”

  I have to stare at her, because I feel exactly the same way. It’s one of the reasons that I choose to live here, perched on the very edge of it. The lake symbolizes continuity to me. And it is comforting.

  Mila stares at me, her gaze pensive. I notice now that her eyes are the softest shade of green, almost like jade.

  “Tell me about yourself,” she instructs softly as she sips from her wine. Her fingers almost stroke the wine glass and I find that I am jealous of it. I also notice that she’s wearing a deep red ring on her middle finger that is the exact shade of the wine. I take a breath.

  “Well, my name is Pax Alexander Tate. You know where I live now, but you probably don’t know that I grew up in Connecticut and we moved to Chicago when I was seven. My father is still there. He’s an attorney downtown. But I moved here a few years back. I love the lake, just like you. I love the peace and quiet and the solitude. I’m not the most social person, and I knew that people in lake towns are used to leaving other people alone. Locals know that sometimes people come here for exactly that reason—to be alone, away from the noise of the city. That’s why I chose to move to Angel Bay.”

  Mila smiles encouragingly, as if she knows how hard it is for me to talk about myself. And honestly, I don’t know why it is. What I’m doing right now is just rattling off facts. It’s not like I’m getting into anything deeply personal.

  “What about your mom?” she asks curiously. “Are your parents divorced? Is that why you moved to Chicago?”

  And now we’re in deeply personal territory. I inhale again and realize that my hand is clenched tightly against my thigh. I relax my fingers. This is just a conversation. No big deal.

  “My mom died years ago. When I was seven. My dad and I moved to Chicago to get away from the memories.”

  Mila freezes, her gorgeous green eyes glued to mine.

  “I’m…I… I didn’t know that,” she finally stammers. “I’m really sorry. You didn’t say anything earlier at the hospital when I told you about my parents.”

  I stare at her. “I know. I don’t usually talk about it.”

  “Was she sick?” Mila asks. “Did you have a chance to say goodbye? I think that was the worst thing about my parents’ deaths. I didn’t get a chance to say goodbye. It was so sudden. So shocking. The shock of it was the worst.”

  I try to think back to when my mom died, and like always, I draw a big blank. The only thing I ever see when I try to think on it is a bunch of vague whiteness. No memories.

  “Do you ever remember thin
gs by colors?” I ask her off-handedly. “See, because I was so young, I apparently blocked all the memories of my mother’s death. She died suddenly, also in a car crash, like your parents. But I can’t remember anything about it. When I think about it, all I see is a big whiteness, like a blank screen, almost.”

  Mila seems shocked. “I do that too,” she whispers. “I associate colors with pretty much everything. I think it’s because I’m an artist. I paint for a living, so I naturally see things in paint. I don’t know how to explain you, though.”

  I smile. “No one knows how to explain me,” I tell her wryly.

  “So, you were a little boy when your mom died,” Mila says slowly. “That must have been horrible for you. No wonder you suppressed the memories. How did your dad handle it? Do you have any other family?”

  Normally, I would be put off by someone probing into my personal life. But I know that Mila doesn’t mean any harm. I think she’s just trying to figure me out, to see what makes me tick. I almost laugh, because that’s pretty impossible to do, I think.

  “I was a little boy,” I confirm. “And I think it probably was horrible. But like I said, I pretty much don’t have any memories of it at all. I don’t remember much until I turned nine or so. My old therapist, the one I had when I was a kid, said that it was my brain’s way of protecting itself from the trauma. My dad didn’t handle it well, either. It’s one of the reasons that we moved away. He’s never been the same. My mom took a little piece of him when she died. And no. I don’t have any family other than him. My grandfather, my mother’s father, is still alive. But he was pretty pissed when we moved and stopped talking to me. He runs an oil company, which is how I make my living. I inherited my mother’s shares.”

  And just like that, I’ve shared more with Mila than I’ve shared with anyone in a long time. I guess I really hadn’t realized how secluded I’ve become until this moment. It’s pretty sad. I’ve never really had a use for anyone else. Until now.

  I stare at Mila.

  “So, now you have my life’s story. What about you? I know your parents died. What else is there to know about you?”

  I reach for the bottle of wine and fill our glasses up again. I have a feeling that we’ll both need it by the time the evening is out. I glance around and find that the restaurant has pretty much cleared out, except for some clattering in the kitchen.

  “Well, I’m still fascinated by the fact that we have more in common that I had thought,” Mila admits, her cheeks flushed from the wine.

  “Yeah, we belong to an elite club,” I roll my eyes. “We know what it’s like to lose a parent at a young age. Lucky us.”

  “You were much younger than me,” she tells me seriously. “I was grown and in college. I can’t imagine what that would do to a little boy- to grow up without his mama. Was your grandma alive for a while at least? Did you have any kind of female influence at all?”

  I shake my head. “No. My grandma died before I was born. And no, I didn’t have any kind of female influence, other than teachers as I was growing up.”

  And right there, with one breath, Mila touched on something that I’d never thought about. Had the fact that I didn’t have a mother (or any other female) affect me more than I had known? Is that why I’m not good at relating to women?

  From the look on Mila’s face, I think she’s wondering the same thing. But she doesn’t say anything. There’s a bit of sympathy in her eyes though and I hate that.

  “Don’t feel sorry for me,” I tell her. “There are millions of people who have had their mother die. You did, as well. I’m not so unique. We all get through it as best we can.”

  She stares at me again, her face pensive. “So you don’t cut yourself any slack at all that you grew up without a mother?”

  I roll my eyes. “Are you trying to find some sort of reason that I’ve become such an asshole? The reason is…I’m an asshole. There are some things in life that can’t be explained. Period. Assholes are assholes. Rainbows are pretty. Kittens are cute. Chick flicks are sad. It’s the way of things, no explanations.”

  And now she rolls her eyes.

  “Things are the way they are, but everything has a reason. Kittens are cute because they’re tiny fur-balls with smushed faces. Rainbows are pretty because they have every color in the world in them and they’re made from refracted light. Chick flicks are sad because chicks sometimes just need a good cry. And assholes are always assholes for a reason.”

  She stares at me again, her eyes full of determination, and I can see that she truly wants to pick me apart and see what makes me tick. I suddenly feel naked beneath her gaze. But as luck would have it, our food arrives at this most perfect of times, and I almost sigh wi