Page 25 of The Laughing Corpse


  He nodded.

  "If you knew she could do this, why didn't you speak up earlier? We wouldn't have let her hold the thing."

  "I didn't know. It's impossible without ceremonial magic."

  "But she did it."

  "I know, Anita, I know." He sounded scared for the first time. Fear didn't sit well on his darkly handsome face. After the power I'd felt from him, the fear seemed even more out of place. But it was real nonetheless.

  I shivered, like someone had walked on my grave. Dominga was staring at me. "What are you staring at?"

  "A dead woman," she said softly.

  I shook my head. "Talk is cheap, Senora. Threats don't mean squat."

  John touched my arm. "Do not taunt her, Anita. If she can do that instantly, there's no telling what else she can do."

  The cop had had enough. "She's not doing anything. If you so much as twitch wrong, lady, I'm going to shoot you."

  "But I am just an old woman. Would you threaten me?"

  "Don't talk either."

  The other uniform said, "I knew a witch once who could bespell you with her voice."

  Both uniforms had their hands near their guns. Funny how magic changes how people perceive you. They were fine when they thought she needed human sacrifice and ceremony. Let her do one instant trick, and she was suddenly very dangerous. I'd always known she was dangerous.

  Dominga sat silently under the watchful eyes of the cops. I had been distracted by her little performance. There were still no screams from downstairs. Nothing. Silence.

  Had it gotten them all? That quickly, without a shot fired. Naw. But still, my stomach was tight, sweat trickled down my spine. Are you alright, Dolph? I thought.

  "Did you say something?" John asked.

  I shook my head. "Just thinking really hard."

  He nodded as if that made sense to him.

  Dolph came into the living room. I couldn't tell anything by his face. Mr. Stoic.

  "Well, what was it?" I asked.

  "Nothing," he said.

  "What do you mean, nothing?"

  "She's cleaned the place out completely. We found the rooms you told me about. One door had been busted from inside, but the room's been scrubbed down and painted." He held up one big hand. It was stained white. "Hell, the paint's still wet."

  "It can't all be gone. What about the cement-covered doors?"

  "Looks like someone took a jackhammer to them. They're just freshly painted rooms, Anita. The place stinks of pine-scented bleach and wet paint. No corpses, no zombies. Nothing."

  I just stared at him. "You've got to be kidding."

  He shook his head. "I'm not laughing."

  I stood in front of Dominga. "Who warned you?"

  She just stared up at me, smiling. I had a great urge to slap that smile off her face. Just to hit her once would feel good. I knew it would.

  "Anita," Dolph said, "back off."

  Maybe the anger showed on my face, or maybe it was the fact that my hands were balled into fists and I seemed to be shaking. Shaking with anger and the beginnings of something else. If she didn't go to jail, that meant she was free to try to kill me again tonight. And every night after that.

  She smiled as if she could read my mind. "You have nothing, chica. You have gambled all on a hand with nothing in it."

  She was right. "Stay away from me, Dominga."

  "I will not come near you, chica, I will not need to."

  "Your last little surprise didn't work out so well. I'm still here."

  "I have done nothing. But I am sure there are worse things that could come to your door, chica."

  I turned to Dolph. "Dammit, isn't there anything we can do?"

  "We got the charm, but that's it."

  Something must have showed on my face because he touched my arm. "What is it?"

  "She did something to the charm. It's gone."

  He took a deep breath and stalked away, then back. "Dammit to hell, how?"

  I shrugged. "Let John explain. I still don't understand it." I hate admitting that I don't know something. It's always bothered me to admit ignorance. But hey, a girl can't be an expert on everything. I had worked hard to stay away from voodoo. Work hard and where does it get you? Staring into the black eyes of a voodoo priestess who's plotting your death. A most unpleasant death by the looks of it.

  Well, in for a penny, in for a pound. I went back to her. I stood and stared into her dark face and smiled. Her own smile faltered, which made my smile bigger.

  "Someone tipped you off and you've been cleaning up this cesspit for two days." I leaned over her, putting my hands on the arms of the chair. It brought our faces close together.

  "You had to break down your walls. You had to let out or destroy all your creations. Your inner sanctum, your hougun, is cleaned and whitewashed. All the verve gone. All the animal sacrifices gone. All that slow building of power, line by line, drop by bloody drop, you're going to have to start over, you bitch. You're going to have to rebuild it all."

  The look in those black eyes made me shiver, and I didn't care. "You're getting old to rebuild that much. Did you have to destroy many of your toys? Dig up any graves?"

  "Have your joke now, chica, but I will send what I have saved to you some dark night."

  "Why wait? Do it now, in daylight. Face me or are you afraid?"

  She laughed then, and it was a warm, friendly sound. It startled me so much I stood up straight, almost jumped back.

  "Do you think I am foolish enough to attack you with the police all around? You must think me a fool."

  "It was worth a try," I said.

  "You should have joined with me in my zombie enterprises. We could have been rich together."

  "The only thing we're likely to do together is kill each other," I said.

  "So be it. Let it be war between us."

  "It always was," I said.

  She nodded and smiled some more.

  Zerbrowski came out of the kitchen. He was grinning from ear to ear. Something good was up.

  "The grandson just spilled the beans."

  Everyone in the room stared at him. Dolph said, "Spilled what?"

  "Human sacrifice. How he was supposed to get the gris-gris back from Peter Burke after he killed him, on his grandmother's orders, but some joggers came by and he panicked. He's so afraid of her"--he motioned to Dominga--"he wants her behind bars. He's terrified of what she'll do to him for forgetting the charm."

  The charm that we didn't have anymore. But we had the video and now we had Antonio's confession. The day was looking up.

  I turned back to Dominga Salvador. She looked tall and proud and terrifying. Her black eyes blazed with some inner light. Standing this close to her, the power crawled over my skin, but a good bonfire would take care of that. They'd fry her in the electric chair, then burn the body and scatter the ashes at a crossroad.

  I said softly, "Gotcha."

  She spit at me. It landed on my hand and burned like acid. "Shit!"

  "Do that again and we'll shoot you, and save the taxpayers some money," Dolph said. He had his gun out.

  I went in search of the bathroom to wash her spit off my hand. A blister had formed where it had hit. Second fucking degree burns from her spit. Dear God.

  I was glad Antonio had broken. I was glad she was going to be locked away. I was glad she was going to die. Better her than me.

  32

  RIVERRIDGE WAS A modern housing development. Which meant that there were three models to choose from. You could end up with four identical houses in a row, like cookies on a baking sheet. There was also no river within sight. No ridge either.

  The house that was the center of the police search area was identical to its neighbor, except for color. The murder house, which is what the news was calling it, was grey with white shutters. The house that had been passed safely by was blue with white shutters. Neither's shutters worked. They were just for show. Modern architecture is full of perks that are just for show; balcony
railings without a balcony, peaked roofs that make it look like you have an extra room that you don't have, porches so narrow that only Santa's elves could sit on them. It makes me nostalgic for Victorian architecture. It might have been overdone, but everything worked.

  The entire housing project had been evacuated. Dolph had been forced to give a statement to the press. More's the pity. But you can't evacuate a housing development the size of a small town and keep it quiet. The cat was out of the bag. They were calling them the zombie massacres. Geez.

  The sun was going down in a sea of scarlet and orange. It looked like someone had melted two giant crayons and smeared them across the sky. There wasn't a shed, garage, basement, tree house, playhouse, or anything else we could think of that had been left unsearched. Still, we had found nothing.

  The newshounds were prowling restlessly at the edge of the search area. If we had evacuated hundreds of people and searched their premises without a warrant and found no zombie . . . we were going to be in deep fucking shit.

  But it was here. I knew it was here. Alright, I was almost sure it was here.

  John Burke was standing next to one of those giant trash cans. Dolph had surprised me by allowing John to come on the zombie hunt. As Dolph said, we needed all the help we could get.

  "Where is it, Anita?" Dolph asked.

  I wanted to say something brilliant. My God, Holmes, how did you know the zombie was hiding in the flower pot? But I couldn't lie. "I don't know, Dolph. I just don't know."

  "If we don't find this thing . . ." He let the thought trail off, but I knew what he meant.

  My job was secure if this fell apart. Dolph's was not. Shit. How could I help him? What were we missing? What?

  I stared at the quiet street. It was eerily quiet. The windows were all dark. Only the streetlights pushed back the coming dark. Soft halos of light.

  Every house had a mailbox on a post near the sidewalk that edged the curb. Some of the mailboxes were unbelievably cute. One had been shaped like a sitting cat. Its paw went up if there was mail in its tummy. The family name was Catt. It was too precious.

  Every house had at least one large super duper trash can in front of it. Some of them were bigger than I was. Surely, Sunday couldn't be trash day. Or had today been trash day, and the police line had stopped it?

  "Trash cans," I said aloud.

  "What?" Dolph asked.

  "Trash cans." I grabbed his arm, feeling almost lightheaded. "We've stared at those fucking trash cans all day. That's it."

  John Burke stood quietly beside me, frowning.

  "Are you feeling okay, Blake?" Zerbrowski came up behind us, smoking. The end of his cigarette looked like a bloated firefly.

  "The cans are big enough for a large person to hide in."

  "Wouldn't your arms and legs fall asleep?" Zerbrowski asked.

  "Zombies don't have circulation, not like we do."

  Dolph yelled, "Everybody check the trash cans. The zombie is in one of them. Move it!"

  Everyone scattered like an anthill stirred with a stick, but we had a purpose now. I ended up with two uniformed officers. Their nameplates said "Ki" and "Roberts." Ki was Asian and male. Roberts was blond and female. A nicely mixed team.

  We fell into a rhythm without discussing it. Officer Ki would move up and dump the trash can. Roberts and I would cover him with guns. We were all set to yell like hell if a zombie came tumbling out. It would probably be the right zombie. Life is seldom that cruel.

  We'd yell and an exterminator team would come running. At least, they'd better come running. This zombie was entirely too fast, too destructive. It might be more resistant to gunfire. Better not to find out. Just french-fry the sucker and be done with it.

  We were the only team working on the street. There was no sound but our footsteps, the rubber crunch of trash cans overturning, the rattle of cans and bottles as the trash spilled. Didn't anybody tie their bags up anymore?

  Darkness had fallen in a solid blackness. I knew there were stars and a moon up there somewhere, but you couldn't prove it from where we stood. Clouds as thick and dark as velvet had come in from the west. Only the streetlights made it bearable.

  I didn't know how Roberts was doing, but the muscles in my shoulders and neck were screaming. Every time Ki put his hands to the can and pushed, I was ready. Ready to fire, ready to save him before the zombie leapt up and ripped his throat out. A trickle of sweat dripped down his high-cheekboned face. Even in the dim light it glimmered.

  Glad to know I wasn't the only one feeling the effort. Of course, I wasn't the one putting my face over the possible hiding place of a berserk zombie. Trouble was, I didn't know how good a shot Ki was, or Roberts either for that matter. I knew I was a good shot. I knew I could slow the thing down until help arrived. I had to stay on shooting detail. It was the best division of labor. Honest.

  Screams. To the left. The three of us froze. I whirled towards the screaming. There was nothing to see, nothing but dark houses and pools of streetlight. Nothing moved. But the screams continued high and horrified.

  I started running towards the screams. Ki and Roberts were at my back. I ran with the Browning in a two-handed grip pointed up. Easier to run that way. Didn't dare holster the gun. Visions of blood-coated teddy bears, and the screams. The screams sort of faded. Someone was dying up ahead.

  There was a sense of movement everywhere in the darkness. Cops running. All of us running but it was too late. We were all too late. The screaming had stopped. No gunshots. Why not? Why hadn't someone gotten off a shot?

  We ran down the side yards of four houses when we hit a metal fence. Had to holster the guns. Couldn't climb it with one hand. Dammit. I did my best to vault the fence using my hands for leverage.

  I stumbled to my knees in the soft dirt of a flower bed. I was trampling some tall summer flowers. On my knees I was considerably shorter than the flowers. Ki landed beside me. Only Roberts landed on her feet.

  Ki stood up without drawing his gun. I drew the Browning while I crouched in the flowers. I could stand up after I was armed.

  I had a sense of rushing movement but not clear sight. The flowers obscured my vision. Roberts was suddenly tumbling backwards, screaming.

  Ki was drawing his gun, but something hit him, knocked him on top of me. I rolled but was still half under him. He lay still on top of me.

  "Ki, move it, dammit!"

  He sat up and crawled towards his partner, his gun silhouetted against the streetlight. He was staring down at Roberts. She wasn't moving.

  I searched the darkness trying to see something, anything. It had moved more than human fast. Fast as a ghoul. No zombie moved like that. Had I been wrong all along? Was it something else? Something worse? How many lives would my mistake cost tonight? Was Roberts dead?

  "Ki, is she alive?" I searched the darkness, fighting the urge to look only at the lighted areas. There was shouting, but it was confusion, "Where is it? Where did it go?" The sounds were getting farther away.

  I screamed, "Here, here!" The voices hesitated, then started our way. They were making so much noise, like a herd of arthritic elephants.

  "How bad is she hurt?"

  "Bad." He'd put his gun down. He was pressing his hands over her neck. Something black and liquid was spreading over his hands. God.

  I knelt on the other side of Roberts, gun ready, searching the darkness. Everything was taking forever, yet it was only seconds.

  I checked her pulse, one-handed. It was thready, but there. My hand came away covered in blood. I wiped it on my pants. The thing had damn near slit her throat.

  Where was it?

  Ki's eyes were huge, all pupil. His skin looked leprous in the streetlight. His partner's blood was dripping out between his fingers.

  Something moved, too low to the ground to be a man, but about that size. It was just a shape creeping along the back of the house in front of us. Whatever it was had found the deepest shadow and was trying to creep away.

  Th
at showed more intelligence than a zombie had. I was wrong. I was wrong. I was fucking wrong. And Roberts was dying because of it.

  "Stay with her. Keep her alive."

  "Where are you going?" he asked.

  "After it." I climbed the fence one-handed. The adrenaline must have been pumping because I made it.

  I gained the yard and it was gone. A streaking shape fast as a mouse caught in the kitchen light. A blur of speed, but big, big as a man.

  It rounded the corner of the house and I lost sight of it. Dammit. I ran as far from the wall as I could, my stomach tight with anticipation of fingers ripping my throat out. I came round the house gun pointed, two-handed, ready. Nothing. I scanned the darkness, the pools of light. Nothing.

  Shouts behind me. The cops had arrived. God, let Roberts live.

  There, movement, creeping across the streetlight around the edge of another house. Someone shouted, "Anita!"

  I was already running towards the movement. I shouted as I ran, "Bring an exterminator team!" But I didn't stop. I didn't dare stop. I was the only one in sight of it. If I lost it, it was gone.

  I ran into the darkness, alone, after something that might not be a zombie at all. Not the brightest thing I've ever done, but it wasn't going to get away. It wasn't.

  It was never going to hurt another family. Not if I could stop it. Now. Tonight.

  I ran through a pool of light and it made the darkness heavier, blinding me temporarily. I froze in the dark, willing my eyes to adjust faster.

  "Perssisstent woman," a voice hissed. It was to my right, so close the hair on my arms stood up.

  I froze, straining my peripheral vision. There, a darker shape rising out of the evergreen shrubs that hugged the edge of the house. It rose to its full height, but didn't attack. If it wanted me, it could have me before I could turn and fire. I'd seen it move. I knew I was dead.

  "You arrre not like the resst." The voice was sibilant, as if parts of the mouth were missing, so it put great effort into forming each word. A gentleman's voice decayed by the grave.

  I turned towards it, slowly, slowly.

  "Put me back."

  I had turned my head enough to be able to see some of it. My night vision is better than most. And the streetlights made it lighter than it should have been.

  The skin was pale, yellowish-white. The skin clung to the bones of his face like wax that had half-melted. But the eyes, they weren't decayed. They burned out at me with a glitter that was more than just eyes.