Conclusion of the Book, penultimate: Teresa, a servant employed at the Red Swan Hotel, knocked at the master’s door with the intention of taking away the tray but eliciting no response, she opened the door and found to her surprise that the room was empty. Assuming that the master had gone to a certain place, she placed the tray on the landing and returned to the room for the purpose of putting it to rights. She revived the fire and made a good blaze by putting into it several sheets of writing which were littered here and there about the floor (not improbably a result of the open window). By a curious coincidence as a matter of fact strange to say it happened that these same pages were those of the master’s novel, the pages which made and sustained the existence of Furriskey and his true friends. Now they were blazing, curling and twisting and turning black, straining uneasily in the draught and then taking flight as if to heaven through the chimney, a flight of light things red-flecked and wrinkled hurrying to the sky. The fire faltered and sank again to the hollow coals and just at that moment, Teresa heard a knock at the hall-door away below. Going down she did her master the unexpected pleasure of admitting him to the house. He was attired in his night-shirt, which was slightly discoloured as if by rain, and some dead leaves were attached to the soles of his poor feet. His eyes gleamed and he did not speak but walked past her in the direction of the stairs. He then turned and coughing slightly, stared at her as she stood there, the oil-lamp in her hand throwing strange shadows on her soft sullen face.
Ah, Teresa, he muttered.
Where were you in your night-shirt, Sir? she asked.
I am ill, Teresa, he murmured. I have done too much thinking and writing, too much work. My nerves are troubling me. I have bad nightmares and queer dreams and I walk when I am very tired. The doors should be locked.
You could easily get your death. Sir, Teresa said.
He reached unsteadily for the lamp and motioned that she should go before him up the stairs. The edge of her stays, lifting her skirt in a little ridge behind her, dipped softly from side to side with the rise and the fall of her haunches as she trod the stairs. It is the function of such garments to improve the figure, to conserve corporal discursiveness, to create the illusion of a finely modulated body. If it betray its own presence when fulfilling this task, its purpose must largely fail.
Are est celare artem, muttered Trellis, doubtful as to whether he had made a pun.
Conclusion of the book, ultimate: Evil is even, truth is an odd number and death is a full stop. When a dog barks late at night and then retires again to bed, he punctuates and gives majesty to the serial enigma of the dark, laying it more evenly and heavily upon the fabric of the mind. Sweeny in the trees hears the sad baying as he sits listening on the branch, a huddle between the earth and heaven; and he hears also the answering mastiff that is counting the watches in the next parish. Bark answers bark till the call spreads like fire through all Erin. Soon the moon comes forth from behind her curtains riding full tilt across the sky, lightsome and unperturbed in her immemorial calm. The eyes of the mad king upon the branch are upturned, whiter eyeballs in a white face, upturned in fear and supplication. His mind is but a shell. Was Hamlet mad? Was Trellis mad? It is extremely hard to say. Was he a victim of hard-to-explain hallucinations? Nobody knows. Even experts do not agree on these vital points. Professor Unternehmer, the eminpnt German neurologist, points to Claudius as a lunatic but allows Trellis an inverted sow neurosis wherein the farrow eat their dam. Du Fernier, however. Professor of Mental Sciences and Sanitation at the Sorbonne, deduces from a want of hygiene in the author’s bed-habits a progressive weakening of the head. It is of importance the most inestimable, he writes, that for mental health there should be walking and not overmuch of the bedchamber. The more one studies the problem, the more fascinated one becomes and incidentally the more one postulates a cerebral norm. The accepted principles of Behavourism do not seem to give much assistance. Neither does heredity help for his father was a Galwayman, sober and industrious, tried and true in the service of his country. His mother was from far Fermanagh, a woman of grace and fair learning and a good friend to all. But which of us can hope to probe with questioning finger the dim thoughts that flit in a fool’s head? One man will think he has a glass bottom and will fear to sit in case of breakage. In other respects he will be a man of great intellectual force and will accompany one in a mental ramble throughout the labyrinths of mathematics or philosophy so long as he is allowed to remain standing throughout the disputations. Another man will be perfectly polite and well conducted except that he will in no circumstances turn otherwise than to the right and indeed will own a bicycle so constructed that it cannot turn otherwise than to that point Others will be subject to colours and will attach undue merit to articles that are red or green or white merely because they bear that hue. Some will be exercised and influenced by the texture of a cloth or by the roundness or angularity of an object. Numbers, however, will account for a great proportion of unbalanced and suffering humanity. One man will rove the streets seeking motor-cars with numbers that are divisible by seven. Well known, alas, is the case of the poor German who was very fond of three and who made each aspect of his life a thing of triads. He went home one evening and drank three cups of tea with three lumps of sugar in each, cut his jugular with a razor three times and scrawled with a dying hand on a picture of his wife good-bye, good-bye, good-bye.
Flann O'Brien, At Swim-Two-Birds
(Series: # )
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