The white pigeons finally took their perches, which were small plywood boxes lining the walls, but in their panic they had displaced each other, violating customary territories and upsetting altogether the pecking order, which led to a final round of fussing. “Mi dispiace,” Tony whispered to the white birds. I’m sorry, in Italian. Though Tony understood English, he preferred Italian. As did his birds, to his mind.
He gazed at the white pigeons, really doves, which he found so beautiful. Large and healthy, the hue of their feathers so pure Tony marveled that only God could make this color. Their pearliness contrasted with the inky roundness of their eye, which looked black but in fact was the deepest of reds, blood-rich. Tony even liked their funny bird-feet, with the flaky red scales and the toe in back with a talon as black as their eyes pretended to be. And he kidded himself into thinking that the doves behaved better than the other birds. More civilized, they seemed aware of how special they were.
The secret reason for the doves’ special status was that they were beloved of his son, who had finally stopped Tony from releasing them at weddings for a hundred fifty dollars a pop. Tony had thought it made a good side business; why not make some money to pay for the seed and medicines, plus keep the birds in shape during the off-season? And it made Tony happy to see the brides, whose hearts lifted at the flock of doves taking off outside the church, since you couldn’t throw rice anymore. It reminded his heart of his own wedding day, less grand than theirs, though such things didn’t matter when it came to love.
But his son had hated the whole idea. They’re not trained monkeys, Frank had said. They’re athletes.
So Tony had relented. “Mi dispiace,” he whispered again, this time to his son. But Tony couldn’t think about Frank now. It would hurt too much, and he had birds to feed.
He shuffled down the skinny aisle, and his old sneakers, their soles worn flat, made a swishing sound on the whitewash of the plywood floor. The floor had held up okay, unlike the screen door; Tony had built the loft himself when he first came to America from Abruzzo, sixty years ago. The loft measured thirty feet long, with the single door in the middle opening onto a skinny aisle that ran the short length of the building. It occupied all of Tony’s backyard, as if the loft and yard were nesting boxes. Off the aisle of the loft were three large chicken wire cages lined with box perches. The aisle ended in a crammed feed room, the seed kept safe from rats in a trash can, and there was a bookshelf holding antibiotics, lice sprays, vitamins, and other supplies, all labels out, in clean white shelves.
Tony prided himself on the neatness of his loft. He dusted the sills, cleaned the windows with the bright blue Windex, and scraped the floor of the cages twice a day, not once. It was important to the health of his birds. He whitewashed the loft interior each spring, before the old bird season; he had done it last week, experiencing a familiar pang—the chalky smell of the whitewash and its brightness reminded him of the white liquid shoe polish he used to paint over the scuffs on Frank’s baby shoes, when his son had started to walk. Tony remembered the shoe polish—they didn’t make it anymore—he would paint it on the stiff baby shoes with the cotton they gave you, stuck on a stick inside the cap like a white ball of dandelion seeds. Even though it dripped it worked okay.
Tony shook his head, thinking of it now, the chalky smell filling his nose like the fragrance of a rose. The bottle of polish had a blue paper label and a little circle picture of a blond-haired, blue-eyed baby who didn’t look anything like baby Frank, with his jet black curls and his big brown eyes. Somehow Tony had the idea that if he painted the watery polish on Frank’s baby shoes, his son would look like all the American babies and one day come to be one, even though Frank had the black hair and no mother. And when it actually happened and Frank grew up to take his place in this country, Tony was just superstitious enough to think that maybe it was the shoe polish.
Tony had to stop thinking about his son, though he couldn’t help it, not this morning, of all mornings, and he tried to concentrate on the first cage of doves, appraising with failing eyes their condition. The doves were settling down, roosting again, and they looked good, no big fights during the night. Tony worried about the fights; the birds were territorial and always bickering about something, and the white birds bruised easily. He wanted them to look especially nice and stay healthy. For Frank.
Tony shuffled down the aisle to the second and third cages, which held the multicolored birds, mostly Meulemans with their reddish-brown feathers, and Janssens. There were other breeds in shades of gray and brown, and the common slateys; a slate gray, their eyes generally the same dark brown. Tony liked the nonwhite breeds, too, the ordinariness of their plumage reminding him of himself; he wasn’t a flashy man, not a braggadocio. He didn’t have the strut that some men had, going about like cocks. It had been his ruin, but now that he was old, it didn’t matter anymore. It had stopped mattering a long time ago. Sixty years, to be exact.
His thoughts elsewhere, Tony watched the Janssens cooing and stirring without really seeing them. The breed name came from the Janssen family who had bred them, and the other names from the other families who had bred them; Tony had always dreamed that his family would produce its own strain of birds, but he wouldn’t name it after himself. He knew who he would name it after, but he didn’t get the chance. Many of the best breed stock came from Belgium and France. Italian pigeons also made good racers, but Tony wouldn’t have much to do with them, especially the so-called Mussolini birds. Anybody who had lived during Mussolini wouldn’t want anything to do with a Mussolini bird. Chi ha poca vergogna, tutto il mondo è suo. He who is without shame, all the world is his. Mussolini birds!
Tony was an old man with old memories. He wished he could spit on the loft floor, but he didn’t want to dirty it. Instead he stood trembling until the anger left him, except for the bitterness in his mouth. Shaken, he idly inspected the Meulemans, and they seemed fine, too. Only Tony had had the terrible morning. An awful morning; the worst he’d had in a long time, but not the worst he’d had in his life. The worst he’d had in his life was sixty years ago. That morning then, and this morning now. Today. Tony had thought he would feel better after, but he didn’t. He felt worse; he had committed an act against God. He knew that his judgment would come in heaven, and he would accept it.
His thoughts were interrupted by the Meulemans, cooing loudly, wanting to be fed, and his dark eyes went, as always, to his favorite bird of all, a Meuleman he had named The Old Man. The Old Man and Tony went back eighteen years; The Old Man was the oldest of Tony’s pigeons, and to look at him, Tony wasn’t sure who was the Old Man, him or the bird. The Old Man roosted peacefully in his corner perch in the second cage, his strong head held characteristically erect, his eyes clear and alert, and his broad breast a still robust curve covering his feet. Tony remembered the day the chick hatched, an otherwise typical slatey, apparently unremarkable at birth except for his eye sign. Eye sign, or the look in a pigeon’s eye, spoke to Tony, and The Old Man’s eyes told Tony that the bird would be fast and smart. And he had been the best, in his day.
“Come sta?” Tony asked The Old Man. How are you? But The Old Man knew exactly what he meant, and it wasn’t, “How are you?”
The Old Man regarded the old man for a long time then. Tony couldn’t help but feel that the old bird knew what he had done that morning, what had been so important as to keep Tony from feeding his birds on time. The Old Man knew why Tony had to do what he had done, even after all this time. And Tony knew that The Old Man approved.
It was then that Tony heard cars pulling up outside his house and in the alley right behind the loft, on the other side of the cinderblock wall. There was the slamming of heavy car doors, and Tony knew that they were police cars.
He had been expecting them.
But the birds startled at the sudden sound, taking flight in their cages, and even though Tony knew that the police were coming, he felt the hair rise on the back of his neck, as it used to so long
ago. He froze beside the cages as the police shouted English words he didn’t bother to translate, though he could, then they broke down the old wood door in the backyard wall, one, two, three pushes and it splintered and gave way to their shoulders and they burst into his yard, trampling his basil and tomatoes.
They were coming for him.
Tony didn’t run from them, he wouldn’t have anyway, but he remembered he had yet to feed his birds. He would have to hurry to finish before the police took him away. He shuffled to the feed room even as he caught sight of the police drawing their black guns silently, pointing instructions to each other, and two of them sneaking to the back door of his house like the cowards they were, little men hiding behind black shirts and shiny badges.
Tony’s gut churned with bile, and it struck him with astonishment that the deepest hate could rage like a fire for so many years, never burning itself up.
Dwelling with perfect comfort alongside the deepest love.
Copyright © 2001 by Lisa Scottoline. All rights reserved.
About the Author
Lisa Scottoline is a New York Times best-selling author and former trial lawyer. She has won the Edgar Award, the highest prize in suspense fiction, and the Distinguished Author Award, from the Weinberg Library of the University of Scranton. She has served as the Leo Goodwin Senior Professor of Law and Popular Culture at Nova Southeastern Law School, and her novels are used by bar associations for the ethical issues they present. Her books are published in over twenty languages. She lives with her family in the Philadelphia area and welcomes reader email at www.scottoline.com
ALSO BY LISA SCOTTOLINE
The Vendetta Defense
Moment of Truth
Mistaken Identity
Rough Justice
Legal Tender
Running from the Law
Final Appeal
Everywhere That Mary Went
Credits
Jacket design by Chip Kidd
Jacket photogragh by Marc Joseph/Nonstock
This is a work of fiction. The characters, incidents, and dialogues are products of the author's imagination and are not to be construed as real. Any resemblance to actual persons, living or dead, is entirely coincidental.
COURTING TROUBLE. Copyright © 2002 by Lisa Scottoline. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™.
PerfectBound ™ and the PerfectBound™ logo are trademarks of HarperCollins Publishers, Inc.
Mobipocket Reader edition v 1. June 2002 ISBN: 0-0607-6868-1
Print edition first published in 2002 by HarperCollins Publishers, Inc.
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Table of Contents
A LITTLE MORE ABOUT LISA
ONE NIGHT ON MY BOOK TOUR
THE NOVELS
EPIGRAPH
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
ACKNOWLEDGEMENTS
ABOUT THE AUTHOR
CREDITS
COPYRIGHT
ABOUT THE PUBLISHER
Everywhere That Mary Went
Final Appeal
Running From the Law
Legal Tender
Rough Justice
Mistaken Identity
Moment of Truth
The Vendetta Defense
Lisa Scottoline, Courting Trouble
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