"But it's our first gig and if we bail out on it, then Stella might not give us another chance." She pouts, giving me her saddest puppy-dog face, trying to guilt-trip me into it.

  "I'll tell you what," I say, turning onto the side road that leads to our apartment complex. "I'll fill in until you can find your own drummer, but I'm not quitting my band."

  She claps her hands and bounces up and down excitedly. "Thank you. Thank you. Thank you."

  I force a smile, hoping this doesn't come back to bite me in the ass. For one thing, I can picture Spalding getting pissed off because he thinks I'm cheating on the band or something. And Jaxon... well, God knows how that's going to go over if he knows I'm in a band with Lea and her new boyfriend.

  *

  "So what's the hell's bugging you?" Tristan asks me later that night as Lea, he, and I wander around the grocery store, attempting to plan some sort of Christmas eve meal for the three of us to have in just a couple of days. I can still feel the awkwardness from earlier and it only builds every time he gives me a more-than-friendly look, which has happened four times so far.

  "What do you mean?" I ask as I assess the frozen vegetable selection, tapping my finger on my lips as I decide which one to get.

  "I mean, why have you had a permanent frown on your face since Lea and you showed up at the apartment earlier?" he asks, rolling up the sleeves of his blue hooded jacket, which matches his eyes.

  "I'm just tired." I yawn, pretending to be exhausted, and I am, kind of. Mentally exhausted, anyway.

  He flirtingly bumps his shoulder into mine. "I know you're lying, so fess up. What the hell is making you so down?" He pauses. "It's not something with Quinton, is it?"

  I quickly shake my head. "No, nothing like that." I reach for the handle of the freezer door. "In fact, now that you've said that, it seems really stupid."

  "Tell me anyway," he says, reclining against the cart as he studies me. "Maybe I can help you with a problem and pay you back for all the times you've helped me out."

  I shouldn't do it. I know that.

  I glance around the aisle. Lea wandered off to get rolls, but that was a few minutes ago and I worry she might come back and hear me talking to him. "It's nothing. Just band stuff."

  "Like what?"

  I open the door and the freezer air hits me. "Lea wants me to help out in her band. Step in for the drummer until they can find a new one." I grab a bag of frozen corn and drop it into the cart. Then I let go of the door and it slams shut.

  "She's in a band?" he asks. "Since when?"

  "For a while, I guess."

  "So that's why she's been acting so weird, then?" he asks, and I nod. He muses over something, then asks, "And you don't want to help in her band out because she lied to you?" he asks, turning around and pushing the cart forward.

  "It's not that," I say, stopping in front of the frozen pie selection. "I don't want to help out because I worry that my band's going to get pissed off at me and kick me out."

  "Because the singer is Lea's old boyfriend?"

  "That, and Spalding takes everything so seriously."

  "That he does," Tristan agrees, opening the freezer door to grab an apple pie. "And I think that after only meeting him like twice."

  "So you get why I'm worried." I squeeze up to his side and select a chocolate pie.

  "Aha!" he practically screams, pointing a finger at the pie in my hand. "I picked the healthier choice."

  I roll my eyes as he grins. "Just because it has apples in it, doesn't mean that it's healthier."

  "It so totally does." He snatches the pie out of my hand, flips it over, and starts reading the back. Then he puts it into the cart and starts reading the back of the apple pie, his goofy attitude dissipating. "Shit, the apple sounds almost worse than the chocolate."

  "Told ya." I give him a cocky grin as he puts the other pie into the cart.

  "And I'm telling you that everything's going to be okay with your band," he says, draping his arm over my shoulder. I tense. Stop breathing. My mind searching for away to shrug him off without being too obvious. "You don't give yourself enough credit for how much people love you. If they get pissed, just show them that sweet smile and I'm sure they'll forgive you."

  "You're giving me and my smile way too much credit." I pretend to step forward and assess the selection of pies again.

  "No way." He moves forward with me and touches my bottom lip with his fingertip. "I'm not giving it enough credit." His tongue slips out and wets his lips as his eyes zone in on mine.

  I swallow hard. Shit. This can't be happening. This can't be happening.

  As he looks at me with this sort of lustful look, I realize I just might have more problems than my band getting mad at me. I can see it in his eyes--he's thinking about kissing me. Right here in the grocery store. I should take off running, right down the aisle, but I freeze in place, worried that if I reject him like that, it could mess up how good everything's going.

  My thoughts are racing in a distorted stream that doesn't make sense and the closer Tristan's lips get to mine, the blurrier everything around me becomes. I feel a shift, one I want to run the hell away from. Not just out of the store, but back in time to when life didn't seem so complicated. Back when I was sure about everything. Yet I keep standing in place. Motionless. About to ruin everything.

  Thankfully, Lea turns the corner with two bags of rolls in her hand. "Okay, so I couldn't decide what kind to get," she says, dropping the bags into the cart. "So I got both." She gives us a funny look as Tristan steps back, stuffing his hands into his pockets, and I start picking at my nails.

  "Two bags is fine," Tristan says indifferently. "You never can have too many rolls."

  Lea looks at him like he's crazy, but Tristan ignores her and roams up the aisle, glancing at the crackers-and-cookies section like it's the most fascinating thing in the world.

  "Did you guys almost just kiss?" Lea hisses as I wrap my fingers around the handle of the cart.

  I swiftly shake my head. "No."

  She raises her eyebrows at me. "Don't lie to me, Nova Reed."

  "I'm not," I say in a low voice, pushing the cart forward.

  But I am lying. Because I know I wouldn't have moved away if he'd kissed me. But for what reason, I'm not sure.

  By the time I get back to the apartment, I feel like a terrible person. I end up going into my room, locking my door, cranking up my music, and pretending I don't hear Tristan when he knocks or Lea when she hollers for me to come watch a movie with her. Instead I sit on my bed and take out my photo album dedicated to Landon. I relax back in bed, leaning against the headboard, and start turning the pages. I can't help but smile at the good pictures, the ones where Landon looks really happy. The ones of our good moments. There weren't many, which makes it hard to remember them sometimes and easier to remember the sad times because there were so many. But when things were good, they were amazing.

  Finally, after I'm on the verge of tearing up, I decide to get out my camera and record myself. I set the camera on my nightstand and aim it at myself as I turn the pages of the album.

  "Once upon a time, there was a girl who liked to look at things on a positive side a lot," I say as I stare at a picture of myself grinning at the camera, a picture Landon took; his finger ended up covering part of the lens. "She had such hope inside her that everything was going to turn out okay. That despite the tragedy with her dad, she would grow up and be happy." I turn the page and then run my fingers across a picture of Landon with his head tipped down as he stares at something on the ground, his backyard in the background. "What she didn't realize is that tragedy was going to hit her again and her happily-ever-after wouldn't exist anymore. And she'd be left feeling lost for the longest time." I flip the page over to a picture of Landon and me together, one where he's kissing my cheek and I'm laughing because his hair tickles me. I think it might be one of my favorites. "She'd eventually find her way back to a good life again, for the most part, anyway. But when
it came to relationships, she'd be confused and she'd analyze it all the time, who she was supposed to end up with in life. But an answer would never come to her and she'd eventually start wondering if maybe she was just supposed to be alone in the world." I sit up and pull my knees up to my chest, resting my chin on top of them, and stare down at a picture that captured a moment that was gone as soon as the flash died. "That maybe her heart would always belong to a ghost." As soon as I say it, though, I know it's not true. Yes, Landon did take a piece of my heart with him the day he died, but not the entire thing. I know because I can feel a pull to someone else at the moment.

  I lean over to my nightstand, open the drawer, and take out Quinton's sketches, which I picked up from his apartment floor in Vegas when he disappeared from my life. I unfold them and then run my fingers across the lines and shadings. One of them is of Lexi, his girlfriend who died in the car accident. The way he captures her, the dark lines drawn with such passion, lets me know how much he cared about her. The second is a picture of himself, only half of his face is skeletal, and then the final one is of me. The lines aren't dark and full of passion like Lexi's. They're actually really light, like he was afraid to draw me or something. I wonder if he was--if he still is afraid of me.

  I get up and turn my music down, then go get my phone out of my jacket pocket before returning to my bed. Once I get situated on the bed, I take a deep breath and dial Quinton's number. I haven't told him I have his drawings, because I'm not sure how he'll react.

  But he doesn't answer and I end up lying in my bed, feeling so alone.

  Chapter 9

  Quinton

  I'm feeling decent today after I get back from work. Tired, but tired can be a good thing. It helps me block out all the boxes in the house when I walk inside, and the fact that in about ten minutes I'll be heading right back out the door isn't too bad either.

  "Hey, you're home early," my dad says, cutting me off in the foyer. He's dressed in old jeans and a faded shirt and he's wiping his hands on a towel.

  "I could say the same thing to you," I tell him, reaching for the phone in my pocket as it vibrates, but I get distracted by something. "Why are you home?"

  He tosses the towel down on the back of the chair in the living room. "I actually have some news," he says. "My boss wants me to go over to Virginia a little bit early. Next week, actually."

  "Are you kidding me?" I frown, pulling my hand out of my pocket without checking my phone. "Please tell me you're kidding me."

  He shakes his head with an apologetic expression. "But don't worry. It's going to take me a few weeks to get a place set up there, so I figure you can stay here while I do."

  "Stay here for a few weeks and then what? I move to Virginia?" I shake my head, hurrying for the stairs. "I already told you I don't want to do that."

  "I know what you said, but that's just how things are," he says, catching hold of my arm before I get too far. It's weird that he's touching me because he never does. In fact, when I really think about it he never has. I can even remember thinking how weird it was when he gave me a handshake at my middle school graduation.

  "Well, I'm not moving." I turn to face him and he swiftly lets go of me.

  "Quinton, I understand how you feel." He gives me a look of pity as he rolls up his sleeves. "But sometimes we just have to do things we don't want to do."

  "I know that, but I just can't move across the country," I say, folding my arms. "I'm going to find somewhere else to live."

  "Do you have enough money saved up for that?" he wonders as he reaches for a folded-up box on the floor near the front door.

  I unzip my coat. "No, but I'll figure something out." I think about what Nova said about getting a roommate. "I'll get a roommate or something."

  "Are you sure that's what you want to do?" He places the box on the floor beside his feet. "Because..." He massages the back of his neck tensely. "Because I was really looking forward to you coming to Virginia with me."

  I'm wondering if he really means it or not. It's hard to tell with him, but I want to believe that he does, so that's how I'm choosing to see things. "I want--need to stay here."

  "But I worry about you living alone and what might happen," he says. "I worry that you might relapse."

  "If it's going to happen, then it's going to happen," I say, rubbing some paint off the back of my hand. "But I don't want it to happen and staying here and doing what I'm doing is going to make it more possible for me to stay out of trouble." I hope. I've been doing good. Haven't wandered in places I don't belong. Haven't lost control. I just hope nothing triggers me to do otherwise.

  He unfolds the box. "Well, if you absolutely need to stay at the house, then you can until the new buyers move in, which I think is next month." He backs into the living room and picks the packing tape up off of the sofa. "But Quinton, I just want to make sure that you stay in touch with me this time."

  I nod and then go up into my room to change out of my painting clothes and get my work clothes on. I put on holey jeans, an insulated coat, then some gloves, pulling a gray beanie onto my head. I'm glad my dad and I finally talked and everything, but I still have the huge problem of finding a place and saying good-bye to this home and all the memories it carries.

  As I'm getting ready to head down the stairs, I glance around at the sketches and photos on the wall. I still haven't taken them down. Still holding on. I stare at a picture of Lexi on the wall, the one where she's smiling so brightly it makes me want to smile with her. I lift my hand and touch my finger to the photo, noting how badly my hand shakes.

  "Will you forgive me?" I ask, my hands still shaking as I pull the photo off the wall, feeling something break in half inside me. "If I keep going forward this way... keep healing instead of dying?" I wish I could hear her say yes. I wish that for just one moment I could hear her voice and she would let me go.

  But of course the only response I get is silence and I know that I'll never hear her voice again. As I go to put the picture back on the wall, I draw back and decide that maybe this is the first step to moving forward. That this is it.

  "I can do this," I tell myself, then walk over to my nightstand and put the photo in the drawer. The moment I do, it feels like I've done something wrong. But I still walk away from the room. Step by step. Trying to move forward, even though I can feel an invisible pull drawing me back. To her. Begging me to put that picture on the wall and never let go. Never change anything. Just keep holding on until it kills me.

  *

  "Do you want to tell me what's got you so upset?" Wilson asks me as I hammer a nail into a piece of wood. We're inside the house, although it's not really inside. Two-by-fours make up the walls, the floor is plywood and the roof isn't even close to being finished. The air smells like sawdust and my hands feel like sandpaper. The sound of power tools encircles me and it just quit raining so everything's wet and the temperature is low. But I like everything about it. It helps me somewhat forget that I took down one of Lexi's photos today. And that I'm going to be homeless soon. And that through all of this I have to feel everything because I decided to become sober.

  "I'm not upset." I toss the hammer aside and then reach for another board. "I'm just working through some stuff."

  "Well, maybe if you tell me what, then I can help you work through it?" He rolls up the sleeves of his worn plaid jacket, even though it's cold, because we've been working hard so it feels hotter than it is. I align the board into place and he steps up with the nail gun. "Come on, Quinton," he says, putting the tip of the nail gun up against the wood. "Just give it up and share what the hell's got you looking so cranky."

  I hold the board in place while he shoots some nails into it, then he sets the nail gun down and picks up his water bottle. "Fine," I say, stepping away from the now-sturdy board. There are rows around us and soon the Sheetrock and insulation will go up to make walls. It's an amazing thing to be a part of--it really is. "My dad's moving to Virginia in like a week and I have no place
to stay because he's selling our house."

  He takes a swig of his water while I sit down on the floor and retrieve my pack of cigarettes from my pocket. "Why don't you just go with him?" he asks.

  "Because of all this." I remove a cigarette from the pack as I gesture around the partially built house. "I don't just want to give it all up."

  He sits down on the floor beside me and stretches out his legs in front of him. "You know you can do this stuff anywhere, right? You can even do other stuff and still get the same experience."

  "Yeah, but." I put the cigarette into my mouth and reach for my lighter in my pocket. "I'm comfortable here." I cup my hand around the end of the cigarette. "And I like how things are going here." I light the cigarette and inhale before blowing out smoke. Part of me wants to run and call Nova, because she'd try to cheer me up and figure out solutions, instead of telling me that I should probably go with my dad. And she probably could even help me deal with taking down the photos. Talk me down. Get me to see things in a different light--a brighter light. Because she always makes things seem ten times better.

  Wilson takes another swig of his water before screwing the cap back on. "All right, I'm going to throw an idea out there and see where it goes." He rises to his feet and sets the water down before picking up the nail gun again. "Why don't you live with me for a little while? At least until you can get on your feet."

  I give him an unfathomable look. "Are you seriously offering me your place?"

  He shrugs as he lifts the cord of the nail gun over a pile of wood it's snagged on. "Sure, why not?"

  "Because it would be weird," I point out. "Having a twenty-year-old ex-junkie living with you."

  "Well, since I'm a thirty-five-year-old ex-junkie, I don't think that's too big of a deal," he says. "Besides, I'm barely there anyway."

  I get to my feet, grazing my thumb across the bottom of the cigarette and scattering ash all over the floor. "Why?"

  "Because I travel around a lot to do this." He gestures around the construction site, where the sounds of hammers and power tools are going off all around us. "In fact, you could always do that, too. You'd have a place to live while we're on the road and when you're here you can stay at my place, until you're ready to get a place of your own." He points his finger at me. "Now there's an idea."